From the Log24 search Form + MLA —
See . . .
as well as . . .
Some related resources from Malcolm Lowry—
"…his eyes ranged the Consul's books disposed quite neatly… on high shelves around the walls: Dogme et Ritual de la Haute Magie , Serpent and Siva Worship in Central America , there were two long shelves of this, together with the rusty leather bindings and frayed edges of the numerous cabbalistic and alchemical books, though some of them looked fairly new, like the Goetia of the Lemegaton of Solomon the King , probably they were treasures, but the rest were a heterogeneous collection…."
— Under the Volcano , Chapter VI
— and from Matilde Marcolli—
Seven books on analytical psychology
See also Marcolli in this morning's previous post, The Garden Path.
For the relevance of alchemy to form, see Alchemy in this journal.
* See Fire Temple as well as the previous post and . . .
Letters to Goya, by James Magee, October 5, 2019.
(That 2019 Magee performance was at The Crowley Theater
in Marfa . . . NOT named for Aleister Crowley.)
The Log24 version (Nov. 9, 2005, and later posts) —
VERBUM
|
See also related material in the previous post, Transformers.
Stanley Fish in The New York Times yesterday evening—
From the MLA program Fish discussed—
Above: An MLA session, “Defining Form,” led
by Colleen Rosenfeld of Pomona College
An example from Pomona College in 1968—
The same underlying geometries (i.e., “form”) may be modeled with
a square figure and a cubical figure rather than with the triangular
figures of 1968 shown above.
See Finite Geometry of the Square and Cube.
Those who prefer a literary approach to form may enjoy the recent post As Is.
(For some context, see Game of Shadows.)
“Who knows where madness lies?”
— Rhetorical question
in “Man of La Mancha”
(See previous entry.)
Using madness to
seek out madness, let us
consult today’s numbers…
Pennsylvania Lottery
Nov. 22, 2006:
Mid-day 487
Evening 814
The number 487 leads us to
page 487 in the
May 1977 PMLA,
“The Form of Carnival
in Under the Volcano“:
“The printing presses’ flywheel
marks the whirl of time*
that will split La Despedida….”
From Dana Grove,
A Rhetorical Analysis of
Under the Volcano,
page 92:
“… a point of common understanding
between the classic and romantic worlds.
Quality, the cleavage term between
hip and square, seemed to be it.”
— Robert M. Pirsig
Rebecca Goldstein
The 8/14 entry also deals with
Rebecca Goldstein, who
seems to understand
such cleavage
very well.
(See also today’s previous entry.)
* Cf. Shakespeare’s “whirligig of time“
linked to in the previous entry.)
In memory of Humphrey Carpenter, author of The Inklings, who attended The Dragon School. Carpenter died a year ago today.
"Lewis began with a number of haunted images…."
"The best of the books are the ones… where the allegory is at a minimum and the images just flow."
"'Everything began with images,' Lewis wrote…."
From Paul Preuss,
Broken Symmetries
(see previous entry):
From
Verbum Sat Sapienti?
Relativity Blues
Today, February 20, is the 19th anniversary of my note The Relativity Problem in Finite Geometry. Here is some related material.
In 1931, the Christian writer Charles Williams grappled with the theology of time, space, free will, and the many-worlds interpretation of quantum mechanics (anticipating by many years the discussion of this topic by physicists beginning in the 1950's).
(Some pure mathematics — untainted by physics or theology — that is nevertheless related, if only by poetic analogy, to Williams's 1931 novel, Many Dimensions, is discussed in the above-mentioned note and in a generalization, Solomon's Cube.)
On the back cover of Williams's 1931 novel, the current publisher, William B. Eerdmans Publishing Company of Grand Rapids, Michigan, makes the following statement:
"Replete with rich religious imagery, Many Dimensions explores the relation between predestination and free will as it depicts different human responses to redemptive transcendence."
One possible response to such statements was recently provided in some detail by a Princeton philosophy professor. See On Bullshit, by Harry G. Frankfurt, Princeton University Press, 2005.
A more thoughtful response would take into account the following:
1. The arguments presented in favor of philosopher John Calvin, who discussed predestination, in The Death of Adam: Essays on Modern Thought, by Marilynne Robinson
2. The physics underlying Einstein's remarks on free will, God, and dice
3. The physics underlying Rebecca Goldstein's novel Properties of Light and Paul Preuss's novels Secret Passages and Broken Symmetries
4. The physics underlying the recent so-called "free will theorem" of John Conway and Simon Kochen of Princeton University
5. The recent novel Gilead, by Marilynne Robinson, which deals not with philosophy, but with lives influenced by philosophy — indirectly, by the philosophy of the aforementioned John Calvin.
From a review of Gilead by Jane Vandenburgh:
"In The Death of Adam, Robinson shows Jean Cauvin to be the foremost prophet of humanism whose Protestant teachings against the hierarchies of the Roman church set in motion the intellectual movements that promoted widespread literacy among the middle and lower classes, led to both the American and French revolutions, and not only freed African slaves in the United States but brought about suffrage for women. It's odd then that through our culture's reverse historicism, the term 'Calvinism' has come to mean 'moralistic repression.'"
For more on what the Calvinist publishing firm Eerdmans calls "redemptive transcendence," see various July 2003 Log24.net entries. If these entries include a fair amount of what Princeton philosophers call bullshit, let the Princeton philosophers meditate on the summary of Harvard philosophy quoted here on November 5 of last year, as well as the remarks of November 5, 2003, and those of November 5, 2002.
From Many Dimensions (Eerdmans paperback, 1963, page 53):
"Lord Arglay had a suspicion that the Stone would be purely logical. Yes, he thought, but what, in that sense, were the rules of its pure logic?"
A recent answer:
"We symbolize logical necessity
with the box
and logical possibility
with the diamond
— Keith Allen Korcz,
(Log24.net, 1/25/05)
And what do we
symbolize by ?
"The possibilia that exist,
and out of which
the Universe arose,
are located in
a necessary being…."
— Michael Sudduth,
Notes on
God, Chance, and Necessity
by Keith Ward,
Regius Professor of Divinity
at Christ Church College, Oxford
(the home of Lewis Carroll)
Mental Health Month:
The Lottery Covenant
Here are the evening lottery numbers for Pennsylvania, the Keystone state, drawn on Monday, May 19, 2003:
401 and 1993.
This, by the sort of logic beloved of theologians, suggests we find out the significance of the divine date 4/01/1993.
It turns out that April 1, 1993, was the date of the New York opening of the Stephen Sondheim retrospective “Putting It Together.”
For material related to puzzles, games, Sondheim, and Mental Health Month, see
Notes on
Literary and Philosophical Puzzles.
The figures below illustrate some recurrent themes in these notes.
“Not games. Puzzles. Big difference. That’s a whole other matter. All art — symphonies, architecture, novels — it’s all puzzles. The fitting together of notes, the fitting together of words have by their very nature a puzzle aspect. It’s the creation of form out of chaos. And I believe in form.”
— Stephen Sondheim, in Stephen Schiff,
“Deconstructing Sondheim,”
The New Yorker, March 8, 1993, p. 76
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