"Godard, in the final analysis, expands the Warburgian programme
of iconology into that of a cinematographic iconology of the interstice."
— The author of the essay quoted in the previous post.
"Godard, in the final analysis, expands the Warburgian programme
of iconology into that of a cinematographic iconology of the interstice."
— The author of the essay quoted in the previous post.
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