From a New York Times online obituary today
by Bill Friskics-Warren —
"a role fulfilled with preternatural command"
The same meter in the Wikipedia article Alexandrine —
"Ye sacred Bards, that to your harps' melodious strings…"
From a New York Times online obituary today
by Bill Friskics-Warren —
"a role fulfilled with preternatural command"
The same meter in the Wikipedia article Alexandrine —
"Ye sacred Bards, that to your harps' melodious strings…"
From posts in a search for Aurora —
Some R.I.P. backstory from a recent film, "Passengers" — DECK TWO – LIBRARY – DAY Aurora sits at a library workstation . . . AURORA
What about research articles, any kind of WORKSTATION Hibernation technology is proprietary. |
We put the ass in class .
See as well my own remarks on the above keynote date — Sunday, Jan. 22, 2012.
* See images from the film's Berlin premiere on Sunday, Feb. 8, 2015 as well as
Log24 posts tagged Autism Sunday 2015 .
"Spiel ist nicht Spielerei." — Fröbel.
"… thinking starts with a problem, a difficulty, a contradiction."
— The late Arthur Mattuck of MIT in last night's post Gestalt .
"The 'technical support' is an underlying ground for aesthetic practice
that supports the work of art as canvas supported oil paint."
— MIT Press on the book by Rosalind Krauss titled Under Blue Cup .
From Grid View and List View (Log24, 15 April 2021) —
In memory of an emeritus MIT professor who reportedly
died on October 8, 2021 —
"Thinking starts with a problem
Located somewhere between behaviorism and introspection,
the school of gestalt psychology teaches that thinking starts
with a problem, a difficulty, a contradiction. It sounds like a truism,
yet is widely ignored in practice. Teachers say their aim is to get
their students to think, yet in classroom after classroom they
violate this psychological principle by giving the solution before
there is any problem."
— Arthur Mattuck in . . .
This is a sequel to yesterday's post Query .
Along with Pawbeats, I'd rather look at Little Caprice.
From the Los Angeles Review of Books today —
But did he ever find the church basement of Western philosophy?
See http://narthex.site.
"Why is this message in spam?"
Good question.
Image courtesy of Hollywood Jesus:
When you wish upon a star…
The three favicons below may be interpreted
as logos representing "A-OK* Space."
"Fans can have the ultimate GAP Band experience
by visiting the members' childhood home and walking
the north Tulsa streets that gave the band its famous
name – Greenwood, Archer and Pine."
— https://www.travelok.com/music-trail/
itineraries/the-gap-band-hometown
*
The above title was suggested by the phrase "in which" . . .
Related material — An interview with author Susanna Moore from
the above date — January 29, 2013 — quoted here earlier today in …
The Author of In the Cut on Perception.
Susanna Moore
Adults may prefer Moore to the Christian witch
Madeleine L'Engle, another admirable writer.
The works of both Moore and L'Engle are much
better than damned fantasies of caped crusaders.
From the Log24 post Literary Notes (March 10, 2015) —
We’ve talked before about how feeling different from the people around us – “mutant” was the word you used – informs or underpins the burgeoning writer’s mentality. Could you expand on that? By mutant, I mean that state in childhood and adolescence of isolation, sometimes blissful, often bewildering, when you realize that you have little in common with the people closest to you – not because you are superior in intelligence or sensitivity, but because you perceive the world in an utterly different way, which you assume to be a failing on your part. It was only through reading and discovering characters who shared that feeling that I realized when I was about 14 that I wasn’t insane. And yes, I think that the sensation, the awareness and then the conviction that your perception of the world is not what might be called conventional, is essential to the making of an artist. It is a little like speaking a different language from the people around you – it affords you solitude, but it also means that you are sometimes misunderstood.
— From an interview by Glen Duncan |
The title number is an image file size:
Midrash for showbiz types —
Details from "Variation on a Simple Tune" —
“And you can tell everybody this is your song…”
See "Empty Quarter."
Related superimposition —
Caption in the above image:
"It's me, Paul Newman, speeding by in my racing car."
See as well yesterday's All Souls' Day post Figure Studies .
From that opening date — June 25, 2021 — in this journal:
"We have much to discover." — Saying attributed to Midrash for Doctorow — |
The Fraction 25/24 —
Numbers Revisualized —
25
24
For the Archive —
"Play is not playing around." — Friedrich Fröbel
Except when it is . . .
Abbey Drucker, Figure Study in Motion , Instagram, Nov. 2, 2021.
Related graphic meditation —
"The resulting figures look rather unimpressive
until they are superimposed, but then they yield
a variety of surprisingly orderly figures."
"Henry Miller is a master, and an appropriate example."
But not the only master . . .
From a post at midnight on the night of Jan. 7-8, 2018:
"The resulting figures look rather unimpressive
until they are superimposed, but then they yield
a variety of surprisingly orderly figures."
Context: See the tag The Overnight Case .
See as well a search in this journal for "Double Day."
See as well "Red Mountain," "Green Mountain," "Black Mountain,"
and of course "Cold Mountain."
Meanwhile, back at the New Yorker on November 1 —
"Nonetheless, they clearly shared a devotion to the diary form,
and, like Fredericks, Nin was determined to chronicle her 'reality and truth'
with unflinching honesty. Her diaries documented not only her volatile affairs
with Henry Miller and . . . ."
The PLATA on the sign at right means "silver." The car in the foreground
is turning left onto Jardín Juárez, a street named for the plaza it adjoins
in Cuernavaca, Morelos, Mexico.
An image suggested by Stacy Martin this morning —
Hoisting the Colours —
"I now know that she bursts into laughter when reading Dostoyevsky,
and that she has a weird connection with a retired mathematician."
— Ann Cathrin Andersen in Brygg Magazine on artist Josefine Lyche,
December 9, 2017
"I used her, she used me, but neither one cared." — Bob Seger
Maureen Dowd in The New York Times yesterday, describing an interview
with former Google top executive Eric Schmidt —
"Schmidt said an Oxford student told him, about social media poison,
'The union of boredom and anonymity is dangerous.'
Especially at the intersection of addiction and envy."
A related street scene —
My response to an Instagram story on Michaelmas 2021 —
An ad page you might like — "The epitome of multipurpose,
these balms can be used for lips, hands and any other bits
of skin that need a little extra TLC." —
https://www.petitvour.com/products/
vegan-lip-balm-sweet-orange-tangerine
Related material —
See as well Joseph Wambaugh's classic novel The Golden Orange .
*
“There she stood in the doorway; I heard the mission bell….”
Background:
The above image is from a Log24 post of Saturday, June 27, 2020.
That is also the date of version 3 of . . .
See too . . .
From a post of June 28, 2020 —
"David Solomon Katz was born in Brooklyn to Jewish immigrant parents from
Eastern Europe on Oct. 23, 1916, and grew up in a neighborhood famous for
the gangsters of Murder Inc. …."
Further context —
"His early movie credits include 'The Lusty Men' (1952), a western, directed by
Nicholas Ray and starring Susan Hayward and Robert Mitchum…."
— Bruce Weber in The New York Times , Sept. 9, 2010
See posts so tagged — Bridge Race.
See as well this post's tag — Bridge Riddle.
The above tags were suggested by a remark
at forum.wordreference.com dated July 21, 2011,
and by a check of this journal on that date.
Some context: Tolkien on tengwesta .
The above title is from Northrop Frye —
"Is it possible* that understanding the nature of clarity and order
can cast suspicion on the very ideas of clarity and order?"
— Douglas Sadao Aoki, University of Alberta, "The Thing Never
Speaks for Itself: Lacan and the Pedagogical Politics of Clarity,"
Harvard Educational Review , Vol. 70, No. 3, Fall 2000,
Copyright © by President and Fellows of Harvard College.
Related scholarly citation by Aoki —
The cited source:
* For the diamond as a symbol of possibility , see modal diamond box .
From a Thursday morning, Oct. 21, Instagram post —
Related cinematic meditation —
The above scene is from Babylon A.D. (August 2008).
Related question from an early edition of Trivial Pursuit —
"Does Uranus have an aurora?"
Related drama for Brechtians — Branded , The Zero Theorem ,
and, from my own efforts of August 2008 . . .
In search of Frye's "powder-room of the Muses" — See 3×3.
From an Instagram post today:
As for SIX — the non-musical —
For further details, see Lost in the Matrix.
Clue:
The clue leads to . . .
The above Spratt date leads to . . .
The above snark from this journal leads to . . .
… as well as …
"On September 2, 2020, at the age of 59,
David Graeber died of necrotizing pancreatitis
while on vacation in Venice. The news hit me
like a blow. How many books have we lost,
I thought, that will never get written now?
How many insights, how much wisdom,
will remain forever unexpressed? The appearance of
The Dawn of Everything: A New History of Humanity
is thus bittersweet, at once a final, unexpected gift
and a reminder of what might have been."
— William Deresiewicz
This is from The Atlantic on St. Luke's Day, 2021.
Note the article's illustration, and related material from
this journal on the date of the death described above:
Yesterday morning's post "First Step" quoted an essay by Michael Spitzer
published online in Aeon on October 18 —
https://aeon.co/essays/
can-music-give-you-an-orgasm-the-short-answer-is-yes .
A look at earlier essays in that publication reveals . . .
Related material — From a search for Wertheim in this journal —
“Space: what you
damn well have to see.”
— James Joyce, Ulysses
"He was born David Finkelstein in New York
on Aug. 30, 1921. His father, Jonathan, was
a writer who used Finn as a pen name and
then legally changed the family name to Finn
when David was in high school."
Sometimes way behind.
From "Music and Sex," by Michael Spitzer, online at Aeon "Pattern and anticipation are possible only because humans have a grasp of regular time intervals. Our ability to predict what comes next is linked to the evolution of walking on two feet, to bipedalism. Walking might have taught our brain its sense of time, and time is perhaps the brain’s internal simulation of the periodic motion of footsteps (averaging about one step every several 100 milliseconds). In other words, the first step towards human music happened 4 million years ago…." |
Christoph Niemann, cover artist of the Oct. 18, 2021, New Yorker:
"I love the New York City grid. My favorite thing about
Central Park is the shape—a perfect, large rectangle."
See Leiber in this journal.
The above title, from a Oregon professor's writings quoted in this morning's
midnight-hour post, suggests a memory-hole date . . .
The above Crypt remarks are dated October 7, 2019.
Also on that date . . .
The online New York Times yesterday on a dead adman —
"His childhood hero was Bill Mauldin, the Pulitzer Prize-winning
editorial cartoonist, whose drawings Mr. Kennedy traced while
learning to draw."
Some will prefer the Hawkline Monster version of heroes —
"Before time began, there was the Cube." — Optimus Prime
See also Design Cube.
* According to The Wall Street Journal … and possibly also
dead on October 11th, according to The New York Times .
Any professional mathematician interested in trying out Slack
at the new workspace mathnex.slack.com ("Mathematics") can request
an invitation by sending an email (from his or her .edu address) to …
membership-requests-aaaaey3utm5icm42ujxnz2alza@mathnex.slack.com .
Click the image below for a discussion of Slack use among academic
colleagues within a department. The new Mathematics workspace is
intended for communication within subject areas , not departments.
This is made possible by Slack's channels… Separate channels can
easily be set up for separate subject areas: analysis, group theory, etc.
In memory of an editor/author who reportedly died on September 12 . . .
Vide an anthology he edited that was published on November 1, 2013,
and two Log24 posts from that date —
See the title phrase in this journal.
See also posts from last August tagged Storyville.
See Josh Lederman's AP story on this year's
colorful White House Halloween decorations.
Orange and black are also the Princeton colors.
See as well The Crosswicks Curse.
* "Story space" is a phrase from Log24 on September 12.
Author Martin Sherwin reportedly died on Wednesday, October 6, 2021.
He wrote a biography of J. Robert Oppenheimer titled American Prometheus .
Oppenheimer is noted for his quotation from the Bhagavad-Gita, 11:32 —
"I am become death."
Another death date: that of author John Montague* — December 10, 2016.
Perhaps Montague would enjoy a Log24 post from that date.
* Author of "Death of a Chieftain." See tonight's previous post.
"Remarkable in the collection–and indeed in contemporary short fiction–
is the title story, whose tequila-sodden and heart-heavy protagonist,
Bernard Corunna Coote, is a lapsed Ulster Protestant seeking traces of
a lost Celtic civilization in South America."
— Publishers Weekly on Death of a Chieftain by John Montague
See as well a related obituary.
The title is that of a novel by John le Carré — apparently his last —
reviewed this morning in the online New York Times by Joseph Finder:
" The great Graham Greene didn’t quite take his own
spy novels seriously, labeling them 'entertainments,'
but le Carré revamped the genre to fit his considerable
ambitions. 'Out of the secret world I once knew,' he wrote,
'I have tried to make a theater for the larger worlds we inhabit.' "
The title suggests an image related to another novel …
Under the Volcano , by Malcolm Lowry (1947) —
The PLATA on the sign at right means "silver." The car in the foreground
is turning left onto Jardín Juárez, a street named for the plaza it adjoins
in Cuernavaca, Morelos, Mexico.
As for "to make a theater" . . .
My own modest efforts along those lines include a Log24 post
from le Carré's date of death:
"Drop me a line" — Imagined request by Emma Stone.
Here Ec refers not to the line it interrupts, but rather to
the area (equal to areas Ea plus Eb ) of the large triangle.
The notation is in service of an elaborate joke by Schroeder
that need not be repeated here.
I prefer the E-C humor of Robert A. Heinlein —
“Einstein on the Beach” is a pivotal work in the oeuvre of Philip Glass. It is the first, longest, and most famous of the composer's operas, yet it is in almost every way unrepresentative of them. For “Einstein” is much more than the usual uneven collaboration between a librettist and composer. From its beginnings, worked out between Glass and the theater artist Robert Wilson over a series of luncheons at a restaurant on New York's Sullivan Street in 1974, this was truly a team effort. |
See as well Joyce and Einstein on the Beach (Log24, March 8, 2020).
Related material — Diamond Pivot.
From a book by Schultz, who reportedly died on Sept. 28:
Seeking continues (in this case, seeking the source) . . .
From the previous post —
For the connection between His Dark Materials and The Four Elements ,
see Darkness at Noon (Log24, Jan. 31, 2011).
November 2020 — Billboard at a La Brea Chevron: His Dark Materials
October 2021 — Nearby billboard: Guilty Party
Log24 on Sept. 18 — The Guilty Party acorn hat:
♫ The way you wear your hat . . .
UK mathematician Peter J. Cameron today —
"If I could send a message to the world leaders
who will soon assemble…."
Cameron quotes a number of phrases from Bob Dylan's 1963 song
"A Hard Rain's A-Gonna Fall."
A line from the song that I particularly like:
"I saw a highway of diamonds with nobody on it."
A more popular thoroughfare: The Giant's Causeway.
Note the book subtitle below: "minutes from an infinite paradise."
For further details, see other posts tagged Revelado.
See also previous references to Menand in this journal.
Diamond and Chessboard
(For Crystal Field)
"… Mr. Ferencz was a favorite of Crystal Field,
the co-founder and artistic director of Theater for the New City.
'He had the political and historical understanding that is a necessity
for socially relevant theater,' she said in a statement.
'He was a Brechtian director….' "
— Neil Genzlinger in The New York Times
"In the first trailer for The Hunt … we meet a woman by the name of
Crystal (Betty Gilpin) who discovers that although she's been told
she's in Arkansas, when she pulls a license plate off a car, she
discovers a Croatian one underneath."
See also the previous post, featuring work by a filmmaker from Zagreb.
From Dancing in the Moonlight (Log24, July 27) —
For those who prefer really tiny dancers (Humbert Humbert, etc.) —
The balero in an Oct. 3 post suggests a search for the feminine form
of that term. The result:
Click to enlarge the balera image.
Related viewing — The portrayal of a very young dancer in
the 2015 film "A Beautiful Now." I find the film's older version
of that dancer, played by Abigail Spencer, of greater interest.
Compare and contrast:
The October 1 American Mathematical Society essay
titled "Decomposition," and . . .
"Decomposition" in this journal.
Komansky reportedly died on Sept. 27. See other
global-minded news on that date in this journal.
This morning on Instagram, before it went down —
Sophia Lillis puts her best foot forward :
Related reading for fiction fans —
* The name is from a New Yorker cover bearing today's date.
Goes to Facebook !
https://www.nytimes.com/2021/10/04/
technology/facebook-down.html —
"Facebook’s global security operations center
determined the outage was 'a HIGH risk to
the People, MODERATE risk to Assets and
a HIGH risk to the Reputation of Facebook,'
the company memo said.
A small team of employees was soon dispatched
to Facebook’s Santa Clara, Calif., data center to
try a 'manual reset' of the company’s servers,
according to an internal memo."
On this date 15 years ago, other Santa Clara news . . .
* See today's previous post, Bookstores.
On the New Yorker cover bearing today's date —
There may be better company at . . .
In search of lost time …
"A Portrait of the Writer as a Young Woman"
in The New Yorker , issue dated October 4, 2021,
contains diary and notebook writings from 1948 through 1950
by Patricia Highsmith, who has appeared here previously.
Another (undated) portrait, from the Web —
The above photographic portrait is undated, but it was
posted on 21 February 2006. This journal's posts
on that date have been tagged, in Highsmith's honor …
Now Lens .
The New York Times reports a Sept. 20 death —
See also Red Dot Problems from the date of Codevilla's death.
Review in Variety , August 13, 2021, by Jay Weissberg —
" Audiences heading for the doors during the final credits
will miss this crucial coda in which Hawke says he didn’t
really understand the script and then goes on to spout
innocuous platitudes about death, life and the start of
a new day, ending it all with 'yes, this is part of the film.' ”
This, on the other hand, is presumably not part of the film —
See "The Shining of May 29" in this journal.
"It was the first expression of
the first global-minded generation
born on the planet."
Related material —
From the Log24 post
Art Direction
(July 23, 2021) —
Related images suggested
by today's news —
"Program or be programmed."
♫ The way you wear your hat . . .
The way your smile just beams . . .
Later . . .
Richie Havens performed onstage at
the Woodstock Music and Arts Fair
in Bethel, New York, August 15, 1969.
Havens in Rolling Stone — I thought, "Oh, God, they're going to kill me. I'm not going out there first. What, are you crazy?" It was about 2:30 or 3 p.m. on Friday afternoon, and the concert was already almost three hours late. I was supposed to be fifth on the bill, but the other entertainers were still at the hotel, seven miles away. I thought, "Jeez, they're gonna throw beer cans at me because the concert's late." So I did a little fast talking, a little rap, and then I did a nearly three-hour set, until some of the others finally showed up. My bass player, Eric Oxendine, had gotten caught in the traffic on the New York State Thruway. He abandoned his car 30 miles away and walked, and he arrived just as we got offstage. When we left the festival, there wasn't another car on the thruway except ours. For 75 miles cars were parked five deep. That was the most surrealistic thing I've ever seen in my life. My fondest memory was realizing that I was seeing something I never thought I'd ever see in my lifetime — an assemblage of such numbers of people who had the same spirit and consciousness. And believe me, you wouldn't want to be in a place with that many people if they weren't like-minded! It was the first expression of the first global-minded generation born on the planet. Live Aid was a baby Woodstock, a child of Woodstock, which I call Globalstock. The history of the be-in is interesting. Originally it wasn't just about music. It was: "Let's go out to the park and throw Frisbees and be with each other." It went from that to the Monterey Pop Festival, which was a nonprofit concert in 1967, and from that came the hint: "Let's try to do one of these things, but let's try to make some money." That's where their heads were at, but that didn't happen. It turned into the world's largest be-in, which I call the Cosmic Accident. It was totally unexpected. The organizers thought that if it were like Monterey Pop — which drew 50 to 60,000 people — they'd make off like bandits. However, there were about 400,000 people the first afternoon, and it was free before it started. The only people who made off like bandits was Warner Bros., who got the movie rights. So the merits of Woodstock being love, peace, and harmony still stand on pillars of "Let's make money." That's what it was in the beginning. The consciousness was realized afterward. The movie chronicled that consciousness. It didn't make a big deal out of the music. You saw some of the musicians playing a song or two, but it was less than half the musicians who performed. So it wasn't a true depiction of what happened onstage, but you did see members of the older generation, like the police chief, saying, "Leave the kids alone, the kids are great, they're not bothering anybody." That was much more influential than the music on the people who went to see it. Woodstock wasn't just sex, drugs and rock & roll. Thank God for the movie, because the people who saw it got a touch of the Woodstock spirit, the spirit of people just being people. A version of this story was originally published in the August 24th, 1989 print edition of Rolling Stone. |
An attempt to clear up confusion sown by a Christian witch.
The above OED quotations omit a notable instance of the phrase in
T. S. Eliot's "The Waste Land" drawn from a Jacobean dramatist —
The Log24 date above, September 7, recurs in recent mathematics —
See as well a post on the so-called Hungarian Algorithm.
"Link in bio" in the above April 12 Instagram post is to
thebaremagazine.com/home/sophia-lillis .
See as well "In Search of Beauty Bare" and
a different site, also created on April 12 . . .
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