Log24

Monday, April 18, 2022

A Space Between

Filed under: General — Tags: , , — m759 @ 12:14 pm

From yesterday's post "Annals of Iconic Simplicity" —

On the founding of Princeton Architectural Press:

"'There was a space between the academic,
theory-heavy M.I.T. Press and the coffeetableism
of Rizzoli,' Mr. Lamster wrote, adding that
Princeton Architectural Press would fill the gap
with 'the voice of the young practitioner.'"

Some context —

Iconic Simplicity

Filed under: General — Tags: , — m759 @ 11:38 am

An illustration from posts tagged Holy Field GF(3) —

IMAGE- Elementary Galois Geometry over GF(3)

See also a Log24 search for "Four Gods."

Sunday, April 17, 2022

Annals of Iconic Simplicity

Filed under: General — Tags: — m759 @ 4:16 pm

The New York Times today has an obituary for
Kevin Lippert, the founder and publisher of
Princeton Architectural Press, who reportedly
died at 63 on March 29, 2022.

“'There was a space between the academic,
theory-heavy M.I.T. Press and the coffeetableism
of Rizzoli,' Mr. Lamster wrote, adding that
Princeton Architectural Press would fill the gap
with 'the voice of the young practitioner.'

Mr. Lippert championed emerging architects.
He published Steven Holl’s seminal architectural
manifesto, 'Anchoring,' in 1989, and wrote the
introduction to the book of the same name.
Mr. Holl, in a tribute to Mr. Lippert on his website,
called him 'a committed intellectual and impresario
for the culture of architecture.'”

— Katharine Q. Seelye, April 17, 2022, 2:21 p.m. ET

From the cited tribute to Lippert on Holl's website —

"An excerpt from his publisher’s foreword to Anchoring 

In its iconic simplicity, his work seems to be about
the language of architecture, not in the allusive sense
used by postmodernists nor in the paradigmatic sense
used by so-called 'deconstructivists' but at the level of
essences of tropes and morphs He is the only
American architect of his generation to be directly
influenced by the main lines in modern philosophy and
music, that is to say, by the line leading from Husserl
through to Heidegger and by separate achievements
of Bartok and Schonberg .
"

Actually, although the above "iconic simplicity" passage,
up to the ellipsis after "morphs,"  is  from the foreword
by Lippert, the references that follow the ellipsis — to
Husserl, Heidegger, Bartok, and Schonberg — are not
from Lippert's foreword, but from the introduction  by
one Kenneth Frampton

From Google Books:

Bibliographic data —

Another architectural memorial, from the reported date of Lippert's death —

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