Log24

Monday, May 9, 2022

Will the Circle

Filed under: General — Tags: — m759 @ 2:02 am

A tune from the conclusion of Episode 1 of Season 3,
"A Discovery of Witches" —

I prefer the Carter Family version and, from the YouTube upload date
of the above British version . . .

Tuesday, May 9, 2023

Your Mission, Should You Choose to Accept It

Filed under: General — m759 @ 12:25 pm

"To achieve our mission of bringing everyone the inspiration
to create a life they love, we need to personalize our content
with our user’s interests and context, taking into consideration
feedback a user has given on their Pinterest journey; i.e., we
need a strong representation of our users."

From the arXiv one year ago, on 9 May 2022

See as well this  journal on that date — "Will the Circle."

Sunday, May 15, 2022

“Ready on the Left… Ready on the Right…”

Filed under: General — Tags: — m759 @ 1:56 am

See also posts tagged "Will the Circle" and a Carter family song.
(The YouTube upload date on that song is not without interest.)

Wednesday, April 6, 2016

Unbroken Circles

Filed under: General — m759 @ 7:31 pm

"Will the circle be unbroken?" — Funeral hymn

"Like a forgotten dream" — Merle Haggard

Scene from 'Spellbound,' starring Ingrid Bergman and Gregory Peck

"Like Shakespeare, Ingrid Bergman was born and died
on the same date In her case, August 29."

Friday, September 4, 2009

Friday September 4, 2009

Filed under: General — Tags: , — m759 @ 2:02 pm
Closing the Circle

Continued from Monday

“This is a chapel 
 of mischance;
ill luck betide it, ’tis
the cursedest kirk
  that ever I came in!”

Philip Kennicott on
Kirk Varnedoe in
The Washington Post:

“Varnedoe’s lectures were
ultimately about faith,
about his faith in
the power of abstraction,
 and abstraction as a kind of
    anti-religious faith in itself….”

Kennicott’s remarks were
 on Sunday, May 18, 2003.
They were subtitled
“Closing the Circle
on Abstract Art.”

Also on Sunday, May 18, 2003:

 “Will the circle be unbroken?
  As if some southern congregation
  is praying we will come to understand.”


Princeton University Press
:

Empty canvas on cover of Varnedoe's 'Pictures of Nothing'

See also

Parmiggiani’s 
  Giordano Bruno

Parmiggiani's Bruno: empty canvas with sculpture of Durer's solid

Dürer’s Melencolia I

Durer, Melencolia I

and Log24 entries
of May 19-22, 2009,
ending with
    “Steiner System” —

Diamond-shaped face of Durer's 'Melencolia I' solid, with  four colored pencils from Diane Robertson Design

George Steiner on chess
(see yesterday morning):

“There are siren moments when quite normal creatures otherwise engaged, men such as Lenin and myself, feel like giving up everything– marriage, mortgages, careers, the Russian Revolution– in order to spend their days and nights moving little carved objects up and down a quadrate board.”

Steiner continues

“Allegoric associations of death with chess are perennial….”

Yes, they are.

April is Math Awareness Month.
This year’s theme is “mathematics and art.”

Mathematics and Art: Totentanz from Seventh Seal

Cf. both of yesterday’s entries.

Sunday, May 18, 2003

Sunday May 18, 2003

Filed under: General — m759 @ 2:00 pm

Phaedrus Lives!

Fans of Zen and the Art of Motorcycle Maintenance may recall that it is a sort of elegy for an earlier self named Phaedrus who vanished with the recovery of mental health.  Since this is Mental Health Month, the following observations seem relevant.

Reading another weblog’s comments today, I found the following remark:

“…the mind is an amazing thing and it can create patterns and interconnections among things all day it you let it, regardless of whether they are real connections.”
 – sejanus

This, of course, prompted me to look for patterns and interconnections.   The first thing I thought of was the fictional mathematician in “A Beautiful Mind” establishing an amazing — and, within the fiction, real — connection between the pattern on a colleague’s tie and the reflections from a glass.  A web search led to a really real connection…. i.e., to a lengthy listserver letter from an author named Christopher Locke, whose work is new to me but also strangely familiar…. I recognize in his writing both some of my own less-than-mentally-healthy preoccupations and also what might be called the spirit of Phaedrus, from Zen and the Art.

Here is a link to a cache I made of the Locke letter and a follow-up he wrote detailing his sources:

Christopher Locke as Phaedrus

One part of Locke’s letter seems particularly relevant in light of yesterday’s entries related to the death of June Carter Cash:

“Will the circle be unbroken?
  As if some southern congregation
  is praying we will come to understand.”

                            Amen.

Concluding Unscientific Postscript

from Sir Arthur Quiller-Couch (“Q”), quoting Socrates’s remarks to the original Phaedrus:

‘By Hera,’ says Socrates, ‘a fair resting-place, full of summer sounds and scents! This clearing, with the agnus castus in high bloom and fragrant, and the stream beneath the tree so gratefully cool to our feet! Judging from the ornaments and statues, I think this spot must be sacred to Acheloüs and the Nymphs. 

This quotation illustrates a connection between Jesus (College) — from my entry of 3:33 PM Thursday — and a Nymph — from my entry of 11:44 PM Friday.  See, too, Q’s quoting of Socrates’s prayer to Pan, as well as the cover of the May 19, 2003, New Yorker:

 

For a discussion of the music
that Pan is playing (today’s site music),
see my entry of Sept. 10, 2002,
The Sound of Hanging Rock.”

Sunday, September 29, 2002

Sunday September 29, 2002

Filed under: General — m759 @ 10:18 pm

New from Miracle Pictures
– IF IT’S A HIT, IT’S A MIRACLE! –

Pi in the Sky
for Michaelmas 2002

“Fear not, maiden, your prayer is heard.
Michael am I, guardian of the highest Word.”

A Michaelmas Play

Contact, by Carl Sagan:

Chapter 1 – Transcendental Numbers

  In the seventh grade they were studying “pi.” It was a Greek letter that looked like the architecture at Stonehenge, in England: two vertical pillars with a crossbar at the top. If you measured the circumference of a circle and then divided it by the diameter of the circle, that was pi. At home, Ellie took the top of a mayonnaise jar, wrapped a string around it, straightened the string out, and with a ruler measured the circle’s circumference. She did the same with the diameter, and by long division divided the one number by the other. She got 3.21. That seemed simple enough.

  The next day the teacher, Mr. Weisbrod, said that pi was about 22/7, about 3.1416. But actually, if you wanted to be exact, it was a decimal that went on and on forever without repeating the pattern of numbers. Forever, Ellie thought. She raised her hand. It was the beginning of the school year and she had not asked any questions in this class.
  “How could anybody know that the decimals go on and on forever?”
  “That’s just the way it is,” said the teacher with some asperity.
  “But why? How do you know? How can you count decimals forever?”
  “Miss Arroway” – he was consulting his class list – “this is a stupid question. You’re wasting the class’s time.”

  No one had ever called Ellie stupid before and she found herself bursting into tears….

  After school she bicycled to the library at the nearby college to look through books on mathematics. As nearly as she could figure out from what she read, her question wasn’t all that stupid. According to the Bible, the ancient Hebrews had apparently thought that pi was exactly equal to three. The Greeks and Romans, who knew lots of things about mathematics, had no idea that the digits in pi went on forever without repeating. It was a fact that had been discovered only about 250 years ago. How was she expected to know if she couldn’t ask questions? But Mr. Weisbrod had been right about the first few digits. Pi wasn’t 3.21. Maybe the mayonnaise lid had been a little squashed, not a perfect circle. Or maybe she’d been sloppy in measuring the string. Even if she’d been much more careful, though, they couldn’t expect her to measure an infinite number of decimals.

  There was another possibility, though. You could calculate pi as accurately as you wanted. If you knew something called calculus, you could prove formulas for pi that would let you calculate it to as many decimals as you had time for. The book listed formulas for pi divided by four. Some of them she couldn’t understand at all. But there were some that dazzled her: pi/4, the book said, was the same as 1 – 1/3 + 1/5 – 1/7 + …, with the fractions continuing on forever. Quickly she tried to work it out, adding and subtracting the fractions alternately. The sum would bounce from being bigger than pi/4 to being smaller than pi/4, but after a while you could see that this series of numbers was on a beeline for the right answer. You could never get there exactly, but you could get as close as you wanted if you were very patient. It seemed to her

a miracle


 Cartoon by S.Harris

that the shape of every circle in the world was connected with this series of fractions. How could circles know about fractions? She was determined to learn

calculus.

  The book said something else: pi was called a “transcendental” number. There was no equation with ordinary numbers in it that could give you pi unless it was infinitely long. She had already taught herself a little algebra and understood what this meant. And pi wasn’t the only transcendental number. In fact there was an infinity of transcendental numbers. More than that, there were infinitely more transcendental numbers that ordinary numbers, even though pi was the only one of them she had ever heard of. In more ways than one, pi was tied to infinity.

  She had caught a glimpse of something majestic.

Chapter 24 – The Artist’s Signature

  The anomaly showed up most starkly in Base 2 arithmetic, where it could be written out entirely as zeros and ones. Her program reassembled the digits into a square raster, an equal number across and down. Hiding in the alternating patterns of digits, deep inside the transcendental number, was a perfect circle, its form traced out by unities in a field of noughts.

  The universe was made on purpose, the circle said. In whatever galaxy you happen to find yourself, you take the circumference of a circle, divide it by its diameter, measure closely enough, and uncover

a miracle

— another circle, drawn kilometers downstream of the decimal point. There would be richer messages farther in. It doesn’t matter what you look like, or what you’re made of, or where you come from. As long as you live in this universe, and have a modest talent for mathematics, sooner or later you’ll find it. It’s already here. It’s inside everything. You don’t have to leave your planet to find it. In the fabric of space and in the nature of matter, as in a great work of art, there is, written small, the artist’s signature. Standing over humans, gods, and demons… there is an intelligence that antedates the universe. The circle had closed. She found what she had been searching for.

Song lyric not in Sagan’s book:

Will the circle be unbroken
by and by, Lord, by and by?
Is a better home a-waitin’
in the sky, Lord, in the sky?

“Contact,” the film: 

Recording:

Columbia 37669

Date Issued:

Unknown

Side:

A

Title:

Can The Circle Be Unbroken

Artist:

Carter Family

Recording Date:

May 6, 1935

Listen:

Realaudio

Music courtesy of honkingduck.com.
 
For bluegrass midi version, click here.
 

The above conclusion to Sagan’s book is perhaps the stupidest thing by an alleged scientist that I have ever read.  As a partial antidote, I offer the following.

Today’s birthday: Stanley Kramer, director of “On the Beach.”

From an introduction to a recording of the famous Joe Hill song about Pie in the Sky:

“They used a shill to build a crowd… You know, a carny shill.”


Carny

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