Log24

Sunday, March 24, 2019

Espacement: Geometry of the Interstice in Literary Theory

Filed under: General — Tags: , , , , — m759 @ 3:28 AM

"You said something about the significance of spaces between
elements being repeated. Not only the element itself being repeated,
but the space between. I'm very interested in the space between.
That is where we come together." — Peter Eisenman, 1982

https://www.parrhesiajournal.org/
parrhesia03/parrhesia03_blackburne.pdf

Parrhesia  No. 3 • 2007 • 22–32

(Up) Against the (In) Between: Interstitial Spatiality
in Genet and Derrida

by Clare Blackburne

Blackburne — www.parrhesiajournal.org 24 —

"The excessive notion of espacement  as the resurgent spatiality of that which is supposedly ‘without space’ (most notably, writing), alerts us to the highly dynamic nature of the interstice – a movement whose discontinuous and ‘aberrant’ nature requires further analysis."

Blackburne — www.parrhesiajournal.org 25 —

"Espacement  also evokes the ambiguous figure of the interstice, and is related to the equally complex derridean notions of chora , différance , the trace and the supplement. Derrida’s reading of the Platonic chora  in Chora L Works  (a series of discussions with the architect Peter Eisenman) as something which defies the logics of non-contradiction and binarity, implies the internal heterogeneity and instability of all structures, neither ‘sensible’ nor ‘intelligible’ but a third genus which escapes conceptual capture.25 Crucially, chora , spacing, dissemination and différance  are highly dynamic concepts, involving hybridity, an ongoing ‘corruption’ of categories, and a ‘bastard reasoning.’26 Derrida identification of différance  in Margins of  Philosophy , as an ‘unappropriable excess’ that operates through spacing as ‘the becoming-space of time or the becoming-time of space,’27 chimes with his description of chora  as an ‘unidentifiable excess’ that is ‘the spacing which is the condition for everything to take place,’ opening up the interval as the plurivocity of writing in defiance of ‘origin’ and ‘essence.’28  In this unfolding of différance , spacing  ‘insinuates  into  presence an  interval,’29 again alerting us to the crucial role of the interstice in deconstruction, and, as Derrida observes  in Positions ,  its  impact  as  ‘a movement,  a  displacement  that  indicates  an  irreducible alterity’: ‘Spacing is the impossibility for an identity to be closed on itself, on the inside of its proper interiority, or on its coincidence with itself. The irreducibility of spacing is the irreducibility of the other.’30"

25. Quoted in Jeffrey Kipnis and Thomas Leeser, eds., 
Chora L Works. Jacques Derrida and Peter Eisenman  
(New York: The Monacelli Press, 1997), 15.

26. Ibid, 25.

27. Derrida, Margins of Philosophy.
(Brighton: The Harvester Press, 1982), 6 and 13.

28. Derrida, Chora L Works , 19 and 10.

29. Ibid, 203.

30. Derrida, Positions , 94.

Thursday, June 14, 2018

Link, Not Wand.

Filed under: General — m759 @ 12:25 AM

"How frail the wand, but how profound the spell !"

— Clarence R. Wylie, Jr., "Paradox" (1948)

The above fanciful PlayStation symbols suggest an etymology

See also Kipnis.

Saturday, June 2, 2018

6/2

Filed under: General — m759 @ 1:00 PM

See as well Kipnis.

Friday, March 20, 2015

Style

Filed under: General — Tags: — m759 @ 2:48 PM

Compare and contrast yesterday's quotation from Jeffrey Kipnis
with the following quotation from Robert Bringhurst —

Related material — Jews on Style.

Thursday, March 19, 2015

“Divisive Rhetoric”

Filed under: General — Tags: — m759 @ 1:00 PM

I Ching hexagram 14, box style

An example for 'Jews on Style'- Kipnis on the separatrix

     — Jeffrey Kipnis, "Twisting the Separatrix"
     Assemblage  No. 14 (Apr., 1991), pp. 30-61
     Published by: The MIT Press
     Article Stable URL: http://www.jstor.org/stable/3171098

Saturday, July 5, 2014

Core Curriculum Vocabulary:

Filed under: General — Tags: — m759 @ 5:01 PM

Separatrix  and  Mulligan

An image from this journal on September 16, 2013:

Carey Mulligan as a separatrix

IMAGE- Kipnis on Derrida's 'separatrix'

Mulligan:

“A mulligan, in a game, happens when a player gets a second chance
to perform a certain move or action.” — Wikipedia

New York Times  obituary for Richard Mellon Scaife:

“He had the caricatured look of a jovial billionaire promoting ‘family values’
in America: a real-life Citizen Kane with red cheeks, white hair, blue eyes and
a wide smile for the cameras. Friends called him intuitive but not intellectual.
He told Vanity Fair  his favorite TV show was ‘The Simpsons,’ and his favorite
book was John O’Hara’s  Appointment in Samarra , about a rich young
Pennsylvanian bent on self-destruction.” — Robert D. McFadden

Click image below for some nuclear family values in memory of Scaife:

See also the previous post,
Core Curriculum.

Saturday, June 21, 2014

When You Care Enough…

Filed under: General — Tags: , , — m759 @ 3:33 AM

“… near-death experiences have all the
hallmarks of mystical experience…”

— “Bolt from the Blue,” by Oliver Sacks
(See “Annals of Consciousness,” June 20, 2014)

The late Charles Barsotti once “worked for Kansas City-based
Hallmark Cards,” according to an obituary.

IMAGE- Google search for 'Lieven + Bloomsday'

See also Mad Day.

Some related deconstructive criticism:

IMAGE- Kipnis on Derrida's 'separatrix'

IMAGE- Harvard University Press, 1986 - A page on Derrida's 'inscription'

Sunday, October 13, 2013

Les Mots

Filed under: General — Tags: , , — m759 @ 9:26 AM

Two links from the above post

Gamalog and Separatrix.

The latter word has a technical meaning in mathematics.
It also has a non-technical meaning, as explained below.

The comparison of Derrida to Holmes is of course ridiculous
(like the rest of the Kipnis essay). For Moriarty, see (for instance)
"We've lost the plot!" (Feb. 27, 2008).

Wednesday, September 11, 2013

Language Game

Filed under: General — Tags: , — m759 @ 9:29 AM

In which Plato continues to thank the Academy.

From the Academy, a lead balloon for 9/11 —
continued from March First, 2002.

A search today for the name Eisenman
(see previous post) yields the following :

"We need a cameo from Plato, a safecracker,
a wrinkle or two to be ironed out, some ice,
some diamonds, and, above all, laughter
for this irony of ironies."

Jeffrey Kipnis, "Twisting the Separatrix,"
Assemblage  No. 14, April 1991, MIT Press

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