For a less artificial approach . . . See "Aion" in this journal.
Related reading: Halloween night's "Trick and Treat."
For a less artificial approach . . . See "Aion" in this journal.
Related reading: Halloween night's "Trick and Treat."
Rothko — "… the elimination of all obstacles between the painter and
the idea, and between the idea and the observer."
Walker Percy has similarly discussed elimination of obstacles between
the speaker and the word, and between the word and the hearer.
Click images to enlarge.
Related mathematics —
The source: http://finitegeometry.org/sc/gen/typednotes.html.
A document from the above image —
AN INVARIANCE OF SYMMETRY BY STEVEN H. CULLINANE
We present a simple, surprising, and beautiful combinatorial
DEFINITION. A delta transform of a square array over a 4-set is
THEOREM. Every delta transform of the Klein group table has
PROOF (Sketch). The Klein group is the additive group of GF (4);
All delta transforms of the 45 matrices in the algebra generated by
THEOREM. If 1 m ≤ n2+2, there is an algebra of 4m
An induction proof constructs sets of basis matrices that yield REFERENCE S. H. Cullinane, Diamond theory (preprint). |
Update of 1:12 AM ET on Friday, Oct. 25, 2024 —
The above "invariance of symmetry" document was written in 1978
for submission to the "Research Announcements" section of the
Bulletin of the American Mathematical Society . This pro forma
submission was, of course, rejected. Though written before
I learned of similar underlying structures in the 1974 work of
R. T. Curtis on his "Miracle Octad Generator," it is not without
relevance to his work.
I recommend . . .
https://www.amazon.com/
Ingathering-Complete-People-Stories-Henderson-ebook/
dp/B0878RMD5D/ .
Some will prefer Exodus 23:16.
Related philosophy —
Descartes and the Tents of Armageddon (Galois's birthday, 2007).
Related art —
https://claude.site/artifacts/3c1ce26b-4664-448c-87df-c20802053eea .
Update on Oct. 28, 2024 —
For a newer version by a different AI, Websim, see Diamond Theorem Studio.
James Hillman
EGALITARIAN TYPOLOGIES
VERSUS THE PERCEPTION OF THE UNIQUE
“The kind of movement Olson urges is an inward deepening of the image,
an in-sighting of the superimposed levels of significance within it.
This is the very mode that Jung suggested for grasping dreams —
not as a sequence in time, but as revolving around a nodal complex.”
See as well "True Grids" (Log24, August 9, 2018).
The Wikipedia "Truchet tiles" article shown above illustrates Hillman's
"superimposed levels of significance."
For more levels, see Wang on Gõdel and other posts tagged For Stella Maris.
Google search result: Saint Anselm College https://www.anselm.edu › Documents › Brown by M Brown · 2014 · Cited by 14 — Thomas insists that the image of God exists most perfectly in the acts of the soul, for the soul is that which is most perfect in us and so best images God, and … 11 pages |
For a Douglas Hofstadter version of the Imago Dei , see the
"Gödel, Escher, Bach" illustration in the Jan. 15 screenshot below —
Tuesday, June 15, 2010
|
" How small is the evil that may be safely ignored…? "
— "QBass" at Wikipedia, April 1, 2020
Good question.
Metaphysical conceit | literature | Britannica.com
|
This post's title refers to a metaphysical conceit
in the previous post, Desperately Seeking Clarity.
Related material —
The source of the above mystical octahedron —
See also Jung's Imago Dei in this journal.
From a web page —
Breaking the Code of the Archetypal Self:
An Introductory Overview of the Research Discoveries
Leading to Neo-Jungian Structural Psychoanalysis
Dr. Moore will introduce his research and discoveries
with regard to the deep structures of the Self.
Tracing the foundations in the tradition of Jung’s
affirmation of the collective unconscious, Moore
will present his “decoding of the Diamond Body,”
a mapping of the deep structures of the Great Code
of the psyche. . . .
From the same web site —
Googling "Jung" + "Diamond Body" shows that
Moore's terminology differs from Jung's.
The octahedron that Moore apparently associates
with his "diamond body" was discussed by Jung
in a different context. See selections from Ch. 14
of Jung's Aion : "The Structure and Dynamics of the Self."
Dr. Moore appears as well in the murder-suicide story
of last night's 11:18 PM ET post.
For the relevance of Aion to "deep structures,"
see Jung + Diamond + Structure in this journal
and, more specifically, "Deep Structure."
Background: Jung's Aion in this journal discusses this
figure from finite geometry's diamond theorem—
Fig. A
This resembles a figure that served Jung
as a schema of the Self—
Fig. B
Fig. A, with color variations, serves as the core
of many automatically generated Identicons —
a different sort of self-symbol.
Examples from Sept. 6 at MathOverflow—
A user wanting to custom-tailor his self-symbol should consider
the following from the identicon service Gravatar—
1. User Submissions. "… you hereby do and shall grant to Automattic a worldwide, perpetual, irrevocable, royalty-free and fully-paid, transferable (including rights to sublicense) right to perform the Services (e.g., to use, modify, reproduce, distribute, prepare derivative works of, display, perform, and otherwise fully exercise and exploit all intellectual property, publicity, and moral rights with respect to any User Submissions, and to allow others to do so)."
Sounds rather Faustian.
In the above view, four of the tesseract's 16
vertices are overlaid by other vertices.
For views that are more complete and
moveable, see Smith's tesseract page.
Four-Part Tesseract Divisions—
The above figure shows how four-part partitions
of the 16 vertices of a tesseract in an infinite
Euclidean space are related to four-part partitions
of the 16 points in a finite Galois space
Euclidean spaces versus Galois spaces in a larger context— Infinite versus Finite The central aim of Western religion —
"Each of us has something to offer the Creator...
the bridging of
masculine and feminine,
life and death.
It's redemption.... nothing else matters."
-- Martha Cooley in The Archivist (1998)
The central aim of Western philosophy —
Dualities of Pythagoras
as reconstructed by Aristotle:
Limited Unlimited
Odd Even
Male Female
Light Dark
Straight Curved
... and so on ....
"Of these dualities, the first is the most important; all the others may be seen as different aspects of this fundamental dichotomy. To establish a rational and consistent relationship between the limited [man, etc.] and the unlimited [the cosmos, etc.] is… the central aim of all Western philosophy." |
Another picture related to philosophy and religion—
Jung's Four-Diamond Figure from Aion—
This figure was devised by Jung
to represent the Self. Compare the
remarks of Paul Valéry on the Self—
Flight from Eden: The Origins of Modern Literary Criticism and Theory, by Steven Cassedy, U. of California Press, 1990, pages 156-157—
Valéry saw the mind as essentially a relational system whose operation he attempted to describe in the language of group mathematics. "Every act of understanding is based on a group," he says (C, 1:331). "My specialty— reducing everything to the study of a system closed on itself and finite" (C, 19: 645). The transformation model came into play, too. At each moment of mental life the mind is like a group, or relational system, but since mental life is continuous over time, one "group" undergoes a "transformation" and becomes a different group in the next moment. If the mind is constantly being transformed, how do we account for the continuity of the self? Simple; by invoking the notion of the invariant. And so we find passages like this one: "The S[elf] is invariant, origin, locus or field, it's a functional property of consciousness" (C, 15:170 [2:315]). Just as in transformational geometry, something remains fixed in all the projective transformations of the mind's momentary systems, and that something is the Self (le Moi, or just M, as Valéry notates it so that it will look like an algebraic variable). Transformation theory is all over the place. "Mathematical science… reduced to algebra, that is, to the analysis of the transformations of a purely differential being made up of homogeneous elements, is the most faithful document of the properties of grouping, disjunction, and variation in the mind" (O, 1:36). "Psychology is a theory of transformations, we just need to isolate the invariants and the groups" (C, 1:915). "Man is a system that transforms itself" (C, 2:896). O Paul Valéry, Oeuvres (Paris: Pléiade, 1957-60) C Valéry, Cahiers, 29 vols. (Paris: Centre National de le Recherche Scientifique, 1957-61) |
Note also the remarks of George David Birkhoff at Rice University
in 1940 (pdf) on Galois's theory of groups and the related
"theory of ambiguity" in Galois's testamentary letter—
… metaphysical reasoning always relies on the Principle of Sufficient Reason, and… the true meaning of this Principle is to be found in the “Theory of Ambiguity” and in the associated mathematical “Theory of Groups.” If I were a Leibnizian mystic, believing in his “preestablished harmony,” and the “best possible world” so satirized by Voltaire in “Candide,” I would say that the metaphysical importance of the Principle of Sufficient Reason and the cognate Theory of Groups arises from the fact that God thinks multi-dimensionally* whereas men can only think in linear syllogistic series, and the Theory of Groups is the appropriate instrument of thought to remedy our deficiency in this respect. * That is, uses multi-dimensional symbols beyond our grasp. |
Related material:
A medal designed by Leibniz to show how
binary arithmetic mirrors the creation by God
of something (1) from nothing (0).
Another array of 16 strings of 0's and 1's, this time
regarded as coordinates rather than binary numbers—
Some context by a British mathematician —
Imago by Wallace Stevens Who can pick up the weight of Britain, Who can move the German load Or say to the French here is France again? Imago. Imago. Imago. It is nothing, no great thing, nor man Of ten brilliancies of battered gold And fortunate stone. It moves its parade Of motions in the mind and heart, A gorgeous fortitude. Medium man In February hears the imagination's hymns And sees its images, its motions And multitudes of motions And feels the imagination's mercies, In a season more than sun and south wind, Something returning from a deeper quarter, A glacier running through delirium, Making this heavy rock a place, Which is not of our lives composed . . . Lightly and lightly, O my land, Move lightly through the air again. |
Recommended— an online book—
Flight from Eden: The Origins of Modern Literary Criticism and Theory,
by Steven Cassedy, U. of California Press, 1990.
See in particular
Pages 156-157—
Valéry saw the mind as essentially a relational system whose operation he attempted to describe in the language of group mathematics. "Every act of understanding is based on a group," he says (C, 1:331). "My specialty—reducing everything to the study of a system closed on itself and finite" (C, 19: 645). The transformation model came into play, too. At each moment of mental life the mind is like a group, or relational system, but since mental life is continuous over time, one "group" undergoes a "transformation" and becomes a different group in the next moment. If the mind is constantly being transformed, how do we account for the continuity of the self? Simple; by invoking the notion of the invariant. And so we find passages like this one: "The S[elf] is invariant, origin, locus or field, it's a functional property of consciousness" (C, 15:170 [2: 315]). Just as in transformational geometry, something remains fixed in all the projective transformations of the mind's momentary systems, and that something is the Self (le Moi, or just M, as Valéry notates it so that it will look like an algebraic variable). Transformation theory is all over the place. "Mathematical science . . . reduced to algebra, that is, to the analysis of the transformations of a purely differential being made up of homogeneous elements, is the most faithful document of the properties of grouping, disjunction, and variation in the mind" (O, 1:36). "Psychology is a theory of transformations, we just need to isolate the invariants and the groups" (C, 1:915). "Man is a system that transforms itself" (C, 2:896).
O Paul Valéry, Oeuvres (Paris: Pléiade, 1957-60)
C Valéry, Cahiers, 29 vols. (Paris: Centre National de le Recherche Scientifique, 1957-61)
Compare Jung's image in Aion of the Self as a four-diamond figure:
and Cullinane's purely geometric four-diamond figure:
For a natural group of 322,560 transformations acting on the latter figure, see the diamond theorem.
What remains fixed (globally, not pointwise) under these transformations is the system of points and hyperplanes from the diamond theorem. This system was depicted by artist Josefine Lyche in her installation "Theme and Variations" in Oslo in 2009. Lyche titled this part of her installation "The Smallest Perfect Universe," a phrase used earlier by Burkard Polster to describe the projective 3-space PG(3,2) that contains these points (at right below) and hyperplanes (at left below).
Although the system of points (at right above) and hyperplanes (at left above) exemplifies Valéry's notion of invariant, it seems unlikely to be the sort of thing he had in mind as an image of the Self.
Time and Chance, continued…
NY Lottery numbers today–
Midday 401, Evening 717
_________________________________________________
From this journal on 4/01, 2009:
The Cruelest Month
"Langdon sensed she was
toying with him…."
___________________________________________
From this journal on 7/17, 2008:
Jung’s four-diamond figure from
Aion — a symbol of the self –
Jung’s Map of the Soul,
by Murray Stein:
“… Jung thinks of the self as undergoing continual transformation during the course of a lifetime…. At the end of his late work Aion, Jung presents a diagram to illustrate the dynamic movements of the self….”
For related dynamic movements,
see the Diamond 16 Puzzle
and the diamond theorem.
Humorism
"Always with a
little humor."
— Dr. Yen Lo
From Temperament: A Brief Survey
For other interpretations
of the above shape, see
The Illuminati Diamond.
from Jung's Aion:
As for rotation, see the ambigrams in Dan Brown's Angels & Demons (to appear as a film May 15) and the following figures:
A related note on
"Angels & Demons"
director Ron Howard:
The current (Feb. 2009) Notices of the American Mathematical Society has a written version of Freeman Dyson's 2008 Einstein Lecture, which was to have been given in October but had to be canceled. Dyson paraphrases a mathematician on Carl Jung's theory of archetypes:
"… we do not need to accept Jung’s theory as true in order to find it illuminating."
The same is true of Jung's remarks on synchronicity.
For example —
Yesterday's entry, "A Wealth of Algebraic Structure," lists two articles– each, as it happens, related to Jung's four-diamond figure from Aion as well as to my own Notes on Finite Geometry. The articles were placed online recently by Cambridge University Press on the following dates:
R. T. Curtis's 1974 article defining his Miracle Octad Generator (MOG) was published online on Oct. 24, 2008.
Curtis's 1987 article on geometry and algebraic structure in the MOG was published online on Dec. 19, 2008.
On these dates, the entries in this journal discussed…
Oct. 24:
Cube Space, 1984-2003
Material related to that entry:
Dec. 19:
Art and Religion: Inside the White Cube
That entry discusses a book by Mark C. Taylor:
The Picture in Question: Mark Tansey and the Ends of Representation (U. of Chicago Press, 1999).
"What, then, is a frame, and what is frame work?"
One possible answer —
Hermann Weyl on the relativity problem in the context of the 4×4 "frame of reference" found in the above Cambridge University Press articles.
CHANGE FEW CAN BELIEVE IN |
Continued from June 18.
Jungian Symbols
of the Self —
Compare and contrast:
Jung's four-diamond figure from
Aion — a symbol of the self —
Jung's Map of the Soul,
by Murray Stein:
John Baez, Week 266
(June 20, 2008):
"The Renaissance thinkers liked to
organize the four elements using
a chain of analogies running
from light to heavy:
fire : air :: air : water :: water : earth
They also organized them
in a diamond, like this:"
This figure of Baez
is related to a saying
attributed to Heraclitus:
For related thoughts by Jung,
see Aion, which contains the
following diagram:
"The formula reproduces exactly the essential features of the symbolic process of transformation. It shows the rotation of the mandala, the antithetical play of complementary (or compensatory) processes, then the apocatastasis, i.e., the restoration of an original state of wholeness, which the alchemists expressed through the symbol of the uroboros, and finally the formula repeats the ancient alchemical tetrameria, which is implicit in the fourfold structure of unity."
— Carl Gustav Jung
That the words Maximus of Tyre (second century A.D.) attributed to Heraclitus imply a cycle of the elements (analogous to the rotation in Jung's diagram) is not a new concept. For further details, see "The Rotation of the Elements," a 1995 webpage by one "John Opsopaus."
Related material:
Log24 entries of June 9, 2008, and
"Quintessence: A Glass Bead Game,"
by Charles Cameron.
"Ich aber, hier auf dem objektiven Wege, bin jetzt bemüht, das Positive der Sache nachzuweisen, daß nämlich das Ding an sich von der Zeit und Dem, was nur durch sie möglich ist, dem Entstehen und Vergehen, unberührt bleibt, und daß die Erscheinungen in der Zeit sogar jenes rastlos flüchtige, dem Nichts zunächst stehende Dasein nicht haben könnten, wenn nicht in ihnen ein Kern aus der Ewigkeit* wäre. Die Ewigkeit ist freilich ein Begriff, dem keine Anschauung zum Grunde liegt: er ist auch deshalb bloß negativen Inhalts, besagt nämlich ein zeitloses Dasein. Die Zeit ist demnach ein bloßes Bild der Ewigkeit, ho chronos eikôn tou aiônos,** wie es Plotinus*** hat: und ebenso ist unser zeitliches Dasein das bloße Bild unsers Wesens an sich. Dieses muß in der Ewigkeit liegen, eben weil die Zeit nur die Form unsers Erkennens ist: vermöge dieser allein aber erkennen wir unser und aller Dinge Wesen als vergänglich, endlich und der Vernichtung anheimgefallen."
* "a kernel of eternity"
** "Time is the image of eternity."
*** "wie es Plotinus hat"–
Actually, not Plotinus, but Plato,
according to Diogenes Laertius.
Related material:
J. N. Darby,
"On the Greek Words for
Eternity and Eternal
(aion and aionios),"
Carl Gustav Jung, Aion,
which contains the following
four-diamond figure,
"Alcatraz, Spanish for pelican, was named Isla de los Alcatraces after the birds that were the island's only inhabitants." —Bay City Guide
Related material
Thomas Kuhn's "Pelican Brief":
"… the Philosopher’s Stone was a psychic rather than a physical product. It symbolized one’s Self…."
"The formula presents a symbol of the self…."
"… Jung presents a diagram to illustrate the dynamic movements of the self…."
…the movement of
a self in the rock…
— Wallace Stevens:
The Poems of Our Climate,
by Harold Bloom,
Cornell U. Press, 1977
From Jung's Map of the Soul, by Murray Stein:
"… Jung thinks of the self as undergoing continual transformation during the course of a lifetime…. At the end of his late work Aion, Jung presents a diagram to illustrate the dynamic movements of the self…."
"The formula presents a symbol of the self, for the self is not just a stable quantity or constant form, but is also a dynamic process. In the same way, the ancients saw the imago Dei in man not as a mere imprint, as a sort of lifeless, stereotyped impression, but as an active force…. The four transformations represent a process of restoration or rejuvenation taking place, as it were, inside the self…."
"The formula reproduces exactly the essential features of the symbolic process of transformation. It shows the rotation of the mandala, the antithetical play of complementary (or compensatory) processes, then the apocatastasis, i.e., the restoration of an original state of wholeness, which the alchemists expressed through the symbol of the uroboros, and finally the formula repeats the ancient alchemical tetrameria, which is implicit in the fourfold structure of unity.
What the formula can only hint at, however, is the higher plane that is reached through the process of transformation and integration. The 'sublimation' or progress or qualitative change consists in an unfolding of totality into four parts four times, which means nothing less than its becoming conscious. When psychic contents are split up into four aspects, it means that they have been subjected to discrimination by the four orienting functions of consciousness. Only the production of these four aspects makes a total description possible. The process depicted by our formula changes the originally unconscious totality into a conscious one."
— Jung, Collected Works,
Vol. 9, Part 2, Aion: Researches into the Phenomenology of the Self (1951)
Related material:
"Although 'wholeness' seems at first sight to be nothing but an abstract idea (like anima and animus), it is nevertheless empirical in so far as it is anticipated by the psyche in the form of spontaneous or autonomous symbols. These are the quaternity or mandala symbols, which occur not only in the dreams of modern people who have never heard of them, but are widely disseminated in the historical recods of many peoples and many epochs. Their significance as symbols of unity and totality is amply confirmed by history as well as by empirical psychology. What at first looks like an abstract idea stands in reality for something that exists and can be experienced, that demonstrates its a priori presence spontaneously. Wholeness is thus an objective factor that confronts the subject independently of him… Unity and totality stand at the highest point on the scale of objective values because their symbols can no longer be distinguished from the imago Dei. Hence all statements about the God-image apply also to the empirical symbols of totality."
— Jung, Aion, as quoted in
Carl Jung and Thomas Merton
Aion
From AP's "Today in History" for October 29:
Related material:
Jung on Pisces and Aquarius in Aion
The Da Vinci Code and Symbology at Harvard
"This is the turning point
Funny
But by the end
Bitter and serious and deadly"
— Jill O'Hara singing "The Climax"
in "Hair"
(original cast recording)
"We symbolize logical necessity
with the box
and logical possibility
with the diamond
— Keith Allen Korcz,
(Log24.net, 1/25/05)
And what do we
symbolize by ?
On the Lapis Philosophorum,
the Philosophers' Stone –
"'What is this Stone?' Chloe asked….
'…It is told that, when the Merciful One
made the worlds, first of all He created
that Stone and gave it to the Divine One
whom the Jews call Shekinah,
and as she gazed upon it
the universes arose and had being.'"
– Many Dimensions,
by Charles Williams, 1931
(Eerdmans paperback,
April 1979, pp. 43-44)
"The lapis was thought of as a unity
and therefore often stands for
the prima materia in general."
– Aion, by C. G. Jung, 1951
(Princeton paperback,
1979, p. 236)
"Its discoverer was of the opinion that
he had produced the equivalent of
the primordial protomatter
which exploded into the Universe."
– The Stars My Destination,
by Alfred Bester, 1956
(Vintage hardcover,
July 1996, p. 216)
"The possibilia that exist,
and out of which
the Universe arose,
are located in
a necessary being…."
— Michael Sudduth,
Notes on
God, Chance, and Necessity
by Keith Ward,
Regius Professor of Divinity
at Christ Church College, Oxford
(the home of Lewis Carroll)
See also
The Diamond Archetype.
For more on modal theology, see
Kurt Gödel's Ontological Argument
and
The Ontological Argument
from Anselm to Gödel.
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