Evolution of an image . . .
( Not to be confused with The Tin Man’s Hat. ) |
Detail from the video in the previous post:
For other permutations of points in the
order-3 affine plane—
See Quaternions in an Affine Galois Plane
and Group Actions, 1984-2009.
See, too, the Mathematics and Narrative post
from April 28, 2013, and last night's
For Indiana Spielberg.
The title is from a Cornell page in the previous post.
Related material (click to enlarge) —
The above remarks on primitive mentality suggest
a review of Snakes on a Plane.
See also Visual Structure (May 22, 2014)
and Snakes on a Plane posts.
For Shakespeare's Birthday . . .
* Title from a 1960 French farce.
A miniature metaphoric midrash —
See the Snakes on a Plane image
from a post of March 15, 2019 . . .
The poet W. S. Merwin reportedly died today.
“Punctuation basically has to do with prose
and the printed word,” he said in the Paris Review
interview. “I came to feel that punctuation was like
nailing the words onto the page. Since I wanted
instead the movement and lightness of the spoken
word, one step toward that was to do away with
punctuation.”
— Margalit Fox in The New York Times
See as well Snakes (on a plane) in this journal.
See Snakes on a Projective Plane by Andrew Spann (Sept. 26, 2006):
Click image for some related posts.
"…what he was trying to get across was not that he was the Soldier of a Power that was fighting across all of time to change history, but simply that we men were creatures with imaginations and it was our highest duty to try to tell what it was really like to live in other times and places and bodies. Once he said to me, 'The growth of consciousness is everything… the seed of awareness sending its roots across space and time. But it can grow in so many ways, spinning its web from mind to mind like the spider or burrowing into the unconscious darkness like the snake. The biggest wars are the wars of thought.' "
— Fritz Leiber, Changewar , page 22
For the 2013 Joint Mathematics Meetings in San Diego,
which start today, a cartoon by Andrew Spann—
(Click for larger image.)
Related remarks:
This journal on the Feast of Epiphany, 2013—
"The Tesseract is where it belongs: out of our reach."
— The Avengers' Nick Fury, played by Samuel L. Jackson
"You never know what could happen.
If you have Sam, you’re going to be cool."
— The late David R. Ellis, film director
If anyone in San Diego cares about the relationship
of Spann's plane to Fury's Tesseract, he or she may
consult Finite Geometry of the Square and Cube.
Some fear that the Harry Potter books introduce children to the occult; they are not entirely mistaken.
According to Wikipedia, the “Deathly Hallows” of the final Harry Potter novel are “three fictional magical objects that appear in the book.”
The vertical line, circle, and triangle in the symbol pictured above are said to refer to these three magical objects.
One fan relates the “Deathly Hallows” symbol above, taken from the spine of a British children’s edition of the book, to a symbol for “the divine (or sacred, or secret) fire” of alchemy. She relates this fire in turn to “serpent power” and the number seven:
Kristin Devoe at a Potter fan site:
“We know that seven is a powerful number in the novels. Tom Riddle calls it ‘the most powerfully magic number.‘ The ability to balance the seven chakras within oneself allows the person to harness the secret fire. This secret fire in alchemy is the same as the kundalini or coiled snake in yogic philosophy. It is also known as ‘serpent power’ or the ‘dragon’ depending on the tradition. The kundalini is polar in nature and this energy, this internal fire, is very powerful for those who are able to harness it and it purifies the aspirant allowing them the knowledge of the universe. This secret fire is the Serpent Power which transmutes the base metals into the Perfect Gold of the Sun.
It is interesting that the symbol of the caduceus in alchemy is thought to have been taken from the symbol of the kundalini. Perched on the top of the caduceus, or the staff of Hermes, the messenger of the gods and revealer of alchemy, is the golden snitch itself! Many fans have compared this to the scene in The Order of the Phoenix where Harry tells Dumbledore about the attack on Mr. Weasley and says, ‘I was the snake, I saw it from the snake’s point of view.‘
The chapter continues with Dumbledore consulting ‘one of the fragile silver instruments whose function Harry had never known,’ tapping it with his wand:
The instrument tinkled into life at once with rhythmic clinking noises. Tiny puffs of pale green smoke issued from the minuscule silver tube at the top. Dumbledore watched the smoke closely, his brow furrowed, and after a few seconds, the tiny puffs became a steady stream of smoke that thickened and coiled into he air… A serpent’s head grew out of the end of it, opening its mouth wide. Harry wondered whether the instrument was confirming his story; He looked eagerly at Dumbledore for a sign that he was right, but Dumbledore did not look up.
“Naturally, Naturally,” muttered Dumbledore apparently to himself, still observing the stream of smoke without the slightest sign of surprise. “But in essence divided?”
Harry could make neither head not tail of this question. The smoke serpent, however split instantly into two snakes, both coiling and undulating in the dark air. With a look of grim satisfaction Dumbledore gave the instrument another gentle tap with his wand; The clinking noise slowed and died, and the smoke serpents grew faint, became a formless haze, and vanished.
Could these coiling serpents of smoke be foreshadowing events to come in Deathly Hallows where Harry learns to ‘awaken the serpent’ within himself? Could the snake’s splitting in two symbolize the dual nature of the kundalini?”
and the following
famous illustration of
the double-helix
structure of DNA:
This is taken from
a figure accompanying
an obituary, in today’s
New York Times, of the
artist who drew the figure.
The double helix
is not a structure
from magic; it may,
however, as the Rowling
quote above shows, have
certain occult uses,
better suited to
Don Henley’s
Garden of Allah
than to the
Garden of Apollo.
Similarly, the three objects
above (Log24 on April 9)
are from pure mathematics–
the realm of Apollo, not
of those in Henley’s song.
The similarity of the
top object of the three —
the “Fano plane” — to
the “Deathly Hallows”
symbol is probably
entirely coincidental.
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