241117-Browsing-history-Audrey_Hepburn-Moonlight_Balcony_Scene-context.jpg
241117-Browsing-history-Audrey_Hepburn-Moonlight_Balcony_Scene-context.jpg
Beneath the balcony, Mark Ruffalo, in Brando style, cries "Bella! "
I find a real balcony scene from Cuernavaca more interesting —
This post was suggested by last night’s image of Nicola Cavanis
at the Louis Hotel in Munich by photographer Linus Meier.
Related material —
Today’s New York Times report of a March 28 death in Rome:
* See this journal on St. Peter’s Day, 2020.
"The Demolished Man was a novel that had fascinated De Palma
since the late 1950s and appealed to his background in mathematics
and avant-garde storytelling. Its unconventional unfolding of plot
(exemplified in its mathematical layout of dialogue) and its stress on
perception have analogs in De Palma's filmmaking." — Wikipedia
This, together with the Cuernavaca balcony in Deschooling MIT, is
perhaps enough of a clue for mystified theologians on St. Peter's Day.
See also Balcony in this journal.
The above title was suggested by a scene in Body Double (1984) . . .
Variations, starring Theresa Russell, on related themes —
The De Palma Balcony in Body Double , and "ready for my closeup" —
"Bing bang, I heard the whole gang!"
Summary —
New York Times opinion yesterday from a professor at M.I.T. —
* For some background on Deschooling, see (for instance) . . .
Mot Juste?
From today’s New York Times, on the effort of Paris to be chosen as the host of the 2012 Olympics:
“‘To have the games would bring a little fun, as you say, a breath of fresh air,’ said Benoît Génuini, president of the French operation of Accenture, a global consulting company, on a balcony of the Louvre last week during an event to highlight the city’s cultural attractions as an Olympic host. He remarked that the country was morose and that the city itself had become a sort of museum. ‘The games would put Paris back in the saddle and lead it into the 21st century,’ he said, ‘get it out of its stupor.'”
Attributed to Dominique de Villepin, the new Prime Minister of France: words about his book on poetry–
“It tries to penetrate the heart of the poetic ferment, this secret place where words are made and unmade, where language is fashioned.” |
Villepin (l.) with President Chirac
|
Poetry Month:
Stevens as a Riviera Presbyterian
He never supposed
That he might be truth, himself, or part of it,
That the things that he rejected might be part
And the irregular turquoise, part, the perceptible blue
Grown denser, part, the eye so touched, so played
Upon by clouds, the ear so magnified
By thunder, parts, and all these things together,
Parts, and more things, parts. He never supposed divine
Things might not look divine, nor that if nothing
Was divine then all things were, the world itself,
And that if nothing was the the truth, then all
Things were the truth, the world itself was the truth.
Had he been better able to suppose:
He might sit on a sofa on a balcony
Above the Mediterranean, emerald
Becoming emeralds. He might watch the palms
Flap green ears in the heat. He might observe
A yellow wine and follow a steamer’s track
And say, “The thing I hum appears to be
The rhythm of this celestial pantomime.”
— from Wallace Stevens, “Landscape with Boat”
(See the previous entry, which mentions Stevens and Jeffers as poets with a Presbyterian background, and also an essay by Justin Quinn that compares Stevens with Jeffers in the context of the poem quoted above.)
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