8/2
* See Kipnis in this journal. For instance . . .
The trait of Derrida is mentioned also in
the paper from yesterday's Gefüge post.
8/2
* See Kipnis in this journal. For instance . . .
The trait of Derrida is mentioned also in
the paper from yesterday's Gefüge post.
Architectural theorist Jeffrey Kipnis in 1991, recalled here in 2015 —
For the source of the illustration, see Hexagram 14.
"You said something about the significance of spaces between
elements being repeated. Not only the element itself being repeated,
but the space between. I'm very interested in the space between.
That is where we come together." — Peter Eisenman, 1982
https://www.parrhesiajournal.org/ Parrhesia No. 3 • 2007 • 22–32
(Up) Against the (In) Between: Interstitial Spatiality by Clare Blackburne Blackburne — www.parrhesiajournal.org 24 — "The excessive notion of espacement as the resurgent spatiality of that which is supposedly ‘without space’ (most notably, writing), alerts us to the highly dynamic nature of the interstice – a movement whose discontinuous and ‘aberrant’ nature requires further analysis." Blackburne — www.parrhesiajournal.org 25 — "Espacement also evokes the ambiguous figure of the interstice, and is related to the equally complex derridean notions of chora , différance , the trace and the supplement. Derrida’s reading of the Platonic chora in Chora L Works (a series of discussions with the architect Peter Eisenman) as something which defies the logics of non-contradiction and binarity, implies the internal heterogeneity and instability of all structures, neither ‘sensible’ nor ‘intelligible’ but a third genus which escapes conceptual capture.25 Crucially, chora , spacing, dissemination and différance are highly dynamic concepts, involving hybridity, an ongoing ‘corruption’ of categories, and a ‘bastard reasoning.’26 Derrida identification of différance in Margins of Philosophy , as an ‘unappropriable excess’ that operates through spacing as ‘the becoming-space of time or the becoming-time of space,’27 chimes with his description of chora as an ‘unidentifiable excess’ that is ‘the spacing which is the condition for everything to take place,’ opening up the interval as the plurivocity of writing in defiance of ‘origin’ and ‘essence.’28 In this unfolding of différance , spacing ‘insinuates into presence an interval,’29 again alerting us to the crucial role of the interstice in deconstruction, and, as Derrida observes in Positions , its impact as ‘a movement, a displacement that indicates an irreducible alterity’: ‘Spacing is the impossibility for an identity to be closed on itself, on the inside of its proper interiority, or on its coincidence with itself. The irreducibility of spacing is the irreducibility of the other.’30"
25. Quoted in Jeffrey Kipnis and Thomas Leeser, eds., 26. Ibid, 25.
27. Derrida, Margins of Philosophy. 28. Derrida, Chora L Works , 19 and 10. 29. Ibid, 203. 30. Derrida, Positions , 94. |
"How frail the wand, but how profound the spell !"
— Clarence R. Wylie, Jr., "Paradox" (1948)
The above fanciful PlayStation symbols suggest an etymology —
See also Kipnis.
Compare and contrast yesterday's quotation from Jeffrey Kipnis
with the following quotation from Robert Bringhurst —
Related material — Jews on Style.
— Jeffrey Kipnis, "Twisting the Separatrix"
Assemblage No. 14 (Apr., 1991), pp. 30-61
Published by: The MIT Press
Article Stable URL: http://www.jstor.org/stable/3171098
Separatrix and Mulligan
An image from this journal on September 16, 2013:
Mulligan:
“A mulligan, in a game, happens when a player gets a second chance
to perform a certain move or action.” — Wikipedia
New York Times obituary for Richard Mellon Scaife:
“He had the caricatured look of a jovial billionaire promoting ‘family values’
in America: a real-life Citizen Kane with red cheeks, white hair, blue eyes and
a wide smile for the cameras. Friends called him intuitive but not intellectual.
He told Vanity Fair his favorite TV show was ‘The Simpsons,’ and his favorite
book was John O’Hara’s Appointment in Samarra , about a rich young
Pennsylvanian bent on self-destruction.” — Robert D. McFadden
Click image below for some nuclear family values in memory of Scaife:
See also the previous post,
Core Curriculum.
“… near-death experiences have all the
hallmarks of mystical experience…”
— “Bolt from the Blue,” by Oliver Sacks
(See “Annals of Consciousness,” June 20, 2014)
The late Charles Barsotti once “worked for Kansas City-based
Hallmark Cards,” according to an obituary.
See also Mad Day.
Some related deconstructive criticism:
Two links from the above post —
Gamalog and Separatrix.
The latter word has a technical meaning in mathematics.
It also has a non-technical meaning, as explained below.
The comparison of Derrida to Holmes is of course ridiculous
(like the rest of the Kipnis essay). For Moriarty, see (for instance)
"We've lost the plot!" (Feb. 27, 2008).
In which Plato continues to thank the Academy.
From the Academy, a lead balloon for 9/11 —
continued from March First, 2002.
A search today for the name Eisenman
(see previous post) yields the following :
"We need a cameo from Plato, a safecracker,
a wrinkle or two to be ironed out, some ice,
some diamonds, and, above all, laughter
for this irony of ironies."
— Jeffrey Kipnis, "Twisting the Separatrix,"
Assemblage No. 14, April 1991, MIT Press
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