The minute in the previous post's timestamp
suggests a review —
See also Post-It Aesthetics
and posts tagged Story of N.
The minute in the previous post's timestamp
suggests a review —
See also Post-It Aesthetics
and posts tagged Story of N.
On Boston's Hancock Tower:
"I reflect that all art, all beauty, is reflection."
— Fictional character by John Updike (July 1976)
The architect of the tower reportedly died Monday.
See as well "Reflections: Disturbing the Universe I"
by the late Freeman Dyson in The New Yorker
issue dated August 6, 1979.
A reflection I prefer:
Last night's 11:59 PM post linked to some news from Slovenia —
"Ulay, the performance artist whose provocative collaborations with
Marina Abramovic often led them to push each other to extremes,
died on Monday at his home in Ljubljana, Slovenia. He was 76."
— Alex Marshall in The New York Times
Ljubljana last appeared in this journal on August 10, 2011, in a post
titled "Objectivity."
A number related to that concept —
Less objectively —
— Performance artist who reportedly died today. See . . .
See also https://www.li-ma.nl/lima/sites/default/files/
Concept%20programme%20Transformation%20Digital%20Art%20Symposium
%2019%2620%20March%2C%202020%20-%20LIMA%20%283%29.pdf.
What are you, 12?
I'm 8. What are you reading?
Just a Western.
What does that mean? Is it good?
Pretty good.
What's the story?
I haven't finished it yet.
[Link added.]
Read more: https://www.springfieldspringfield.co.uk/
movie_script.php?movie=once-upon-a-time-in-hollywood
Freeman Dyson on his staircase at Trinity College
(University of Cambridge) and on Ludwig Wittgenstein:
“I held him in the highest respect and was delighted
to find him living in a room above mine on the same
staircase. I frequently met him walking up or down
the stairs, but I was too shy to start a conversation.”
Frank Close on Ron Shaw:
“Shaw arrived there in 1949 and moved into room K9,
overlooking Jesus Lane. There is nothing particularly
special about this room other than the coincidence that
its previous occupant was Freeman Dyson.”
— Close, Frank. The Infinity Puzzle (p. 78).
Basic Books. Kindle Edition.
See also other posts now tagged Trinity Staircase.
Illuminati enthusiasts may enjoy the following image:
See as well "Up the Trinity Staircase" (yesterday afternoon)
and "British Pottery" (Log24 , December 22, 2018).
Roberta Smith on Donald Judd’s BY ALEX GREENBERGER February 28, 2020 1:04pm If Minimalist artist Donald Judd is known as a writer at all, it’s likely for one important text— his 1965 essay “Specific Objects,” in which he observed the rise of a new kind of art that collapsed divisions between painting, sculpture, and other mediums. But Judd was a prolific critic, penning shrewd reviews for various publications throughout his career—including ARTnews . With a Judd retrospective going on view this Sunday at the Museum of Modern Art in New York, ARTnews asked New York Times co-chief art critic Roberta Smith— who, early in her career, worked for Judd as his assistant— to comment on a few of Judd’s ARTnews reviews. How would she describe his critical style? “In a word,” she said, “great.” . . . . |
And then there is Temple Eight, or Ex Fano Apollinis —
Cicero, In Verrem II. 1. 46 —
He reached Delos. There one night he secretly 46 carried off, from the much-revered sanctuary of Apollo, several ancient and beautiful statues, and had them put on board his own transport. Next day, when the inhabitants of Delos saw their sanc- tuary stripped of its treasures, they were much distressed . . . .
Delum venit. Ibi ex fano Apollinis religiosissimo noctu clam sustulit signa pulcherrima atque anti- quissima, eaque in onerariam navem suam conicienda curavit. Postridie cum fanum spoliatum viderent ii qui Delum incolebant, graviter ferebant . . . .
"I know then that the story is there, buried in what I call
my magma. It’s absolute chaos but the novel is in there,
lost in a mass of dead elements, superfluous scenes
that will disappear or scenes that are repeated several
times from different perspectives, with different characters.
It’s very chaotic and makes sense only to me. But the story
is born under there."
— Mario Vargas Llosa, interviewed in The Paris Review ,
Issue 116, Fall 1990
Vargas Llosa is the author of "Aunt Julia and the Scriptwriter."
See also a Log24 search for "Seix Barral."
For scriptwriter-related remarks by one Julia Carmel in yesterday's online
New York Times , see an obituary about a Tuesday, Feb. 25, death.
See also Log24 posts from Tuesday, Feb. 25, now tagged Deutsche Schule .
https://www.spectator.co.uk/2020/02/
the-restless-spirit-of-the-enlightenment/
See as well instances of "to and fro" in this journal.
Or: The Newman Prize Continues.
Freeman Dyson reportedly died today. In memoriam ,
some remarks by Dyson from Hiroshima Day 1979 —
(Click to enlarge.)
From the author who in 2001 described "God's fingerprint"
(see the previous post) —
From the same publisher —
From other posts tagged Triskele in this journal —
Other geometry for enthusiasts of the esoteric —
Monday, November 4, 2019
As Above, So Below*
|
|
Usage example —
(Click to enlarge.)
See also the previous post as well as PG(3,2),
Schoolgirl Space, and Tetrahedron vs. Square.
"Dirk Pitt is a fictional character created by American novelist Clive Cussler
and featured in a series of novels published from 1976 to 2009. Pitt is a
larger-than-life hero reminiscent of pulp magazine icon Doc Savage."
"Algebra is the offer made by the devil to the mathematician."
— Sir Michael Atiyah, quoted here in Two Views of Finite Space.
Author Clive Cussler, who reportedly died Monday at 88 —
“I detested school,” he told Publishers Weekly in 1994.
“I was always the kid who was staring out the window.
While the teacher was lecturing on algebra, I was on
the deck of a pirate ship or in an airplane shooting down
the Red Baron.”
Related material —
An image I saved on Oct. 26, 2016 —
Related New York Times opinion from that
same date —
"Every political movement in a democracy is
shaped like a pyramid — elite actors on the top,
the masses underneath."
The Sternheim Portrait (For Harlan Kane)
From last night's 1:01 AM post —
Detail —
This portrait is of German playwright Carl Sternheim.
Steve Martin's version of Sternheim's 1910 play "The Underpants"
reportedly opened on November 3, 2006.
My own interests on that date lay elsewhere . . .
Related abstract art —
"Although art is fundamentally everywhere and always the same,
nevertheless two main human inclinations, diametrically opposed
to each other, appear in its many and varied expressions. ….
The first aims at representing reality objectively, the second subjectively."
— Mondrian, 1936 [Links added.]
An image search today (click to enlarge) —
"Remembering speechlessly we seek
the great forgotten language . . . ."
"At the point of convergence by Octavio Paz, translated by Helen Lane
|
See also other posts now tagged Transparent Things.
Also on January 27, 2017 . . .
For other appearances of John Hurt here,
see 1984 Cubes.
Update of 12:45 AM Feb. 22 —
A check of later obituaries reveals that Hurt may well
have died on January 25, 2017, not January 27 as above.
Thus the following remarks may be more appropriate:
Not to mention what, why, who, and how.
… An abstract artist who reportedly died at 93 yesterday.
A search in this journal for Shubnikov yields…
"Raiders of the Lost Stone" (December 26, 2017).
“Continue to exercise caution with stories that can only be
corroborated by dead guys."
— Intelligence officer Frank Anderson in the previous post.
“Continue to exercise caution with stories that can only be
corroborated by dead guys. Fabricated stories are almost
never made up out of whole cloth, but are made by stitching
together generally known facts with bits of uncheckable fantasy.”
— Intelligence officer Frank Anderson, who reportedly
died on January 27, 2020.
This journal on that date —
The 759 octads of the Steiner system S(5,8,24) are displayed
rather neatly in the Miracle Octad Generator of R. T. Curtis.
A March 9, 2018, construction by Iain Aitchison* pictures the
759 octads on the faces of a cube , with octad elements the
24 edges of a cuboctahedron :
The Curtis octads are related to symmetries of the square.
See my webpage "Geometry of the 4×4 square" from March 2004.
Aitchison's p. 42 slide includes an illustration from that page —
Aitchison's octads are instead related to symmetries of the cube.
Note that essentially the same model as Aitchison's can be pictured
by using, instead of the 24 edges of a cuboctahedron, the 24 outer
faces of subcubes in the eightfold cube .
Image from Christmas Day 2005.
* http://www.math.sci.hiroshima-u.ac.jp/branched/files/2018/
presentations/Aitchison-Hiroshima-2-2018.pdf.
See also Aitchison in this journal.
"Nothing opens up new spaces…."
— Book description from the University of Chicago Press,
shown here on February Ninth, 2020:
See as well the Roman Polanski film "The Ninth Gate" and
an obituary reporting a death on February Ninth.
"… while at the end I didn't yearn for spectacular special effects,
I did wish for spectacular information–something awesome,
not just a fade to white." — Roger Ebert, March 10, 2000
Remarks by Rosalind Krauss in the previous post suggest a look at …
Then there is the universal beauty of oneself :
Jung's Four-Diamond Figure from Aion—
This figure was devised by Jung
to represent the Self.
See also "True Grid " in this journal.
Rosalind Krauss "If we open any tract– Plastic Art and Pure Plastic Art or The Non-Objective World , for instance– we will find that Mondrian and Malevich are not discussing canvas or pigment or graphite or any other form of matter. They are talking about Being or Mind or Spirit. From their point of view, the grid is a staircase to the Universal, and they are not interested in what happens below in the Concrete. Or, to take a more up-to-date example…."
"He was looking at the nine engravings and at the circle,
"And it's whispered that soon if we all call the tune
The nine engravings of The Club Dumas
An example of the universal— or, according to Krauss,
"This is the garden of Apollo, the field of Reason…." |
See as well . . .
"… And the song of love's recision . . . ." — E. L. Doctorow
The title is a phrase by Einstein (see previous post).
Related material — Posts now tagged Declamation.
“Pure mathematics is, in its way, the poetry of logical ideas.
One seeks the most general ideas of operation which will
bring together in simple, logical and unified form the largest
possible circle of formal relationships. In this effort toward
logical beauty spiritual formulas are discovered necessary
for the deeper penetration into the laws of nature.”
— Albert Einstein, May 1, 1935, obituary for Emmy Noether
(Quoted in part, without source, in Quanta Magazine yesterday.)
Once Upon a Time in New Hampshire
See as well this journal on the above date,
in posts tagged "Semiotic Watchman."
The novel Zero Sum Game by S. L. Huang is reviewed in the
March 2020 Notices of the American Mathematical Society .
For the same novel in this journal, see posts tagged Berlekamp’s Game.
On Feb. 11, Christian Lawson-Perfect posed an interesting question
about mappings between square and triangular grids:
For the same question posed about non -continuous bijections,
see "Triangles are Square."
I posed the related non– continuous question in correspondence in
the 1980's, and later online in 2012. Naturally, I wondered in the
1980's about the continuous question and conformal mappings,
but didn't follow up that line of thought.
Perfect last appeared in this journal on May 20, 2014,
in the HTML title line for the link "offensive."
"So ist das Selbst auch das Ziel des Lebens…."
"The Self is our life's goal…."
— Carl Jung, as quoted and translated by Paul Bishop in
The Dionysian Self (de Gruyter, 1995, p. 344).
His goal, perhaps.
Happy birthday to Sophia Lillis, who turns 18 today.
The above new URL fano.space redirects to finitegeometry.org/sc.
[Steam calliope plays] As a stationary object,
it always needs to be activated.
— Kara Walker at
Backstory —
See also this journal on the above "catastrophe" weekend.
Or: Plato's Cave.
See also this journal on November 9, 2003 …
A post on Wittgenstein's "counting pattern" —
But more, much more than that …
… She did it side ways.
In some earlier news from Development Hell —
See as well this journal's report of a death on that date.
From the May Day 2016 link above, in "Sunday Appetizer from 1984" —
The 2015 German edition of Beautiful Mathematics , a 2011 Mathematical Association of America (MAA) book, was retitled Mathematische Appetithäppchen — Mathematical Appetizers . The German edition mentions the author's source, omitted in the original American edition, for his section 5.17, "A Group of Operations" (in German, 5.17, "Eine Gruppe von Operationen")—
That source was a document that has been on the Web since 2002. The document was submitted to the MAA in 1984 but was rejected. The German edition omits the document's title, and describes it as merely a source for "further information on this subject area." |
From the Gap Dance link above, in "Reading for Devil's Night" —
“Das Nichts nichtet.” — Martin Heidegger.
And "Appropriation Appropriates."
See the title in this journal. Related material —
"Aimee Lucido's New Yorker puzzle" (answers shown)
in Diary of a Crossword Fiend, and The Demolished Man
in this journal.
The 15 2-subsets of a 6-set correspond to the 15 points of PG(3,2).
(Cullinane, 1986*)
The 35 3-subsets of a 7-set correspond to the 35 lines of PG(3,2).
(Conwell, 1910)
The 56 3-subsets of an 8-set correspond to the 56 spreads of PG(3,2).
(Seidel, 1970)
Each correspondence above may have been investigated earlier than
indicated by the above dates , which are the earliest I know of.
See also Correspondences in this journal.
* The above 1986 construction of PG(3,2) from a 6-set also appeared
in the work of other authors in 1994 and 2002 . . .
Addendum at 5:09 PM suggested by an obituary today for Stephen Joyce:
See as well the word correspondences in
"James Joyce and the Hermetic Tradition," by William York Tindall
(Journal of the History of Ideas , Jan. 1954).
“The dialectic is the play that the last instance opens up
between itself and other ‘instances’, but this dialectic is
materialist: it is not played out up in the air, it is played out
in the play opened up by the last instance, which is material.”
— Louis Althusser, as quoted by Christopher Bray at
https://thecritic.co.uk/issues/february-2020/inveterate-ignoramus/
See also Althusser in this journal.
* A weblog motto. See …
http://enowning.blogspot.com/
2007/07/alfred-denkers-dictionary-on-ereignis.html.
That Ereignis post is dated July 3, 2007.
Related material for the Church of Synchronology —
"The deepest strain in a religion is the particular
and particularistic doctrine it asserts at its heart,
in the company of such pronouncements as
‘Thou shalt have no other Gods before me.’
Take the deepest strain of religion away…
and what remains are the surface pieties —
abstractions without substantive bite —
to which everyone will assent
because they are empty, insipid, and safe."
— Stanley Fish, quoted here on July 3, 2007…
The opening date of the film "Transformers."
The opening pronouncement of "Transformers" —
From a New York Times obituary today recounting
the life of a psychoanalyst who reportedly died at 94 on
January 16 —
"Dr. Shengold began treating Dr. Sacks in 1966 for
an amphetamine addiction. He continued to see him for
nearly a half-century.
'Above all, Shengold has taught me attention,'
Dr. Sacks said in an interview in 2012 for the website
Web of Stories, an archive of stories told by prominent
scientists and other people. 'And what is sometimes
called listening with a third ear — listening to what is
behind the babble.' "
The New Yorker, issue dated July 23, 2007, page 42:
“While out-of-body experiences have the character of
a perceptual illusion (albeit a complex and singular one),
near-death experiences have all the hallmarks of mystical
experience, as William James defines it….”
— Oliver Sacks,“A Bolt from the Blue”
The New Yorker, same issue, page 70:
From Martin Heidegger's
Contributions to Philosophy (From Enowning) ,
Translated by Parvis Emad and Kenneth Maly,
Indiana University Press, 1999 (first published in German
in 1989 as Beiträge zur Philosophie (Vom Ereignis) but
written in 1936-1938 —
"The 'between' [das Zwischen ] is the simple 'bursting open'
that enowns be-ing to a being, which up until then is held back
from what is ownmost to it and is not yet to be named a being.
This 'bursting open' is the clearing for the sheltered. But the
'bursting open' does not disperse. and the clearing is not a mere
emptiness.
The 'between' [das Zwischen ] which bursts open gathers
what it removes into the open of its strifing and refusing
belongingness, moves unto the ab-ground , out of which everything
(god, man, world, earth) recoils in swaying into itself and thus leaves
to be-ing the unique decidedness of en-ownment."
— 270, "The Essential Sway of Be-ing" (p. 341)
"Enownment and enstrifing, historical grounding and decision,
uniqueness and the onefold, what has the character of
the between [Zwischenhafte ] and the cleavage [Geklüft ] —
they never name the essential sway of be-ing as properties
but rather in each case the whole essential swaying* of its essential
sway."
— 270, "The Essential Sway of Be-ing" (p. 342)
* For "swaying" as "unfolding," see (for instance)
the Stanford Encyclopedia of Philosophy and
also George Kovacs, Thinking and Be-ing in Heidegger's
Beiträge zur Philosophie (Vom Ereignis) ,
Zeta Books, 2015.
The previous post suggests other Kuhnian remarks.
The Institute of the above title is not the one recently imagined
by Stephen King, but the one associated with a mathematician
who died on January 26 (Paul Newman's birthday).
For the Ashtray, see Ash Wednesday Surprise (March 9, 2011) and
https://opinionator.blogs.nytimes.com/
2011/03/06/the-ashtray-the-ultimatum-part-1/.
Ereignis in the Stanford Encyclopedia of Philosophy —
Further aspects of the essential unfolding of Being are revealed by what is perhaps the key move in the Contributions—a rethinking of Being in terms of the notion of Ereignis, a term translated variously as ‘event’ (most closely reflecting its ordinary German usage), ‘appropriation’, ‘appropriating event’, ‘event of appropriation’ or ‘enowning’. (For an analysis which tracks Heidegger's use of the term Ereignis at various stages of his thought, see Vallega-Neu 2010). The history of Being is now conceived as a series of appropriating events in which the different dimensions of human sense-making—the religious, political, philosophical (and so on) dimensions that define the culturally conditioned epochs of human history—are transformed. Each such transformation is a revolution in human patterns of intelligibility, so what is appropriated in the event is Dasein and thus the human capacity for taking-as (see e.g., Contributions 271: 343). Once appropriated in this way, Dasein operates according to a specific set of established sense-making practices and structures. In a Kuhnian register, one might think of this as the normal sense-making that follows a paradigm-shift. — Michael Wheeler, 2011 |
See as well "reordering" in Sunday evening's post Tetrads for McLuhan
and in a Log24 search for Reordering + Steiner.
See as well a Steiner book cover in Art Space, a post of May 7, 2017.
A sequel to Xmas Eve 2019 —
* "Ereignis appears in Heidegger's later works
and is not easily summarized." — Wikipedia
"I like to put people on myself by skipping logical steps
in the conversation until they're dizzy." — Jemima Brown
in The Eiger Sanction
Related posts — See "McLuhan Tetrad" in this journal.
Related theology — See "The Meaning of Perichoresis."
Background — The New Yorker , "On Religion:
Richard Rohr Reorders the Universe," by Eliza Griswold
on February 2, 2020, and a different reordering in posts
tagged Eightfold Metaphysics.
Prominent in the oeuvre of art theorist Rosalind Krauss, the Klein group
is a four-element group named for Felix Christian Klein.
It is commonly known as the four-group.
Mathematicians sometimes call this group
"V," for its German name, Vierergruppe .
For those who prefer narrative to mathematics —
Today's Brattle Theatre films celebrate the work of Agnès Varda.
A search for Varda in this journal in turn suggests a search for
Aion-related posts.
Within that search, the post "Icons" (Sept. 16, 2011) is not unrelated
to yesterday's post "Notes for a Blue Guitar."
All this is, of course, mere dreamlogic .
Gravatar at the weblog of Peter J. Cameron —
Same Gravatar in blue —
Synchronology check —
Click Lukasiewicz for further remarks.
Cover Design: Will Staehle / Unusual Co.
This post is in memory of "Wes Wilson, Psychedelic Poster Pioneer,"
who died at 82 on January 24, according to the NY Times today.
Related material — This journal on January 24.
… is reviewed by the American Mathematical Society (AMS) in
the February 2020 issue (online Jan. 27) of the AMS Notices :
See as well Simplicity Conference in this journal.
From "Point," a Log24 post on St. Andrew's Day 2012 —
"….mirando il punto
a cui tutti li tempi son presenti"
— Dante, Paradiso , XVII, 17-18
For instance…
Related material —
From University Diaries by Margaret Soltan Farewell mein Lieber herr Goodbye mein Lieber herr It was a fine affair but now it's over And though we made you Chair You're not allowed to share We're better off without you mein herr Your talent was a Thousand Talents wide mein herr Your chemistry with China mesmerized mein herr It's really no surprise to find you lied mein herr But that's why FBI Watched you spy... |
* See "Jewel Box" in this journal.
From Mosaic Logic, a post of September 3, 2017 —
“Lord Arglay had a suspicion that the Stone would be
purely logical. Yes, he thought, but what, in that sense,
were the rules of its pure logic?”
—Many Dimensions (1931), by Charles Williams
In memory of a screenwriter who reportedly died today —
“Ms. Frank… lived in Laurel Canyon in the Hollywood Hills….”
— The New York Times today
“Here, under the shadow of the great tree, I have found peace.”
— Mike Nichols in 1965
Two of the thumbnail previews
from yesterday's 1 AM post …
Further down in the "6 Prescott St." post, the link 5 Divinity Avenue
leads to …
A Letter from Timothy Leary, Ph.D., July 17, 1961
Harvard University July 17, 1961
Dr. Thomas S. Szasz Dear Dr. Szasz: Your book arrived several days ago. I've spent eight hours on it and realize the task (and joy) of reading it has just begun. The Myth of Mental Illness is the most important book in the history of psychiatry. I know it is rash and premature to make this earlier judgment. I reserve the right later to revise and perhaps suggest it is the most important book published in the twentieth century. It is great in so many ways–scholarship, clinical insight, political savvy, common sense, historical sweep, human concern– and most of all for its compassionate, shattering honesty. . . . . |
The small Morton Prince House in the above letter might, according to
the above-quoted remarks by Corinna S. Rohse, be called a "jewel box."
Harvard moved it in 1978 from Divinity Avenue to its current location at
6 Prescott Street.
Related "jewel box" material for those who
prefer narrative to mathematics —
"In The Electric Kool-Aid Acid Test , Tom Wolfe writes about encountering
'a young psychologist,' 'Clifton Fadiman’s nephew, it turned out,' in the
waiting room of the San Mateo County jail. Fadiman and his wife were
'happily stuffing three I-Ching coins into some interminable dense volume*
of Oriental mysticism' that they planned to give Ken Kesey, the Prankster-
in-Chief whom the FBI had just nabbed after eight months on the lam.
Wolfe had been granted an interview with Kesey, and they wanted him to
tell their friend about the hidden coins. During this difficult time, they
explained, Kesey needed oracular advice."
— Tim Doody in The Morning News web 'zine on July 26, 2012**
Oracular advice related to yesterday evening's
"jewel box" post …
A 4-dimensional hypercube H (a tesseract ) has 24 square
2-dimensional faces. In its incarnation as a Galois tesseract
(a 4×4 square array of points for which the appropriate transformations
are those of the affine 4-space over the finite (i.e., Galois) two-element
field GF(2)), the 24 faces transform into 140 4-point "facets." The Galois
version of H has a group of 322,560 automorphisms. Therefore, by the
orbit-stabilizer theorem, each of the 140 facets of the Galois version has
a stabilizer group of 2,304 affine transformations.
Similar remarks apply to the I Ching In its incarnation as
a Galois hexaract , for which the symmetry group — the group of
affine transformations of the 6-dimensional affine space over GF(2) —
has not 322,560 elements, but rather 1,290,157,424,640.
* The volume Wolfe mentions was, according to Fadiman, the I Ching.
** See also this journal on that date — July 26, 2012.
The phrase "jewel box" in a New York Times obituary online this afternoon
suggests a review. See "And He Built a Crooked House" and Galois Tesseract.
"Hum a few bars, Steely Dan."
Related material — "For 6 Prescott Street" and "SAT."
_________________________________________________________________
Links' thumbnail previews —
"SAT"
The New York Times promoting paranoia on Jan. 24, 2020 —
"The fruit of that victory was a new economic logic that I call
'surveillance capitalism.' Its success depends upon one-way-mirror
operations engineered for our ignorance and wrapped in a fog of
misdirection, euphemism and mendacity. . . ."
"It’s not surprising that so many of us rushed to follow the bustling
White Rabbit down his tunnel into a promised digital Wonderland
where, like Alice, we fell prey to delusion."
Block those metaphors. |
Alan Portner on Jan. 24, reviewing a current Kansas City production
of David Auburn's 2000 play "Proof" —
"PROOF is a term from the world of
high level theoretical mathematics.
It is a mathematical expression that
describes a new conceptual idea."
My reaction to this production and to the review —
Quote Investigator on May 4, 2010* —
"QI has traced the core of the quotation
to the work of an early researcher in
artificial intelligence, Anthony Oettinger,
who was trying to get a computer to
manipulate the English language."
See as well Oettinger in 1963.
"And that was the state of the art."
— Adapted from Stephen Sondheim
* Cf. this journal on that date.
… Suggests the word dreamlogic. And so …
"You are getting sleepy, very sleepy …"
"In this state of free-association, each new thought
resembles or overlaps or somehow connects-to
the previous thought. As our alertness continues to fall —
as we continue to grow more tired — we lose contact with
external reality.
'The sweetness/ of the gentle world you had made for him
dissolving beneath/ his drowsy eyelids, into the foretaste of
sleep — .' (Rilke, transl. Stephen Mitchell.) Eventually we
sleep and dream."
— Edge.org, "Dream-logic, the Internet and Artificial Thought,"
by David Gelernter [7.7.10]
"Old men ought to be explorers." — T. S. Eliot.
Rose the Hat in her younger days.
See as well Barsotti in this journal.
"… nothing could be demarcated as 'hors d'oeuvre'…"
— Geoffrey Hartman in his Haskins Lecture for 2000
(quoted here on Columbus Day, 2004).
See also May Day 2016 and Gap Dance.
And now for something completely different . . .
"With Mr. Lehrer reporting from Washington and Mr. MacNeil
from New York, the program sought to represent all sides of
a controversy by eliciting comments from rivals for public
attention. But the anchors deliberately drew no sweeping
conclusions of their own about disputed matters, allowing
viewers to decide for themselves what to believe.
The approach had its drawbacks. An extended presentation
of authoritative voices offering conflicting viewpoints left
some viewers dissatisfied, if not confused. Many found the
technique elitist and dull, and even some critics called it
boring — or, worse, a willful refusal by Mr. Lehrer and Mr.
MacNeil to make hard judgments about adversarial issues
affecting the public interest."
See also the previous two posts.
A followup to the previous post:
Related material — A web page on chess cached for use in a
Log24 post on the date of the above post, Columbus Day, 2004.
In memoriam —
"Doug co-founded the Secure Machine Learning research group
in 2004, focused on defining how adversaries can influence and
manipulate machine learning algorithms and how to make them
robust against such attacks, culminating in a recently published
book, Adversarial Machine Learning , with a colleague and two
former students."
From Wallace Stevens, "The Man with the Blue Guitar":
IX
And the color, the overcast blue
Of the air, in which the blue guitar
Is a form, described but difficult,
And I am merely a shadow hunched
Above the arrowy, still strings,
The maker of a thing yet to be made . . . .
"Arrowy, still strings" from the diamond theorem
"it remains only to choose a pleasing arrangement of {1, 2, … 7}
to label the eye-in-the-pyramid points.
there are, as it’ll turn out, 168 of ’em that’ll work."
— Comment at a weblog on November 27, 2010.
See also Log24 on that date.
The 11/27/2010 comment was on a post dated November 23, 2010.
See also Log24 on that date.
"Freshman Seminar Program Department Administrator Corinna S. Rohse
described the program’s courses, which allow students to study subjects
that vary from Sanskrit to the mathematical basis for chess, as
'jewel-like: small and incredibly well-cut.' "
— The Harvard Crimson , Dec. 10, 2008
For remarks related to Sanskrit, chessboard structure, and "jewel-like"
mathematics, see A Prince of Darkness (Log24, March 28, 2006).
See also Walsh Functions in this journal and …
Lecture notes on dyadic harmonic analysis
(Cuernavaca, 2000)
Compare and contrast these remarks of Pereyra with the following
remarks, apparently by the same Corinna S. Rohse quoted above.
* Location of the Harvard Freshman Seminar program in the 2008
article above. The building at 6 Prescott was moved there from
5 Divinity Avenue in 1978. When the seminar program was started
in the fall of 1959, it was located in a house at 8 Prescott St. (In
1958-1959 this was a freshman dorm, the home of Ted Kaczynski.)
Richard H. Masland and I were in a Harvard freshman seminar together
in the 1960-61 academic year. From a Crimson article on the program —
"Freshman Seminar Program Department Administrator Corinna S. Rohse
described the program’s courses, which allow students to study subjects
that vary from Sanskrit to the mathematical basis for chess, as
'jewel-like: small and incredibly well-cut.' "
This suggests a review of Log24 posts now tagged Four Gates.
"This interplay of necessity and contingency
produces our anxious— and highly pleasurable—
speculation about the future path of the story."
— Michel Chaouli in "How Interactive Can Fiction Be?"
(Critical Inquiry 31, Spring 2005, page 613.)
See also . . .
Continuing previous Modal Diamond Box posts:
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