(Continued from June 2, 2013)
John Bamberg continues his previous post on this subject.
(Continued from June 2, 2013)
John Bamberg continues his previous post on this subject.
See “Einstein on Acid” by Stephen Battersby
(New Scientist , Vol. 180, issue 2426 — 20 Dec. 2003, 4043).
That 2003 article is about some speculations of Metod Saniga.
“Saniga is not a professional mystic or
a peddler of drugs, he is an astrophysicist
at the Slovak Academy of Sciences in Bratislava.
It seems unlikely that studying stars led him to
such a wayout view of space and time. Has he
undergone a druginduced epiphany, or a period
of mental instability? ‘No, no, no,’ Saniga says,
‘I am a perfectly sane person.'”
Some more recent and much less speculative remarks by Saniga
are related to the Klein correspondence —
arXiv.org > math > arXiv:1409.5691:
Mathematics > Combinatorics
[Submitted on 17 Sep 2014]
The Complement of Binary Klein Quadric
as a Combinatorial Grassmannian
By Metod Saniga
“Given a hyperbolic quadric of PG(5,2), there are 28 points
off this quadric and 56 lines skew to it. It is shown that the
(28_{6},56_{3})configuration formed by these points and lines
is isomorphic to the combinatorial Grassmannian of type
G_{2}(8). It is also pointed out that a set of seven points of
G_{2}(8) whose labels share a mark corresponds to a
Conwell heptad of PG(5,2). Gradual removal of Conwell
heptads from the (28_{6},56_{3})configuration yields a nested
sequence of binomial configurations identical with part of
that found to be associated with CayleyDickson algebras
(arXiv:1405.6888).”
Related entertainment —
See Log24 on the date, 17 Sept. 2014, of Saniga’s Kleinquadric article:
Synchronology check —
This journal on the above dates —
8 January 2019 (“For the Church of Synchronology“)
and 24 April 2019 (“Critical Visibility“).
Related mathematics: Klein Correspondence posts.
Related entertainment: “The Bulk Beings.”
The above Physical Review remarks were found in a search
for a purely mathematical concept —
From "Projective Geometry and PTSymmetric Dirac Hamiltonian,"
Y. Jack Ng and H. van Dam,
Physics Letters B , Volume 673, Issue 3,
23 March 2009, Pages 237–239
(http://arxiv.org/abs/0901.2579v2, last revised Feb. 20, 2009)
" Studies of spin½ theories in the framework of projective geometry
have been undertaken before. See, e.g., Ref. [4]. ^{1 }"
" ^{1} These papers are rather mathematical and technical.
The authors of the first two papers discuss the Dirac equation
in terms of the PluckerKlein correspondence between lines of
a threedimensional projective space and points of a quadric
in a fivedimensional projective space. The last paper shows
that the Dirac equation bears a certain relation to Kummer’s
surface, viz., the structure of the Dirac ring of matrices is
related to that of Kummer’s 16_{6} configuration . . . ."
[4]
O. Veblen
Proc. Natl. Acad. Sci. USA , 19 (1933), p. 503
Full Text via CrossRef
E.M. Bruins
Proc. Nederl. Akad. Wetensch. , 52 (1949), p. 1135
F.C. Taylor Jr., Master thesis, University of North Carolina
at Chapel Hill (1968), unpublished
A remark of my own on the structure of Kummer’s 16_{6} configuration . . . .
See as well yesterday morning's post.
See also a Log24 post on this subject from Dec. 14, 2013,
especially (scroll down) the update of March 9, 2014.
Related material on the TurynCurtis construction
from the University of Cambridge —
— Slide by “Dr. Parker” — Apparently Richard A. Parker —
Lecture 4, “Discovering M_{24},” in slides for lectures 18 from lectures
at Cambridge in 20102011 on “Sporadic and Related Groups.”
See also the Parker lectures of 20122013 on the same topic.
A third construction of Curtis’s 35 4×6 1976 MOG arrays would use
Cullinane’s analysis of the 4×4 subarrays’ affine and projective structure,
and point out the fact that Conwell’s 1910 correspondence of the 35
4+4partitions of an 8set with the 35 lines of the projective 3space
over the 2element field, PG(3, 2), is essentially the same correspondence
as that constituting Curtis’s 1976 MOG.
See The Diamond Theorem, Finite Relativity, Galois Space,
Generating the Octad Generator, and The Klein Correspondence.
Update of March 22March 23 —
Adding together as (0,1)matrices over GF(2) the black parts (black
squares as 1’s, all other squares as 0’s) of the 35 4×6 arrays of the 1976
Curtis MOG would then reveal* the symmetric role played in octads
by what Curtis called the heavy brick , and so reveal also the action of
S_{3} on the three Curtis bricks that leaves invariant the set of all 759
octads of the S(5, 8, 24) constructed from the 35 MOG arrays. For more
details of this “byhand” construction, see Geometry of the 4×4 Square.
For the mathematical properties of the S(5, 8, 24), it is convenient to
have a separate construction, not by hand (such as Turyn’s), of the
extended binary Golay code. See the Brouwer preprint quoted above.
* “Then a miracle occurs,” as in the classic 1977 Sidney Harris cartoon.
Illustration of array addition from March 23 —
“Charting the Real FourQubit Pauli Group
via Ovoids of a Hyperbolic Quadric of PG(7,2),”
by Metod Saniga, Péter Lévay and Petr Pracna,
arXiv:1202.2973v2 [mathph] 26 Jun 2012 —
P. 4— “It was found that Q ^{+}(5,2) (the Klein quadric)
has, up to isomorphism, a unique one — also known,
after its discoverer, as a Conwell heptad [18].
The set of 28 points lying off Q ^{+}(5,2) comprises
eight such heptads, any two having exactly one
point in common.”
P. 11— “This split reminds us of a similar split of
63 points of PG(5,2) into 35/28 points lying on/off
a Klein quadric Q ^{+}(5,2).”
[18] G. M. Conwell, Ann. Math. 11 (1910) 60–76
A similar split occurs in yesterday’s Kummer Varieties post.
See the 63 = 28 + 35 vectors of R^{8} discussed there.
For more about Conwell heptads, see The Klein Correspondence,
Penrose SpaceTime, and a Finite Model.
For my own remarks on the date of the above arXiv paper
by Saniga et. al., click on the image below —
Walter Gropius
See the Klein correspondence at SymOmega today and in this journal.
"The casual passerby may wonder about the name SymOmega.
This comes from the notation Sym(Ω) referring to the symmetric group
of all permutations of a set Ω, which is something all of us have
both written and read many times over."
Story, Structure, and the Galois Tesseract
Recent Log24 posts have referred to the
"Penrose diamond" and Minkowski space.
The Penrose diamond has nothing whatever
to do with my 1976 monograph "Diamond Theory,"
except for the diamond shape and the connection
of the Penrose diamond to the Klein quadric—
The Klein quadric occurs in the fivedimensional projective space
over a field. If the field is the twoelement Galois field GF(2), the
quadric helps explain certain remarkable symmetry properties
of the R. T. Curtis Miracle Octad Generator (MOG), hence of
the large Mathieu group M_{24}. These properties are also
relevant to the 1976 "Diamond Theory" monograph.
For some background on the quadric, see (for instance)…
See also The Klein Correspondence,
Penrose SpaceTime, and a Finite Model.
Related material:
"… one might crudely distinguish between philosophical – J. M. E. Hyland. "Proof Theory in the Abstract." (pdf) 
Those who prefer story to structure may consult
A physics quote relayed at Peter Woit's weblog today—
"The relation between 4D N=4 SYM and the 6D (2, 0) theory
is just like that between Darth Vader and the Emperor.
You see Darth Vader and you think 'Isn’t he just great?
How can anyone be greater than that? No way.'
Then you meet the Emperor."
Some related material from this weblog—
(See Big Apple and Columbia Film Theory)
The Meno Embedding:
Some related material from the Web—
See also uses of the word triality in mathematics. For instance…
A discussion of triality by Edward Witten—
Triality is in some sense the last of the exceptional isomorphisms,
and the role of triality for n = 6 thus makes it plausible that n = 6
is the maximum dimension for superconformal symmetry,
though I will not give a proof here.
— "Conformal Field Theory in Four and Six Dimensions"
and a discussion by Peter J. Cameron—
There are exactly two nonisomorphic ways
to partition the 4subsets of a 9set
into nine copies of AG(3,2).
Both admit 2transitive groups.
— "The Klein Quadric and Triality"
Exercise: Is Witten's triality related to Cameron's?
(For some historical background, see the triality link from above
and Cameron's Klein Correspondence and Triality.)
Cameron applies his triality to the pure geometry of a 9set.
For a 9set viewed in the context of physics, see A Beginning—
From MIT Commencement Day, 2011— A symbol related to Apollo, to nine, and to "nothing"— A minimalist favicon— This miniature 3×3 square— — may, if one likes, 
Happy April 1.
From the Bulletin of the American Mathematical Society, Jan. 26, 2005:
What is known about unit cubes
by Chuanming Zong, Peking University
Abstract: Unit cubes, from any point of view, are among the simplest and the most important objects in ndimensional Euclidean space. In fact, as one will see from this survey, they are not simple at all….
From Log24, now:
What is known about the 4×4×4 cube
by Steven H. Cullinane, unaffiliated
Abstract: The 4×4×4 cube, from one point of view, is among the simplest and the most important objects in ndimensional binary space. In fact, as one will see from the links below, it is not simple at all.
The Klein Correspondence, Penrose SpaceTime, and a Finite Model
Related material:
Monday’s entry Just Say NO and a poem by Stevens,
Edge on Heptads
Part I: Dye on Edge “Introduction: — “Partitions and Their Stabilizers for Line Complexes and Quadrics,” by R.H. Dye, Annali di Matematica Pura ed Applicata, Volume 114, Number 1, December 1977, pp. 173194 Part II: Edge on Heptads “The Geometry of the Linear Fractional Group LF(4,2),” by W.L. Edge, Proc. London Math Soc., Volume s34, No. 1, 1954, pp. 317342. See the historical remarks on the first page. Note added by Edge in proof: 
A Tangled Tale
Proposed task for a quantum computer:
"Using Twistor Theory to determine the plotline of Bob Dylan's 'Tangled up in Blue'"
One approach to a solution:
"In this scheme the structure of spacetime is intrinsically quantum mechanical…. We shall demonstrate that the breaking of symmetry in a QST [quantum spacetime] is intimately linked to the notion of quantum entanglement."
— "Theory of Quantum SpaceTime," by Dorje C. Brody and Lane P. Hughston, Royal Society of London Proceedings Series A, Vol. 461, Issue 2061, August 2005, pp. 26792699
(See also The Klein Correspondence, Penrose SpaceTime, and a Finite Model.)
For some less technical examples of broken symmetries, see yesterday's entry, "Alphabet vs. Goddess."
That entry displays a painting in 16 parts by Kimberly Brooks (daughter of Leonard Shlain– author of The Alphabet Versus the Goddess— and wife of comedian Albert Brooks (real name: Albert Einstein)). Kimberly Brooks is shown below with another of her paintings, titled "Blue."
"She was workin' in a topless place And I stopped in for a beer, I just kept lookin' at the side of her face In the spotlight so clear. And later on as the crowd thinned out I's just about to do the same, She was standing there in back of my chair Said to me, 'Don't I know your name?' I muttered somethin' underneath my breath, She studied the lines on my face. I must admit I felt a little uneasy When she bent down to tie the laces of my shoe, Tangled up in blue."  Bob Dylan
Further entanglement with blue:
The website of the Los Angeles Police Department, designed by Kimberly Brooks's firm, Lightray Productions.
Further entanglement with shoelaces:
"Entanglement can be transmitted through chains of cause and effect– and if you speak, and another hears, that too is cause and effect. When you say 'My shoelaces are untied' over a cellphone, you're sharing your entanglement with your shoelaces with a friend."
— "What is Evidence?," by Eliezer Yudkowsky
Tina Fey to Steve Martin
at the Oscars:
"Oh, Steve, no one wants
to hear about our religion
… that we made up."
From Wallace Stevens: A World of Transforming Shapes, by Alan D. Perlis, Bucknell University Press, 1976, p. 117:
… in 'The Pediment of Appearance,' a slight narrative poem in Transport to Summer… A group of young men enter some woods 'Hunting for the great ornament, The pediment of appearance.' Though moving through the natural world, the young men seek the artificial, or pure form, believing that in discovering this pediment, this distillation of the real, they will also discover the 'savage transparence,' the rude source of human life. In Stevens's world, such a search is futile, since it is only through observing nature that one reaches beyond it to pure form. As if to demonstrate the degree to which the young men's search is misaligned, Stevens says of them that 'they go crying/The world is myself, life is myself,' believing that what surrounds them is immaterial. Such a proclamation is a cardinal violation of Stevens's principles of the imagination. 
Superficially the young men's philosophy seems to resemble what Wikipedia calls "pantheistic solipsism"– noting, however, that "This article has multiple issues."
As, indeed, does pantheistic solipsism– a philosophy (properly called "eschatological pantheistic multipleego solipsism") devised, with tongue in cheek, by sciencefiction writer Robert A. Heinlein.
Despite their preoccupation with solipsism, Heinlein and Stevens point, each in his own poetic way, to a highly nonsolipsistic topic from pure mathematics that is, unlike the religion of Martin and Fey, not made up– namely, the properties of space.
"Sharpie, we have condensed six dimensions into four, then we either work by analogy into six, or we have to use math that apparently nobody but Jake and my cousin Ed understands. Unless you can think of some way to project six dimensions into three– you seem to be smart at such projections."
I closed my eyes and thought hard. "Zebbie, I don't think it can be done. Maybe Escher could have done it."
A discussion of Stevens's late poem "The Rock" (1954) in Wallace Stevens: A World of Transforming Shapes, by Alan D. Perlis, Bucknell University Press, 1976, p. 120:
For Stevens, the poem "makes meanings of the rock." In the mind, "its barrenness becomes a thousand things/And so exists no more." In fact, in a peculiar irony that only a poet with Stevens's particular notion of the imagination's function could develop, the rock becomes the mind itself, shattered into such diamondfaceted brilliance that it encompasses all possibilities for human thought: The rock is the gray particular of man's life,
The stone from which he rises, up—and—ho,
The step to the bleaker depths of his descents ...
The rock is the stern particular of the air,
The mirror of the planets, one by one,
But through man's eye, their silent rhapsodist,
Turquoise the rock, at odious evening bright
With redness that sticks fast to evil dreams;
The difficult rightness of halfrisen day.
The rock is the habitation of the whole,
Its strength and measure, that which is near,
point A
In a perspective that begins again
At B: the origin of the mango's rind.
(Collected Poems, 528)

Stevens's rock is associated with empty space, a concept that suggests "nothingness" to one literary critic:
B. J. Leggett, "Stevens's Late Poetry" in The Cambridge Companion to Wallace Stevens— On the poem "The Rock":"… the barren rock of the title is Stevens's symbol for the nothingness that underlies all existence, 'That in which space itself is contained'…. Its subject is its speaker's sense of nothingness and his need to be cured of it."
More positively…
Space is, of course, also a topic
in pure mathematics…
For instance, the 6dimensional
affine space (or the corresponding
5dimensional projective space)
over the twoelement Galois field
can be viewed as an illustration of
Stevens's metaphor in "The Rock."
Cara:
Here the 6dimensional affine
space contains the 63 points
of PG(5, 2), plus the origin, and
the 3dimensional affine
space contains as its 8 points
Conwell's eight "heptads," as in
Generating the Octad Generator.
The black monolith of
Kubrick's 2001 is, in
its way, an example
of religious art.
One artistic shortcoming
(or strength– it is, after
all, monolithic) of
that artifact is its
resistance to being
analyzed as a whole
consisting of parts, as
in a Joycean epiphany.
The following
figure does
allow such
an epiphany.
One approach to
the epiphany:
"Transformations play
a major role in
modern mathematics."
– A biography of
Felix Christian Klein
The above 2×4 array
(2 columns, 4 rows)
furnishes an example of
a transformation acting
on the parts of
an organized whole:
For other transformations
acting on the eight parts,
hence on the 35 partitions, see
"Geometry of the 4×4 Square,"
as well as Peter J. Cameron's
"The Klein Quadric
and Triality" (pdf),
and (for added context)
"The Klein Correspondence,
Penrose SpaceTime, and
a Finite Model."
For a related structure–
not rectangle but cube–
see Epiphany 2008.
Greetings.
“The greatest sorcerer (writes Novalis memorably)
would be the one who bewitched himself to the point of
taking his own phantasmagorias for autonomous apparitions.
Would not this be true of us?”
–Jorge Luis Borges, “Avatars of the Tortoise”
“El mayor hechicero (escribe memorablemente Novalis)
sería el que se hechizara hasta el punto de
tomar sus propias fantasmagorías por apariciones autónomas.
¿No sería este nuestro caso?”
–Jorge Luis Borges, “Los Avatares de la Tortuga“
At Midsummer Noon:“In Many Dimensions (1931)
Williams sets before his reader the
mysterious Stone of King Solomon,
an image he probably drew from
a brief description in Waite’s
The Holy Kabbalah (1929) of
a supernatural cubic stone
on which was inscribed
‘the Divine Name.’”
Related material:

It is not enough to cover the rock with leaves. We must be cured of it by a cure of the ground Or a cure of ourselves, that is equal to a cure Of the ground, a cure beyond forgetfulness. And if we ate the incipient colorings – Wallace Stevens, “The Rock” 
(Continued from June 23)
Related material:
The Klein Correspondence,
Penrose SpaceTime,
and a Finite Model
and a Finite Model
Notes by Steven H. Cullinane
May 28, 2007
Part I: A Model of SpaceTime
Click on picture to enlarge.
Part II: A Corresponding Finite Model
The Klein quadric also occurs in a finite model of projective 5space. See a 1910 paper:
G. M. Conwell, The 3space PG(3,2) and its group, Ann. of Math. 11, 6076.
Conwell discusses the quadric, and the related Klein correspondence, in detail. This is noted in a more recent paper by Philippe Cara:
Related material:
The projective space PG(5,2), home of the Klein quadric in the finite model, may be viewed as the set of 64 points of the affine space AG(6,2), minus the origin.
The 64 points of this affine space may in turn be viewed as the 64 hexagrams of the Classic of Transformation, China’s I Ching.
There is a natural correspondence between the 64 hexagrams and the 64 subcubes of a 4x4x4 cube. This correspondence leads to a natural way to generate the affine group AGL(6,2). This may in turn be viewed as a group of over a trillion natural transformations of the 64 hexagrams.
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