Log24

Wednesday, December 15, 2010

Punch

Filed under: General,Geometry — m759 @ 10:31 am

David Corfield discusses the philosophy of mathematics (Dec. 14) —

"It’s very tricky choosing a rich and interesting case study which is philosophically salient. To encourage the reader or listener to follow up the mathematics to understand what you’re saying, there must be a decent pay-off. An intricate twentieth century case study had better pack plenty of meta-mathematical punch."

Steve Martin discusses the philosophy of art (Dec. 5) —

http://www.log24.com/log/pix10B/101215-BraverMartin.jpg http://www.log24.com/log/pix10B/101215-WallPower.jpg

CBS News interviews Martin at the Whitney Museum —

"We paused to consider the impact of a George Bellows fight scene. Martin said it has 'wall power.'

What does that phrase mean? 'How it holds the wall. How it feels when you're ten or 20 feet away from it. It really takes hold of the room.'"

See also Halloween 2010

IMAGE- The 2x2 case of the diamond theorem as illustrated by Josefine Lyche, Oct. 2010

Tuesday, December 14, 2010

Types of Ambiguity —

Filed under: General,Geometry — m759 @ 9:48 pm

Galois Meets Doctor Faustus

Galois's theory of mathematical  ambiguity (see June 14) —

  My principal meditations for some time have been directed towards
  the application of the theory of ambiguity to transcendental
  analysis.  It was a question of seeing a priori in a relation
  between quantities or transcendent functions, what exchanges one
  could make, which quantities one could substitute for the given
  quantities without the original relation ceasing to hold.  That
  immediately made clear the impossibility of finding many expressions
  that one could look for.  But I do not have time and my ideas are
  not yet well developed on this ground which is immense.

 — Evariste Galois, testamentary letter, translated by James Dolan

Thomas Mann on musical  ambiguity in his novel Doctor Faustus

http://www.log24.com/log/pix10B/101214-FaustusAmbiguity.gif

Related material — Some context for the above and some remarks on the German original.

Play and Interplay

Filed under: General,Geometry — m759 @ 4:23 am

Julie Taymor in an interview published Dec. 12 —

“I’ve got two Broadway shows, a feature film, and Mozart,’’ she said. “It’s a very interesting place to be and to be able to move back and forth, but at a certain point you have to be able to step outside and see,’’ and here she dropped her voice to a tranquil whisper, “it’s just theater. It’s all theater. It’s all theater. The whole thing is theater.’’

Non-theater —

"The interplay between Euclidean and Galois  geometry" and
related remarks on interplay — Keats's Laws of Aesthetics.

Part theater, part non-theater —

Cubist crucifixion.

Monday, December 13, 2010

Plan 9 Revisited

Filed under: General,Geometry — m759 @ 9:00 am

Leading today's New York Times  obituaries —

http://www.log24.com/log/pix10B/101213-NYTobits.jpg

— is that of Nassos Daphnis, a painter of geometric abstractions
who in 1995 had an exhibition at a Leo Castelli gallery
titled "Energies in Outer Space." (See pictures here.)

Daphnis died, according to the Times, on November 23.
See Art Object, a post in this journal on that date—

There is more than one way
to look at a cube.

http://www.log24.com/log/pix10B/101123-plain_cube_200x227.gif

Some context— this morning's previous post (Apollo's 13,
on the geometry of the 3×3×3 cube), yesterday's noon post
featuring the 3×3 square grid (said to be a symbol of Apollo),

The 3x3 square

and, for connoisseurs of the Ed Wood school of cinematic art,
a search in this journal for the phrase "Plan 9."

You can't make this stuff up.

Mathematics and Narrative continued…

Filed under: General,Geometry — m759 @ 7:20 am

Apollo's 13: A Group Theory Narrative —

I. At Wikipedia —

http://www.log24.com/log/pix10B/101213-GroupTheory.jpg

II. Here —

See Cube Spaces and Cubist Geometries.

The 13 symmetry axes of the (Euclidean) cube–
exactly one axis for each pair of opposite
subcubes in the 27-part (Galois) 3×3×3 cube–

The 13 symmetry axes of the cube

A note from 1985 describing group actions on a 3×3 plane array—

http://www.log24.com/log/pix10A/100621-VisualizingDetail.gif

Undated software by Ed Pegg Jr. displays
group actions on a 3×3×3 cube that extend the
3×3 group actions from 1985 described above—

Ed Pegg Jr.'s program at Wolfram demonstrating concepts of a 1985<br />
note by Cullinane

Pegg gives no reference to the 1985 work on group actions.

Saturday, December 11, 2010

Dual Duel

Filed under: General,Geometry — m759 @ 7:20 am

"Shifting Amid, and Asserting, His Own Cinema"

— Headline of an essay on Bertolucci in tormorrow's Sunday New York Times

This, together with yesterday's post on the Paris "Symmetry, Duality, and Cinema" conference last June, suggests a review of the phrase "blue diamond" in this journal. The search shows a link to the French art film "Duelle."

Some background for the word and concept from a French dictionary

duel
  adjectif masculin singulier
1 relatif à la dualité, à ce qui est double, constitué de deux éléments distincts
  nom masculin singulier
2 combat opposant deux personnes, à l'arme blanche ou au pistolet, afin de chercher réparation d'un dommage ou d'une injure de l'un des combattants
3 par extension compétition, conflit
4  (linguistique) dans certaines langues, cas de nombre distinct du singulier et du pluriel, correspondant à une action effectuée par deux personnes

duelle
  adjectif féminin singulier
relative à la dualité, à ce qui est double, constitué de deux éléments distincts

For examples of  duel  and duelle  see Evariste Galois
and Helen Mirren (the latter in The Tempest  and in 2010 ).

IMAGE-- Imaginary movie poster- 'The Galois Connection'- from stoneship.org

Image from stoneship.org

Friday, December 10, 2010

Cruel Star, Part II

Filed under: General,Geometry — Tags: — m759 @ 2:00 pm

Symmetry, Duality, and Cinema

— Title of a Paris conference held June 17, 2010

From that conference, Edward Frenkel on symmetry and duality

"Symmetry plays an important role in geometry, number theory, and quantum physics. I will discuss the links between these areas from the vantage point of the Langlands Program. In this context 'duality' means that the same theory, or category, may be described in two radically different ways. This leads to many surprising consequences."

Related material —

http://www.log24.com/log/pix10B/101210-CruelStarPartII.jpg

See also  "Black Swan" in this journal, Ingmar Bergman's production of Yukio Mishima's "Madame de Sade," and Duality and Symmetry, 2001.

This journal on the date of the Paris conference
had a post, "Nighttown," with some remarks about
the duality of darkness and light. Its conclusion—

"By groping toward the light we are made to realize
 how deep the darkness is around us."
  — Arthur Koestler, The Call Girls: A Tragi-Comedy,
      Random House, 1973, page 118

Wednesday, December 8, 2010

Review

Filed under: General,Geometry — m759 @ 7:59 am

The late Hillard Elkins, producer of the erotic review "Oh! Calcutta!" —

http://www.log24.com/log/pix10B/101207-HillardElkinsSm.jpg

The Well Dressed Man with a Beard

After the final no there comes a yes
And on that yes the future world depends.
No was the night. Yes is this present sun.
If the rejected things, the things denied,
Slid over the western cataract, yet one,
One only, one thing that was firm, even
No greater than a cricket's horn, no more
Than a thought to be rehearsed all day, a speech
Of the self that must sustain itself on speech,
One thing remaining, infallible, would be
Enough. Ah! douce campagna of that thing!
Ah! douce campagna, honey in the heart,
Green in the body, out of a petty phrase,
Out of a thing believed, a thing affirmed:
The form on the pillow humming while one sleeps,
The aureole above the humming house . . .

It can never be satisfied, the mind, never.

— Wallace Stevens, from Parts of a World , 1942

Elkins died on Wednesday, December 1, 2010.

From this journal on that date

http://www.log24.com/log/pix10B/101130-StellaIllusion.jpg

Tuesday, December 7, 2010

The Tiffany Puzzle

Filed under: General,Geometry — Tags: — m759 @ 5:00 am

Suggested by Dan Brown's remarks in today's Science Times  special section on puzzles—

http://www.log24.com/log/pix10B/101202-DreidelAndStoneSm.jpg

For a fanciful linkage of the dreidel 's concept of chance
to The Stone 's concept of invariant law, note that the
New York Lottery evening number on Dec. 1 (the
beginning of Hanukkah) was 840. See also the number
840 in the final post (July 20, 2002) of a search for
Solomon's Cube.

http://www.log24.com/log/pix10B/101207-FifthAve5AM.jpg

Sunday, December 5, 2010

Hanukkah Continues —

Filed under: General,Geometry — m759 @ 9:29 am

Dan Brown Meets
The Exorcist
in…

The 973 Code

http://www.log24.com/log/pix10B/101205-PendantSm.jpg

Baphomet with Ouroboros Pendant

$140  Code: 973

____________________________________

Meanwhile, our hero…

http://www.log24.com/log/pix10B/101205-IndependenceDay.jpg

goes to the movies.

In this production, Jeff Goldblum is played by
David Ben-Zvi of the University of Texas at Austin
Geometry Research Group

http://www.log24.com/log/pix10B/101205-Ben-Zvi.jpg

Click Ben-Zvi for further narrative.

Thursday, December 2, 2010

Caesarian

Filed under: General,Geometry — Tags: , — m759 @ 8:00 am

The Dreidel Is Cast

The Nietzschean phrase "ruling and Caesarian spirits" occurred in yesterday morning's post "Novel Ending."

That post was followed yesterday morning by a post marking, instead, a beginning— that of Hanukkah 2010. That Jewish holiday, whose name means "dedication," commemorates the (re)dedication of the Temple in Jerusalem in 165 BC.

The holiday is celebrated with, among other things, the Jewish version of a die—  the dreidel . Note the similarity of the dreidel  to an illustration of The Stone*  on the cover of the 2001 Eerdmans edition of  Charles Williams's 1931 novel Many Dimensions

http://www.log24.com/log/pix10B/101202-DreidelAndStone.jpg

For mathematics related to the dreidel , see Ivars Peterson's column on this date fourteen years ago.
For mathematics related (if only poetically) to The Stone , see "Solomon's Cube" in this journal.

Here is the opening of Many Dimensions

http://www.log24.com/log/pix10B/101202-WilliamsChOne.jpg

For a fanciful linkage of the dreidel 's concept of chance to The Stone 's concept of invariant law, note that the New York Lottery yesterday evening (the beginning of Hanukkah) was 840. See also the number 840 in the final post (July 20, 2002) of the "Solomon's Cube" search.

Some further holiday meditations on a beginning—

Today, on the first full day of Hanukkah, we may or may not choose to mark another beginning— that of George Frederick James Temple, who was born in London on this date in 1901. Temple, a mathematician, was President of the London Mathematical Society in 1951-1953. From his MacTutor biography

"In 1981 (at the age of 80) he published a book on the history of mathematics. This book 100 years of mathematics (1981) took him ten years to write and deals with, in his own words:-

those branches of mathematics in which I had been personally involved.

He declared that it was his last mathematics book, and entered the Benedictine Order as a monk. He was ordained in 1983 and entered Quarr Abbey on the Isle of Wight. However he could not stop doing mathematics and when he died he left a manuscript on the foundations of mathematics. He claims:-

The purpose of this investigation is to carry out the primary part of Hilbert's programme, i.e. to establish the consistency of set theory, abstract arithmetic and propositional logic and the method used is to construct a new and fundamental theory from which these theories can be deduced."

For a brief review of Temple's last work, see the note by Martin Hyland in "Fundamental Mathematical Theories," by George Temple, Philosophical Transactions of the Royal Society, A, Vol. 354, No. 1714 (Aug. 15, 1996), pp. 1941-1967.

The following remarks by Hyland are of more general interest—

"… one might crudely distinguish between philosophical and mathematical motivation. In the first case one tries to convince with a telling conceptual story; in the second one relies more on the elegance of some emergent mathematical structure. If there is a tradition in logic it favours the former, but I have a sneaking affection for the latter. Of course the distinction is not so clear cut. Elegant mathematics will of itself tell a tale, and one with the merit of simplicity. This may carry philosophical weight. But that cannot be guaranteed: in the end one cannot escape the need to form a judgement of significance."

— J. M. E. Hyland. "Proof Theory in the Abstract." (pdf)
Annals of Pure and Applied Logic 114, 2002, 43-78.

Here Hyland appears to be discussing semantic ("philosophical," or conceptual) and syntactic ("mathematical," or structural) approaches to proof theory. Some other remarks along these lines, from the late Gian-Carlo Rota

http://www.log24.com/log/pix10B/101202-RotaChXII-sm.jpg

    (Click to enlarge.)

See also "Galois Connections" at alpheccar.org and "The Galois Connection Between Syntax and Semantics" at logicmatters.net.

* Williams's novel says the letters of The Stone  are those of the Tetragrammaton— i.e., Yod, He, Vau, He  (cf. p. 26 of the 2001 Eerdmans edition). But the letters on the 2001 edition's cover Stone  include the three-pronged letter Shin , also found on the dreidel .  What esoteric religious meaning is implied by this, I do not know.

Wednesday, December 1, 2010

A Geometric Merkabah*

Filed under: General,Geometry — m759 @ 11:30 am

For Hanukkah (which starts this evening)—

Part I — The Stella Octangula (see also Monday's ART WARS post)—

http://www.log24.com/log/pix10B/101201-McCroryStella.jpg

Part II — A different view of the Stella —

http://www.log24.com/log/pix10B/101130-StellaIllusion.jpg

Click images for some mathematical background.

For some philosophical background on illusion and reality, see Graham Priest in the Sunday, Nov. 28, New York Times  column "The Stone" and in a work of fiction he published in the Notre Dame Journal of Formal Logic  (Vol. 38, No. 4) in 1997.

* See Google Images for pictures that are less academically respectable.
  For some related religious lore, see Merkabah at Wikipedia.

Monday, November 29, 2010

Philosopher’s Stone

Filed under: General,Geometry — m759 @ 3:30 pm

Happy Ending

Part I —
Plato's
Tombstone

Star and Diamond: A Tombstone for Plato

Part II
Star and Diamond
United

IMAGE- The Diamond Star

(See previous post and
a note on design.)

Sunday, November 28, 2010

The Embedding

Filed under: General,Geometry — m759 @ 6:00 am

The New York Times Magazine  this morning on a seminar on film theory at Columbia University—

"When the seminar reconvened after the break, Schamus said, 'Let’s dive into the Meno,' a dialogue in which Plato and Socrates consider virtue. 'The heart of it is the mathematical proof.' He rose from his seat and went to the whiteboard, where he drew figures and scribbled numbers as he worked through the geometry. 'You can only get the proof visually,' he concluded, stepping back and gazing at it. Plato may be skeptical about the category of the visual, he said, but 'you are confronted with a visual proof that gets you back to the idea embedded in visuality.'"

The Meno Embedding

Plato's Diamond embedded in The Matrix

See also Plato's Code and
 Plato Thanks the Academy.

Saturday, November 27, 2010

Simplex Sigillum Veri

Filed under: General,Geometry — Tags: — m759 @ 7:20 am

An Adamantine View of "The [Philosophers'] Stone"

The New York Times  column "The Stone" on Sunday, Nov. 21 had this—

"Wittgenstein was formally presenting his Tractatus Logico-Philosophicus , an already well-known work he had written in 1921, as his doctoral thesis. Russell and Moore were respectfully suggesting that they didn’t quite understand proposition 5.4541 when they were abruptly cut off by the irritable Wittgenstein. 'I don’t expect you to understand!' (I am relying on local legend here….)"

Proposition 5.4541*—

http://www.log24.com/log/pix10B/101127-WittgensteinSimplex.jpg

Related material, found during a further search—

A commentary on "simplex sigillum veri" leads to the phrase "adamantine crystalline structure of logic"—

http://www.log24.com/log/pix10B/101127-LukasiewiczAdamantine.jpg

For related metaphors, see The Diamond Cube, Design Cube 2x2x2, and A Simple Reflection Group of Order 168.

Here Łukasiewicz's phrase "the hardest of materials" apparently suggested the commentators' adjective "adamantine." The word "diamond" in the links above refers of course not to a material, but to a geometric form, the equiangular rhombus. For a connection of this sort of geometry with logic, see The Diamond Theorem and The Geometry of Logic.

For more about God, a Stone, logic, and cubes, see Tale  (Nov. 23).

* 5.4541 in the German original—

  Die Lösungen der logischen Probleme müssen einfach sein,
  denn sie setzen den Standard der Einfachheit.
  Die Menschen haben immer geahnt, dass es
  ein Gebiet von Fragen geben müsse, deren Antworten—
  a priori—symmetrisch, und zu einem abgeschlossenen,
  regelmäßigen Gebilde vereint liegen.
  Ein Gebiet, in dem der Satz gilt: simplex sigillum veri.

  Here "einfach" means "simple," not "neat," and "Gebiet" means
  "area, region, field, realm," not (except metaphorically) "sphere."

Thursday, November 25, 2010

Art Object, continued

Filed under: General,Geometry — Tags: , — m759 @ 4:00 am

Inside the White Cube

"An image comes to mind of a white, ideal space
 that, more than any single picture, may be
 the archetypal image of 20th-century art."

"May be" —

http://www.log24.com/log/pix10B/101123-plain_cube_200x227.gif

     Image from this journal
     at noon (EST) Tuesday

"The geometry of unit cubes is a meeting point
 of several different subjects in mathematics."
                                    — Chuanming Zong

http://www.log24.com/log/pix10B/101125-ZongAMS.jpg

    (Click to enlarge.)

"A meeting point" —

http://www.log24.com/log/pix10B/101125-NYTobit-UN.jpg

  The above death reportedly occurred "early Wednesday in Beijing."

Another meeting point —

                            http://www.log24.com/log/pix10B/101125-McDonaldLogoSm.jpg

http://www.log24.com/log/pix10B/101125-DayTheEarth.jpg

(Click on logo and on meeting image for more details.)

See also "no ordinary venue."

Tuesday, November 23, 2010

Art Object

Filed under: General,Geometry — Tags: , — m759 @ 12:00 pm

There is more than one way
to look at a cube.

http://www.log24.com/log/pix10B/101123-plain_cube_200x227.gif

 From Cambridge U. Press on Feb. 20, 2006 —

IMAGE- 'Cambridge Tracts in Mathematics 168: The Cube'

and from this journal on June 30, 2010 —

In memory of Wu Guanzhong, Chinese artist
who died in Beijing on June 25, 2010

Image-- The Dream of the Expanded Field

See also this journal on Feb. 20, 2006
(the day The Cube  was published).

Back to the Saddle

Filed under: General,Geometry — Tags: — m759 @ 5:30 am

Recent posts (Church Logic and Church Narrative) have discussed finite  geometry as a type of non-Euclidean geometry.

For those who prefer non-finite geometry, here are some observations.

http://www.log24.com/log/pix10B/101123-CoxeterPilate.jpg

"A characteristic property of hyperbolic geometry
is that the angles of a triangle add to less
than a straight angle (half circle)." — Wikipedia

http://www.log24.com/log/pix10B/101123-Saddle.jpg

From To Ride Pegasus, by Anne McCaffrey, 1973: 

“Mary-Molly luv, it’s going to be accomplished in steps, this establishment of the Talented in the scheme of things. Not society, mind you, for we’re the original nonconformists…. and Society will never permit us to integrate.  That’s okay!”  He consigned Society to insignificance with a flick of his fingers.  “The Talented form their own society and that’s as it should be: birds of a feather.  No, not birds.  Winged horses!  Ha!  Yes, indeed. Pegasus… the poetic winged horse of flights of fancy.  A bloody good symbol for us.  You’d see a lot from the back of a winged horse…”

“Yes, an airplane has blind spots.  Where would you put a saddle?”  Molly had her practical side.

On the practical side:

http://www.log24.com/log/pix10B/101123-CandelaSpire.jpg

The above chapel is from a Princeton Weekly Bulletin  story of October 6th, 2008.

Related material: This journal on that date.

Monday, November 22, 2010

Backstory

Filed under: General,Geometry — Tags: , — m759 @ 8:48 am

Steve Martin’s new novel An Object of Beauty  will be released tomorrow.

“The most charmingly rendered female schemer since Truman Capote’s Holly Golightly.”
Elle  magazine

“Martin compresses the wild and crazy end of the millennium
and finds in this piercing novel a sardonic morality tale….
Exposes the sound and fury of the rarified Manhattan art world.”
Publishers Weekly

“Like Steve Martin’s Shopgirl , this very different novel will captivate your attention from start to finish.”
— Joyce Carol Oates

Martin on his character Ray Porter in the novella Shopgirl  (published Oct. 11, 2000)—

http://www.log24.com/log/pix10B/101122-MartinShopgirl-loq.jpg

“He said, ‘I wrote a piece of code
that they just can’t seem to do without.’
He was a symbolic logician. That was his career….”

As the above review notes, Martin’s new book is about art at the end of the millennium.

See also Art Wars: Geometry as Conceptual Art
and some of my own notes from 2000 (March 9) in “Is Nothing Sacred?

Some related material —

A paperback with a striking cover (artist unknown)—

http://www.log24.com/log/pix10B/101027-LangerSymbolicLogic.jpg

Note that the background may be constructed from
any of four distinct motifs. For another approach to these
motifs in a philosophical context, see June 8, 2010.

“Visual forms— lines, colors, proportions, etc.— are just as capable of articulation , i.e. of complex combination, as words. But the laws that govern this sort of articulation are altogether different from the laws of syntax that govern language. The most radical difference is that visual forms are not discursive . They do not present their constituents successively, but simultaneously, so the relations determining a visual structure are grasped in one act of vision.”

Susanne K. Langer, Philosophy in a New Key

Saturday, November 20, 2010

Search

Filed under: General,Geometry — Tags: — m759 @ 4:00 am

An Epic Search for Truth

— Subtitle of Logicomix , a work reviewed in the December 2010 Notices of the American Mathematical Society  (see previous post).

Some future historian of mathematics may contrast the lurid cover of the December 2010 Notices

http://www.log24.com/log/pix10B/101119-AMSnoticesThumb.jpg

Excerpts from Logicomix

with the 1979 cover found in a somewhat less epic search —

http://www.log24.com/log/pix10B/101120-79T-A37-500w.jpg

Larger view of Google snippet —

http://www.log24.com/log/pix10B/101120-79T-A37-snippet.jpg

For some purely mathematical background, see Finite Geometry of the Square and Cube.

For some background related to searches for truth, see "Coxeter + Trudeau" in this journal.

Thursday, November 18, 2010

Frontiers of Speculation

Filed under: General,Geometry — m759 @ 8:02 am

Peter Woit has a post on Scientific American 's new Garrett Lisi article, "A Geometric Theory of Everything."

The Scientific American  subtitle is "Deep down, the particles and forces of the universe are a manifestation of exquisite geometry."

See also Rhetoric (Nov. 4, 2010) and Exquisite Geometries (May 19, 2009).

Wednesday, November 17, 2010

Church Narrative

Filed under: General,Geometry — Tags: — m759 @ 2:22 am

Thanks to David Lavery for the following dialogue on the word "narrative" in politics—

"It's like – does this fit into narrative?
It's like, wait, wait, what about a platform? What about, like, ideas?
What about, you know, these truths we hold to be self-evident?
No, it's the narrative."

"Is narrative a fancy word for spin?"

Related material —

Church Logic (Log24, October 29) —

  What sort of geometry
    is the following?

IMAGE- The four-point, six-line geometry

 

"What about, you know, these truths we hold to be self-evident?"

Some background from Cambridge University Press in 1976 —

http://www.log24.com/log/pix10B/101117-CameronIntro2.jpg

Commentary —

The Church Logic post argues that Cameron's implicit definition of "non-Euclidean" is incorrect.

The four-point, six-line geometry has as lines "all subsets of the point set" which have cardinality 2.

It clearly satisfies Euclid's parallel postulate.  Is it, then, not  non-Euclidean?

That would, according to the principle of the excluded middle (cf. Church), make it Euclidean.

A definition from Wikipedia that is still essentially the same as it was when written on July 14, 2003

"Finite geometry describes any geometric system that has only a finite number of points. Euclidean geometry, for example, is not finite, because a Euclidean line contains infinitely many points…."

This definition would seem to imply that a finite geometry (such as the four-point geometry above) should be called non -Euclidean whether or not  it violates Euclid's parallel postulate. (The definition's author, unlike many at Wikipedia, is not  anonymous.)

See also the rest  of Little Gidding.

Monday, November 8, 2010

Study of O

Filed under: General,Geometry — m759 @ 7:20 pm

Today's previous entry discussed a musical offering by Coltrane, with a link to some spiritual background on a mathematician from India who died on October 16, 1983. Here is a pictorial  offering, more in the spirit of Bach than of Coltrane, from the day of that death—

http://www.log24.com/log/pix10B/101108-StudyOfO.jpg

Click on the image for some context.

Sunday, November 7, 2010

The Seven

Filed under: General,Geometry — m759 @ 12:00 am


Fano plane with cubes as points
 
Those who prefer magic
may consult The Deathly Hallows.

Saturday, November 6, 2010

A Better Story

Filed under: General,Geometry — m759 @ 6:00 pm

Continued from June 4, 2010

http://www.log24.com/log/pix10B/101106-GardnerGalois.jpg

See also Jon Han's fanciful illustration in today's New York Times  and "Galois Cube" in this journal.

http://www.log24.com/log/pix10B/101106-JonHanCube.jpg

Galois Field of Dreams, continued

Filed under: General,Geometry — m759 @ 12:00 am

Hollywood Reporter Exclusive

Martin Sheen Caught in
Spider-Man's Web

King's Moves

lux in tenebris lucet…"

Sally Field is in early talks
to play Aunt May.

Related material:

Birthdays in this journal,
Galois Field of Dreams,
and Class of 64.

Tuesday, November 2, 2010

A Dozen Pairs of Opposites —

Filed under: General,Geometry — Tags: — m759 @ 5:24 am

24 graphic patterns arranged in space
as 12 pairs of opposites

IMAGE- 'Permutahedron of Opposites'-- 24 graphic patterns arranged in space as 12 pairs of opposites

Click image for an illustration of how the above labeling was derived.

For further background, see Cases of the Diamond Theorem
and recent art by Josefine Lyche of Norway.

Sunday, October 31, 2010

Diamond Theorem in Norway

Filed under: General,Geometry — m759 @ 10:00 pm

IMAGE- The 2x2 case of the diamond theorem as illustrated by Josefine Lyche, Oct. 2010

Click on above image for artist's page.

Click here for exhibit page.

Click here for underlying geometry.

Friday, October 29, 2010

Church Logic

Filed under: General,Geometry — m759 @ 1:23 pm

"The law of excluded middle is the logical principle in
accordance with which every proposition is either true or
false. This principle is used, in particular, whenever a proof
is made by the method of reductio ad absurdum . And it is
this principle, also, which enables us to say that the denial of
the denial of a proposition is equivalent to the assertion of
the proposition."

Alonzo Church, "On the Law of Excluded Middle,"
    Bulletin of the American Mathematical Society ,
    Vol. 34, No. 1 (Jan.–Feb. 1928), pp. 75–78

It seems reasonable to define a Euclidean  geometry as one describing what mathematicians now call a Euclidean  space.

    What sort of geometry
    is the following?

http://www.log24.com/log/pix10B/101029-AffinePlane.bmp

   Four points and six lines,
   with parallel lines indicated
   by being colored alike.

Consider the proposition "The finite geometry with four points and six lines is non-Euclidean."
Consider its negation. Absurd? Of course.

"Non-Euclidean," therefore, does not apply only  to geometries that violate Euclid's parallel postulate.

The problem here is not with geometry, but with writings about  geometry.

A pop-science website

"In the plainest terms, non-Euclidean geometry
 took something that was rather simple and straightforward
 (Euclidean geometry) and made it endlessly more difficult."

Had the Greeks investigated finite  geometry before Euclid came along, the reverse would be true.

Monday, October 25, 2010

The Embedding*

Filed under: General,Geometry — Tags: , — m759 @ 4:04 pm

A New York Times  "The Stone" post from yesterday (5:15 PM, by John Allen Paulos) was titled—

Stories vs. Statistics

Related Google searches—

"How to lie with statistics"— about 148,000 results

"How to lie with stories"— 2 results

What does this tell us?

Consider also Paulos's phrase "imbedding the God character."  A less controversial topic might be (with the spelling I prefer) "embedding the miraculous." For an example, see this journal's "Mathematics and Narrative" entry on 5/15 (a date suggested, coincidentally, by the time of Paulos's post)—

Image-- 'Then a miracle occurs' cartoon
Cartoon by S.Harris

Image-- Google search on 'miracle octad'-- top 3 results

 

* Not directly  related to the novel The Embedding  discussed at Tenser, said the Tensor  on April 23, 2006 ("Quasimodo Sunday"). An academic discussion of that novel furnishes an example of narrative as more than mere entertainment. See Timothy J. Reiss, "How can 'New' Meaning Be Thought? Fictions of Science, Science Fictions," Canadian Review of Comparative Literature , Vol. 12, No. 1, March 1985, pp. 88-126. Consider also on this, Picasso's birthday, his saying that "Art is a lie that makes us realize truth…."

Friday, October 22, 2010

Moreover

Filed under: General,Geometry — Tags: — m759 @ 2:02 pm

Google News this afternoon—

http://www.log24.com/log/pix10B/101022-AstronautFoursquare.jpg

Related material:

  1. Celebration of Mind (Oct. 20)
  2. Problem Picture (Oct. 21)
  3. Hereafter (Oct. 22)
  4. The Gypsy in The French Mathematician

http://www.log24.com/log/pix10B/101022-GaloisSpace.gif

Thursday, October 21, 2010

St. Ursula’s Day

Filed under: General,Geometry — Tags: , — m759 @ 4:07 pm

Mathematics and Narrative continued

A search for Ursula in this journal yields a story…

“The main character is a slave woman who discovers new patterns in the mosaics.”

Other such stories: Plato’s Meno  and Changing Woman

Changing Woman:

“Kaleidoscope turning…

Juliette Binoche in 'Blue'  The 24 2x2 Cullinane Kaleidoscope animated images

Shifting pattern within
unalterable structure…”

— Roger Zelazny, Eye of Cat  

Philosophical postscript—

“That Lévi-Strauss should have been able to transmute the romantic passion of Tristes Tropiques  into the hypermodern intellectualism of La Pensée Sauvage  is surely a startling achievement. But there remain the questions one cannot help but ask. Is this transmutation science or alchemy? Is the ‘very simple transformation’ which produced a general theory out of a personal disappointment real or a sleight of hand? Is it a genuine demolition of the walls which seem to separate mind from mind by showing that the walls are surface structures only, or is it an elaborately disguised evasion necessitated by a failure to breach them when they were directly encountered? Is Lévi-Strauss writing, as he seems to be claiming in the confident pages of La Pensée Sauvage,  a prolegomenon to all future anthropology? Or is he, like some uprooted neolithic intelligence cast away on a reservation, shuffling the debris of old traditions in a vain attempt to revivify a primitive faith whose moral beauty is still apparent but from which both relevance and credibility have long since departed?”

— Clifford Geertz, conclusion of “The Cerebral Savage: On the Work of Claude Lévi-Strauss

Wednesday, October 20, 2010

Celebration of Mind

Filed under: General,Geometry — Tags: — m759 @ 8:00 pm
 

"Why the Celebration?"

"Martin Gardner passed away on May 22, 2010."

IMAGE-- Imaginary movie poster- 'The Galois Connection'- from stoneship.org

Imaginary movie poster from stoneship.org

Context— The Gardner Tribute.

Tuesday, October 19, 2010

Savage Logic continued…

Filed under: General,Geometry — Tags: — m759 @ 9:36 am

CHAPTER V

THE KALEIDOSCOPE

"This is an account of the discrete groups generated by reflections…."

Regular Polytopes , by H.S.M. Coxeter (unabridged and corrected 1973 Dover reprint of the 1963 Macmillan second edition)

"In this article, we begin a theory linking hyperplane arrangements and invariant forms for reflection groups over arbitrary fields…. Let V  be an n-dimensional vector space over a field F, and let G ≤ Gln (F) be a finite group…. An element of finite order in Gl(V ) is a reflection if its fixed point space in V  is a hyperplane, called the reflecting hyperplane. There are two types of reflections: the diagonalizable reflections in Gl(V ) have a single nonidentity eigenvalue which is a root of unity; the nondiagonalizable reflections in Gl(V ) are called transvections and have determinant 1 (note that they can only occur if the characteristic of F is positive)…. A reflection group is a finite group G  generated by reflections."

— Julia Hartmann and Anne V. Shepler, "Reflection Groups and Differential Forms," Mathematical Research Letters , Vol. 14, No. 6 (Nov. 2007), pp. 955-971

"… the class of reflections is larger in some sense over an arbitrary field than over a characteristic zero field. The reflections in Gl(V ) not only include diagonalizable reflections (with a single nonidentity eigenvalue), but also transvections, reflections with determinant 1 which can not be diagonalized. The transvections in Gl(V ) prevent one from developing a theory of reflection groups mirroring that for Coxeter groups or complex reflection groups."

— Julia Hartmann and Anne V. Shepler, "Jacobians of Reflection Groups," Transactions of the American Mathematical Society , Vol. 360, No. 1 (2008), pp. 123-133 (Pdf available at CiteSeer.)

See also A Simple Reflection Group of Order 168 and this morning's Savage Logic.

Savage Logic…

Filed under: General,Geometry — Tags: , — m759 @ 2:22 am

and the New York Lottery

IMAGE-- NY Lottery Oct. 18, 2010-- Midday 069, Evening 359

A search in this journal for yesterday's evening number in the New York Lottery, 359, leads to…

The Cerebral Savage: 
On the Work of Claude Lévi-Strauss

by Clifford Geertz

Shown below is 359, the final page of Chapter 13 in
The Interpretation of Cultures: Selected Essays by Clifford Geertz,
New York, 1973: Basic Books, pp. 345-359 —

http://www.log24.com/log/pix10B/101019-Geertz359.gif

This page number 359 also appears in this journal in an excerpt from Dan Brown's novel Angels & Demons

See this journal's entries for March 1-15, 2009, especially…

Sunday, March 15, 2009  5:24 PM

Philosophy and Poetry:

The Origin of Change

A note on the figure
from this morning's sermon:

Diamond Theory version of 'The Square Inch Space' with yin-yang symbol for comparison

"Two things of opposite natures seem to depend
On one another, as a man depends
On a woman, day on night, the imagined

On the real. This is the origin of change.
Winter and spring, cold copulars, embrace
And forth the particulars of rapture come."

-- Wallace Stevens,
  "Notes Toward a Supreme Fiction,"
   Canto IV of "It Must Change"

Sunday, March 15, 2009  11:00 AM

Ides of March Sermon:

Angels, Demons,
"Symbology"

"On Monday morning, 9 March, after visiting the Mayor of Rome and the Municipal Council on the Capitoline Hill, the Holy Father spoke to the Romans who gathered in the square outside the Senatorial Palace…

'… a verse by Ovid, the great Latin poet, springs to mind. In one of his elegies he encouraged the Romans of his time with these words:

"Perfer et obdura: multo graviora tulisti."

 "Hold out and persist:
  you have got through
  far more difficult situations."

 (Tristia, Liber  V, Elegia  XI, verse 7).'"
 

This journal
on 9 March:

Diamond Theory version of 'The Square Inch Space' with yin-yang symbol for comparison

Note the color-interchange
symmetry
of each symbol
under 180-degree rotation.

Related material:
The Illuminati Diamond:

IMAGE- Illuminati Diamond, pp. 359-360 in 'Angels & Demons,' Simon & Schuster Pocket Books 2005, 448 pages, ISBN 0743412397

The symmetry of the yin-yang symbol, of the diamond-theorem symbol, and of Brown's Illuminati Diamond is also apparent in yesterday's midday New York lottery number (see above).

"Savage logic works like a kaleidoscope…." — Clifford Geertz on Lévi-Strauss

Monday, October 18, 2010

For St. Luke’s Day —

Filed under: General,Geometry — m759 @ 6:00 pm
 

The Turning

"To everything, turn, turn, turn…

Quaternion Rotations in a Finite Geometry

… there is a season, turn, turn, turn…"

For less turning and more seasons, see a search in this journal for

fullness + multitude + "cold mountain."

Thursday, October 14, 2010

Diamond Theory and Magic Squares

Filed under: General,Geometry — Tags: , — m759 @ 6:19 pm

"A world of made
is not a world of born— pity poor flesh
and trees, poor stars and stones, but never this
fine specimen of hypermagical
ultraomnipotence."

— e. e. cummings, 1944

For one such specimen, see The Matrix of Abraham
a 5×5 square that is hypermagical… indeed, diabolical.

Related material on the algebra and geometry underlying some smaller structures
that have also, unfortunately, become associated with the word "magic"—

  1. Finite Geometry of the Square and Cube
  2. Clifford Pickover on a 4×4 square
  3. Christopher J. Henrich on the geometry of 4×4 magic squares
    (without any mention of  [1] above or related work dating back to 1976)

" … listen: there's a hell
of a good universe next door; let's go"

— e. e. cummings

Happy birthday, e. e.

Synchronicity

Filed under: General,Geometry — Tags: — m759 @ 12:00 am

This journal on October 12 (the traditional Columbus day)—

"The text is a two-way mirror
that allows me to look into
the life and times of the reader."
The French Mathematician
   (Galois), by Tom Petsinis

It is not clear how this is supposed to work.

However, there is synchronicity and the New York Lottery—

October 12, 2010—

Midday 765, Evening 365 —

Life  and Times.

Life

APRIL 25, 2008

From Log24 on April 21, the date of Mark Twain’s death–

Psychoshop,  by Alfred Bester and Roger Zelazny:

His manner was all charm and grace; pure cafe society….

He purred a chuckle. “My place. If you want to come, I’ll show you.”

“Love to. The Luogo Nero? The Black Place?”

“That’s what the locals call it. It’s really Buoco Nero, the Black Hole.”

“Like the Black Hole of Calcutta?”

“No. Black Hole as in astronomy. Corpse of a dead star, but also channel between this universe and its next-door neighbor.”

The Pennsylvania Lottery
yesterday, April 24, 2008:

Mid-day 923, Evening 765….

and hence Log24, 9/23 (2007), and page 765 of From Here to Eternity  (Delta paperback, 1998):

He stayed that way for eight days, never what you could really call drunk, but certainly never anywhere near sober, and always with a bottle of Georgette’s expensive scotch in one hand and a glass in the other. He did not talk at all except to say “Yes” or “No,” mostly “No,” when confronted with a direct question, and he never ate anything when they were there. It was like living in the same house with a dead person.

Times

See "Seasons of Love" from the musical "Rent."

See also Mark 15:38— "And the veil of the temple…"

Tuesday, October 12, 2010

King Solomon’s Mind

Filed under: General,Geometry — m759 @ 2:00 pm

"Always keep a diamond in your mind."

Tom Waits/Kathleen Brennan song performed by Solomon Burke at the Paradiso in Amsterdam

The Galois Quaternion

The Galois Quaternion

"The text is a two-way mirror
that allows me to look into
the life and times of the reader.
Who knows, someday i  may rise
to a text that will compel me
to push through to the other side."

The French Mathematician
   (Galois), by Tom Petsinis

 

http://www.log24.com/log/pix10B/101012-KingSolomonAlbum.jpg

Sunday, October 10, 2010

10/10/10

Filed under: General,Geometry — m759 @ 10:10 am

Pythagoreans might regard today as the Day of the Tetraktys.

Some relevant epigraphs—

"Contrary to John Keats's First and Second Laws of Aesthetics ('Beauty is truth, truth beauty') truth and beauty are poles apart. Keats's ode itself, while denying this by precept, bears it out by example. Truth occupies the alethic pole of the intellectual sphere and beauty the aesthetic pole. Each is admirable in its way. The alethic pole exerts the main pull on science, in the broad sense: Wissenschaft,  comprising mathematics, history, and all the hard and soft sciences in between. The aesthetic pole is the focus of belles lettres,  music, art for art's sake."

— W. V. Quine in Quiddities

Weisheit und Wissenschaft: Studien zu Pythagoras, Philolaos und Platon

Original title of Burkert's Lore and Science in Ancient Pytthagoreanism

"What song the Sirens sang…" — Sir Thomas Browne

Recommended:

  1. Stanford Encyclopedia of Philosophy  on the Pythagorean acusmatici  and mathematici
  2. Burkert on the same topic
  3. Father Robert Sokolowski's foreword to Rota's Indiscrete Thoughts

Friday, October 8, 2010

Starting Out in the Evening

Filed under: General,Geometry — Tags: , — m759 @ 12:00 pm

… and Finishing Up at Noon

This post was suggested by last evening’s post on mathematics and narrative
and by Michiko Kakutani on Vargas Llosa in this morning’s New York Times.

http://www.log24.com/log/pix10B/101008-StartingOut.jpg

Above: Frank Langella in
Starting Out in the Evening

Right: Johnny Depp in
The Ninth Gate

http://www.log24.com/log/pix10B/101008-NinthGate.jpg

“One must proceed cautiously, for this road— of truth and falsehood in the realm of fiction— is riddled with traps and any enticing oasis is usually a mirage.”

— “Is Fiction the Art of Lying?”* by Mario Vargas Llosa, New York Times  essay of October 7, 1984

My own adventures in that realm— as reader, not author— may illustrate Llosa’s remark.

A nearby stack of paperbacks I haven’t touched for some months (in order from bottom to top)—

  1. Pale Rider by Alan Dean Foster
  2. Franny and Zooey by J. D. Salinger
  3. The Hobbit by J. R. R. Tolkien
  4. Le Petit Prince by Antoine de Saint Exupéry
  5. Literary Reflections by James A. Michener
  6. The Ninth Configuration by William Peter Blatty
  7. A Streetcar Named Desire by Tennessee Williams
  8. Nine Stories by J. D. Salinger
  9. A Midsummer Night’s Dream by William Shakespeare
  10. The Tempest by William Shakespeare
  11. Being There by Jerzy Kosinski
  12. What Dreams May Come by Richard Matheson
  13. Zen and the Art of Motorcycle Maintenance by Robert M. Pirsig
  14. A Gathering of Spies by John Altman
  15. Selected Poems by Robinson Jeffers
  16. Hook— Tinkerbell’s Challenge by Tristar Pictures
  17. Rising Sun by Michael Crichton
  18. Changewar by Fritz Leiber
  19. The Painted Word by Tom Wolfe
  20. The Hustler by Walter Tevis
  21. The Natural by Bernard Malamud
  22. Truly Tasteless Jokes by Blanche Knott
  23. The Man Who Was Thursday by G. K. Chesterton
  24. Under the Volcano by Malcolm Lowry

What moral Vargas Llosa might draw from the above stack I do not know.

Generally, I prefer the sorts of books in a different nearby stack. See Sisteen, from May 25. That post the fanciful reader may view as related to number 16 in the above list. The reader may also relate numbers 24 and 22 above (an odd couple) to By Chance, from Thursday, July 22.

* The Web version’s title has a misprint— “living” instead of “lying.”

Thursday, October 7, 2010

Geometry and the Evening Star

Filed under: General,Geometry — m759 @ 7:20 pm

An ancient symbol of Venus, the Evening Star—

http://www.log24.com/log/pix10B/101007-EveningStar.jpg

For some background, see AntiChristmas (June 25), 2008 and The Devil and Wallace Stevens.

A purely mathematical version of the same figure—

http://www.log24.com/log/pix10B/101007-KaneReflGps19.gif

Tuesday, October 5, 2010

Reflection

Filed under: General,Geometry — m759 @ 5:24 pm

From the American Mathematical Society today—

Richard Kane (1944-2010)
Tuesday October 5th 2010

Kane, a professor at the University of Western Ontario, died October 1 at the age of 66. He received his PhD from the University of Waterloo in 1973 under the direction of Peter Hoffman. Kane authored approximately 30 research papers and the texts The Homology of Hopf Spaces and Reflection Groups and Invariant Theory. He served as president and vice-president of the Canadian Mathematical Society and was the recipient of the Society's first David Borwein Distinguished Career Award in 2004 and its Distinguished Service Award in 2006. Kane was a member of the AMS since 1991. Read more about his life in an online obituary.

http://www.log24.com/log/pix10B/101005-RichardMichaelKanePhoto.jpg

Richard Michael Kane

I added a link to a review of Kane's book on reflection groups to the Wikipedia article on that topic on August 20, 2005.

Sunday, October 3, 2010

Search for the Basic Picture

Filed under: General,Geometry — Tags: , — m759 @ 5:01 pm

(Click to enlarge.)

http://www.log24.com/log/pix10B/101003-SambinBasicPictureSearch.jpg

The above is the result of a (fruitless) image search today for a current version of Giovanni Sambin's "Basic Picture: A Structure for Topology."

That search was suggested by the title of today's New York Times  op-ed essay "Found in Translation" and an occurrence of that phrase in this journal on January 5, 2007.

Further information on one of the images above—

http://www.log24.com/log/pix10B/101003-VisualThinkingSm.jpg

A search in this journal on the publication date of Giaquinto's Visual Thinking in Mathematics  yields the following—

Thursday July 5, 2007

m759 @ 7:11 PM

In defense of Plato’s realism

(vs. sophists’ nominalism– see recent entries.)

Plato cited geometry, notably in the Meno , in defense of his realism.
Consideration of the Meno 's diamond figure leads to the following:

The Eightfold Cube and its Inner Structure

For the Meno 's diamond figure in Giaquinto, see a review—

http://www.log24.com/log/pix10B/101003-VisualThinkingReview.jpg

— Review by Jeremy Avigad (preprint)

Finite geometry supplies a rather different context for Plato's  "basic picture."

In that context, the Klein four-group often cited by art theorist Rosalind Krauss appears as a group of translations in the mathematical sense. (See Kernel of Eternity and Sacerdotal Jargon at Harvard.)

The Times  op-ed essay today notes that linguistic  translation "… is not merely a job assigned to a translator expert in a foreign language, but a long, complex and even profound series of transformations that involve the writer and reader as well."

The list of four-group transformations in the mathematical  sense is neither long nor complex, but is apparently profound enough to enjoy the close attention of thinkers like Krauss.

Monday, September 27, 2010

The Social Network…

Filed under: General,Geometry — Tags: , , — m759 @ 9:29 am

… In the Age of Citation

1. INTRODUCTION TO THE PROBLEM
Social network analysis is focused on the patterning of the social
relationships that link social actors. Typically, network data take the
form of a square-actor by actor-binary adjacency matrix, where
each row and each column in the matrix represents a social actor. A
cell entry is 1 if and only if a pair of actors is linked by some social
relationship of interest (Freeman 1989).

— "Using Galois Lattices to Represent Network Data,"
by Linton C. Freeman and Douglas R. White,
Sociological Methodology,  Vol. 23, pp. 127–146 (1993)

From this paper's CiteSeer page

Citations

766  Social Network Analysis: Methods and Applications – WASSERMAN, FAUST – 1994
100 The act of creation – Koestler – 1964
 75 Visual Thinking – Arnheim – 1969

Visual Image of the Problem—

From a Google search today:

http://www.log24.com/log/pix10B/100927-GardnerGaloisSearch.jpg

Related material—

http://www.log24.com/log/pix10B/100927-GoogleBirthdayCake.jpg

"It is better to light one candle…"

"… the early favorite for best picture at the Oscars" — Roger Moore

Monday, September 20, 2010

The Unfolding

Filed under: General,Geometry — m759 @ 11:00 am

Two pictures suggested by recent comments on
Peter J. Cameron's Sept. 17 post about T.S. Eliot—

http://www.log24.com/log/pix10B/100920-Hebrews-11-3-Sm.png

http://www.log24.com/log/pix10B/100920-Walsh-Hyperplanes-sm.jpg

For some further background, see Symmetry of Walsh Functions.

Friday, September 17, 2010

Fade to Blacker

Filed under: General,Geometry — Tags: , , — m759 @ 1:22 pm

From Peter J. Cameron's web journal today—

Eliot’s Four Quartets  has been one of my favourite works of poetry since I was a student…. 

Of course, a poem doesn’t have a single meaning, especially one as long and complex as Four Quartets.  But to me the primary meaning of the poem is about the relationship between time and eternity, which is something maybe of interest to mathematicians as well as to mystics.

Curiously, the clearest explanation of what Eliot is saying that I have found is in a completely different work, Pilgrimage of Dreams  by the artist Thetis Blacker, in which she describes a series of dreams she had which stood out as being completely different from the confusion of normal dreaming. In one of these dreams, “Mr Goad and the Cathedral”, we find the statements

“Eternity isn’t a long time

and

“Eternity is always now, but …”
“Now isn’t always eternity”.

In other words, eternity is not the same as infinity; it is not the time line stretched out to infinity. Rather, it is an intimation of a different dimension, which we obtain only because we are aware of the point at which that dimension intersects the familiar dimension of time. In a recurring motif in the second Quartet, “East Coker”, Eliot says,

Time future and time past
Are both somehow contained in time present

and, in “Little Gidding”,

   … to apprehend
The point of intersection of the timeless
With time, is an occupation for the saint

From this  journal on the date of Blacker's death
what would, if she were a Catholic saint, be called her dies natalis

Monday December 18, 2006

m759 @ 7:20 AM
 
Fade to Black:

Martin Gardner in the Notices of the American Mathematical SocietyJune/July 2005 (pdf):

“I did a column in Scientific American  on minimal art, and I reproduced one of Ed Rinehart’s [sic ] black paintings.  Of course, it was just a solid square of pure black.”

Black square 256x256

Click on picture for details.

The Notices of the American Mathematical SocietyJanuary 2007 (pdf):

“This was just one of the many moments in this sad tale when there were no whistle-blowers. As a result the entire profession has received a very public and very bad black mark.”

– Joan S. Birman
Professor Emeritus of Mathematics
Barnard College and
Columbia University

The Galois Window

Filed under: General,Geometry — Tags: , , , — m759 @ 5:01 am

Yesterday's excerpt from von Balthasar supplies some Catholic aesthetic background for Galois geometry.

That approach will appeal to few mathematicians, so here is another.

Euclid's Window: The Story of Geometry from Parallel Lines to Hyperspace  is a book by Leonard Mlodinow published in 2002.

More recently, Mlodinow is the co-author, with Stephen Hawking, of The Grand Design  (published on September 7, 2010).

A review of Mlodinow's book on geometry—

"This is a shallow book on deep matters, about which the author knows next to nothing."
— Robert P. Langlands, Notices of the American Mathematical Society,  May 2002

The Langlands remark is an apt introduction to Mlodinow's more recent work.

It also applies to Martin Gardner's comments on Galois in 2007 and, posthumously, in 2010.

For the latter, see a Google search done this morning—

http://www.log24.com/log/pix10B/100917-GardnerGalois.jpg

Here, for future reference, is a copy of the current Google cache of this journal's "paged=4" page.

Note the link at the bottom of the page in the May 5, 2010, post to Peter J. Cameron's web journal. Following the link, we find…

For n=4, there is only one factorisation, which we can write concisely as 12|34, 13|24, 14|23. Its automorphism group is the symmetric group S4, and acts as S3 on the set of three partitions, as we saw last time; the group of strong automorphisms is the Klein group.

This example generalises, by taking the factorisation to consist of the parallel classes of lines in an affine space over GF(2). The automorphism group is the affine group, and the group of strong automorphisms is its translation subgroup.

See also, in this  journal, Window and Window, continued (July 5 and 6, 2010).

Gardner scoffs at the importance of Galois's last letter —

"Galois had written several articles on group theory, and was
merely annotating and correcting those earlier published papers."
Last Recreations, page 156

For refutations, see the Bulletin of the American Mathematical Society  in March 1899 and February 1909.

Thursday, September 16, 2010

For the Pope in Scotland

Filed under: General,Geometry — m759 @ 11:01 am

From Seeing the Form, by Hans Urs von Balthasar

http://www.log24.com/log/pix10B/100916-SeeingTheForm.jpg

Related material:

  1. "This Jack, joke, poor potsherd, patch, matchwood…."
  2. Geometry Simplified
  3. The Diamond Archetype

Wednesday, September 15, 2010

Fifteen and Other Small Numbers

Filed under: General,Geometry — m759 @ 12:30 pm

Today is the birthday of mathematician Jean-Pierre Serre.

Some remarks related to today's day number within the month, "15"—

The Wikipedia article on finite geometry has the following link—

Carnahan, Scott (2007-10-27), "Small finite sets", Secret Blogging Seminar, http://sbseminar.wordpress.com/2007/10/27/small-finite-sets/, notes on a talk by Jean-Pierre Serre on canonical geometric properties of small finite sets.

From Carnahan's notes (October 27, 2007)—

Serre has been giving a series of lectures at Harvard for the last month, on finite groups in number theory. It started off with some ideas revolving around Chebotarev density, and recently moved into fusion (meaning conjugacy classes, not monoidal categories) and mod p representations. In between, he gave a neat self-contained talk about small finite groups, which really meant canonical structures on small finite sets.

He started by writing the numbers 2,3,4,5,6,7,8, indicating the sizes of the sets to be discussed, and then he tackled them in order.

Related material on finite geometry and the indicated small numbers may, with one apparent exception, be found at my own Notes on Finite Geometry.

The apparent exception is "5." See, however, the role played in finite geometry by this number (and by "15") as sketched by Robert Steinberg at Yale in 1967—

http://www.log24.com/log/pix10B/100915-SteinbergOnChevalleyGroups.jpg

See also …

http://www.log24.com/log/pix10B/100915-inscapes3.jpg

(Click to enlarge.)

Thursday, September 9, 2010

Building a Mystery

Filed under: General,Geometry — Tags: — m759 @ 2:02 pm

Notes on Mathematics and Narrative, continued

Patrick Blackburn, meet Gideon Summerfield…

From a summary of a politically correct 1995 feminist detective novel about quilts, A Piece of Justice

The story deals with “one Gideon Summerfield, deceased.” Summerfield, a former tutor at (the fictional) St. Agatha’s College, Cambridge University, “is about to become the recipient of the Waymark prize. This prize is awarded in Mathematics and has the same prestige as the Nobel. Summerfield had a rather lackluster career at St. Agatha’s, with the exception of one remarkable result that he obtained. It is for this result that he is being awarded the prize, albeit posthumously.”  Someone is apparently trying to prevent a biography of Summerfield from being published.

The following page contains a critical part of the solution to the mystery:

The image “http://www.log24.com/log/pix06B/PieceOfJustice138.gif” cannot be displayed, because it contains errors.

Compare and contrast with an episode from the resume of a real  Gideon Summerfield

Head of Strategy, Designer City (May 1999 — January 2002)

Secured Web agency business from new and existing clients with compelling digital media strategies and oversaw delivery of creative, production and technical teams…. Clients included… Greenfingers  and Lord of the Dance .

For material related to Greenfingers  and Lord of the Dance , see Castle Kennedy Gardens at Wicker Man  Locations.

Tuesday, September 7, 2010

Burning Patrick —

Filed under: General,Geometry — Tags: — m759 @ 11:15 am

Notes on Mathematics and Narrative

Background—

  1. The Burning Man in Bester's classic The Stars My Destination,
  2. The not-so-classic Hitler Plans Burning Man, and
  3. The cult film The Wicker Man

Commentary on The Wicker Man

Originally The Wicker Man  was not well-received by critics in the UK. It was considered
to be bizarre, disturbing, and uncomfortable, with the hasty editing making the story confusing
and out of order…. Today this movie is considered a cult classic and has been called
the “Citizen Kane  of horror films” by some reviewers. How did this film become a cult classic?

Real estate motto— Location, Location, Location.

Illustration— The fire leap scene from Wicker Man, filmed at Castle Kennedy

http://www.log24.com/log/pix10B/100907-WickerManFireLeapScene.jpg

From August 27

In today's New York Times, Michiko Kakutani reviews a summer thriller
by Kevin Guilfoile.  The Thousand  is in the manner of Dan Brown's
2003 The Da Vinci Code  or of Katherine Neville's 1988 The Eight .

From the review—

What connects these disparate events, it turns out, is a sinister organization
called the Thousand, made up of followers of the ancient Greek mathematician
and philosopher Pythagoras (yes, the same Pythagoras associated with
the triangle theorem that we learned in school).

As Mr. Guilfoile describes it, this organization is part Skull and Bones,
part Masonic lodge, part something much more twisted and nefarious….

The plot involves, in part,

… an eccentric artist’s mysterious masterwork, made up of thousands of
individually painted tiles that may cohere into an important message….

Not unlike the tiles in the Diamond Theory cover (see yesterday's post)
or, more aptly, the entries in this journal.
http://www.log24.com/log/pix10B/100827-GuilfoileTiles2.jpg

A brief prequel to the above dialogue—

http://www.log24.com/log/pix10B/100907-PatrickBlackburn-TheThousand.jpg

In lieu of songs, here is a passage by Patrick Blackburn
more relevant to the art of The Thousand

http://www.log24.com/log/pix10B/100907-PatrickBlackburn.jpg

See also the pagan fire leaping in Dancing at Lughnasa.

Wednesday, September 1, 2010

September Morn

Filed under: General,Geometry — Tags: , — m759 @ 7:59 am

For Alyssa Milano —

http://www.log24.com/log/pix10B/100901-MilanoFork.jpg

The Forking

(Click here for cheesy Neil Diamond background music.)

For some related philosophical remarks, see Deconstructing Alice

Robert Langdon (played by Tom Hanks) and a corner of Solomon's Cube

and the new Pythagorean thriller The Thousand.

Thursday, August 26, 2010

Home from Home continued

Filed under: General,Geometry — m759 @ 2:02 pm

Or— Childhood's Rear End

This post was suggested by…

  1. Today's New York Times
    "For many artists Electric Lady has become a home away from home…. For Jimmy Page the personal imprimaturs of Hendrix and Mr. Kramer made all the difference when Led Zeppelin mixed parts of 'Houses of the Holy' there in 1972."
  2. The album cover pictures for "Houses of the Holy"
  3. Boleskine House, home to Aleister Crowley and (occasionally) to Jimmy Page.

Related material:

The Zeppelin album cover, featuring rear views of nude children, was shot at the Giant's Causeway.

From a page at led-zeppelin.org—

http://www.log24.com/log/pix10B/100826-Causeway.jpg

See also Richard Rorty on Heidegger

Safranski, the author of ''Schopenhauer and the Wild Years of Philosophy,'' never steps back and pronounces judgment on Heidegger, but something can be inferred from the German title of his book: ''Ein Meister aus Deutschland'' (''A Master From Germany''). Heidegger was, undeniably, a master, and was very German indeed. But Safranski's spine-chilling allusion is to Paul Celan's best-known poem, ''Death Fugue.'' In Michael Hamburger's translation, its last lines are:

death is a master from Germany his eyes are blue
he strikes you with leaden bullets his aim is true
a man lives in the house your golden hair Margarete
he sets his pack on us he grants us a grave in the air
he plays with the serpents and daydreams death is a master from Germany

your golden hair Margarete
your ashen hair Shulamith.

No one familiar with Heidegger's work can read Celan's poem without recalling Heidegger's famous dictum: ''Language is the house of Being. In its home man dwells.'' Nobody who makes this association can reread the poem without having the images of Hitler and Heidegger — two men who played with serpents and daydreamed — blend into each other. Heidegger's books will be read for centuries to come, but the smell of smoke from the crematories — the ''grave in the air'' — will linger on their pages.

Heidegger is the antithesis of the sort of philosopher (John Stuart Mill, William James, Isaiah Berlin) who assumes that nothing ultimately matters except human happiness. For him, human suffering is irrelevant: philosophy is far above such banalities. He saw the history of the West not in terms of increasing freedom or of decreasing misery, but as a poem. ''Being's poem,'' he once wrote, ''just begun, is man.''

For Heidegger, history is a sequence of ''words of Being'' — the words of the great philosophers who gave successive historical epochs their self-image, and thereby built successive ''houses of Being.'' The history of the West, which Heidegger also called the history of Being, is a narrative of the changes in human beings' image of themselves, their sense of what ultimately matters. The philosopher's task, he said, is to ''preserve the force of the most elementary words'' — to prevent the words of the great, houses-of-Being-building thinkers of the past from being banalized.

Related musical meditations—

Shine On (Saturday, April 21, 2007), Shine On, Part II, and Built (Sunday, April 22, 2007).

Related pictorial meditations—

http://www.log24.com/log/pix10B/100826-CameronBlog.jpg

The Giant's Causeway at Peter J. Cameron's weblog

and the cover illustration for Diamond Theory (1976)—

http://www.log24.com/log/pix10B/100826-CoverArt.jpg

The connection between these two images is the following from Cameron's weblog today

… as we saw, there are two different Latin squares of order 4;
one, but not the other, can be extended to a complete set
of 3 MOLS [mutually orthogonal Latin squares].

The underlying structures of the square pictures in the Diamond Theory cover are those of the two different Latin squares of order 4 mentioned by Cameron.

Connection with childhood—

The children's book A Wind in the Door, by Madeleine L'Engle. See math16.com. L'Engle's fantasies about children differ from those of Arthur C. Clarke and Led Zeppelin.

Tuesday, August 24, 2010

Magnificent Load

Filed under: General,Geometry — m759 @ 12:00 pm

From Doonesbury today—

"What a magnificent load"

From this journal (September 20, 2009)—

scheinen
German verb:

  1. to shine; to gleam     
  2. to seem; to appear….

Quine, Pursuit of Truth,
Harvard U. Press, 1990, epigraphs:

http://www.log24.com/log/pix09A/090920-QuineEpigraph.jpg

Google search:

http://www.log24.com/log/pix09A/090920-SozeinChi.jpg

Der Einsatz

Motto of Plato's Academy: 'Let no one ignorant of geometry enter'

The 3x3 grid

Nichts ist wie es scheint.

See also the film
"23— Nichts ist so wie es scheint."

Monday, August 23, 2010

Diamond Puzzle Downloads

Filed under: General,Geometry — m759 @ 2:00 am

The Diamond 16 Puzzle and the Kaleidoscope Puzzle can now be downloaded in the normal way from a browser, with the save-as web-page-complete option, and have their JavaScript still work— if  the files are saved with the name indicated in the instructions on the puzzles' web pages. (There was a problem with file names in the JavaScript that has been fixed.)

The JavaScript pages Design Cube 2x2x2 and Design Cube 4x4x4 have not been changed. To download these, it is necessary to…

  1. Do a web-page-complete save to get an image-files folder, then
  2. do an HTML-only save to the image-files folder  to put an unaltered copy of the the web page there, then
  3. rename the image-files folder to unlink it from the altered HTML page downloaded in step 1, then
  4. delete the altered HTML page downloaded in step 1.

The result is a folder containing both image files and the HTML page, just as it is on the Web.

Friday, August 20, 2010

The Moore Correspondence

Filed under: General,Geometry — m759 @ 5:01 pm

There is a remarkable correspondence between the 35 partitions of an eight-element set H into two four-element sets and the 35 partitions of the affine 4-space L over GF(2) into four parallel four-point planes. Under this correspondence, two of the H-partitions have a common refinement into 2-sets if and only if the same is true of the corresponding L-partitions (Peter J. Cameron, Parallelisms of Complete Designs, Cambridge U. Press, 1976, p. 60). The correspondence underlies the isomorphism* of the group A8 with the projective general linear group PGL(4,2) and plays an important role in the structure of the large Mathieu group M24.

A 1954 paper by W.L. Edge suggests the correspondence should be named after E.H. Moore. Hence the title of this note.

Edge says that

It is natural to ask what, if any, are the 8 objects which undergo
permutation. This question was discussed at length by Moore…**.
But, while there is no thought either of controverting Moore's claim to
have answered it or of disputing his priority, the question is primarily
a geometrical one….

Excerpts from the Edge paper—

http://www.log24.com/log/pix10B/100820-Edge-Geometry-1col.gif

Excerpts from the Moore paper—

Pages 432, 433, 434, and 435, as well as the section mentioned above by Edge— pp. 438 and 439

* J.W.P. Hirschfeld, Finite Projective Spaces of Three Dimensions, Oxford U. Press, 1985, p. 72

** Edge cited "E.H. Moore, Math. Annalen, 51 (1899), 417-44." A more complete citation from "The Scientific Work of Eliakim Hastings Moore," by G.A. Bliss,  Bull. Amer. Math. Soc. Volume 40, Number 7 (1934), 501-514— E.H. Moore, "Concerning the General Equations of the Seventh and Eighth Degrees," Annalen, vol. 51 (1899), pp. 417-444.

Thursday, August 19, 2010

Consolation Prize

Filed under: General,Geometry — Tags: , , — m759 @ 9:04 am

For Kathrin Bringmann, who has been mentioned as a possible candidate for a Fields Medal.

The four Fields medal winners were announced today at the International Congress of Mathematicians in Hyderabad, India. Bringmann was not among them.

Bringmann was, however, the winner of the 2009 SASTRA Ramanujan Prize

See The Hindu  of September 30, 2009 and this journal on that date

Motto of Plato's Academy: 'Let no one ignorant of geometry enter'

The 3x3 grid

A Symbol of Apollo

For more about Bringmann's work, see an article on what has been called Ramanujan's "final problem."

For another problem with a claim to this title, see "Mathematician Untangles Legendary Problem" and search in this journal for Dyson + crank.

Tuesday, August 10, 2010

A Problem

Filed under: General,Geometry — Tags: — m759 @ 7:35 pm

From Telegraph.co.uk (published: 5:56 PM BST 10 Aug 2010), a note on British-born Canadian journalist Bruce Garvey, who died at 70 on August 1—

In 1970, while reporting on the Apollo 13 mission at Nasa Mission Control for the Toronto Star, he was one of only two journalists— alongside Richard Killian of the Daily Express— to hear the famous message: "Houston we've had a problem."

See also Log24 posts of 10 AM and noon today.

The latter post poses the problem "You're dead. Now what?"

Again, as in this morning's post, applying Jungian synchronicity—

A check of this journal on the date of Garvey's death yields a link to 4/28's "Eightfold Geometry."

That post deals with a piece of rather esoteric mathematical folklore. Those who prefer easier problems may follow the ongoing struggles of Julie Taymor with "Spider-Man: Turn Off the Dark."

The problems of death, geometry, and Taymor meet in "Spider Woman" (April 29) and "Memorial for Galois" (May 31).

Architecture Continued

Filed under: General,Geometry — m759 @ 10:00 am

Yesterday's architectural entertainment coincided, more or less, with the New York Times  article "The Hand of a Master Architect" (Online Sunday, Aug. 8, and in the print edition Monday, Aug. 9).

A search for some background on that architect (Philip Johnson, not Howard Roark) showed that the Art Libraries Society of North America published a notable graphic logo in 2005—

http://www.log24.com/log/pix10B/100810-ARLISlogoSm.jpg

See this journal on April 7, 2005, for a related graphic design.

The ARLIS/NA 2005 page cited above says about Houston, Texas, that 

"Just beyond the museum district lies Rice University, the city's most prestigious and oldest college….

Other campuses that contain significant architecture include St. Thomas University where Philip Johnson has made his mark for a period that extends more than forty years."

http://www.log24.com/log/pix10B/100810-Chapel.jpg

University of St. Thomas, Chapel of St. Basil

Applying Jungian synchronicity, we note that Johnson designed the Chapel of St. Basil at the University of St. Thomas, that the traditional date of the Feast of St. Basil is June 14, and that this journal on that date contained the following, from the aforementioned Rice University—                          

… a properly formulated Principle of Sufficient Reason plays
a fundamental role in scientific thought and, furthermore, is
to be regarded as of the greatest suggestiveness from the
philosophic point of view.2

… metaphysical reasoning always relies on the Principle of
Sufficient Reason, and… the true meaning of this Principle
is to be found in the “Theory of Ambiguity” and in the associated
mathematical “Theory of Groups.”

If I were a Leibnizian mystic, believing in his “preestablished
harmony,” and the “best possible world” so satirized by Voltaire
in “Candide,” I would say that the metaphysical importance of
the Principle of Sufficient Reason and the cognate Theory of Groups
arises from the fact that God thinks multi-dimensionally3
whereas men can only think in linear syllogistic series, and the
Theory of Groups is the appropriate instrument of thought to
remedy our deficiency in this respect.

The founder of the Theory of Groups was the mathematician
Evariste Galois….

2 As far as I am aware, only Scholastic Philosophy has fully recognized
  and exploited this principle as one of basic importance for philosophic thought.

3 That is, uses multi-dimensional symbols beyond our grasp.

George David Birkhoff, 1940

For more about Scholastic Philosophy, see the Center for Thomistic Studies at the University of St. Thomas.

For more about the graphic symbol shown (as above) by ARLIS and by Log24 in April 2005, see in this journal "rature sous rature ."

Saturday, August 7, 2010

The Matrix Reloaded

Filed under: General,Geometry — m759 @ 12:00 am

   For aficionados of mathematics and narrative

Illustration from
"The Galois Quaternion— A Story"

The Galois Quaternion

This resembles an attempt by Coxeter in 1950 to represent
a Galois geometry in the Euclidean plane—
Coxeter's 1950 representation in the Euclidean plane of the 9-point affine plane over GF(3)

The quaternion illustration above shows a more natural way to picture this geometry—
not with dots representing points in the Euclidean  plane, but rather with unit squares
representing points in a finite Galois  affine plane. The use of unit squares to
represent points in Galois space allows, in at least some cases, the actions
of finite groups to be represented more naturally than in Euclidean space.

See Galois Geometry, Geometry Simplified, and
Finite Geometry of the Square and Cube.

Thursday, August 5, 2010

Eightgate

Filed under: General,Geometry — Tags: — m759 @ 2:02 pm

"Eight is a gate."
This journal, December 2002   

Tralfamadorian Structure
in Slaughterhouse-Five

includes the following passage:

“…the nonlinear characterization of Billy Pilgrim
 emphasizes that he is not simply an established
 identity who undergoes a series of changes but
 all the different things he is at different times.”

A 2x4 array of squares

This suggests that the above structure be viewed
as illustrating not eight  parts but rather
8! = 40,320 parts.

See also April 2, 2003.

Happy birthday to John Huston and
happy dies natalis  to Richard Burton.

http://www.log24.com/log/pix10B/100805-BurtonHuston.jpg

Tuesday, August 3, 2010

The Graduate

Filed under: General,Geometry — m759 @ 6:13 pm

IMAGE-- Robert F. Boyle, production designer for Hitchcock, died Sunday at 100

"The space in which a film takes place"—

See Eightfold Geometry, linked to here on the date of Boyle's death.

Wednesday, July 28, 2010

Without Diamond-Blazons

Filed under: General,Geometry — Tags: — m759 @ 6:29 pm

Excerpt from Wallace Stevens's
"The Pediment of Appearance"—

Young men go walking in the woods,
Hunting for the great ornament,
The pediment* of appearance.

They hunt for a form which by its form alone,
Without diamond—blazons or flashing or
Chains of circumstance,

By its form alone, by being right,
By being high, is the stone
For which they are looking:

The savage transparence.

* Pediments, triangular and curved—

http://www.log24.com/log/pix10B/100728-Pediments.jpg

— From "Stones and Their Stories," an article written
and illustrated by E.M. Barlow, copyright 1913.

Related geometry—

http://www.log24.com/log/pix10B/100728-SimplifiedPeds.gif

 (See Štefan Porubský: Pythagorean Theorem .)

A proof with  diamond-blazons—

http://www.log24.com/log/pix10B/100728-DiamondProof.gif

(See Ivars Peterson's "Square of the Hypotenuse," Nov. 27, 2000.)

Saturday, July 24, 2010

The Leonardo Code

Filed under: General,Geometry — m759 @ 1:00 pm

"If you’re the kind of geek who yearns for detailed schematics
 of the technology behind all of this, you’ll be disappointed—
 there are none."

— "7 Reasons Why Techies Love 'Inception'," by John Hagel

"Show me all  the blueprints"
 — Leonardo DiCaprio in "The Aviator" (2004)

http://www.log24.com/log/pix10B/100724-InceptionBlocks.jpg

Playing with Blocks

http://www.log24.com/log/pix10B/100724-InceptionPoster.jpg

Rotation

Playing with Blocks

"Many of the finite simple groups can be described as symmetries of finite geometries, and it remains a hot topic in group theory to expand our knowledge of the Classification of Finite Simple Groups using finite geometry."

Finite geometry page at the Centre for the Mathematics of
   Symmetry and Computation at the University of Western Australia
   (Alice Devillers, John Bamberg, Gordon Royle)

For such symmetries, see Robert A. WIlson's recent book The Finite Simple Groups.

The finite simple groups are often described as the "building blocks" of finite group theory.

At least some of these building blocks have their own building blocks. See Non-Euclidean Blocks.

For instance, a set of 24 such blocks (or, more simply, 24 unit squares) appears in the Miracle Octad Generator (MOG) of R.T. Curtis, used in the study of the finite simple group M24.

(The octads  of the MOG illustrate yet another sort of mathematical blocks— those of a block design.)

Thursday, July 22, 2010

Pilate Goes to Kindergarten, continued

Filed under: General,Geometry — Tags: , — m759 @ 2:02 pm

Barnes & Noble has an informative new review today of the recent Galois book Duel at Dawn.

It begins…

"In 1820, the Hungarian noble Farkas Bolyai wrote an impassioned cautionary letter to his son Janos:

'I know this way to the very end. I have traversed this bottomless night, which extinguished all light and joy in my life… It can deprive you of your leisure, your health, your peace of mind, and your entire happiness… I turned back when I saw that no man can reach the bottom of this night. I turned back unconsoled, pitying myself and all mankind. Learn from my example…'

Bolyai wasn't warning his son off gambling, or poetry, or a poorly chosen love affair. He was trying to keep him away from non-Euclidean geometry."

For a less dark view (obtained by simply redefining "non-Euclidean" in a more logical way*) see Non-Euclidean Blocks and Finite Geometry and Physical Space.

* Finite  geometry is not  Euclidean geometry— and is, therefore, non-Euclidean
  in the strictest sense (though not according to popular usage), simply because
  Euclidean  geometry has infinitely many points, and a finite  geometry does not.
  (This more logical definition of "non-Euclidean" seems to be shared by
  at least one other person.)

  And some  finite geometries are non-Euclidean in the popular-usage sense,
  related to Euclid's parallel postulate.

  The seven-point Fano plane has, for instance, been called
  "a non-Euclidean geometry" not because it is finite
  (though that reason would suffice), but because it has no parallel lines.

  (See the finite geometry page at the Centre for the Mathematics
   of Symmetry and Computation at the University of Western Australia.)

By Chance

Filed under: General,Geometry — m759 @ 12:00 pm

PA Lottery 7/21— Midday 312, Evening 357.

Related material:

This journal on 3/12

Image-- Group Characters, from 'Symmetry,' Pergamon Press, 1963

and a .357—

Image-- MTV star spotting-- Lindsay Lohan, Nun with a Gun

Related philosophy—

"Character is fate." — Heraclitus

"Pray for the grace of accuracy." — Robert Lowell

Oh, and a belated happy 7/21 birthday to Ernest Hemingway and Robin Williams.

Tuesday, July 20, 2010

The Corpse Express

Filed under: General,Geometry — m759 @ 2:02 am

See Malcolm Lowry's "A corpse will be transported by express!" in this journal.

From June 23

"When Plato regards geometry as the prerequisite to
philosophical knowledge, it is because geometry alone
renders accessible the realm of things eternal;
tou gar aei ontos he geometrike gnosis estin."

— Ernst Cassirer, Philosophy and Phenomenological Research,
   Volume V, Number 1, September, 1944.

Maybe.

June 23, Midsummer Eve, was the date of death for Colonel Michael Cobb.

Cobb, who died aged 93, was "a regular Army officer who in retirement produced
the definitive historical atlas of the railways of Great Britain." — Telegraph.co.uk, July 19

As for geometry, railways, and things eternal, see parallel lines converging
in Tequila Mockingbird and Bedlam Songs.

Station of the Rock Island Line

The Rock Island Line’s namesake depot 
in Rock Island, Illinois

See also Wallace Stevens on "the giant of nothingness"
in "A Primitive Like an Orb" and in Midsummer Eve's Dream

At the center on the horizon, concentrum, grave
And prodigious person, patron of origins.

Monday, July 19, 2010

Pediments of Appearance

Filed under: General,Geometry — Tags: — m759 @ 10:31 am

Part I —

A search for images of Wallace Stevens's "Pediment of Appearance"—

(Click to enlarge.)

Image-- A version of Stevens's 'pediment of appearance'

Part II —

A geometric analogue of the pediment—

Image-- A version of Stevens's 'pediment of appearance'

Note that the above cross also appears in
Euclid's proof of the Pythagorean theorem.

Part III —

An echo of the above geometry—

Image-- Fuentiduena chapel at the Cloisters

Sunday, July 18, 2010

Du Sucre

Filed under: General,Geometry — m759 @ 4:19 am

http://passionforcinema.com/sapphire/ on "Bleu" —  Jan. 9, 2010 —

"An extremely long lens on an insert of a sugar cube, dipped just enough, in a small cup of coffee, so that it gradually seeps in the dark beverage. Four and a half seconds of unadulterated cinematic bliss."

Image-- Sugar cube in coffee, from 'Bleu'

Related material from this journal:

The Dream of
the Expanded Field

Image-- 4x4 square and 4x4x4 cube

Thursday, July 15, 2010

Brightness at Noon, continued

Filed under: General,Geometry — Tags: , , — m759 @ 12:00 pm

"What exactly was Point Omega?"

This is Robert Wright in Nonzero: The Logic of Human Destiny.

Wright is discussing not the novel Point Omega  by Don DeLillo,
but rather a (related) concept of  the Jesuit philosopher Pierre Teilhard de Chardin.

My own idiosyncratic version of a personal "point omega"—

Image- Josefine Lyche work (with 1986 figures by Cullinane) in a 2009 exhibition in Oslo

Click for further details.

The circular sculpture in the foreground
is called by the artist "The Omega Point."
This has been described as
"a portal that leads in or out of time and space."

For some other sorts of points, see the drawings
on the wall and Geometry Simplified

Image-- The trivial two-point affine space and the trivial one-point projective space, visualized

The two points of the trivial affine space are represented by squares,
and the one point of the trivial projective space is represented by
a line segment separating the affine-space squares.

For related darkness  at noon, see Derrida on différance
as a version of Plato's khôra

(Click to enlarge.)

Image-- Fordham University Press on Derrida, differance, and khora

The above excerpts are from a work on and by Derrida
published in 1997 by Fordham University,
a Jesuit institutionDeconstruction in a Nutshell

Image-- A Catholic view of Derrida

For an alternative to the Villanova view of Derrida,
see Angels in the Architecture.

Monday, July 12, 2010

Eyes on the Prize

Filed under: General,Geometry — m759 @ 6:29 pm

Google Logo July 11, 2010

Image-- Google logo featuring World Cup Soccer field with the 'oog' from 'Google' on the field

"Oog" is Dutch (and Afrikaans) for "eye."

Strong Emergence Illustrated
(May 23, 2007 — Figures from Coxeter)—

The image 
“http://www.log24.com/log/pix07/070523-Coxeter62.jpg” cannot be 
displayed, because it contains errors.

The 2007 "strong emergence" post compares the
center figure to an "Ojo de Dios."

Through Phenomenology to Thought

Filed under: General,Geometry — m759 @ 1:00 pm

Part I: Phenomenology

Image-- 'Heidegger: Through Phenomenology to Thought,' page 501, on a 'simple middle [-point]'

Part II: Thought

Geometry Simplified

Saturday, July 10, 2010

Class of 64

Filed under: General,Geometry — Tags: — m759 @ 12:00 pm

Samuel Beckett on Dante and Joyce:

"Another point of comparison is the preoccupation
  with the significance of numbers."

"If I'd been out 'til quarter to three
Would you lock the door,
Will you still need me, will you still feed me,
When I'm sixty-four?"

http://www.log24.com/log/pix10A/100710--HustonBoard.GIF

Happy birthday to Sue Lyon (Night of the Iguana, 1964)

Quarter to Three, continued

Filed under: General,Geometry — m759 @ 2:45 am

In memory of an historian of Mexico
who died on Tuesday, July 6, 2010

http://www.log24.com/log/pix10A/100710-Barranca.jpg

Related material—

Image-- 'The Unfolding'-- A review of Anne Carson's 'Nox'

and

Time Fold.

In the latter, click on
the link Eleven.

Thursday, July 8, 2010

Toronto vs. Rome

Filed under: General,Geometry — Tags: — m759 @ 9:00 pm

or: Catullus vs. Ovid

(Today's previous post, "Coxeter vs. Fano,"
might also have been titled "Toronto vs. Rome.")

ut te postremo donarem munere mortis

Catullus 101

Explicatio

Unfolding

Image by Christopher Thomas at Wikipedia
Unfolding of a hypercube and of a cube —

http://www.log24.com/log/pix10A/100506-Hcube_fold.gif

Image--Chess game from 'The 
Seventh Seal'

The metaphor for metamorphosis no keys unlock.
— Steven H. Cullinane, "Endgame"

The current New Yorker  has a translation of
  the above line of Catullus by poet Anne Carson.
According to poets.org, Carson "attended St. Michael's College
at the University of Toronto and, despite leaving twice,
received her B.A. in 1974, her M.A. in 1975 and her Ph.D. in 1981."

Carson's translation is given in a review of her new book Nox.

The title, "The Unfolding," of the current review echoes an earlier
New Yorker  piece on another poet, Madeleine L'Engle—

Cynthia Zarin in The New Yorker, issue dated April 12, 2004–

“Time, for L’Engle, is accordion-pleated. She elaborated,
‘When you bring a sheet off the line, you can’t handle it
until it’s folded, and in a sense, I think, the universe can’t
exist until it’s folded– or it’s a story without a book.’”

(See also the "harrow up" + Hamlet  link in yesterday's 6:29 AM post.)

Coxeter vs. Fano

Filed under: General,Geometry — m759 @ 11:07 am

The following excerpts from Coxeter's Projective Geometry
sketch his attitude toward geometry in characteristic two.
"… we develop a self-contained account… made
more 'modern' by allowing the field to be general
(though not of characteristic 2) instead of real or complex."

The "modern" in quotation marks may have been an oblique
reference to Segre's Lectures on Modern Geometry  (1948, 1961).
(See Coxeter's reference 15 below.)

Click to enlarge.

Image-- Coxeter on the Fano Plane

"It is interesting to see what happens…."

Another thing that happens if 1 + 1 = 0 —

It is no longer true that every finite reflection group
is a Coxeter group (provided we use Chevalley's
fixed-hyperplane definition of "reflection").

Tuesday, July 6, 2010

What “As” Is

Filed under: General,Geometry — Tags: , , , , — m759 @ 8:00 pm

or:  Combinatorics (Rota) as Philosophy (Heidegger) as Geometry (Me)

“Dasein’s full existential structure is constituted by
the ‘as-structure’ or ‘well-joined structure’ of the rift-design*…”

— Gary Williams, post of January 22, 2010

Background—

Gian-Carlo Rota on Heidegger…

“… The universal as  is given various names in Heidegger’s writings….

The discovery of the universal as  is Heidegger’s contribution to philosophy….

The universal ‘as‘ is the surgence of sense in Man, the shepherd of Being.

The disclosure of the primordial as  is the end of a search that began with Plato….
This search comes to its conclusion with Heidegger.”

— “Three Senses of ‘A is B’ in Heideggger,” Ch. 17 in Indiscrete Thoughts

… and projective points as separating rifts

Image-- The Three-Point Line: A Finite Projective Space

    Click image for details.

* rift-design— Definition by Deborah Levitt

Rift.  The stroke or rending by which a world worlds, opening both the ‘old’ world and the self-concealing earth to the possibility of a new world. As well as being this stroke, the rift is the site— the furrow or crack— created by the stroke. As the ‘rift design‘ it is the particular characteristics or traits of this furrow.”

— “Heidegger and the Theater of Truth,” in Tympanum: A Journal of Comparative Literary Studies, Vol. 1, 1998

Thoreau on Group Theory

Filed under: General,Geometry — m759 @ 1:00 pm

"Instead of a million count half a dozen." —Walden

"Of all the symmetric groups, S6 is perhaps the most remarkable."
Notes 2 (Autumn 2008), apparently by Robert A. Wilson,
   for Group Theory, MTH714U

For a connection of MTH714U with Walden, see "Window, continued."

For a connection of "Window" with the remarkable S6, see Inscapes.

For some deeper background, see Wilson's "Exceptional Simplicity."

Window, continued

“Simplicity, simplicity, simplicity!
I say, let your affairs be as two or three,
and not a hundred or a thousand;
instead of a million count half a dozen,
and keep your accounts on your thumb-nail.”
— Henry David Thoreau, Walden

This quotation is the epigraph to
Section 1.1 of Alexandre V. Borovik’s
Mathematics Under the Microscope:
Notes on Cognitive Aspects of Mathematical Practice
(American Mathematical Society,
Jan. 15, 2010, 317 pages).

From Peter J. Cameron’s review notes for
his new course in group theory

http://www.log24.com/log/pix10A/100705-CameronExample.jpg

From Log24 on June 24

Geometry Simplified

Image-- The Four-Point Plane: A Finite Affine Space
(an affine  space with subsquares as points
and sets  of subsquares as hyperplanes)

Image-- The Three-Point Line: A Finite Projective Space
(a projective  space with, as points, sets
of line segments that separate subsquares)

Exercise

Show that the above geometry is a model
for the algebra discussed by Cameron.

Sunday, July 4, 2010

Brightness at Noon (continued)

Filed under: General,Geometry — Tags: , — m759 @ 12:00 pm

Today's sermon mentioned the phrase "Omega number."

Other sorts of Omega numbers— 24 and 759— occur
in connection with the set named Ω by R. T. Curtis in 1976—

Image-- In a 1976 paper, R.T. Curtis names the 24-set of his Miracle Octad Generator 'Omega.'

— R. T. Curtis, "A New Combinatorial Approach to M24,"
Math. Proc. Camb. Phil. Soc. (1976), 79, 25-42

A Reappearing Number*

Filed under: General,Geometry — m759 @ 9:00 am
 

24

 
Part 1
2000
Part 2
2005
Part 3
2010

*See also the theater section
of today's New York Times.

Saturday, July 3, 2010

Beyond the Limits

Filed under: General,Geometry — Tags: , , — m759 @ 7:29 pm

"Human perception is a saga of created reality. But we were devising entities beyond the agreed-upon limits of recognition or interpretation…."

– Don DeLillo, Point Omega

Capitalized, the letter omega figures in the theology of two Jesuits, Teilhard de Chardin and Gerard Manley Hopkins. For the former, see a review of DeLillo. For the latter, see James Finn Cotter's Inscape  and "Hopkins and Augustine."

The lower-case omega is found in the standard symbolic representation of the Galois field GF(4)—

GF(4) = {0, 1, ω, ω2}

A representation of GF(4) that goes beyond the standard representation—

http://www.log24.com/log/pix10A/100703-Elements.gif

Here the four diagonally-divided two-color squares represent the four elements of GF(4).

The graphic properties of these design elements are closely related to the algebraic properties of GF(4).

This is demonstrated by a decomposition theorem used in the proof of the diamond theorem.

To what extent these theorems are part of "a saga of created reality" may be debated.

I prefer the Platonist's "discovered, not created" side of the debate.

Devising Entities

Filed under: General,Geometry — m759 @ 12:00 pm

or, Darkness and Brightness at Noon

"Human perception is a saga of created reality. But we were devising entities beyond the agreed-upon limits of recognition or interpretation…. We tried to create new realities overnight, careful sets of words that resemble advertising slogans in memorability and repeatability. These were words that would yield pictures eventually and then become three-dimensional."

— Don DeLillo, Point Omega

GF(4) = {0, 1, ω, ω2}

Symbolic representation of a Galois field

"One two three  four,
  who are we  for?"

— Cheerleaders' chant

Thursday, July 1, 2010

Omega at Eight

Filed under: General,Geometry — Tags: , — m759 @ 8:00 pm

The "compact key to universal wisdom" passage in the previous post seemed
too well written to be the work of an anonymous webforum author.

Here is a slightly expanded version—

Throughout history mystics and philosophers have sought
a compact key to universal wisdom, a finite formula or text
that would provide the answer to every question. The use of
the Bible, the Koran and the I Ching for divination and the
tradition of the secret books of Hermes Trismegistus and the
medieval Jewish Cabala exemplify this belief or hope.  Such
sources of universal wisdom are traditionally protected from
casual use by being difficult to find as well as difficult to un-
derstand and dangerous to use, tending to answer more quest-
ions and deeper ones than the searcher wishes to ask. The
esoteric book is, like God, simple yet undescribable. It is om-
niscient, and it transforms all who know it. The use of clas-
sical texts to foretell mundane events is considered supersti-
tious nowadays, yet in another sense science is in quest of its
own Cabala, a concise set of natural laws that would explain
all phenomena. In mathematics, where no set of axioms can
hope to prove all true statements, the goal might be a concise
axiomatization of all "interesting" true statements.
      Ω is in many senses a Cabalistic number. It can be known
of through human reason, but not known. To know it in detail
one must accept its uncomputable sequence of digits on faith,
like words of a sacred text.   

This is Martin Gardner's* and Charles H. Bennett's
revised version of a passage from Bennett's  paper
"On Random and Hard-to-Describe Numbers," 1979.

The original passage from Bennett's paper—

Throughout history mystics and philosophers have sought a compact key to
universal wisdom, a finite formula or text which, when known and understood,
would provide the answer to every question. The Bible, the Koran, the mythical
secret books of Hermes Trismegistus, and the medieval Jewish Cabala have
been so regarded. Sources of universal wisdom are traditionally protected from
casual use by being hard to find, hard to understand when found, and dangerous
to use, tending to answer more and deeper questions than the user wishes to
ask. Like God the esoteric book is simple yet undescribable, omniscient, and
transforms all who know It. The use of classical texts to fortell [sic] mundane events
is considered superstitious nowadays, yet, in another sense, science is in quest of
its own Cabala, a concise set of natural laws which would explain all phenomena.
In mathematics, where no set of axioms can hope to prove all true statements,
the goal might be a concise axiomatization of all "interesting" true statements.
      Ω is in many senses a Cabalistic number. It can be known of, but not known,
through human reason. To know it in detail, one would have to accept its un-
computable digit sequence on faith, like words of a sacred text.

The Bennett paper deals with Gregory Chaitin's concept of an "Omega Number."

I prefer the Omega of Josefine Lyche—

Image-- Uncertified copy of 1986 figures by Cullinane in a 2009 art exhibit in Oslo

Click for further details.

See also All Hallows' Eve, 2002.

* Martin Gardner's Mathematical Games  column
"The Random Number Omega Bids Fair to Hold the Mysteries of the Universe,"
Scientific American, November 1979, 241(5), pp. 20–34.
The column is reprinted as "Chaitin's Omega," Ch. 21, pp. 307-319 in the
collection of Gardner's columns titled Fractal Music, Hypercards and More,
W.H. Freeman & Co., 1991

Darkness at Seven

Filed under: General,Geometry — Tags: — m759 @ 7:00 pm

Hoax and Hype 
Four Years Ago Today—

Image-- Fanfiction-- Harry Potter and Plato's Diamond

There is Plato's diamond—

Image-- Plato's Diamond

and there is diamond theory

Google Search result for 'Diamond Theory'

… but there is no "Plato's Diamond Theory."

See, however, today's noon entry, "Plato's Code."

"You gotta be true to your code…" —Sinatra

Plato’s Code

Filed under: General,Geometry — Tags: — m759 @ 12:00 pm

John Allen Paulos yesterday at Twitter

"Plato's code cracked? http://bit.ly/ad6k1S
Fascinating if not a hoax or hype."

The story that Paulos linked to is about a British
academic who claims to have found some
symbolism hidden in Plato's writings by
splitting each into 12 parts and correlating
the 12 parts with semitones of a musical scale.

I prefer a different approach to Plato that is
related to the following hoax and hype—

HOAX:

From Dan Brown's novel Angels & Demons  (2000)

IMAGE- Illuminati Diamond, pp. 359-360 in 'Angels & Demons,' Simon & Schuster Pocket Books 2005, 448 pages, ISBN 0743412397

HYPE:

Image-- From 'Alchemy,' by Holmyard, the diamond of Aristotle's 4 elements and 4 qualities

This  four-elements diamond summarizes the classical
four elements and four qualities neatly, but some scholars
might call the figure "hype" since it deals with an academically
disreputable subject, alchemy, and since its origin is unclear.

For the four elements' role in some literature more respectable
than Dan Brown's, see Poetry's Bones.

Although an author like Brown might spin the remarks
below into a narrative—  The Plato Code — they are
neither  hoax nor hype.

NOT  HOAX:

Image-- From the Diamond in Plato's Meno to Modern Finite Geometry

NOT  HYPE:

http://www.log24.com/log/pix10A/100626-CrossOnSocratesSm.gif

For related non-hoax, non-hype remarks, see
The Rational Enterprise: Logos in Plato's Theaetetus,
by Rosemary Desjardins.

Those who prefer  hoax and hype in their philosophy may consult
the writings of, say, Barbara Johnson, Rosalind Krauss, and—
in yesterday's NY Times's  "The Stone" columnNancy Bauer.

Image-- The Philosophers' Stone according to The New York Times

— The New York Times

Wednesday, June 30, 2010

Field Dream

Filed under: General,Geometry — Tags: , , , , — m759 @ 10:23 am

In memory of Wu Guanzhong, Chinese artist who died in Beijing on Friday

Image-- The Dream of the Expanded Field

"Once Knecht confessed to his teacher that he wished to learn enough to be able to incorporate the system of the I Ching into the Glass Bead Game.  Elder Brother laughed.  'Go ahead and try,' he exclaimed.  'You'll see how it turns out.  Anyone can create a pretty little bamboo garden in the world.  But I doubt that the gardener would succeed in incorporating the world in his bamboo grove.'"

— Hermann Hesse, The Glass Bead Game, translated by Richard and Clara Winston

"The Chinese painter Wu Tao-tzu was famous because he could paint nature in a unique realistic way that was able to deceive all who viewed the picture. At the end of his life he painted his last work and invited all his friends and admirers to its presentation. They saw a wonderful landscape with a romantic path, starting in the foreground between flowers and moving through meadows to high mountains in the background, where it disappeared in an evening fog. He explained that this picture summed up all his life’s work and at the end of his short talk he jumped into the painting and onto the path, walked to the background and disappeared forever."

Jürgen Teichmann. Teichmann notes that "the German poet Hermann Hesse tells a variation of this anecdote, according to his own personal view, as found in his 'Kurzgefasster Lebenslauf,' 1925."

Monday, June 28, 2010

Shall I Compare Thee

Filed under: General,Geometry — Tags: , — m759 @ 11:02 am

Margaret Soltan on a summer's-day poem by D.A. Powell

first, a congregated light, the brilliance of a meadowland in bloom
and then the image must fail, as we must fail, as we

graceless creatures that we are, unmake and befoul our beds
don’t tell me deluge.     don’t tell me heat, too damned much heat

"Specifically, your trope is the trope of every life:
 the organizing of the disparate parts of a personality
 into a self (a congregated light), blazing youth
 (a meadowland in bloom), and then the failure
 of that image, the failure of that self to sustain itself."

Alternate title for Soltan's commentary, suggested by yesterday's Portrait:

Smart Jewish Girl Fwows Up.

Midrash on Soltan—

Congregated Light

The 13 symmetry axes 
of the cube

Meadowland

Appalachian meadow

Failure

Wert thou my enemy, O thou my friend,
How wouldst thou worse, I wonder, than thou dost
Defeat, thwart me?

Coda

"…meadow-down is not distressed
For a rainbow footing…."

Sunday, June 27, 2010

Sunday at the Apollo

Filed under: General,Geometry — m759 @ 9:00 pm
 

27

 

The 13 symmetry axes of the (Euclidean) cube–
exactly one axis for each pair of opposite
  subcubes in the 27-part (Galois) 3×3×3 cube–

The 13 symmetry axes of the cube

Saturday, June 26, 2010

Plato’s Logos

Filed under: General,Geometry — Tags: , — m759 @ 9:00 am

"The present study is closely connected with a lecture* given by Prof. Ernst Cassirer at the Warburg Library whose subject was 'The Idea of the Beautiful in Plato's Dialogues'…. My investigation traces the historical destiny of the same concept…."

* See Cassirer's Eidos und Eidolon : Das Problem des Schönen und der Kunst in Platons Dialogen, in Vorträge der Bibliothek Warburg II, 1922/23 (pp. 1–27). Berlin and Leipzig, B.G. Teubner, 1924.

— Erwin Panofsky, Idea: A Concept in Art Theory, foreword to the first German edition, Hamburg, March 1924

On a figure from Plato's Meno

IMAGE- Plato's diamond and finite geometry

The above figures illustrate Husserl's phrase  "eidetic variation"
a phrase based on Plato's use of eidos, a word
closely related to the word "idea" in Panofsky's title.

For remarks by Cassirer on the theory of groups, a part of
mathematics underlying the above diamond variations, see
his "The Concept of Group and the Theory of Perception."

Sketch of some further remarks—

http://www.log24.com/log/pix10A/100626-Theories.jpg

The Waterfield question in the sketch above
is from his edition of Plato's Theaetetus
(Penguin Classics, 1987).

The "design theory" referred to in the sketch
is that of graphic  design, which includes the design
of commercial logos. The Greek  word logos
has more to do with mathematics and theology.

"If there is one thread of warning that runs
through this dialogue, from beginning to end,
it is that verbal formulations as such are
shot through with ambiguity."

— Rosemary Desjardins, The Rational Enterprise:
Logos in Plato's Theaetetus
, SUNY Press, 1990

Related material—

(Click to enlarge.)

http://www.log24.com/log/pix10A/100626-CrossOnSocratesSm.gif

Friday, June 25, 2010

ART WARS continued

Filed under: General,Geometry — m759 @ 9:00 pm
 

The Dream of
the Expanded Field

Image-- 4x4 square and 4x4x4 cube

See The Klein Correspondence.

Thursday, June 24, 2010

Midsummer Noon

Filed under: General,Geometry — Tags: , , — m759 @ 12:00 pm
 

Geometry Simplified

Image-- The Three-Point Line: A Finite Projective Space
(a projective space)

The above finite projective space
is the simplest nontrivial example
of a Galois geometry (i.e., a finite
geometry with coordinates in a
finite (that is, Galois) field.)

The vertical (Euclidean) line represents a
(Galois) point, as does the horizontal line
and also the vertical-and-horizontal
cross that represents the first two points'
binary sum (i.e., symmetric difference,
if the lines are regarded as sets).

Homogeneous coordinates for the
points of this line —

(1,0), (0,1), (1,1).

Here 0 and 1 stand for the elements
of the two-element Galois field GF(2).

The 3-point line is the projective space
corresponding to the affine space
(a plane, not a line) with four points —

http://www.log24.com/log/pix10A/100624-The4PointPlane.bmp
(an affine space)

The (Galois) points of this affine plane are
not the single and combined (Euclidean)
line segments that play the role of
points in the 3-point projective line,
but rather the four subsquares
that the line segments separate.

For further details, see Galois Geometry.

There are, of course, also the trivial
two-point affine space and the corresponding
trivial one-point projective space —

http://www.log24.com/log/pix10A/100624-TrivialSpaces.bmp

Here again, the points of the affine space are
represented by squares, and the point of the
projective space is represented by a line segment
separating the affine-space squares.

Wednesday, June 23, 2010

Group Theory and Philosophy

Filed under: General,Geometry — Tags: , — m759 @ 5:01 pm

Excerpts from "The Concept of Group and the Theory of Perception,"
by Ernst Cassirer, Philosophy and Phenomenological Research,
Volume V, Number 1, September, 1944.
(Published in French in the Journal de Psychologie, 1938, pp. 368-414.)

The group-theoretical interpretation of the fundaments of geometry is,
from the standpoint of pure logic, of great importance, since it enables us to
state the problem of the "universality" of mathematical concepts in simple
and precise form and thus to disentangle it from the difficulties and ambigui-
ties with which it is beset in its usual formulation. Since the times of the
great controversies about the status of universals in the Middle Ages, logic
and psychology have always been troubled with these ambiguities….

Our foregoing reflections on the concept of group  permit us to define more
precisely what is involved in, and meant by, that "rule" which renders both
geometrical and perceptual concepts universal. The rule may, in simple
and exact terms, be defined as that group of transformations  with regard to
which the variation of the particular image is considered. We have seen
above that this conception operates as the constitutive principle in the con-
struction of the universe of mathematical concepts….

                                                              …Within Euclidean geometry,
a "triangle" is conceived of as a pure geometrical "essence," and this
essence is regarded as invariant with respect to that "principal group" of
spatial transformations to which Euclidean geometry refers, viz., displace-
ments, transformations by similarity. But it must always be possible to
exhibit any particular figure, chosen from this infinite class, as a concrete
and intuitively representable object. Greek mathematics could not
dispense with this requirement which is rooted in a fundamental principle
of Greek philosophy, the principle of the correlatedness of "logos" and
"eidos." It is, however, characteristic of the modern development of
mathematics, that this bond between "logos" and "eidos," which was indis-
soluble for Greek thought, has been loosened more and more, to be, in the
end, completely broken….

                                                            …This process has come to its logical
conclusion and systematic completion in the development of modern group-
theory. Geometrical figures  are no longer regarded as fundamental, as
date of perception or immediate intuition. The "nature" or "essence" of a
figure is defined in terms of the operations  which may be said to
generate the figure.
The operations in question are, in turn, subject to
certain group conditions….

                                                                                                    …What we
find in both cases are invariances with respect to variations undergone by
the primitive elements out of which a form is constructed. The peculiar
kind of "identity" that is attributed to apparently altogether heterogen-
eous figures in virtue of their being transformable into one another by means
of certain operations defining a group, is thus seen to exist also in the
domain of perception. This identity permits us not only to single out ele-
ments but also to grasp "structures" in perception. To the mathematical
concept of "transformability" there corresponds, in the domain of per-
ception, the concept of "transposability." The theory  of the latter con-
cept has been worked out step by step and its development has gone through
various stages….
                                                                                 …By the acceptance of
"form" as a primitive concept, psychological theory has freed it from the
character of contingency  which it possessed for its first founders. The inter-
pretation of perception as a mere mosaic of sensations, a "bundle" of simple
sense-impressions has proved untenable…. 

                             …In the domain of mathematics this state of affairs mani-
fests itself in the impossibility of searching for invariant properties of a
figure except with reference to a group. As long as there existed but one
form of geometry, i.e., as long as Euclidean geometry was considered as the
geometry kat' exochen  this fact was somehow concealed. It was possible
to assume implicitly  the principal group of spatial transformations that lies
at the basis of Euclidean geometry. With the advent of non-Euclidean
geometries, however, it became indispensable to have a complete and sys-
tematic survey of the different "geometries," i.e., the different theories of
invariancy that result from the choice of certain groups of transformation.
This is the task which F. Klein set to himself and which he brought to a
certain logical fulfillment in his Vergleichende Untersuchungen ueber neuere
geometrische Forschungen
….

                                                          …Without discrimination between the
accidental and the substantial, the transitory and the permanent, there
would be no constitution of an objective reality.

This process, unceasingly operative in perception and, so to speak, ex-
pressing the inner dynamics of the latter, seems to have come to final per-
fection, when we go beyond perception to enter into the domain of pure
thought. For the logical advantage and peculiar privilege of the pure con –
cept seems to consist in the replacement of fluctuating perception by some-
thing precise and exactly determined. The pure concept does not lose
itself in the flux of appearances; it tends from "becoming" toward "being,"
from dynamics toward statics. In this achievement philosophers have
ever seen the genuine meaning and value of geometry. When Plato re-
gards geometry as the prerequisite to philosophical knowledge, it is because
geometry alone renders accessible the realm of things eternal; tou gar aei
ontos he geometrike gnosis estin
. Can there be degrees or levels of objec-
tive knowledge in this realm of eternal being, or does not rather knowledge
attain here an absolute maximum? Ancient geometry cannot but answer
in the affirmative to this question. For ancient geometry, in the classical
form it received from Euclid, there was such a maximum, a non plus ultra.
But modern group theory thinking has brought about a remarkable change
In this matter. Group theory is far from challenging the truth of Euclidean
metrical geometry, but it does challenge its claim to definitiveness. Each
geometry is considered as a theory of invariants of a certain group; the
groups themselves may be classified in the order of increasing generality.
The "principal group" of transformations which underlies Euclidean geome-
try permits us to establish a number of properties that are invariant with
respect to the transformations in question. But when we pass from this
"principal group" to another, by including, for example, affinitive and pro-
jective transformations, all that we had established thus far and which,
from the point of view of Euclidean geometry, looked like a definitive result
and a consolidated achievement, becomes fluctuating again. With every
extension of the principal group, some of the properties that we had taken
for invariant are lost. We come to other properties that may be hierar-
chically arranged. Many differences that are considered as essential
within ordinary metrical geometry, may now prove "accidental." With
reference to the new group-principle they appear as "unessential" modifica-
tions….

                 … From the point of view of modern geometrical systematization,
geometrical judgments, however "true" in themselves, are nevertheless not
all of them equally "essential" and necessary. Modern geometry
endeavors to attain progressively to more and more fundamental strata of
spatial determination. The depth of these strata depends upon the com-
prehensiveness of the concept of group; it is proportional to the strictness of
the conditions that must be satisfied by the invariance that is a universal
postulate with respect to geometrical entities. Thus the objective truth
and structure of space cannot be apprehended at a single glance, but have to
be progressively  discovered and established. If geometrical thought is to
achieve this discovery, the conceptual means that it employs must become
more and more universal….

Tuesday, June 22, 2010

Mathematics and Narrative, continued

Filed under: General,Geometry — Tags: , — m759 @ 2:14 pm

"By groping toward the light we are made to realize
 how deep the darkness is around us."
  — Arthur Koestler, The Call Girls: A Tragi-Comedy,
      Random House, 1973, page 118

A 1973 review of Koestler's book—

"Koestler's 'call girls,' summoned here and there
 by this university and that foundation
 to perform their expert tricks, are the butts
 of some chilling satire."

Examples of Light—

Felix Christian Klein (1849- June 22, 1925) and Évariste Galois (1811-1832)

Klein on Galois—

"… in France just about 1830 a new star of undreamt-of brilliance— or rather a meteor, soon to be extinguished— lighted the sky of pure mathematics: Évariste Galois."

— Felix Klein, Development of Mathematics in the 19th Century, translated by Michael Ackerman. Brookline, Mass., Math Sci Press, 1979. Page 80.

"… um 1830 herum in Frankreich als ein neuer Stern von ungeahntem Glanze am Himmel der reinen Mathematik aufleuchtet, um freilich, einem Meteor gleich, sehr bald zu verlöschen: Évariste Galois."

— Felix Klein, Vorlesungen Über Die Entwicklung Der Mathematick Im 19. Jahrhundert. New York, Chelsea Publishing Co., 1967. (Vol. I, originally published in Berlin in 1926.) Page 88.

Examples of Darkness—

Martin Gardner on Galois—

"Galois was a thoroughly obnoxious nerd,
 suffering from what today would be called
 a 'personality disorder.'  His anger was
 paranoid and unremitting."

Gardner was reviewing a recent book about Galois by one Amir Alexander.

Alexander himself has written some reviews relevant to the Koestler book above.

See Alexander on—

The 2005 Mykonos conference on Mathematics and Narrative

A series of workshops at Banff International Research Station for Mathematical Innovation between 2003 and 2006. "The meetings brought together professional mathematicians (and other mathematical scientists) with authors, poets, artists, playwrights, and film-makers to work together on mathematically-inspired literary works."

Monday, June 21, 2010

Test

Filed under: General,Geometry — Tags: , — m759 @ 11:30 pm

From a post by Ivars Peterson, Director
of Publications and Communications at
the Mathematical Association of America,
at 19:19 UTC on June 19, 2010—

Exterior panels and detail of panel,
Michener Gallery at Blanton Museum
in Austin, Texas—

http://www.log24.com/log/pix10A/100621-MichenerGalleryPanel.jpg

Peterson associates the four-diamond figure
with the Pythagorean theorem.

A more relevant association is the
four-diamond view of a tesseract shown here
on June 19 (the same date as Peterson's post)
in the "Imago Creationis" post—

Image-- The Four-Diamond Tesseract

This figure is relevant because of a
tesseract sculpture by Peter Forakis—

http://www.log24.com/log/pix09A/091220-ForakisHypercube.jpg

This sculpture was apparently shown in the above
building— the Blanton Museum's Michener gallery—
as part of the "Reimagining Space" exhibition,
September 28, 2008-January 18, 2009.

The exhibition was organized by
Linda Dalrymple Henderson, Centennial Professor
in Art History at the University of Texas at Austin
and author of The Fourth Dimension and
Non-Euclidean Geometry in Modern Art

(Princeton University Press, 1983;
new ed., MIT Press, 2009).

For the sculptor Forakis in this journal,
see "The Test" (December 20, 2009).

"There is  such a thing
as a tesseract."
A Wrinkle in TIme   

1984 Story (continued)

Filed under: General,Geometry — Tags: — m759 @ 7:00 pm

This journal’s 11 AM Sunday post was “Lovasz Wins Kyoto Prize.” This is now the top item on the American Mathematical Society online home page—

http://www.log24.com/log/pix10A/100621-LovaszAMS-sm.jpg

Click to enlarge.

For more background on Lovasz, see today’s
previous Log24 post, Cube Spaces, and also
Cube Space, 1984-2003.

“If the Party could thrust its hand into the past and
say of this or that event, it never happened….”

— George Orwell, 1984

Cube Spaces

Cubic models of finite geometries
display an interplay between
Euclidean and Galois geometry.

 

Example 1— The 2×2×2 Cube—

also known as the eightfold  cube

2x2x2 cube

Group actions on the eightfold cube, 1984—

http://www.log24.com/log/pix10A/100621-diandwh-detail.GIF

Version by Laszlo Lovasz et al., 2003—

http://www.log24.com/log/pix10A/100621-LovaszCubeSpace.gif

Lovasz et al. go on to describe the same group actions
as in the 1984 note, without attribution.

Example 2— The 3×3×3 Cube

A note from 1985 describing group actions on a 3×3 plane array—

http://www.log24.com/log/pix10A/100621-VisualizingDetail.gif

Undated software by Ed Pegg Jr. displays
group actions on a 3×3×3 cube that extend the
3×3 group actions from 1985 described above—

Ed Pegg Jr.'s program at Wolfram demonstrating concepts of a 1985 note by Cullinane

Pegg gives no reference to the 1985 work on group actions.

Example 3— The 4×4×4 Cube

A note from 27 years ago today—

http://www.log24.com/log/pix10A/100621-Cube830621.gif

As far as I know, this version of the
group-actions theorem has not yet been ripped off.

Sunday, June 20, 2010

Lovasz Wins Kyoto Prize

Filed under: General,Geometry — Tags: — m759 @ 11:00 am

From a June 18 press release

KYOTO, Japan, Jun 18, 2010 (BUSINESS WIRE) — The non-profit Inamori Foundation (President: Dr. Kazuo Inamori) today announced that Dr. Laszlo Lovasz will receive its 26th annual Kyoto Prize in Basic Sciences, which for 2010 focuses on the field of Mathematical Sciences. Dr. Lovasz, 62, a citizen of both Hungary and the United States, will receive the award for his outstanding contributions to the advancement of both the academic and technological possibilities of the mathematical sciences.

Dr. Lovasz currently serves as both director of the Mathematical Institute at Eotvos Lorand University in Budapest and as president of the International Mathematics Union. Among many positions held throughout his distinguished career, Dr. Lovasz also served as a senior research member at Microsoft Research Center and as a professor of computer science at Yale University.

Related material: Cube Space, 1984-2003.

See also “Kyoto Prize” in this journal—

The Kyoto Prize is “administered by the Inamori Foundation, whose president, Kazuo Inamori, is founder and chairman emeritus of Kyocera and KDDI Corporation, two Japanese telecommunications giants.”

— – Montreal Gazette, June 20, 2008

http://www.log24.com/log/pix10A/100620-KyoceraLogo.gif

Wittgenstein and Fly from Fly-Bottle

Fly from Fly Bottle

Sunday School

Filed under: General,Geometry — m759 @ 7:59 am
 

Limited— Good   
Évariste Galois  

 http://www.log24.com/log/pix10A/100620-Galois.jpg    

Unlimited— Bad
H.S.M. Coxeter

http://www.log24.com/log/pix10A/100620-CoxeterSm.jpg

Jamie James in The Music of the Spheres

"The Pythagorean philosophy, like Zoroastrianism, Taoism, and every early system of higher thought, is based upon the concept of dualism. Pythagoras constructed a table of opposites from which he was able to derive every concept needed for a philosophy of the phenomenal world. As reconstructed by Aristotle in his Metaphysics, the table contains ten dualities (ten being a particularly important number in the Pythagorean system, as we shall see):

Limited
Odd
One
Right
Male
Rest
Straight
Light
Good
Square
Unlimited
Even
Many
Left
Female
Motion
Curved
Dark
Bad
Oblong

Of these dualities, the first is the most important; all the others may be seen as different aspects of this fundamental dichotomy. To establish a rational and consistent relationship between the limited (man, finite time, and so forth) and the unlimited (the cosmos, eternity, etc.) is not only the aim of Pythagoras's system but the central aim of all Western philosophy."

Saturday, June 19, 2010

Imago Creationis

Filed under: General,Geometry — Tags: , , , , , , , — m759 @ 6:00 pm

Image-- The Four-Diamond Tesseract

In the above view, four of the tesseract's 16
vertices are overlaid by other vertices.
For views that are more complete and
moveable, see Smith's tesseract page.

Four-Part Tesseract Divisions

http://www.log24.com/log/pix10A/100619-TesseractAnd4x4.gif

The above figure shows how four-part partitions
of the 16 vertices  of a tesseract in an infinite
Euclidean  space are related to four-part partitions
of the 16 points  in a finite Galois  space

Euclidean spaces versus Galois spaces
in a larger context—


Infinite versus Finite

The central aim of Western religion —

"Each of us has something to offer the Creator...
the bridging of
                 masculine and feminine,
                      life and death.
It's redemption.... nothing else matters."
-- Martha Cooley in The Archivist  (1998)

The central aim of Western philosophy —

              Dualities of Pythagoras
              as reconstructed by Aristotle:
                 Limited     Unlimited
                     Odd     Even
                    Male     Female
                   Light      Dark
                Straight    Curved
                  ... and so on ....

"Of these dualities, the first is the most important; all the others may be seen as different aspects of this fundamental dichotomy. To establish a rational and consistent relationship between the limited [man, etc.] and the unlimited [the cosmos, etc.] is… the central aim of all Western philosophy."
— Jamie James in The Music of the Spheres  (1993)

Another picture related to philosophy and religion—

Jung's Four-Diamond Figure from Aion

http://www.log24.com/log/pix10A/100615-JungImago.gif

This figure was devised by Jung
to represent the Self. Compare the
remarks of Paul Valéry on the Self—

Flight from Eden: The Origins of Modern Literary Criticism and Theory, by Steven Cassedy, U. of California Press, 1990, pages 156-157—

Valéry saw the mind as essentially a relational system whose operation he attempted to describe in the language of group mathematics. "Every act of understanding is based on a group," he says (C, 1:331). "My specialty— reducing everything to the study of a system closed on itself and finite" (C, 19: 645). The transformation model came into play, too. At each moment of mental life the mind is like a group, or relational system, but since mental life is continuous over time, one "group" undergoes a "transformation" and becomes a different group in the next moment. If the mind is constantly being transformed, how do we account for the continuity of the self? Simple; by invoking the notion of the invariant. And so we find passages like this one: "The S[elf] is invariant, origin, locus or field, it's a functional property of consciousness" (C, 15:170 [2:315]). Just as in transformational geometry, something remains fixed in all the projective transformations of the mind's momentary systems, and that something is the Self (le Moi, or just M, as Valéry notates it so that it will look like an algebraic variable). Transformation theory is all over the place. "Mathematical science…  reduced to algebra, that is, to the analysis of the transformations of a purely differential being made up of homogeneous elements, is the most faithful document of the properties of grouping, disjunction, and variation in the mind" (O, 1:36). "Psychology is a theory of transformations, we just need to isolate the invariants and the groups" (C, 1:915). "Man is a system that transforms itself" (C, 2:896).

Notes:

  Paul Valéry, Oeuvres  (Paris: Pléiade, 1957-60)

C   Valéry, Cahiers, 29 vols. (Paris: Centre National de le Recherche Scientifique, 1957-61)

Note also the remarks of George David Birkhoff at Rice University
in 1940 (pdf) on Galois's theory of groups and the related
"theory of ambiguity" in Galois's testamentary letter—

… metaphysical reasoning always relies on the Principle of Sufficient Reason, and… the true meaning of this Principle is to be found in the “Theory of Ambiguity” and in the associated mathematical “Theory of Groups.”

If I were a Leibnizian mystic, believing in his “preestablished harmony,” and the “best possible world” so satirized by Voltaire in “Candide,” I would say that the metaphysical importance of the Principle of Sufficient Reason and the cognate Theory of Groups arises from the fact that God thinks multi-dimensionally* whereas men can only think in linear syllogistic series, and the Theory of Groups is the appropriate instrument of thought to remedy our deficiency in this respect.

* That is, uses multi-dimensional symbols beyond our grasp.

Related material:

Imago Creationis

A medal designed by Leibniz to show how
binary arithmetic mirrors the creation by God
of something (1) from nothing (0).

http://www.log24.com/log/pix10A/100618-LeibnizMedaille.jpg

Another array of 16 strings of 0's and 1's, this time
regarded as coordinates rather than binary numbers—

Frame of Reference

http://www.log24.com/log/pix10A/100619-ReferenceFrame.gif

The Diamond Theorem

http://www.log24.com/log/pix10A/100619-Dtheorem.gif

Some context by a British mathematician —

http://www.log24.com/log/pix10A/100619-Cameron.gif

Imago

by Wallace Stevens

Who can pick up the weight of Britain, 
Who can move the German load 
Or say to the French here is France again? 
Imago. Imago. Imago. 

It is nothing, no great thing, nor man 
Of ten brilliancies of battered gold 
And fortunate stone. It moves its parade 
Of motions in the mind and heart, 

A gorgeous fortitude. Medium man 
In February hears the imagination's hymns 
And sees its images, its motions 
And multitudes of motions 

And feels the imagination's mercies, 
In a season more than sun and south wind, 
Something returning from a deeper quarter, 
A glacier running through delirium, 

Making this heavy rock a place, 
Which is not of our lives composed . . . 
Lightly and lightly, O my land, 
Move lightly through the air again.

Wednesday, June 16, 2010

Brightness at Noon

Filed under: General,Geometry — Tags: , , , — m759 @ 12:00 pm

David Levine's portrait of Arthur Koestler (see Dec. 30, 2009) —

Image-- Arthur Koestler by David Levine, NY Review of Books, Dec. 17, 1964, review of 'The Act of Creation'

Image-- Escher's 'Verbum'

Escher’s Verbum

Image-- Solomon's Cube

Solomon’s Cube

Image-- The 64 I Ching hexagrams in the 4 layers of the Cullinane cube

Geometry of the I Ching

See also this morning's post as well as
Monday's post quoting George David Birkhoff

"If I were a Leibnizian mystic… I would say that…
God thinks multi-dimensionally — that is,
uses multi-dimensional symbols beyond our grasp."

Geometry of Language

Filed under: General,Geometry — Tags: , , — m759 @ 10:31 am

(Continued from April 23, 2009, and February 13, 2010.)

Paul Valéry as quoted in yesterday’s post:

“The S[elf] is invariant, origin, locus or field, it’s a functional property of consciousness” (Cahiers, 15:170 [2: 315])

The geometric example discussed here yesterday as a Self symbol may seem too small to be really impressive. Here is a larger example from the Chinese, rather than European, tradition. It may be regarded as a way of representing the Galois field GF(64). (“Field” is a rather ambiguous term; here it does not, of course, mean what it did in the Valéry quotation.)

From Geometry of the I Ching

Image-- The 64 hexagrams of the I Ching

The above 64 hexagrams may also be regarded as
the finite affine space AG(6,2)— a larger version
of the finite affine space AG(4,2) in yesterday’s post.
That smaller space has a group of 322,560 symmetries.
The larger hexagram  space has a group of
1,290,157,424,640 affine symmetries.

From a paper on GL(6,2), the symmetry group
of the corresponding projective  space PG(5,2),*
which has 1/64 as many symmetries—

(Click to enlarge.)

Image-- Classes of the Group GL(6,)

For some narrative in the European  tradition
related to this geometry, see Solomon’s Cube.

* Update of July 29, 2011: The “PG(5,2)” above is a correction from an earlier error.

Tuesday, June 15, 2010

Imago, Imago, Imago

Filed under: General,Geometry — Tags: , , , , , — m759 @ 11:07 am

Recommended— an online book—

Flight from Eden: The Origins of Modern Literary Criticism and Theory,
by Steven Cassedy, U. of California Press, 1990.

See in particular

Valéry and the Discourse On His Method.

Pages 156-157—

Valéry saw the mind as essentially a relational system whose operation he attempted to describe in the language of group mathematics. "Every act of understanding is based on a group," he says (C, 1:331). "My specialty—reducing everything to the study of a system closed on itself and finite" (C, 19: 645). The transformation model came into play, too. At each moment of mental life the mind is like a group, or relational system, but since mental life is continuous over time, one "group" undergoes a "transformation" and becomes a different group in the next moment. If the mind is constantly being transformed, how do we account for the continuity of the self? Simple; by invoking the notion of the invariant. And so we find passages like this one: "The S[elf] is invariant, origin, locus or field, it's a functional property of consciousness" (C, 15:170 [2: 315]). Just as in transformational geometry, something remains fixed in all the projective transformations of the mind's momentary systems, and that something is the Self (le Moi, or just M, as Valéry notates it so that it will look like an algebraic variable). Transformation theory is all over the place. "Mathematical science . . . reduced to algebra, that is, to the analysis of the transformations of a purely differential being made up of homogeneous elements, is the most faithful document of the properties of grouping, disjunction, and variation in the mind" (O, 1:36). "Psychology is a theory of transformations, we just need to isolate the invariants and the groups" (C, 1:915). "Man is a system that transforms itself" (C, 2:896).

Notes:

  Paul Valéry, Oeuvres (Paris: Pléiade, 1957-60)

C   Valéry, Cahiers, 29 vols. (Paris: Centre National de le Recherche Scientifique, 1957-61)

Compare Jung's image in Aion  of the Self as a four-diamond figure:

http://www.log24.com/log/pix10A/100615-JungImago.gif

and Cullinane's purely geometric four-diamond figure:

http://www.log24.com/log/pix10A/100615-FourD.gif

For a natural group of 322,560 transformations acting on the latter figure, see the diamond theorem.

What remains fixed (globally, not pointwise) under these transformations is the system  of points and hyperplanes from the diamond theorem. This system was depicted by artist Josefine Lyche in her installation "Theme and Variations" in Oslo in 2009.  Lyche titled this part of her installation "The Smallest Perfect Universe," a phrase used earlier by Burkard Polster to describe the projective 3-space PG(3,2) that contains these points (at right below) and hyperplanes (at left below).

Image-- Josefine Lyche's combination of Polster's phrase with<br /> Cullinane's images in her gallery show, Oslo, 2009-- 'The Smallest<br /> Perfect Universe -- Points and Hyperplanes'

Although the system of points (at right above) and hyperplanes (at left above) exemplifies Valéry's notion of invariant, it seems unlikely to be the sort of thing he had in mind as an image of the Self.

Monday, June 14, 2010

Birkhoff on the Galois “Theory of Ambiguity”

Filed under: General,Geometry — m759 @ 9:48 pm

The Principle of Sufficient Reason

by George David Birkhoff

from "Three Public Lectures on Scientific Subjects,"
delivered at the Rice Institute, March 6, 7, and 8, 1940

EXCERPT 1—

My primary purpose will be to show how a properly formulated
Principle of Sufficient Reason plays a fundamental
role in scientific thought and, furthermore, is to be regarded
as of the greatest suggestiveness from the philosophic point
of view.2

In the preceding lecture I pointed out that three branches
of philosophy, namely Logic, Aesthetics, and Ethics, fall
more and more under the sway of mathematical methods.
Today I would make a similar claim that the other great
branch of philosophy, Metaphysics, in so far as it possesses
a substantial core, is likely to undergo a similar fate. My
basis for this claim will be that metaphysical reasoning always
relies on the Principle of Sufficient Reason, and that
the true meaning of this Principle is to be found in the
Theory of Ambiguity” and in the associated mathematical
“Theory of Groups.”

If I were a Leibnizian mystic, believing in his “preestablished
harmony,” and the “best possible world” so
satirized by Voltaire in “Candide,” I would say that the
metaphysical importance of the Principle of Sufficient Reason
and the cognate Theory of Groups arises from the fact that
God thinks multi-dimensionally3 whereas men can only
think in linear syllogistic series, and the Theory of Groups is

2 As far as I am aware, only Scholastic Philosophy has fully recognized and ex-
ploited this principle as one of basic importance for philosophic thought

3 That is, uses multi-dimensional symbols beyond our grasp.
______________________________________________________________________

the appropriate instrument of thought to remedy our deficiency
in this respect.

The founder of the Theory of Groups was the mathematician
Evariste Galois. At the end of a long letter written in
1832 on the eve of a fatal duel, to his friend Auguste
Chevalier, the youthful Galois said in summarizing his
mathematical work,4 “You know, my dear Auguste, that
these subjects are not the only ones which I have explored.
My chief meditations for a considerable time have been
directed towards the application to transcendental Analysis
of the theory of ambiguity. . . . But I have not the time, and
my ideas are not yet well developed in this field, which is
immense.” This passage shows how in Galois’s mind the
Theory of Groups and the Theory of Ambiguity were
interrelated.5

Unfortunately later students of the Theory of Groups
have all too frequently forgotten that, philosophically
speaking, the subject remains neither more nor less than the
Theory of Ambiguity. In the limits of this lecture it is only
possible to elucidate by an elementary example the idea of a
group and of the associated ambiguity.

Consider a uniform square tile which is placed over a
marked equal square on a table. Evidently it is then impossible
to determine without further inspection which one
of four positions the tile occupies. In fact, if we designate
its vertices in order by A, B, C, D, and mark the corresponding
positions on the table, the four possibilities are for the
corners A, B, C, D of the tile to appear respectively in the
positions A, B, C, D;  B, C, D, A;  C, D, A, B; and D, A, B, C.
These are obtained respectively from the first position by a

4 My translation.
5 It is of interest to recall that Leibniz was interested in ambiguity to the extent
of using a special notation v (Latin, vel ) for “or.” Thus the ambiguously defined
roots 1, 5 of x2-6x+5=0 would be written x = l v 5 by him.
______________________________________________________________________

null rotation ( I ), by a rotation through 90° (R), by a rotation
through 180° (S), and by a rotation through 270° (T).
Furthermore the combination of any two of these rotations
in succession gives another such rotation. Thus a rotation R
through 90° followed by a rotation S through 180° is equivalent
to a single rotation T through 270°, Le., RS = T. Consequently,
the "group" of four operations I, R, S, T has
the "multiplication table" shown here:

http://www.log24.com/log/pix10A/100614-BirkhoffTable.jpg
This table fully characterizes the group, and shows the exact
nature of the underlying ambiguity of position.
More generally, any collection of operations such that
the resultant of any two performed in succession is one of
them, while there is always some operation which undoes
what any operation does, forms a "group."
__________________________________________________

EXCERPT 2—

Up to the present point my aim has been to consider a
variety of applications of the Principle of Sufficient Reason,
without attempting any precise formulation of the Principle
itself. With these applications in mind I will venture to
formulate the Principle and a related Heuristic Conjecture
in quasi-mathematical form as follows:

PRINCIPLE OF SUFFICIENT REASON. If there appears
in any theory T a set of ambiguously determined ( i e .
symmetrically entering) variables, then these variables can themselves
be determined only to the extent allowed by the corresponding
group G. Consequently any problem concerning these variables
which has a uniquely determined solution, must itself be
formulated so as to be unchanged by the operations of the group
G ( i e . must involve the variables symmetrically).

HEURISTIC CONJECTURE. The final form of any
scientific theory T is: (1) based on a few simple postulates; and
(2) contains an extensive ambiguity, associated symmetry, and
underlying group G, in such wise that, if the language and laws
of the theory of groups be taken for granted, the whole theory T
appears as nearly self-evident in virtue of the above Principle.

The Principle of Sufficient Reason and the Heuristic Conjecture,
as just formulated, have the advantage of not involving
excessively subjective ideas, while at the same time
retaining the essential kernel of the matter.

In my opinion it is essentially this principle and this
conjecture which are destined always to operate as the basic
criteria for the scientist in extending our knowledge and
understanding of the world.

It is also my belief that, in so far as there is anything
definite in the realm of Metaphysics, it will consist in further
applications of the same general type. This general conclu-
sion may be given the following suggestive symbolic form:

Image-- Birkhoff diagram relating Galois's theory of ambiguity to metaphysics

While the skillful metaphysical use of the Principle must
always be regarded as of dubious logical status, nevertheless
I believe it will remain the most important weapon of the
philosopher.

___________________________________________________________________________

A more recent lecture on the same subject —

"From Leibniz to Quantum World:
Symmetries, Principle of Sufficient Reason
and Ambiguity in the Sense of Galois
"

by Jean-Pierre Ramis (Johann Bernoulli Lecture at U. of Groningen, March 2005)

Theory of Ambiguity

Filed under: General,Geometry — m759 @ 5:01 pm

Théorie de l'Ambiguité

According to a 2008 paper by Yves André of the École Normale Supérieure  of Paris—

"Ambiguity theory was the name which Galois used
 when he referred to his own theory and its future developments."

The phrase "the theory of ambiguity" occurs in the testamentary letter Galois wrote to a friend, Auguste Chevalier, on the night before Galois was shot in a duel.

Hermann Weyl in Symmetry, Princeton University Press, 1952—

"This letter, if judged by the novelty and profundity of ideas it contains, is perhaps
  the most substantial piece of writing in the whole literature of mankind."

Conclusion of the Galois testamentary letter, according to
the 1897 Paris edition of Galois's collected works—

Image-- Galois on his theory of ambiguity, from Collected Works, Paris, 1897

The original—

Image-- Concluding paragraphs, Galois's 'last testament' letter to Chevalier, May 29, 1832

A transcription—

Évariste GALOIS, Lettre-testament, adressée à Auguste Chevalier—

Tu sais mon cher Auguste, que ces sujets ne sont pas les seuls que j'aie
explorés. Mes principales méditations, depuis quelques temps,
étaient dirigées sur l'application à l'analyse transcendante de la théorie de
l'ambiguité. Il s'agissait de voir a priori, dans une relation entre des quantités
ou fonctions transcendantes, quels échanges on pouvait faire, quelles
quantités on pouvait substituer aux quantités données, sans que la relation
put cesser d'avoir lieu. Cela fait reconnaitre de suite l'impossibilité de beaucoup
d'expressions que l'on pourrait chercher. Mais je n'ai pas le temps, et mes idées
ne sont pas encore bien développées sur ce terrain, qui est
immense.

Tu feras imprimer cette lettre dans la Revue encyclopédique.

Je me suis souvent hasardé dans ma vie à avancer des propositions dont je n'étais
pas sûr. Mais tout ce que j'ai écrit là est depuis bientôt un an dans ma
tête, et il est trop de mon intérêt de ne pas me tromper pour qu'on
me soupconne d'avoir énoncé des théorèmes dont je n'aurais pas la démonstration
complète.

Tu prieras publiquement Jacobi et Gauss de donner leur avis,
non sur la vérité, mais sur l'importance des théorèmes.

Après cela, il y aura, j'espère, des gens qui trouveront leur profit
à déchiffrer tout ce gachis.

Je t'embrasse avec effusion.

                                               E. Galois   Le 29 Mai 1832

A translation by Dr. Louis Weisner, Hunter College of the City of New York, from A Source Book in Mathematics, by David Eugene Smith, Dover Publications, 1959–

You know, my dear Auguste, that these subjects are not the only ones I have explored. My reflections, for some time, have been directed principally to the application of the theory of ambiguity to transcendental analysis. It is desired see a priori  in a relation among quantities or transcendental functions, what transformations one may make, what quantities one may substitute for the given quantities, without the relation ceasing to be valid. This enables us to recognize at once the impossibility of many expressions which we might seek. But I have no time, and my ideas are not developed in this field, which is immense.

Print this letter in the Revue Encyclopédique.

I have often in my life ventured to advance propositions of which I was uncertain; but all that I have written here has been in my head nearly a year, and it is too much to my interest not to deceive myself that I have been suspected of announcing theorems of which I had not the complete demonstration.

Ask Jacobi or Gauss publicly to give their opinion, not as to the truth, but as to the importance of the theorems.

Subsequently there will be, I hope, some people who will find it to their profit to decipher all this mess.

J t'embrasse avec effusion.
                        
                                                     E. Galois.   May 29, 1832.

Translation, in part, in The Unravelers: Mathematical Snapshots, by Jean Francois Dars, Annick Lesne, and Anne Papillaut (A.K. Peters, 2008)–

"You know, dear Auguste, that these subjects are not the only ones I have explored. For some time my main meditations have been directed on the application to transcendental analysis of the theory of ambiguity. The aim was to see in a relation between quantities or transcendental functions, what exchanges we could make, what quantities could be substituted to the given quantities without the relation ceasing to take place. In that way we see immediately that many expressions that we might look for are impossible. But I don't have the time and my ideas are not yet developed enough in this vast field."

Another translation, by James Dolan at the n-Category Café

"My principal meditations for some time have been directed towards the application of the theory of ambiguity to transcendental analysis. It was a question of seeing a priori in a relation between quantities or transcendent functions, what exchanges one could make, which quantities one could substitute for the given quantities without the original relation ceasing to hold. That immediately made clear the impossibility of finding many expressions that one could look for. But I do not have time and my ideas are not yet well developed on this ground which is immense."

Related material

"Renormalisation et Ambiguité Galoisienne," by Alain Connes, 2004

"La Théorie de l’Ambiguïté : De Galois aux Systèmes Dynamiques," by Jean-Pierre Ramis, 2006

"Ambiguity Theory, Old and New," preprint by Yves André, May 16, 2008,

"Ambiguity Theory," post by David Corfield at the n-Category Café, May 19, 2008

"Measuring Ambiguity," inaugural lecture at Utrecht University by Gunther Cornelissen, Jan. 16, 2009

Saturday, June 12, 2010

Holy Geometry

Filed under: General,Geometry — m759 @ 10:31 am

The late mathematician V.I. Arnold was born on this date in 1937.

"By groping toward the light we are made to realize
 how deep the darkness is around us."
  — Arthur Koestler, The Call Girls: A Tragi-Comedy

Light

Image-- AMS site screenshot of V.I. Arnold obituary, June 12, 2010

Darkness

Image-- AMS site screenshot of Martin Gardner tribute, May 25, 2010

Choosing light rather than darkness, we observe Arnold's birthday with a quotation from his 1997 Paris talk 'On Teaching Mathematics.'

"The Jacobi identity (which forces the heights of a triangle to cross at one point) is an experimental fact…."

The "experimental fact" part, perhaps offered with tongue in cheek, is of less interest than the assertion that the Jacobi identity forces the altitude-intersection theorem.

Albert Einstein on that theorem in the "holy geometry book" he read at the age of 12—

"Here were assertions, as for example the intersection of the three altitudes of a triangle in one point, which– though by no means evident– could nevertheless be proved with such certainty that any doubt appeared to be out of the question.  This lucidity and certainty made an indescribable impression upon me.”

Arnold's much less  evident assertion about altitudes and the Jacobi identity is discussed in "Arnol'd, Jacobi identity, and orthocenters" (pdf) by Nikolai V. Ivanov.

Ivanov says, without giving a source,  that the altitudes theorem "was known to Euclid." Alexander Bogomolny, on the other hand, says it is "a matter of real wonderment that the fact of the concurrency of altitudes is not mentioned in either Euclid's Elements  or subsequent writings of the Greek scholars. The timing of the first proof is still an open question."

For other remarks on geometry, search this journal for the year of Arnold's birth.

Tuesday, June 8, 2010

From Plato to Finite Geometry

Filed under: General,Geometry — m759 @ 12:30 pm

A supplement to yesterday's post on variation of an eidos

Image-- Plato's diamond and a modern version from finite geometry

Enlarge.

Monday, June 7, 2010

Inspirational Combinatorics

Filed under: General,Geometry — Tags: , , — m759 @ 9:00 am

According to the Mathematical Association of America this morning, one purpose of the upcoming June/July issue of the Notices of the American Mathematical Society  is

"…to stress the inspirational role of combinatorics…."

Here is another contribution along those lines—

Eidetic Variation

from page 244 of
From Combinatorics to Philosophy: The Legacy of  G.-C. Rota,
hardcover, published by Springer on August 4, 2009

(Edited by Ernesto Damiani, Ottavio D'Antona, Vincenzo Marra, and Fabrizio Palombi)

"Rota's Philosophical Insights," by Massimo Mugnai—

"… In other words, 'objectivism' is the attitude [that tries] to render a particular aspect absolute and dominant over the others; it is a kind of narrow-mindedness attempting to reduce to only one the multiple layers which constitute what we call 'reality.' According to Rota, this narrow-mindedness limits in an essential way even of [sic ] the most basic facts of our cognitive activity, as, for example, the understanding of a simple declarative sentence: 'So objectivism is the error we [make when we] persist in believing that we can understand what a declarative sentence means without a possible thematization of this declarative sentence in one of [an] endless variety of possible contexts' (Rota, 1991*, p. 155). Rota here implicitly refers to what, amongst phenomenologists is known as eidetic variation, i.e. the change of perspective, imposed by experience or performed voluntarily, from which to look at things, facts or sentences of the world. A typical example, proposed by Heidegger, in Sein und Zeit  (1927) and repeated many times by Rota, is that of the hammer."

* Rota, G.-C. (1991), The End of Objectivity: The Legacy of Phenomenology. Lectures at MIT, Cambridge, MA, MIT Mathematics Department

The example of the hammer appears also on yesterday's online New York Times  front page—

http://www.log24.com/log/pix10A/100606-Touchstones.jpg

Related material:

From The Blackwell Dictionary of Western Philosophy

Eidetic variation — an alternative expression for eidetic reduction

Eidetic reduction

Husserl's term for an intuitive act toward an essence or universal, in contrast to an empirical intuition or perception. He also called this act an essential intuition, eidetic intuition, or eidetic variation. In Greek, eideo  means “to see” and what is seen is an eidos  (Platonic Form), that is, the common characteristic of a number of entities or regularities in experience. For Plato, eidos  means what is seen by the eye of the soul and is identical with essence. Husserl also called this act “ideation,” for ideo  is synonymous with eideo  and also means “to see” in Greek. Correspondingly, idea  is identical to eidos.

An example of eidos— Plato's diamond (from the Meno )—

http://www.log24.com/log/pix10A/100607-PlatoDiamond.gif

For examples of variation of this eidos, see the diamond theorem.
See also Blockheads (8/22/08).

Related poetic remarks— The Trials of Device.

Friday, June 4, 2010

ART WARS continued

Filed under: General,Geometry — Tags: , — m759 @ 8:00 pm

Today's New York Times

Art Review

Painting Thin Air, Sometimes in Bright Blue

(“Yves Klein: With the Void, Full Powers”
  runs through Sept. 12 at the Hirshhorn.)

Related material—

Search this journal for klein + paris.

See also Art Space (May 22, 2010)—

Box symbol

Pictorial version
of Hexagram 20,
Contemplation (View)

http://www.log24.com/log/pix10A/100522-Clouseau.gif

A Better Story

Filed under: General,Geometry — Tags: , — m759 @ 7:59 am

Continued from May 8
(Feast of Saint Robert Heinlein)

“Wells and trees were dedicated to saints.  But the offerings at many wells and trees were to something other than the saint; had it not been so they would not have been, as we find they often were, forbidden.  Within this double and intertwined life existed those other capacities, of which we know more now, but of which we still know little– clairvoyance, clairaudience, foresight, telepathy.”

— Charles Williams, Witchcraft, Faber and Faber, London, 1941

Why "Saint" Robert? See his accurate depiction of evil– the Eater of Souls in Glory Road.

For more on Williams's "other capacities," see Heinlein's story "Lost Legacy."

A related story– Fritz Leiber's "The Mind Spider." An excerpt:

The conference—it was much more a hyper-intimate
gabfest—proceeded.

"My static box bugged out for a few ticks this morning,"
Evelyn remarked in the course of talking over the
trivia of the past twenty-four hours.

The static boxes were an invention of Grandfather
Horn. They generated a tiny cloud of meaningless brain
waves. Without such individual thought-screens, there was
too much danger of complete loss of individual personality

—once Grandfather Horn had "become" his infant daughter
as well as himself for several hours and the unfledged
mind had come close to being permanently lost in its own
subconscious. The static boxes provided a mental wall be-
– hind which a mind could safely grow and function, similar
to the wall by which ordinary minds are apparently
always enclosed.

In spite of the boxes, the Horns shared thoughts and
emotions to an amazing degree. Their mental togetherness
was as real and as mysterious—and as incredible—as
thought itself . . . and thought is the original angel-cloud
dancing on the head of a pin. Their present conference
was as warm and intimate and tart as any actual family
gathering in one actual room around one actual table.
Five minds, joined together in the vast mental darkness
that shrouds all minds. Five minds hugged together for
comfort and safety in the infinite mental loneliness that
pervades the cosmos.

Evelyn continued, "Your boxes were all working, of
course, so I couldn't get your thoughts—just the blurs of
your boxes like little old dark grey stars. But this time
if gave me a funny uncomfortable feeling, like a spider
Crawling down my—Grayl! Don't feel so wildly! What
Is it?”

Then… just as Grayl started to think her answer…
something crept from the vast mental darkness and infinite
cosmic loneliness surrounding the five minds of the
Horns
.

Grayl was the first to notice. Her panicky thought had
ttie curling too-keen edge of hysteria. "There are six of
us now! There should only be five, but there are six.
Count! Count, I tell you! Six!"

To Mort it seemed that a gigantic spider was racing
across the web of their thoughts….

See also this journal on May 30– "720 in the Book"– and on May 31– "Memorial for Galois."

("Obnoxious nerds"— a phrase Martin Gardner recently applied to Galois— will note that 720 (= 6!) is one possible result of obeying Leiber's command "Count! Count, I tell you! Six!")

Wednesday, June 2, 2010

The Harvard Style

Filed under: General,Geometry — Tags: — m759 @ 5:01 pm

"I wonder if there's just been a critical mass
of creepy stories about Harvard
in the last couple of years…
A kind of piling on of
    nastiness and creepiness…"

Margaret Soltan, October 23, 2006

Harvard University Press
  on Facebook

Harvard University Press Harvard University Press
Martin Gardner on demythologizing mathematicians:
"Galois was a thoroughly obnoxious nerd"
http://ping.fm/YrgOh
  May 26 at 6:28 pm via Ping.f

The book that the late Gardner was reviewing
was published in April by Harvard University Press.

If Gardner's remark were true,
Galois would fit right in at Harvard. Example—
  The Harvard math department's pie-eating contest

Harvard Math Department Pi Day event

Rite of Passage

Filed under: General,Geometry — Tags: , — m759 @ 9:00 am

Wikipedia—

"On June 2, Évariste Galois was buried in a common grave of the Montparnasse cemetery whose exact location is unknown."

Évariste Galois, Lettre de Galois à M. Auguste Chevalier

Après cela, il y aura, j'espère, des gens qui trouveront leur profit à déchiffrer tout ce gâchis.

(Later there will be, I hope, some people who will find it to their advantage to decipher all this mess.)

Martin Gardner on the above letter—

"Galois had written several articles on group theory, and was merely annotating and correcting those earlier published papers."

The Last Recreations, by Martin Gardner, published by Springer in 2007, page 156.

Leonard E. Dickson

Image-- Leonard E. Dickson on the posthumous fundamental memoir of Galois

Tuesday, June 1, 2010

The Gardner Tribute

Filed under: General,Geometry — Tags: , — m759 @ 1:00 pm

“It is a melancholy pleasure that what may be [Martin] Gardner’s last published piece, a review of Amir Alexander’s Duel at Dawn: Heroes, Martyrs & the Rise of Modern Mathematics, will appear next week in our June issue.”

Roger Kimball of The New Criterion, May 23, 2010.

The Gardner piece is now online.  It contains…

Gardner’s tribute to Galois—

“Galois was a thoroughly obnoxious nerd,
suffering from what today would be called
a ‘personality disorder.’  His anger was
paranoid and unremitting.”

Contra Harvard

Filed under: General,Geometry — m759 @ 7:59 am

Today is commencement day at Princeton.

Sunday's A Post for Galois was suggested, in part, by the fact that the founder and CEO of Amazon.com was that day's Princeton baccalaureate speaker. The Galois post linked to the Amazon reviews of one Christopher G. Robinson, a resident of Cambridge, Mass., whose Amazon book list titled "Step Right Up!" reflects a continuing libertine tradition at Harvard.

For Princeton's commencement day, it seems fitting to cite another Amazon document that reflects the more conservative values of that university.

I recommend the review Postmodern Pythagoras, by Matthew Milliner. Milliner is, in his own words, "an art history Ph.D. candidate at Princeton University."

See also Milliner's other reviews at Amazon.com.

"For every kind of libertine,
there is a kind of cross."

— Saying adapted from Pynchon

Monday, May 31, 2010

Memorial for Galois

Filed under: General,Geometry — m759 @ 7:16 pm

… and for Louise Bourgeois

Image-- Louise Bourgeois, sculptor of giant spiders, dies at 98

"The épateurs  were as boring as the bourgeois,
two halves of one dreariness."

— D. H. Lawrence, The Plumed Serpent

Image-- Google 5/31/2010 search for 'eightfold geometry' yields page on mother goddess as spider figure, also pages on some actual geometry

Sunday, May 30, 2010

A Post for Galois

Filed under: General,Geometry — m759 @ 2:00 pm

Evariste Galois, 1811-1832 (Vita Mathematica, V. 11)

  • Paperback: 168 pages
  • Publisher: Birkhäuser Basel; 1 edition (December 6, 1996)
  • Language: English
  • ISBN-10: 3764354100
  • ISBN-13: 978-3764354107
  • Product Dimensions: 9.1 x 6 x 0.4 inches
  • Shipping Weight: 9.1 ounces
  • Average Customer Review: 5.0 out of 5 stars  (1 customer review)
  • Amazon Bestsellers Rank: #933,939 in Books

Awarded 5 stars by Christopher G. Robinson (Cambridge, MA USA).
See also other reviews by Robinson.

Galois was shot in a duel on today's date, May 30, in 1832. Related material for those who prefer entertainment to scholarship—

"It is a melancholy pleasure that what may be [Martin] Gardner’s last published piece, a review of Amir Alexander’s Duel at Dawn: Heroes, Martyrs & the Rise of Modern Mathematics, will appear next week in our June issue." —Roger Kimball of The New Criterion, May 23, 2010.

Today is, incidentally, the feast day of St. Joan of Arc, Die Jungfrau von Orleans. (See "against stupidity" in this journal.)

Thursday, May 27, 2010

A Gathering for Gardner

Filed under: General,Geometry — Tags: , — m759 @ 6:00 am

"You ain't been blue; no, no, no.
 You ain't been blue,
 Till you've had that mood indigo."
 — Song lyrics, authorship disputed

 

Indigo (web color) (#4B0082)

"Pigment indigo (web color indigo) represents
 the way the color indigo was always reproduced
 in pigments, paints, or colored pencils in the 1950s."

Related mythology:

Indigo Children and the classic
1964 film Children of the Damned

Image-- Children of the Damned take sanctuary in St. Dunstan's Church.

Related non-mythology:

Colored pencils

Image-- Diamond-shaped face of Durer's 'Melencolia I' solid, with four colored pencils from Diane Robertson Design

Saturday, May 22, 2010

Art Space

Filed under: General,Geometry — Tags: , — m759 @ 2:02 am

From an interview with artist Josefine Lyche (see previous post) dated March 11, 2009—

Can you name a writer or book, fiction or theory that has inspired your works?
– Right now I am reading David Foster Wallace, which is great and inspiring. Others would be Aleister Crowley, Terence McKenna, James Joyce, J.L Borges, J.D Ballard, Stanislaw Lem, C. S. Lewis and Plato to mention some. Books, both fiction and theory are a great part of my life and work.

This journal on the date of the interview had a post about a NY Times  story, Paris | A Show About Nothing."

Related images—

 

Box symbol

Pictorial version
of Hexagram 20,
Contemplation (View)

http://www.log24.com/log/pix10A/100522-Clouseau.gif

Space: what you damn well have to see.
– James Joyce, Ulysses

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