Log24

Wednesday, January 11, 2006

Wednesday January 11, 2006

Filed under: General,Geometry — Tags: , — m759 @ 10:30 pm

Time in the Rock

"a world of selves trying to remember the self
before the idea of self is lost–

Walk with me world, upon my right hand walk,
speak to me Babel, that I may strive to assemble
of all these syllables a single word
before the purpose of speech is gone."

— Conrad Aiken, "Prelude" (1932),
    later part of "Time in the Rock,
    or Preludes to Definition, XIX" (1936),
    in Selected Poems, Oxford U. Press
    paperback, 2003, page 156

"The rock is the habitation of the whole,
Its strength and measure, that which is near, point A
In a perspective that begins again

At B: the origin of the mango's rind.
It is the rock where tranquil must adduce
Its tranquil self, the main of things, the mind,

The starting point of the human and the end,
That in which space itself is contained, the gate
To the enclosure, day, the things illumined

By day, night and that which night illumines,
Night and its midnight-minting fragrances,
Night's hymn of the rock, as in a vivid sleep."

— Wallace Stevens in The Rock (1954)

"Poetry is an illumination of a surface,
  the movement of a self in the rock."
— Wallace Stevens, introduction to
    The Necessary Angel, 1951
 

Related material:
Jung's Imago and Solomon's Cube.

 

The following may help illuminate the previous entry:

"I want, as a man of the imagination, to write poetry with all the power of a monster equal in strength to that of the monster about whom I write.  I want man's imagination to be completely adequate in the face of reality."

— Wallace Stevens, 1953 (Letters 790)

The "monster" of the previous entry is of course not Reese Witherspoon, but rather Vox Populi itself.

Monday, January 9, 2006

Monday January 9, 2006

Filed under: General,Geometry — m759 @ 5:01 am
Cornerstone

“In 1782, the Swiss mathematician Leonhard Euler posed a problem whose mathematical content at the time seemed about as much as that of a parlor puzzle. 178 years passed before a complete solution was found; not only did it inspire a wealth of mathematics, it is now a cornerstone of modern design theory.”

— Dean G. Hoffman, Auburn U.,
    July 2001 Rutgers talk

Diagrams from Dieter Betten’s 1983 proof
of the nonexistence of two orthogonal
6×6 Latin squares (i.e., a proof
of Tarry’s 1900 theorem solving
Euler’s 1782 problem of the 36 officers):

The image “http://www.log24.com/log/pix06/060109-TarryProof.gif” cannot be displayed, because it contains errors.

Compare with the partitions into
two 8-sets of the 4×4 Latin squares
discussed in my 1978 note (pdf).

Wednesday, January 4, 2006

Wednesday January 4, 2006

Filed under: General,Geometry — Tags: , , — m759 @ 4:04 am
Dragon School

In memory of Humphrey Carpenter, author of The Inklings, who attended The Dragon School.  Carpenter died a year ago today.

From Log24 on Nov. 16, 2005:

 

Images

 

Adam Gopnik on C. S. Lewis in the New Yorker:

"Lewis began with a number of haunted images…."

"The best of the books are the ones… where the allegory is at a minimum and the images just flow."

"'Everything began with images,' Lewis wrote…."

The image “http://www.log24.com/log/pix05B/051116-Time.jpg” cannot be displayed, because it contains errors.

 

From Paul Preuss,
Broken Symmetries
(see previous entry):

"Mathematical relationships were enough to satisfy him, mere formal relationships which existed at all times, everywhere, at once.  It was a thin nectar, but he was convinced it was the nectar of the gods…."


From
Verbum Sat Sapienti?

The image “http://www.log24.com/theory/images/EscherVerbum2.jpg” cannot be displayed, because it contains errors.

Escher's Verbum

The image “http://www.log24.com/theory/images/DTinvar246.jpg” cannot be displayed, because it contains errors.

Solomon's Cube


The image “http://www.log24.com/theory/images/HexagramsTable.jpg” cannot be displayed, because it contains errors.

Geometry of the I Ching

 

Sunday, December 25, 2005

Sunday December 25, 2005

Filed under: General,Geometry — Tags: — m759 @ 8:00 pm
Eight is a Gate
(continued)

Compare and contrast:

The Eightfold Cube

The image “http://www.log24.com/theory/images/EightfoldWayCover.jpg” cannot be displayed, because it contains errors.

Click on pictures for details.

"… die Schönheit… [ist] die
richtige Übereinstimmung
der Teile miteinander
  und mit dem Ganzen."

"Beauty is the proper conformity
  of the parts to one another
  and to the whole."
 
  — Werner Heisenberg,
"Die Bedeutung des Schönen
  in der exakten Naturwissenschaft,"
  address delivered to the
  Bavarian Academy of Fine Arts,
  Munich, 9 Oct. 1970, reprinted in
  Heisenberg's Across the Frontiers,
  translated by Peter Heath,
  Harper & Row, 1974

Wednesday, December 21, 2005

Wednesday December 21, 2005

Filed under: General,Geometry — Tags: , — m759 @ 4:07 pm

For the feast of
St. Francis Scott Key Fitzgerald

The Diamond
as Big as
the Monster

From Fitzgerald’s The Diamond as Big as the Ritz:

“Now,” said John eagerly, “turn out your pocket and let’s see what jewels you brought along. If you made a good selection we three ought to live comfortably all the rest of our lives.”
Obediently Kismine put her hand in her pocket and tossed two handfuls of glittering stones before him.
“Not so bad,” cried John, enthusiastically. “They aren’t very big, but– Hello!” His expression changed as he held one of them up to the declining sun. “Why, these aren’t diamonds! There’s something the matter!”
“By golly!” exclaimed Kismine, with a startled look. “What an idiot I am!”
“Why, these are rhinestones!” cried John.

From The Hawkline Monster, by Richard Brautigan:

“What are we going to do now?” Susan Hawkline said, surveying the lake that had once been their house.
Cameron counted the diamonds in his hand.  There were thirty-five diamonds and they were all that was left of the Hawkline Monster.
“We’ll think of something,” Cameron said.

Related material:

“A disciple of Ezra Pound, he adapts to the short story the ideogrammatic method of The Cantos, where a grammar of images, emblems, and symbols replaces that of logical sequence. This grammar allows for the grafting of particulars into a congeries of implied relation without subordination. In contrast to postmodernists, Davenport does not omit causal connection and linear narrative continuity for the sake of an aleatory play of signification but in order to intimate by combinational logic kinships and correspondences among eras, ideas and forces.”

When Novelists Become Cubists:
The Prose Ideograms of Guy Davenport,
by Andre Furlani

“T.S. Eliot’s experiments in ideogrammatic method are equally germane to Davenport, who shares with the poet an avant-garde aesthetic and a conservative temperament.  Davenport’s text reverberates with echoes of Four Quartets.”

Andre Furlani

“At the still point,
there the dance is.”

—  T. S. Eliot, Four Quartets,
quoted in the epigraph to
the chapter on automorphism groups
in Parallelisms of Complete Designs,
by Peter J. Cameron,
published when Cameron was at
Merton College, Oxford.

“As Gatsby closed the door of
‘the Merton College Library’
I could have sworn I heard
the owl-eyed man
break into ghostly laughter.”

F. Scott Fitzgerald

Monday, December 19, 2005

Monday December 19, 2005

Filed under: General,Geometry — Tags: , — m759 @ 2:45 am
 "There is an
underlying timelessness
in the basic conversation
that is mathematics
."
Barry Mazur (pdf)

It's Quarter to Three
(continued):

 
"I could tell you a lot
but you gotta be
 true to your code."
— Sinatra

Today is the birthday of Helmut Wielandt (Dec. 19, 1910 – Feb. 14, 2001).

From MacTutor:

"In his speech accepting membership of the Heidelberg Academy in 1960 he said:-

It is to one of Schur's seminars that I owe the stimulus to work with permutation groups, my first research area. At that time the theory had nearly died out. It had developed last century, but at about the turn of the century had been so completely superseded by the more generally applicable theory of abstract groups that by 1930 even important results were practically forgotten – to my mind unjustly."

Permutation groups are still not without interest.  See today's updates (Notes [01] and [02]) to Pattern Groups.

 

Saturday, December 17, 2005

Saturday December 17, 2005

Filed under: General,Geometry — Tags: — m759 @ 3:17 pm
Fade to White

For John Spencer,
who died on December 16:

"He was a kind, sweet, funny man…
a man who made your words come to life
in ways you would never expect."

James Mangold, quoted in     
today's Los Angeles Times 

The image “http://www.log24.com/log/pix05B/051217-Spencer2.jpg” cannot be displayed, because it contains errors.
 

Related material:

Entries from the date
of Spencer's death

and
 White, Geometric, and Eternal

(from Dec. 20, 2003–
 Spencer's birthday).

Saturday December 17, 2005

Filed under: General,Geometry — Tags: , , — m759 @ 1:01 pm
For Trevanian:
 
Fade to Black

"…that ineffable constellation of talents that makes the player of rank: a gift for conceiving abstract schematic possibilities; a sense of mathematical poetry in the light of which the infinite chaos of probability and permutation is crystallized under the pressure of intense concentration into geometric blossoms; the ruthless focus of force on the subtlest weakness of an opponent." 

— Trevanian,
    Shibumi  

  "'Haven't there been splendidly elegant colors in Japan since ancient times?'

'Even black has various subtle shades,' Sosuke nodded." 

— Yasunari Kawabata,
    The Old Capital

"The Zen disciple sits for long hours silent and motionless, with his eyes closed. Presently he enters a state of impassivity, free from all ideas and all thoughts. He departs from the self and enters the realm of nothingness. This is not the nothingness or the emptiness of the West. It is rather the reverse, a universe of the spirit in which everything communicates freely with everything, transcending bounds, limitless." 

— Yasunari Kawabata,
    Nobel lecture, 1968 

The image “http://www.log24.com/log/pix04A/040627-Prize.jpg” cannot be displayed, because it contains errors.

Friday, December 16, 2005

Friday December 16, 2005

Filed under: General,Geometry — m759 @ 2:00 pm
Jesus vs. the Goddess:
A Brief Chronology

In 1946, Robert Graves published King Jesus, an historical novel based on the theory and Graves’ own historical conjecture that Jesus was, in fact, the rightful heir to the Israelite throne… written while he was researching and developing his ideas for The White Goddess.”

In 1948, C. S. Lewis finished the first draft of The Lion, The Witch, and The Wardrobe, a novel in which one of the main characters is “the White Witch.”

In 1948, Robert Graves published The White Goddess.

In 1949, Robert Graves published Seven Days in New Crete [also titled Watch the North Wind Rise], “a novel about a social distopia in which Goddess worship is (once again?) the dominant religion.”

Lewis died on November 22, 1963, the day John F. Kennedy was killed.

Related material:
Log24, December 10, 2005

Graves died on December 7 (Pearl Harbor Day), 1985.

Related material:
Log24, December 7, 2005, and
Log24, December 11, 2005

Jesus died, some say, on April 7 in the year 30 A.D.

Related material:

Art Wars, April 7, 2003:
Geometry and Conceptual Art,

Eight is a Gate, and

The image “http://www.log24.com/log/pix05B/051216-PlatoDiamond.gif” cannot be displayed, because it contains errors.

Plato’s Diamond

The image “http://www.log24.com/log/pix05B/051216-Motto.jpg” cannot be displayed, because it contains errors.

— Motto of
Plato’s Academy

“Plato is wary of all forms of rapture other than reason’s. He is most deeply leery of, because himself so susceptible to, the literary imagination. He speaks of it as a kind of holy madness or intoxication and goes on to link it to Eros, another derangement that joins us, but very dangerously, with the gods.”
 
Rebecca Goldstein in
    The New York Times,
    three years ago today
    (December 16, 2002) 
 
“It’s all in Plato, all in Plato;
 bless me, what do they
teach them at these schools?”
 
— C. S. Lewis in
the Narnia Chronicles

“How much story do you want?”
— George Balanchine

Saturday, December 10, 2005

Saturday December 10, 2005

Filed under: General,Geometry — m759 @ 3:00 am
For the birthday of Emily Dickinson:

"This world is not conclusion;
  A sequel stands beyond,
Invisible, as music,
  But positive, as sound.
It beckons and it baffles;         5
  Philosophies don’t know,
And through a riddle, at the last,
  Sagacity must go.
To guess it puzzles scholars;
  To gain it, men have shown         10
Contempt of generations,
  And crucifixion known."


Santa's Riddle

How do you add a single
point to a plane to
give it the shape
of a globe?

Hint:

"The lunatic,   
the lover, and
the poet…."  

Answer: See

Russell Crowe as Santa's Helper.

Thursday, December 8, 2005

Thursday December 8, 2005

Filed under: General,Geometry — Tags: , — m759 @ 2:56 pm
Aion Flux
 
That Nature is a Heraclitean Fire…
— Poem title, Gerard Manley Hopkins  

From Jung's Map of the Soul, by Murray Stein:

"… Jung thinks of the self as undergoing continual transformation during the course of a lifetime…. At the end of his late work Aion, Jung presents a diagram to illustrate the dynamic movements of the self…."

The image “http://www.log24.com/theory/images/JungDiamonds.gif” cannot be displayed, because it contains errors.

"The formula presents a symbol of the self, for the self is not just a stable quantity or constant form, but is also a dynamic process.  In the same way, the ancients saw the imago Dei in man not as a mere imprint, as a sort of lifeless, stereotyped impression, but as an active force…. The four transformations represent a process of restoration or rejuvenation taking place, as it were, inside the self…."

"The formula reproduces exactly the essential features of the symbolic process of transformation. It shows the rotation of the mandala, the antithetical play of complementary (or compensatory) processes, then the apocatastasis, i.e., the restoration of an original state of wholeness, which the alchemists expressed through the symbol of the uroboros, and finally the formula repeats the ancient alchemical tetrameria, which is implicit in the fourfold structure of unity. 

What the formula can only hint at, however, is the higher plane that is reached through the process of transformation and integration. The 'sublimation' or progress or qualitative change consists in an unfolding of totality into four parts four times, which means nothing less than its becoming conscious. When psychic contents are split up into four aspects, it means that they have been subjected to discrimination by the four orienting functions of consciousness. Only the production of these four aspects makes a total description possible. The process depicted by our formula changes the originally unconscious totality into a conscious one." 

— Jung, Collected Works, Vol. 9, Part 2, Aion: Researches into the Phenomenology of the Self (1951) 

Related material: 

  The diamond theorem

"Although 'wholeness' seems at first sight to be nothing but an abstract idea (like anima and animus), it is nevertheless empirical in so far as it is anticipated by the psyche in the form of  spontaneous or autonomous symbols. These are the quaternity or mandala symbols, which occur not only in the dreams of modern people who have never heard of them, but are widely disseminated in the historical recods of many peoples and many epochs. Their significance as symbols of unity and totality is amply confirmed by history as well as by empirical psychology.  What at first looks like an abstract idea stands in reality for something that exists and can be experienced, that demonstrates its a priori presence spontaneously. Wholeness is thus an objective factor that confronts the subject independently of him… Unity and totality stand at the highest point on the scale of objective values because their symbols can no longer be distinguished from the imago Dei. Hence all statements about the God-image apply also to the empirical symbols of totality."

— Jung, Aion, as quoted in
Carl Jung and Thomas Merton

Friday, December 2, 2005

Friday December 2, 2005

Filed under: General,Geometry — m759 @ 5:55 am

Proof 101

From a course description:

“This module aims to introduce the student to rigorous university level mathematics….
    Syllabus: The idea of and need for mathematical statements and proofs…. proof by contradiction… proof by induction…. the infinite number of primes….”

In the December Notices of the American Mathematical Society, Brian (E. B.) Davies, a professor of mathematics at King’s College London, questions the consistency of Peano Arithmetic (PA), which has the following axioms:

From BookRags.com

Axiom 1. 0 is a number.

Axiom 2. The successor of any number is a number.

Axiom 3. If a and b are numbers and if their successors are equal, then a and b are equal.

Axiom 4. 0 is not the successor of any number.

Axiom 5. If S is a set of numbers containing 0 and if the successor of any number in S is also in S, then S contains all the numbers.

It should be noted that the word “number” as used in the Peano axioms means “non-negative integer.”  The fifth axiom deserves special comment.  It is the first formal statement of what we now call the “induction axiom” or “the principle of mathematical induction.”

Peano’s fifth axiom particularly troubles Davies, who writes elsewhere:

I contend that our understanding of number should be placed in an historical context, and that the number system is a human invention.  Elementary arithmetic enables one to determine the number of primes less than twenty as certainly as anything we know.  On the other hand Peano arithmetic is a formal system, and its internal consistency is not provable, except within set-theoretic contexts which essentially already assume it, in which case their consistency is also not provable.  The proof that there exists an infinite number of primes does not depend upon counting, but upon the law of induction, which is an abstraction from our everyday experience…. 
… Geometry was a well developed mathematical discipline based upon explicit axioms over one and a half millennia before the law of induction was first formulated.  Even today many university students who have been taught the principle of induction prefer to avoid its use, because they do not feel that it is as natural or as certain as a purely algebraic or geometric proof, if they can find one.  The feelings of university students may not settle questions about what is truly fundamental, but they do give some insight into our native intuitions.

E. B. Davies in
   “Counting in the real world,”
    March 2003 (word format),
    To appear in revised form in
    Brit. J. Phil. Sci. as
   “Some remarks on
    the foundations
    of quantum mechanics”

Exercise:

Discuss Davies’s claim that

The proof that there exists an infinite number of primes does not depend upon counting, but upon the law of induction.

Cite the following passage in your discussion.

It will be clear by now that, if we are to have any chance of making progress, I must produce examples of “real” mathematical theorems, theorems which every mathematician will admit to be first-rate. 

… I can hardly do better than go back to the Greeks.  I will state and prove two of the famous theorems of Greek mathematics.  They are “simple” theorems, simple both in idea and in execution, but there is no doubt at all about their being theorems of the highest class.  Each is as fresh and significant as when it was discovered– two thousand years have not written a wrinkle on either of them.  Finally, both the statements and the proofs can be mastered in an hour by any intelligent reader, however slender his mathematical equipment.

I. The first is Euclid’s proof of the existence of an infinity of prime numbers.

The prime numbers or primes are the numbers

   (A)   2, 3, 5, 7, 11, 13, 17, 19, 23, 29, … 

which cannot be resolved into smaller factors.  Thus 37 and 317 are prime.  The primes are the material out of which all numbers are built up by multiplication: thus

    666 = 2 . 3 . 3 . 37. 

Every number which is not prime itself is divisible by at least one prime (usually, of course, by several).   We have to prove that there are infinitely many primes, i.e. that the series (A) never comes to an end.

Let us suppose that it does, and that

   2, 3, 5, . . . , P
 
is the complete series (so that P is the largest prime); and let us, on this hypothesis, consider the number

   Q = (2 . 3 . 5 . . . . . P) + 1.

It is plain that Q is not divisible by any of

   2, 3, 5, …, P;

for it leaves the remainder 1 when divided by any one of these numbers.  But, if not itself prime, it is divisible by some prime, and therefore there is a prime (which may be Q itself) greater than any of them.   This contradicts our hypothesis, that there is no prime greater than P; and therefore this hypothesis is false.

The proof is by reductio ad absurdum, and reductio ad absurdum, which Euclid loved so much, is one of a mathematician’s finest weapons.  It is a far finer gambit than any chess gambit: a chess player may offer the sacrifice of a pawn or even a piece, but a mathematician offers the game.

— G. H. Hardy,
   A Mathematician’s Apology,
   quoted in the online guide for
   Clear and Simple as the Truth:
   Writing Classic Prose, by
   Francis-Noël Thomas
   and Mark Turner,
   Princeton University Press

In discussing Davies’s claim that the above proof is by induction, you may want to refer to Davies’s statement that

Geometry was a well developed mathematical discipline based upon explicit axioms over one and a half millennia before the law of induction was first formulated

and to Hardy’s statement that the above proof is due to Euclid.

Wednesday, November 30, 2005

Wednesday November 30, 2005

Filed under: General,Geometry — Tags: — m759 @ 8:20 pm

Hobgoblin?

Brian Davies is a professor of mathematics at King’s College London.  In the December Notices of the American Mathematical Society, he claims that arithmetic may, for all we know, be inconsistent:

“Gödel taught us that it is not possible to prove that Peano arithmetic is consistent, but everyone has taken it for granted that in fact it is indeed consistent.
    Platonistically-inclined mathematicians would deny the possibility that Peano arithmetic could be flawed.  From Kronecker onwards many consider that they have a direct insight into the natural numbers, which guarantees their existence. If the natural numbers exist and Peano’s axioms describe properties that they possess then, since the axioms can be instantiated, they must be consistent.”

“It is not possible to prove that Peano arithmetic is consistent”…?!

Where did Gödel say this?  Gödel proved, in fact, according to a well-known mathematician at Princeton, that (letting PA stand for Peano Arithmetic),

“If PA is consistent, the formula expressing ‘PA is consistent’ is unprovable in PA.”

— Edward Nelson,
   Mathematics and Faith (pdf)

Remarkably, even after he has stated correctly Gödel’s result, Nelson, like Davies, concludes that

“The consistency of PA cannot be concretely demonstrated.”

I prefer the argument that the existence of a model ensures the consistency of a theory.

For instance, the Toronto philosopher William Seager writes that

“Our judgement as to the consistency of some system is not dependent upon that system’s being able to prove its own consistency (i.e. generate a formula that states, e.g. ‘0=1’ is not provable). For if that was the sole basis, how could we trust it? If the system was inconsistent, it could generate this formula as well (see Smullyan, Gödel’s Incompleteness Theorems, (Oxford, 1992, p. 109)). Furthermore, [George] Boolos allows that we do know that certain systems, such as Peano Arithmetic, are consistent even though they cannot prove their own consistency. Presumably, we know this because we can see that a certain model satisfies the axioms of the system at issue, hence that they are true in that model and so must be consistent.”

Yesterday’s Algorithm:
    Penrose and the Gödel Argument

The relationship between consistency and the existence of a model is brought home by the following weblog entry that neatly summarizes a fallacious argument offered in the AMS Notices by Davies:

The following is an interesting example that I came across in the article “Whither Mathematics?” by Brian Davies in the December issue of Notices of the American Mathematical Society.

Consider the following list A1 of axioms.

(1) There is a natural number 0.
(2) Every natural number a has a successor, denoted by S(a).
(3) There is no natural number whose successor is 0.
(4) Distinct natural numbers have distinct successors: a = b if and only if S(a) = S(b).
(5) If a property is possessed by 0 and also by the successor of every natural number which possesses it, then it is possessed by all the natural numbers.

Now consider the following list A2 of axioms.

(1) G is a set of elements and these elements obey the group axioms.
(2) G is finite but not isomorphic to any known list of finite simple groups.
(3) G is simple, in other words, if N is a subset of G satisfying certain properties then N=G.

We can roughly compare A2 with A1. The second axiom in A2 can be thought of as analogous to the third axiom of A1. Also the third axiom of A2 is analogous to the fifth axiom of A1, insofar as it refers to an unspecified set with cetain properties and concludes that it is equal to G.

Now, as is generally believed by most group theorists, the system A2 is internally inconsistent and the proof its inconsistency runs for more than 10000 pages.

So who is to deny that the system A1 is also probably internally inconsistent! Particularly since Godel proved that you can not prove it is consistent (staying inside the system). May be the shortest proof of its inconsistency is one hundred million pages long!

— Posted by Krishna,
   11/29/2005 11:46:00 PM,
   at his weblog,
  “Quasi-Coherent Ruminations”

An important difference between A1 (the set of axioms of Peano arithmetic) and A2 (a set of axioms that describe a new, unknown, finite simple group) is that A1 is known to have a model (the nonnegative integers) and A2 is not known to have a model.

Therefore, according to Seager’s argument, A1 is consistent and A2 may or may not be consistent.

The degree to which Seager’s argument invokes Platonic realism is debatable.  Less debatable is the quasireligious faith in nominalism proclaimed by Davies and Nelson.  Nelson’s own account of a religious experience in 1976 at Toronto is instructive.

I must relate how I lost my faith in Pythagorean numbers. One morning at the 1976 Summer Meeting of the American Mathematical Society in Toronto, I woke early. As I lay meditating about numbers, I felt the momentary overwhelming presence of one who convicted me of arrogance for my belief in the real existence of an infinite world of numbers, leaving me like an infant in a crib reduced to counting on my fingers. Now I live in a world in which there are no numbers save those that human beings on occasion construct.

— Edward Nelson,
   Mathematics and Faith (pdf)

Nelson’s “Mathematics and Faith” was written for the Jubilee for Men and Women from the World of Learning held at the Vatican, 23-24 May 2000.  It concludes with an invocation of St. Paul:

During my first stay in Rome I used to play chess with Ernesto Buonaiuti. In his writings and in his life, Buonaiuti with passionate eloquence opposed the reification of human abstractions. I close by quoting one sentence from his Pellegrino di Roma.  “For [St. Paul] abstract truth, absolute laws, do not exist, because all of our thinking is subordinated to the construction of this holy temple of the Spirit, whose manifestations are not abstract ideas, but fruits of goodness, of peace, of charity and forgiveness.”

— Edward Nelson,
   Mathematics and Faith (pdf)

Belief in the consistency of arithmetic may or may not be foolish, and therefore an Emersonian hobgoblin of little minds, but bullshit is bullshit, whether in London, in Princeton, in Toronto, or in Rome.

Wednesday November 30, 2005

Filed under: General,Geometry — Tags: , — m759 @ 1:00 am

For St. Andrew’s Day

The miraculous enters…. When we investigate these problems, some fantastic things happen….”

— John H. Conway and N. J. A. Sloane, Sphere Packings, Lattices and Groups, preface to first edition (1988)

The remarkable Mathieu group M24, a group of permutations on 24 elements, may be studied by picturing its action on three interchangeable 8-element “octads,” as in the “Miracle Octad Generator” of R. T. Curtis.

A picture of the Miracle Octad Generator, with my comments, is available online.


 Cartoon by S.Harris

Related material:
Mathematics and Narrative.

Friday, November 25, 2005

Friday November 25, 2005

Filed under: General,Geometry — m759 @ 9:00 pm

Holy Geometry

What was “the holy geometry book” (“das heilige Geometrie-Büchlein,” p. 10 in the Schilpp book below) that so impressed the young Albert Einstein?

“At the age of 12 I experienced a second wonder of a totally different nature: in a little book dealing with Euclidian plane geometry, which came into my hands at the beginning of a schoolyear.  Here were assertions, as for example the intersection of the three altitudes of a triangle in one point, which– though by no means evident– could nevertheless be proved with such certainty that any doubt appeared to be out of the question.  This lucidity and certainty made an indescribable impression upon me.”

(“Im Alter von 12 Jahren erlebte ich ein zweites Wunder ganz verschiedener Art: An einem Büchlein über Euklidische Geometrie der Ebene, das ich am Anfang eines Schuljahres in die Hand bekam.  Da waren Aussagen wie z.B. das Sich-Schneiden der drei Höhen eines Dreieckes in einem Punkt, die– obwohl an sich keineswegs evident– doch mit solcher Sicherheit bewiesen werden konnten, dass ein Zweifel ausgeschlossen zu sein schien.  Diese Klarheit und Sicherheit machte einen unbeschreiblichen Eindruck auf mich.”)

— Albert Einstein, Autobiographical Notes, pages 8 and 9 in Albert Einstein: Philosopher-Scientist, ed. by Paul A. Schilpp

From a website by Hans-Josef Küpper:

“Today it cannot be said with certainty which book is Einstein’s ‘holy geometry book.’  There are three different titles that come into question:

Theodor Spieker, 1890
Lehrbuch der ebenen Geometrie. Mit Übungsaufgaben für höhere Lehranstalten.

Heinrich Borchert Lübsen, 1870
Ausführliches Lehrbuch der ebenen und sphärischen Trigonometrie. Zum Selbstunterricht. Mit Rücksicht auf die Zwecke des praktischen Lebens.

Adolf Sickenberger, 1888
Leitfaden der elementaren Mathematik.

Young Albert Einstein owned all of these three books. The book by T. Spieker was given to him by Max Talmud (later: Talmey), a Jewish medic. The book by H. B. Lübsen was from the library of his uncle Jakob Einstein and the one of A. Sickenberger was from his parents.”

Küpper does not state clearly his source for the geometry-book information.

According to Banesh Hoffman and Helen Dukas in Albert Einstein, Creator and Rebel, the holy geometry book was Lehrbuch der Geometrie zum Gebrauch an höheren Lehranstalten, by Eduard Heis (Catholic astronomer and textbook writer) and Thomas Joseph Eschweiler.

An argument for Sickenberger from The Young Einstein: The Advent of Relativity (pdf), by Lewis Pyenson, published by Adam Hilger Ltd., 1985:

   Throughout Einstein’s five and a half years at the Luitpold Gymnasium, he was taught mathematics from one or another edition of the separately published parts of Sickenberger’s Textbook of Elementary Mathematics.  When it first appeared in 1888 the book constituted a major contribution to reform pedagogy.  Sickenberger based his book on twenty years of experience that in his view necessarily took precedence over ‘theoretical doubts and systematic scruples.’  At the same time Sickenberger made much use of the recent pedagogical literature, especially that published in the pages of Immanuel Carl Volkmar Hoffmann’s Zeitschrift für mathematischen und naturwissenschaftlichen Unterricht, the leading pedagogical mathematics journal of the day.  Following in the tradition of the reform movement, he sought to present everything in the simplest, most intuitive way possible.  He opposed introducing scientific rigour and higher approaches in an elementary text.  He emphasised that he would follow neither the synthesis of Euclidean geometry nor the so-called analytical-genetic approach.  He opted for a great deal of freedom in the form of presentation because he believed that a textbook was no more than a crutch for oral instruction.  The spoken word, in Sickenberger’s view, could infuse life into the dead forms of the printed text.  Too often, he insisted in the preface to his text, mathematics was seen and valued ‘as the pure science of reason.’  In reality, he continued, mathematics was also ‘an essential tool for daily work.’  In view of the practical dimension of mathematics Sickenberger sought most of all to present basic propositions clearly rather than to arrive at formal conciseness.   Numerous examples took the place of long, complicated, and boring generalities.  In addition to the usual rules of arithmetic Sickenberger introduced diophantine equations.  To solve three linear, homogeneous, first-order equations with three unknowns he specified determinants and determinant algebra.  Then he went on to quadratic equations and logarithms.  In the second part of his book, Sickenberger treated plane geometry.
     According to a biography of Einstein written by his step-son-in-law, Rudolf Kayser– one that the theoretical physicist described as ‘duly accurate’– when he was twelve years old Einstein fell into possession of the ‘small geometry book’ used in the Luitpold Gymnasium before this subject was formally presented to him.  Einstein corroborated Kayser’s passage in autobiographical notes of 1949, when he described how at the age of twelve ‘a little book dealing with Euclidean plane geometry’ came into his hands ‘at the beginning of a school year.’  The ‘lucidity and certainty’ of plane geometry according to this ‘holy geometry booklet’ made, Einstein wrote, ‘an indescribable impression on me.’  Einstein saw here what he found in other texts that he enjoyed: it was ‘not too particular’ in logical rigour but ‘made up for this by permitting the main thoughts to stand out clearly and synoptically.’  Upon working his way through this text, Einstein was then presented with one of the many editions of Theodor Spieker’s geometry by Max Talmey, a medical student at the University of Munich who dined with the Einsteins and who was young Einstein’s friend when Einstein was between the ages of ten and fifteen.  We can only infer from Einstein’s retrospective judgment that the first geometry book exerted an impact greater than that produced by Spieker’s treatment, by the popular science expositions of Aaron Bernstein and Ludwig Büchner also given to him by Talmey, or by the texts of Heinrich Borchert Lübsen from which Einstein had by the age of fourteen taught himself differential and integral calculus.
     Which text constituted the ‘holy geometry booklet’?  In his will Einstein gave ‘all his books’ to his long-time secretary Helen Dukas.  Present in this collection are three bearing the signature ‘J Einstein’: a logarithmic and trigonometric handbook, a textbook on analysis, and an introduction to infinitesimal calculus.  The signature is that of Einstein’s father’s brother Jakob, a business partner and member of Einstein’s household in Ulm and Munich.  He presented the books to his nephew Albert.  A fourth book in Miss Dukas’s collection, which does not bear Jakob Einstein’s name, is the second part of a textbook on geometry, a work of astronomer Eduard Heis’s which was rewritten after his death by the Cologne schoolteacher Thomas Joseph Eschweiler.  Without offering reasons for his choice Banesh Hoffmann has recently identified Heis and Eschweiler’s text as the geometry book that made such an impression on Einstein.  Yet, assuming that Kayser’s unambiguous reporting is correct, it is far more likely that the geometrical part of Sickenberger’s text was what Einstein referred to in his autobiographical notes.  Sickenberger’s exposition was published seven years after that of Heis and Eschweiler, and unlike the latter it appeared with a Munich press.  Because it was used in the Luitpold Gymnasium, copies would have been readily available to Uncle Jakob or to whoever first acquainted Einstein with Euclidean geometry.”

What might be the modern version of a “holy geometry book”?

I suggest the following,
first published in 1940:

The image “http://www.log24.com/log/pix05B/BasicGeometry.gif” cannot be displayed, because it contains errors.

Click on picture for details.

Sunday, November 20, 2005

Sunday November 20, 2005

Filed under: General,Geometry — Tags: , — m759 @ 4:04 pm

An Exercise
of Power

Johnny Cash:
“And behold,
a white horse.”

The image “http://www.log24.com/log/pix05B/051120-SpringerLogo9.gif” cannot be displayed, because it contains errors.
Adapted from
illustration below:

The image “http://www.log24.com/log/pix05B/051120-NonEuclideanRev.jpg” cannot be displayed, because it contains errors.

“There is a pleasantly discursive treatment of Pontius Pilate’s unanswered question ‘What is truth?'”

H. S. M. Coxeter, 1987, introduction to Richard J. Trudeau’s remarks on the “Story Theory” of truth as opposed to  the “Diamond Theory” of truth in The Non-Euclidean Revolution

“A new epistemology is emerging to replace the Diamond Theory of truth. I will call it the ‘Story Theory’ of truth: There are no diamonds. People make up stories about what they experience. Stories that catch on are called ‘true.’ The Story Theory of truth is itself a story that is catching on. It is being told and retold, with increasing frequency, by thinkers of many stripes*….”

Richard J. Trudeau in
The Non-Euclidean Revolution

“‘Deniers’ of truth… insist that each of us is trapped in his own point of view; we make up stories about the world and, in an exercise of power, try to impose them on others.”

— Jim Holt in The New Yorker.

(Click on the box below.)

The image “http://www.log24.com/log/pix05B/050819-Critic4.jpg” cannot be displayed, because it contains errors.

Exercise of Power:

Show that a white horse–

A Singer 7-Cycle

a figure not unlike the
symbol of the mathematics
publisher Springer–
is traced, within a naturally
arranged rectangular array of
polynomials, by the powers of x
modulo a polynomial
irreducible over a Galois field.

This horse, or chess knight–
“Springer,” in German–
plays a role in “Diamond Theory”
(a phrase used in finite geometry
in 1976, some years before its use
by Trudeau in the above book).

Related material

On this date:

 In 1490, The White Knight
 (Tirant lo Blanc The image “http://www.log24.com/images/asterisk8.gif” cannot be displayed, because it contains errors. )–
a major influence on Cervantes–
was published, and in 1910

The image “http://www.log24.com/log/pix05B/051120-Caballo1.jpg” cannot be displayed, because it contains errors.

the Mexican Revolution began.

Illustration:
Zapata by Diego Rivera,
Museum of Modern Art,
New York

The image “http://www.log24.com/images/asterisk8.gif” cannot be displayed, because it contains errors. Description from Amazon.com

“First published in the Catalan language in Valencia in 1490…. Reviewing the first modern Spanish translation in 1969 (Franco had ruthlessly suppressed the Catalan language and literature), Mario Vargas Llosa hailed the epic’s author as ‘the first of that lineage of God-supplanters– Fielding, Balzac, Dickens, Flaubert, Tolstoy, Joyce, Faulkner– who try to create in their novels an all-encompassing reality.'”

Tuesday, November 15, 2005

Tuesday November 15, 2005

Filed under: General,Geometry — m759 @ 11:07 am
Windmills
 
The image “http://www.log24.com/log/pix05B/051115-StarRocks1.jpg” cannot be displayed, because it contains errors.

Upper part of above picture–

From today’s New York Times,
Seeing Mountains in
Starry Clouds of Creation.

Lower part of above picture–
Pilgrimage to Spider Rock:

“This magical place, according to Navajo Legend, was the home of Spider Woman, who gave the gift of weaving to the Dineh’ People.  Today’s Navajos trace the excellence of their finest textiles to this time of legends, when their patron, Changing Woman, met Spider Woman, the first Weaver.”

Vine Deloria Jr.,
 
Evolution, Creationism,
and Other Modern Myths:

“The continuing struggle between evolutionists and creationists, a hot political topic for the past four decades, took a new turn in the summer of 1999 when the Kansas Board of Education voted to omit the mention of evolution in its newly approved curriculum, setting off outraged cries of foul by the scientific establishment.  Don Quixotes on both sides mounted their chargers and went searching for windmills.”

Related material–

A figure from
last night’s entry,
Spider Woman:

Fritz Leiber's 'Spider' symbol

From Sunday, the day
of Vine Deloria’s death,
a picture that might be
called Changing Woman:

  

Kaleidoscope turning…
Shifting pattern
within unalterable structure…
— Roger Zelazny, Eye of Cat     

See also the windmill figure

The image “http://www.log24.com/theory/images/Whirl3.gif” cannot be displayed, because it contains errors.

in Time and Eternity
(Log 24, Feb. 1, 2003)

and

a review
of Fritz Leiber’s
The Big Time,

The image “http://www.log24.com/log/pix05B/051115-BigTimePic.jpg” cannot be displayed, because it contains errors.

a story that works.”

Tuesday November 15, 2005

Filed under: General,Geometry — m759 @ 2:56 am
Spider Woman

    “Time traveling, which is not quite the good clean boyish fun it’s cracked up to be, started for me when this woman with the sigil on her forehead looked in on me from the open doorway of the hotel bedroom where I’d hidden myself and the bottles and asked me, ‘Look, Buster, do you want to live?’….
    Her right arm was raised and bent, the elbow touching the door frame, the hand brushing back the very dark bangs from her forehead to show me the sigil, as if that had a bearing on her question.

Fritz Leiber's 'Spider' symbol

Bordered version
of the sigil

The sigil was an eight-limbed asterisk made of fine dark lines and about as big as a silver dollar.  An X superimposed on a plus sign.  It looked permanent.”

— Fritz Leiber, “Damnation Morning

For Vine Deloria Jr., who died at 72 on Sunday, Nov. 13, 2005:

        Things forgotten are shadows.
        The shadows will be as real
        as wind and rain and song and light,
        there in the old place.
        Spider Woman atop your rock,
        I would greet you,
        but I am going the other way.
        Only a fool would pursue a Navajo
        into the Canyon of Death.

— Roger Zelazny, Eye of Cat

Related material:
from a Log24 entry
on the morning of
Deloria’s death–

Kaleidoscope turning…
Shifting pattern
within unalterable structure…

— Roger Zelazny, Eye of Cat

  

Sunday, November 13, 2005

Sunday November 13, 2005

Filed under: General,Geometry — m759 @ 6:40 am
Structure

“Sunrise–
Hast thou a Flag for me?”
— Emily Dickinson

From a
Beethoven’s Birthday entry:

  

Kaleidoscope turning…
Shifting pattern
within unalterable structure…
— Roger Zelazny, Eye of Cat

Related material:

Blue
(below),

The image “http://www.log24.com/log/pix05B/051113-Blue.jpg” cannot be displayed, because it contains errors.

Bee Season
(below),

The image “http://www.log24.com/log/pix05B/051113-Scope1.jpg” cannot be displayed, because it contains errors.

Halloween Meditations,
Aquarius Jazz,
We Are the Key,
and
Jazz on St. Lucia’s Day.

“Y’know, I never imagined
the competition version involved
so many tricky permutations.”

— David Brin, Glory Season

Saturday, November 12, 2005

Saturday November 12, 2005

Filed under: General,Geometry — Tags: , — m759 @ 1:28 pm
Glory Season

"…his eyes ranged the Consul's books disposed quite neatly… on high shelves around the walls: Dogme et Ritual de la Haute Magie, Serpent and Siva Worship in Central America, there were two long shelves of this, together with the rusty leather bindings and frayed edges of the numerous cabbalistic and alchemical books, though some of them looked fairly new, like the Goetia of the Lemegaton of Solomon the King, probably they were treasures, but the rest were a heterogeneous collection…."

Malcolm Lowry, Under the Volcano, Chapter VI

"… when Saul does reach for a slim leather-bound volume Eliza cannot help but feel that something momentous is about to happen.  There is care in the way he carries the book on the short journey from its shelf, as if it were constructed not of leather and parchment but of flesh and blood….
    "Otzar Eden HaGanuz," Saul says.  "The Hidden Eden.  In this book, Abulafia describes the process of permutation…. Once you have mastered it, you will have mastered words, and once you have mastered words, you will be ready to receive shefa."

Bee Season: A Novel

"In the Inner Game, we call the Game Dhum Welur, the Mind of God."

The Gameplayers of Zan, a novel featuring games based on cellular automata

"Regarding cellular automata, I'm trying to think in what SF books I've seen them mentioned. Off the top of my head, only three come to mind:

The Gameplayers of Zan M.A. Foster
Permutation City Greg Egan
Glory Season David Brin"

— Jonathan L. Cunningham, Usenet

    "If all that 'matters' are fundamentally mathematical relationships, then there ceases to be any important difference between the actual and the possible. (Even if you aren't a mathematical Platonist, you can always find some collection of particles of dust to fit any required pattern. In Permutation City this is called the 'logic of the dust' theory.)….
    … Paul Durham is convinced by the 'logic of the dust' theory mentioned above, and plans to run, just for a few minutes, a complex cellular automaton (Permutation City) started in a 'Garden of Eden' configuration — one which isn't reachable from any other, and which therefore must have been the starting point of a simulation….  I didn't understand the need for this elaborate set-up, but I guess it makes for a better story than 'well, all possible worlds exist, and I'm going to tell you about one of them.'"

— Danny Yee, review of Permutation City

"Y'know, I never imagined the competition version involved so many tricky permutations."

— David Brin, Glory Season, 1994 Spectra paperback, p. 408
 

Related material:
 
The image “http://www.log24.com/log/pix05B/051112-EdenFigs.jpg” cannot be displayed, because it contains errors.

Figure 2

 

 

"… matter is consciousness expressed in the intermixing of force and form, but so heavily structured and constrained by form that its behaviour becomes describable using the regular and simple laws of  physics. This is shown in Figure 2.
    The glyph in Figure 2 is the basis for a kabbalistic diagram called the Etz Chaiim, or Tree of Life. The first principle of being or consciousness is called Keter, which means Crown. The raw energy of consciousness is called Chokhmah or Wisdom, and the capacity to give form to the energy of consciousness is called Binah, which is sometimes translated as Understanding, and sometimes as Intelligence. The outcome of the interaction of force and form, the physical world, is called Malkhut or Kingdom.  This is shown… in Figure 3."

Figure 3

"This quaternary is a Kabbalistic representation of God-the-Knowable, in the sense that it the most abstract representation of God we are capable of comprehending….
    God-the-Knowable has four aspects, two male and two female: Keter and Chokhmah are both represented as male, and Binah and Malkhut are represented as female. One of the titles of Chokhmah is Abba, which means Father, and one of the titles of Binah is Imma, which means Mother, so you can think of Chokhmah as God-the-Father, and Binah as God-the-Mother. Malkhut is the daughter, the female spirit of God-as-Matter, and it would not be wildly wrong to think of her as Mother Earth. And what of God-the-Son? Is there also a God-the-Son in Kabbalah? There is…."

A Depth of Beginning: Notes on Kabbalah by Colin Low (pdf)

See also
Cognitive Blending and the Two Cultures,
Mathematics and Narrative,
Deep Game,
and the previous entry.

Friday, November 11, 2005

Friday November 11, 2005

Filed under: General,Geometry — Tags: , — m759 @ 3:26 pm
720 in the Book
(continued)

From today's
New York Times:

        The image “http://www.log24.com/log/pix05B/EnlargeThis.jpg” cannot be displayed, because it contains errors.

The image “http://www.log24.com/log/pix05B/051111-BeeSeason.jpg” cannot be displayed, because it contains errors.

Phil Bray

Transcendence through spelling:
Richard Gere and Flora Cross
as father and daughter
in "Bee Season."

Words Made Flesh: Code, Culture, Imagination

The earliest known foundation of the Kabbalah is the Sefer Yetzirah (Book of Creation) whose origin and history is unknown….

… letters create things by the virtue of an algorithm…

    "From two letters or forms He composed two dwellings; from three, six; from four, twenty-four; from five, one hundred and twenty; from six, seven hundred and twenty…."
Sefer Yetzirah    

Foucault's Pendulum

Mystic logic, letters whirling in infinite change, is the world of bliss, it is the music of thought, but see that you proceed slowly, and with caution, because your machine may bring you delirium instead of ecstasy. Many of Abulafia's disciples were unable to walk the fine line between contemplation of the names of God and the practice of magic.

Bee Season

"The exercises we've been doing are Abulafia's. His methods are primarily a kind of Jewish yoga, a way to relax. For most, what Abulafia describes as shefa, the influx of the Divine, is a historical curiosity to be discussed and interpreted. Because, while anyone can follow Abulafia's instructions for permutation and chanting, very few can use them to achieve transcendence….

Spelling is a sign, Elly. When you win the national bee, we'll know that you are ready to follow in Abulafia's footsteps. Once you're able to let the letters guide you through any word you are given, you will be ready to receive shefa."

In the quiet of the room, the sound of Eliza and her father breathing is everything.

"Do you mean," Eliza whispers, "that I'll be able to talk to God?"

Related material:

Log24, Sept. 3, 2002,

Diamond Theory notes
of Feb. 4, 1986,
of April 26, 1986, and
 of May 26, 1986,

  Sacerdotal Jargon
(Log24, Dec. 5, 2002),

and 720 in the Book
(Log24, Epiphany 2004).

Wednesday, November 9, 2005

Wednesday November 9, 2005

Filed under: General,Geometry — Tags: , — m759 @ 3:09 pm
In honor of the 120th anniversary
of the birth of Hermann Weyl:

Saturday, November 5, 2005

Saturday November 5, 2005

Filed under: General,Geometry — Tags: , , — m759 @ 4:24 pm

Contrapuntal Themes
in a Shadowland

 
(See previous entry.)

Douglas Hofstadter on his magnum opus:

"… I realized that to me, Gödel and Escher and Bach were only shadows cast in different directions by some central solid essence. I tried to reconstruct the central object, and came up with this book."

The image “http://www.log24.com/theory/images/GEBcover.jpg” cannot be displayed, because it contains errors.
Hofstadter's cover

Here are three patterns,
"shadows" of a sort,
derived from a different
"central object":

The image “http://www.log24.com/theory/images/GEB.jpg” cannot be displayed, because it contains errors.

For details, see
Solomon's Cube.

Related material:
The reference to a
"permutation fugue"
(pdf) in an article on
Gödel, Escher, Bach.

Tuesday, November 1, 2005

Tuesday November 1, 2005

Filed under: General,Geometry — Tags: , , — m759 @ 9:00 pm
The image “http://www.log24.com/log/pix05B/051101-Seal.gif” cannot be displayed, because it contains errors.

 

The above seal is from an ad (pdf) for an Oct. 21 lecture, "The Nature of Space," by Sir Michael Atiyah, sponsored by the American Mathematical Society.

The picture in the seal is of Plato's Academy.

"The great philosopher Plato excluded from his Academy anyone who had not studied geometry.  He would have been delighted to admit Sir Michael Atiyah, who was for a time Savilian Professor of Geometry at Oxford…"


Would he?

Sir Michael Atiyah's
Anti-Platonism

"Mathematics is an evolution from the human brain, which is responding to outside influences, creating the machinery with which it then attacks the outside world. It is our way of trying to reduce complexity into simplicity, beauty and elegance….

I tend to think that science and mathematics are ways the human mind looks and experiences– you cannot divorce the human mind from it. Mathematics is part of the human mind. The question whether there is a reality independent of the human mind, has no meaning– at least, we cannot answer it."

— Sir Michael Atiyah, interview in Oslo, May 2004

"For Plato, the Forms represent truth, or reality…. these Forms are independent of the mind: they are eternal, unchanging and perfect."

—  Roy Jackson (pdf)

Atiyah's denial of a reality independent of the human mind may have something to do with religion:

"Socrates and Plato were considered 'Christians before Christ'; they paved the way for the coming of Christianity by providing it with philosophical and theoretical foundations that would be acceptable to the western mind.
    In the analogy of the cave, the sun represents the Form of the Good. In the same way that the sun is the source of all things and gives light to them, the Form of the Good is over and above the other Forms, giving them light and allowing us to perceive them. Therefore, when you have awareness of the Form of the Good you have achieved true enlightenment. In Christianity, the Form of the Good becomes God: the source of all things."

— Roy Jackson, The God of Philosophy (pdf)

See also the previous entry.

Friday, October 7, 2005

Friday October 7, 2005

Filed under: General,Geometry — m759 @ 12:00 pm

Oslo Connection

Today is the birthday of Oystein Ore (1899-1968), Sterling Professor of Mathematics at Yale for 37 years, who was born and died in Oslo, Norway.  Ore is said to have coined the term “Galois connection.”  In his honor, an excerpt dealing with such connections:

From Ferdinand Börner, Martin Goldstern, and Saharon Shelah,
Automorphisms and strongly invariant relations (pdf)

The image “http://www.log24.com/theory/images/Krasner.jpg” cannot be displayed, because it contains errors.

Click to enlarge.

(Excerpt was added to Pattern Groups.)

Wednesday, October 5, 2005

Wednesday October 5, 2005

Filed under: General,Geometry — m759 @ 6:00 am

New Page on Geometry

See Pattern Groups, which now has a link to an interesting Nov. 2003 preprint on A6.

Today is the birthday of Sir Thomas L. Heath, a saint of geometry whose feast day is March 16.

Wednesday, September 28, 2005

Wednesday September 28, 2005

Filed under: General,Geometry — m759 @ 4:26 am
Mathematical Narrative,
continued:

There is a pleasantly discursive treatment
of Pontius Pilate’s unanswered question
“What is truth?”

— H. S. M. Coxeter, introduction to
Richard J. Trudeau’s
The Non-Euclidean Revolution

“People have always longed for truths about the world — not logical truths, for all their utility; or even probable truths, without which daily life would be impossible; but informative, certain truths, the only ‘truths’ strictly worthy of the name. Such truths I will call ‘diamonds’; they are highly desirable but hard to find….The happy metaphor is Morris Kline’s in Mathematics in Western Culture (Oxford, 1953), p. 430.”

— Richard J. Trudeau,
   The Non-Euclidean Revolution,
   Birkhauser Boston,
   1987, pages 114 and 117

“A new epistemology is emerging to replace the Diamond Theory of truth. I will call it the ‘Story Theory’ of truth: There are no diamonds. People make up stories about what they experience. Stories that catch on are called ‘true.’ The Story Theory of truth is itself a story that is catching on. It is being told and retold, with increasing frequency, by thinkers of many stripes…. My own viewpoint is the Story Theory…. I concluded long ago that each enterprise contains only stories (which the scientists call ‘models of reality’). I had started by hunting diamonds; I did find dazzlingly beautiful jewels, but always of human manufacture.”

  — Richard J. Trudeau,
     The Non-Euclidean Revolution,
     Birkhauser Boston,
     1987, pages 256 and 259

An example of
the story theory of truth:

The image “http://www.log24.com/log/pix05B/050925-Proof1.jpg”  cannot be displayed, because it contains errors.

Actress Gwyneth Paltrow (“Proof”) was apparently born on either Sept. 27, 1972, or Sept. 28, 1972.   Google searches yield  “about 193” results for the 27th and “about 610” for the 28th.

Those who believe in the “story theory” of truth may therefore want to wish her a happy birthday today.  Those who do not may prefer the contents of yesterday’s entry, from Paltrow’s other birthday.

Thursday, August 25, 2005

Thursday August 25, 2005

Filed under: General,Geometry — m759 @ 3:09 pm
Analogical
Train of Thought

Part I: The 24-Cell

From S. H. Cullinane,
 Visualizing GL(2,p),
 March 26, 1985–

Visualizing the
binary tetrahedral group
(the 24-cell):

The image “http://www.log24.com/theory/images/VisuBinaryTetGrp.jpg” cannot be displayed, because it contains errors.

Another representation of
the 24-cell
:

The image “http://www.log24.com/theory/images/24-cell.jpg” cannot be displayed, because it contains errors.

 From John Baez,
This Week’s Finds in
Mathematical Physics (Week 198)
,”
September 6, 2003: 

Noam Elkies writes to John Baez:

Hello again,

You write:

[…]

“I’d like to wrap up with a few small comments about last Week.  There I said a bit about a 24-element group called the ‘binary tetrahedral group’, a 24-element group called SL(2,Z/3), and the vertices of a regular polytope in 4 dimensions called the ’24-cell’.  The most important fact is that these are all the same thing! And I’ve learned a bit more about this thing from here:”

[…]

Here’s yet another way to see this: the 24-cell is the subgroup of the unit quaternions (a.k.a. SU(2)) consisting of the elements of norm 1 in the Hurwitz quaternions – the ring of quaternions obtained from the Z-span of {1,i,j,k} by plugging up the holes at (1+i+j+k)/2 and its <1,i,j,k> translates. Call this ring A. Then this group maps injectively to A/3A, because for any g,g’ in the group |g-g’| is at most 2 so g-g’ is not in 3A unless g=g’. But for any odd prime p the (Z/pZ)-algebra A/pA is isomorphic with the algebra of 2*2 matrices with entries in Z/pZ, with the quaternion norm identified with the determinant. So our 24-element group injects into SL2(Z/3Z) – which is barely large enough to accommodate it. So the injection must be an isomorphism.

Continuing a bit longer in this vein: this 24-element group then injects into SL2(Z/pZ) for any odd prime p, but this injection is not an isomorphism once p>3. For instance, when p=5 the image has index 5 – which, however, does give us a map from SL2(Z/5Z) to the symmetric group of order 5, using the action of SL2(Z/5Z) by conjugation on the 5 conjugates of the 24-element group. This turns out to be one way to see the isomorphism of PSL2(Z/5Z) with the alternating group A5.

Likewise the octahedral and icosahedral groups S4 and A5 can be found in PSL2(Z/7Z) and PSL2(Z/11Z), which gives the permutation representations of those two groups on 7 and 11 letters respectively; and A5 is also an index-6 subgroup of PSL2(F9), which yields the identification of that group with A6.

NDE


The enrapturing discoveries of our field systematically conceal, like footprints erased in the sand, the analogical train of thought that is the authentic life of mathematics – Gian-Carlo Rota

Like footprints erased in the sand….

Part II: Discrete Space

The James Joyce School
 of Theoretical Physics
:


Log24, May 27, 2004

  “Hello! Kinch here. Put me on to Edenville. Aleph, alpha: nought, nought, one.” 

  “A very short space of time through very short times of space….
   Am I walking into eternity along Sandymount strand?”

   — James Joyce, Ulysses, Proteus chapter

A very short space of time through very short times of space….

   “It is demonstrated that space-time should possess a discrete structure on Planck scales.”

   — Peter Szekeres, abstract of Discrete Space-Time

   “A theory…. predicts that space and time are indeed made of discrete pieces.”

   — Lee Smolin in Atoms of Space and Time (pdf), Scientific American, Jan. 2004

   “… a fundamental discreteness of spacetime seems to be a prediction of the theory….”

   — Thomas Thiemann, abstract of Introduction to Modern Canonical Quantum General Relativity

   “Theories of discrete space-time structure are being studied from a variety of perspectives.”

   — Quantum Gravity and the Foundations of Quantum Mechanics at Imperial College, London

Disclaimer:

The above speculations by physicists
are offered as curiosities.
I have no idea whether
 any of them are correct.

Related material:

Stephen Wolfram offers a brief
History of Discrete Space.

For a discussion of space as discrete
by a non-physicist, see John Bigelow‘s
Space and Timaeus.

Part III: Quaternions
in a Discrete Space

Apart from any considerations of
physics, there are of course many
purely mathematical discrete spaces.
See Visible Mathematics, continued
 (Aug. 4, 2005):

The image “http://www.log24.com/theory/images/Quaternions2.jpg” cannot be displayed, because it contains errors.

Friday, August 19, 2005

Friday August 19, 2005

Filed under: General,Geometry — Tags: — m759 @ 2:00 pm

Mathematics and Narrative
continued

"There is a pleasantly discursive treatment of Pontius Pilate's unanswered question 'What is truth?'"

H. S. M. Coxeter, 1987, introduction to Richard J. Trudeau's remarks on the "Story Theory" of truth as opposed to  the "Diamond Theory" of truth " in The Non-Euclidean Revolution

"I had an epiphany: I thought 'Oh my God, this is it! People are talking about elliptic curves and of course they think they are talking mathematics. But are they really? Or are they talking about stories?'"

An organizer of last month's "Mathematics and Narrative" conference

"A new epistemology is emerging to replace the Diamond Theory of truth. I will call it the 'Story Theory' of truth: There are no diamonds. People make up stories about what they experience. Stories that catch on are called 'true.' The Story Theory of truth is itself a story that is catching on. It is being told and retold, with increasing frequency, by thinkers of many stripes*…."

Richard J. Trudeau in The Non-Euclidean Revolution

"'Deniers' of truth… insist that each of us is trapped in his own point of view; we make up stories about the world and, in an exercise of power, try to impose them on others."

— Jim Holt in this week's New Yorker magazine.  Click on the box below.

The image “http://www.log24.com/log/pix05B/050819-Critic4.jpg” cannot be displayed, because it contains errors.

* Many stripes

   "What disciplines were represented at the meeting?"
   "Apart from historians, you mean? Oh, many: writers, artists, philosophers, semioticians, cognitive psychologists – you name it."

 

An organizer of last month's "Mathematics and Narrative" conference

Saturday, August 13, 2005

Saturday August 13, 2005

Filed under: General,Geometry — m759 @ 2:00 pm

Kaleidoscope, continued:

Austere Geometry

From Noel Gray, The Kaleidoscope: Shake, Rattle, and Roll:

“… what we will be considering is how the ongoing production of meaning can generate a tremor in the stability of the initial theoretical frame of this instrument; a frame informed by geometry’s long tradition of privileging the conceptual ground over and above its visual manifestation.  And to consider also how the possibility of a seemingly unproblematic correspondence between the ground and its extrapolation, between geometric theory and its applied images, is intimately dependent upon the control of the truth status ascribed to the image by the generative theory.  This status in traditional geometry has been consistently understood as that of the graphic ancilla– a maieutic force, in the Socratic sense of that term– an ancilla to lawful principles; principles that have, traditionally speaking, their primary expression in the purity of geometric idealities.*  It follows that the possibility of installing a tremor in this tradition by understanding the kaleidoscope’s images as announcing more than the mere subordination to geometry’s theory– yet an announcement that is still in a sense able to leave in place this self-same tradition– such a possibility must duly excite our attention and interest.

* I refer here to Plato’s utilisation in the Meno of graphic austerity as the tool to bring to the surface, literally and figuratively, the inherent presence of geometry in the mind of the slave.”

See also

Noel Gray, Ph.D. thesis, U. of Sydney, Dept. of Art History and Theory, 1994:

“The Image of Geometry: Persistence qua Austerity– Cacography and The Truth to Space.”

Saturday August 13, 2005

Filed under: General,Geometry — Tags: — m759 @ 12:04 pm

Kaleidoscope, continued:

In Derrida’s Defense

The previous entry quoted an attack on Jacques Derrida for ignoring the “kaleidoscope” metaphor of Claude Levi-Strauss.  Here is a quote by Derrida himself:

“The time for reflection is also the chance for turning back on the very conditions of reflection, in all the senses of that word, as if with the help of an optical device one could finally see sight, could not only view the natural landscape, the city, the bridge and the abyss, but could view viewing. (1983:19)

— Derrida, J. (1983) ‘The Principle of Reason: The University in the Eyes of its Pupils’, Diacritics 13.3: 3-20.”

The above quotation comes from Simon Wortham,  who thinks the “optical device” of Derrida is a mirror.  The same quotation appears in Desiring Dualisms at thispublicaddress.com, where the “optical device” is interpreted as a kaleidoscope.

Derrida’s “optical device” may (for university pupils desperately seeking an essay topic) be compared with Joyce’s “collideorscape.”  For a different connection with Derrida, see The ‘Collideorscape’ as Différance.

Thursday, August 11, 2005

Thursday August 11, 2005

Filed under: General,Geometry — Tags: , , — m759 @ 8:16 am

Kaleidoscope, continued

From Clifford Geertz, The Cerebral Savage:

"Savage logic works like a kaleidoscope whose chips can fall into a variety of patterns while remaining unchanged in quantity, form, or color. The number of patterns producible in this way may be large if the chips are numerous and varied enough, but it is not infinite. The patterns consist in the disposition of the chips vis-a-vis one another (that is, they are a function of the relationships among the chips rather than their individual properties considered separately).  And their range of possible transformations is strictly determined by the construction of the kaleidoscope, the inner law which governs its operation. And so it is too with savage thought.  Both anecdotal and geometric, it builds coherent structures out of 'the odds and ends left over from psychological or historical process.'

These odds and ends, the chips of the kaleidoscope, are images drawn from myth, ritual, magic, and empirical lore….  as in a kaleidoscope, one always sees the chips distributed in some pattern, however ill-formed or irregular.   But, as in a kaleidoscope, they are detachable from these structures and arrangeable into different ones of a similar sort….  Levi-Strauss generalizes this permutational view of thinking to savage thought in general.  It is all a matter of shuffling discrete (and concrete) images–totem animals, sacred colors, wind directions, sun deities, or whatever–so as to produce symbolic structures capable of formulating and communicating objective (which is not to say accurate) analyses of the social and physical worlds.

…. And the point is general.  The relationship between a symbolic structure and its referent, the basis of its meaning,  is fundamentally 'logical,' a coincidence of form– not affective, not historical, not functional.  Savage thought is frozen reason and anthropology is, like music and mathematics, 'one of the few true vocations.'

Or like linguistics."

Edward Sapir on Linguistics, Mathematics, and Music:

"… linguistics has also that profoundly serene and satisfying quality which inheres in mathematics and in music and which may be described as the creation out of simple elements of a self-contained universe of forms.  Linguistics has neither the sweep nor the instrumental power of mathematics, nor has it the universal aesthetic appeal of music.  But under its crabbed, technical, appearance there lies hidden the same classical spirit, the same freedom in restraint, which animates mathematics and music at their purest."

— Edward Sapir, "The Grammarian and his Language,"
  American Mercury 1:149-155,1924

From Robert de Marrais, Canonical Collage-oscopes:

"…underwriting the form languages of ever more domains of mathematics is a set of deep patterns which not only offer access to a kind of ideality that Plato claimed to see the universe as created with in the Timaeus; more than this, the realm of Platonic forms is itself subsumed in this new set of design elements– and their most general instances are not the regular solids, but crystallographic reflection groups.  You know, those things the non-professionals call . . . kaleidoscopes! *  (In the next exciting episode, we'll see how Derrida claims mathematics is the key to freeing us from 'logocentrism' **— then ask him why, then, he jettisoned the deepest structures of mathematical patterning just to make his name…)

* H. S. M. Coxeter, Regular Polytopes (New York: Dover, 1973) is the great classic text by a great creative force in this beautiful area of geometry  (A polytope is an n-dimensional analog of a polygon or polyhedron.  Chapter V of this book is entitled 'The Kaleidoscope'….)

** … contemporary with the Johns Hopkins hatchet job that won him American marketshare, Derrida was also being subjected to a series of probing interviews in Paris by the hometown crowd.  He first gained academic notoriety in France for his book-length reading of Husserl's two-dozen-page essay on 'The Origin of Geometry.'  The interviews were collected under the rubric of Positions (Chicago: U. of Chicago Press, 1981…).  On pp. 34-5 he says the following: 'the resistance to logico-mathematical notation has always been the signature of logocentrism and phonologism in the event to which they have dominated metaphysics and the classical semiological and linguistic projects…. A grammatology that would break with this system of presuppositions, then, must in effect liberate the mathematization of language…. The effective progress of mathematical notation thus goes along with the deconstruction of metaphysics, with the profound renewal of mathematics itself, and the concept of science for which mathematics has always been the model.'  Nice campaign speech, Jacques; but as we'll see, you reneged on your promise not just with the kaleidoscope (and we'll investigate, in depth, the many layers of contradiction and cluelessness you put on display in that disingenuous 'playing to the house'); no, we'll see how, at numerous other critical junctures, you instinctively took the wrong fork in the road whenever mathematical issues arose… henceforth, monsieur, as Joe Louis once said, 'You can run, but you just can't hide.'…."

Tuesday, August 9, 2005

Tuesday August 9, 2005

Filed under: General,Geometry — Tags: , — m759 @ 5:01 pm

Kaleidoscope

A new web page simplifies the Diamond 16 Puzzle and relates the resulting “kaleidoscope” to Hesse’s Bead Game.

Saturday, August 6, 2005

Saturday August 6, 2005

Filed under: General,Geometry — Tags: — m759 @ 1:25 pm

The Fugue

   "True joy is a profound remembering, and true grief is the same.
    Thus it was, when the dust storm that had snatched Cal up finally died, and he opened his eyes to see the Fugue spread out before him, he felt as though the few fragile moments of epiphany he'd tasted in his twenty-six years– tasted but always lost– were here redeemed and wed. He'd grasped fragments of this delight before. Heard rumour of it in the womb-dream and the dream of love; known it in lullabies. But never, until now, the whole, the thing entire.
    It would be, he idly thought, a fine time to die.
    And a finer time still to live, with so much laid out before him."

— Clive Barker,
Weaveworld,
 Book Two:
The Fugue

From Monday:

Weaveworld,
Book Three:
Out of the
Empty Quarter

"The wheels of its body rolled,
the visible mathematics
    of its essence turning on itself…."

From Friday:

The image “http://www.log24.com/log/pix05B/050806-Square.bmp” cannot be displayed, because it contains errors.

  For the meaning
of this picture, see
Geometry of the
4×4 Square.

For graphic designs
based on this geometry,
see Theme and Variations
and Diamond Theory.

For these designs in the
context of a Bach fugue,
see Timothy A. Smith's
essay (pdf) on

Fugue No. 21 in B-Flat Major
from Book II of
The Well-Tempered Clavier
by Johann Sebastian Bach.

Smith also offers a
Shockwave movie
that uses diamond theory
to illustrate this fugue.

Saturday August 6, 2005

Filed under: General,Geometry — Tags: , — m759 @ 9:00 am
For André Weil on
the seventh anniversary
of his death:

 A Miniature
Rosetta Stone

The image “http://www.log24.com/log/pix05B/grid3x3med.bmp” cannot be displayed, because it contains errors.

In a 1940 letter to his sister Simone,  André Weil discussed a sort of “Rosetta stone,” or trilingual text of three analogous parts: classical analysis on the complex field, algebraic geometry over finite fields, and the theory of number fields.  

John Baez discussed (Sept. 6, 2003) the analogies of Weil, and he himself furnished another such Rosetta stone on a much smaller scale:

“… a 24-element group called the ‘binary tetrahedral group,’ a 24-element group called ‘SL(2,Z/3),’ and the vertices of a regular polytope in 4 dimensions called the ’24-cell.’ The most important fact is that these are all the same thing!”

For further details, see Wikipedia on the 24-cell, on special linear groups, and on Hurwitz quaternions,

The group SL(2,Z/3), also known as “SL(2,3),” is of course derived from the general linear group GL(2,3).  For the relationship of this group to the quaternions, see the Log24 entry for August 4 (the birthdate of the discoverer of quaternions, Sir William Rowan Hamilton).

The 3×3 square shown above may, as my August 4 entry indicates, be used to picture the quaternions and, more generally, the 48-element group GL(2,3).  It may therefore be regarded as the structure underlying the miniature Rosetta stone described by Baez.

“The typical example of a finite group is GL(n,q), the general linear group of n dimensions over the field with q elements. The student who is introduced to the subject with other examples is being completely misled.”

 — J. L. Alperin, book review,
    Bulletin (New Series) of the American
    Mathematical Society 10 (1984), 121

Friday, August 5, 2005

Friday August 5, 2005

Filed under: General,Geometry — Tags: , , — m759 @ 4:23 pm

For Sir Alec

From Elegance:

"Philosophers ponder the idea of identity: what it is to give something a name on Monday and have it respond to that name on Friday…."

— Bernard Holland, page C12,
    The New York Times,
    Monday, May 20, 1996.

Holland was pondering the identity of the Juilliard String Quartet, which had just given a series of concerts celebrating its fiftieth anniversary.

"Elegant"

— Page one,
    The New York Times,
    Monday, August 7, 2000.
 
The Times was describing the work of Sir Alec Guinness, who died on 8/5/00.

An example of the Holland name problem:

Monday, August 1, 2005 — Visible Mathematics:

    "Earlier, there had been mapping projects in Saudi Arabia's Rub' al-Khali, the Empty Quarter in the south and west of the country….
   '
"Empty" is a misnomer…  the Rub' al-Khali contains many hidden riches.'"

Friday, August 5, 2005 —  

The image “http://www.log24.com/log/pix05B/050805-Rag.jpg” cannot be displayed, because it contains errors.

Related material:

Geometry for Prince Harry

Thursday, August 4, 2005

Thursday August 4, 2005

Filed under: General,Geometry — Tags: , — m759 @ 1:00 pm
Visible Mathematics, continued

 

Today's mathematical birthdays:
Saunders Mac Lane, John Venn,
and Sir William Rowan Hamilton.

It is well known that the quaternion group is a subgroup of GL(2,3), the general linear group on the 2-space over GF(3), the 3-element Galois field.

The figures below illustrate this fact.

The image “http://www.log24.com/theory/images/Quaternions2.jpg” cannot be displayed, because it contains errors.

 

Related material: Visualizing GL(2,p)

"The typical example of a finite group is GL(n,q), the general linear group of n dimensions over the field with q elements. The student who is introduced to the subject with other examples is being completely misled."

 

 — J. L. Alperin, book review,
    Bulletin (New Series) of the American
    Mathematical Society 10 (1984), 121

 

Tuesday, August 2, 2005

Tuesday August 2, 2005

Filed under: General,Geometry — Tags: , — m759 @ 7:00 am
Today's birthday:
Peter O'Toole

"What is it, Major Lawrence,
 that attracts you personally
 to the desert?"

"It's clean."

Visible Mathematics,
continued —

From May 18:

Lindbergh's Eden

"The Garden of Eden is behind us
and there is no road
back to innocence;
we can only go forward."

— Anne Morrow Lindbergh,
Earth Shine, p. xii
 

 
On Beauty
 
"Beauty is the proper conformity
of the parts to one another
and to the whole."

— Werner Heisenberg,
"Die Bedeutung des Schönen
in der exakten Naturwissenschaft,"
address delivered to the
Bavarian Academy of Fine Arts,
Munich, 9 Oct. 1970, reprinted in
Heisenberg's Across the Frontiers,
translated by Peter Heath,
Harper & Row, 1974

Related material:

The Eightfold Cube

The Eightfold Cube

(in Arabic, ka'b)

and

The image “http://www.log24.com/log/pix05B/050802-Geom.jpg” cannot be displayed, because it contains errors.
 

Sunday, July 24, 2005

Sunday July 24, 2005

Filed under: General,Geometry — m759 @ 2:56 am

L’Affaire Dharwadker:

Non-computer proof of 4 color Theorem,
2000 Oct. 13-Nov. 30,
sci.math, 23 posts

Open Directory Abuse,
2002 Oct. 2-Oct. 14,
sci.math, 8 posts

Open Directory Abuse,
2002 Oct. 2-Oct. 15,
comp.misc, 2 posts

Steven Cullinane is a Liar,
2002 Nov. 1-Nov.16,
geometry.research, 2 posts

Four-colour proof claim,
2003 Aug. 10-Sept.1,
sci.math, 9 posts

Proof of 4 colour theorem No computer!!!,
2003 Aug. 10-Aug. 20,
alt.sci.math.combinatorics, 8 posts

Steven Cullinane is a Crank,
2005 July 5-July 21
sci.math, 70 posts

From a Log24 post a year ago today:

“With a holy host of others
     standing ’round me
Still I’m on the dark side
     of the moon…”

— James Taylor

From a Log24 post on July 20 this year:

“And if the band you’re in
 starts playing different tunes
I’ll see you on
the dark side of the moon.”

— Roger Waters

Thursday, July 21, 2005

Thursday July 21, 2005

Filed under: General,Geometry — m759 @ 9:00 pm

Permanence

“What we do may be small, but it has a certain character of permanence.”

G. H. Hardy, A Mathematician’s Apology

For further details, see
Geometry of the 4×4 Square.

“There is no permanent place in the world for ugly mathematics.”

— Hardy, op. cit.

For further details, see
Four-colour proof claim.

Tuesday, July 12, 2005

Tuesday July 12, 2005

Filed under: General,Geometry — Tags: — m759 @ 2:08 am

Reply to my fan mail

Discussions in Internet forums indicate that at least three people seem deeply interested in my work in finite geometry:

  1. Someone falsely using the name of R. T. Curtis, a U. of Birmingham group theorist,
  2. Someone falsely using the name of George Polya, a deceased mathematician, and
  3. Someone using the nickname crankbuster.

Unfortunately, remarks posted under these names are all extremely negative.  This is understandable, given that the author or authors have completely failed to comprehend what I was getting at.  Actually, I suspect that all three authors are the same person, who was inspired to bitter hatred by my negative review of an attempted proof of the four-color theorem.  I do not suspect the author of that attempted proof, but rather one of his countrymen; attacks posted using the forged name “R. T. Curtis” were posted from an address somewhere in Bombay, and “crankbuster” claims to be posting from Sri Lanka.

As the real R. T. Curtis has noted, “If someone is deliberately using my name to attack Steven Cullinane anonymously, it shows malice and cowardice unusual in the mathematical world.”  At least my anonymous fan has, it seems, stopped using other people’s names to hide behind… although the latest attacks, under the name “crankbuster,” seem to be trying to imply, falsely, a connection with the Crank Dot Net website.

Sunday, June 26, 2005

Sunday June 26, 2005

Filed under: General,Geometry — Tags: , — m759 @ 7:26 pm

Thanks for the Memory

As I write, Susannah McCorkle is singing "Thanks for the Memory."

Below are some photos from the website of Paul Winchell, ventriloquist, inventor, theologian.  Winchell died in his sleep at 82 early on Friday, June 24, 2005.

The image “http://www.log24.com/log/pix05A/050626-LucyAndHope.jpg” cannot be displayed, because it contains errors.
Paul Winchell seems to have
posted a topic for discussion:
 
"God is a mathematical equation
   beyond our understanding."

Related material:

From Friday's entry
Cross by Sol LeWitt
(Fifteen Etchings, 1973):

The image “http://www.log24.com/log/pix05A/050626-Cross.jpg” cannot be displayed, because it contains errors.

"No bridge reaches God, except one…
God's Bridge: The Cross."
— Billy Graham Evangelistic Association,
quoted in Friday's entry.

This cross may, of course, also
be interpreted as panes of a window
  — see Lucy photo above —
or as a plus sign — see "a mathematical
equation beyond our understanding"
in, for instance, Algebraic Geometry,
by Robin Hartshorne. For a theological
citation of Hartshorne's work, see
Midsummer Eve's Dream
(June 23, 1995).

Friday, June 24, 2005

Friday June 24, 2005

Filed under: General,Geometry — Tags: — m759 @ 4:07 pm
Geometry for Jews
continued:

The image “http://www.log24.com/log/pix05A/050624-Cross.jpg” cannot be displayed, because it contains errors.

People have tried in many ways
to bridge the gap
between themselves and God….
No bridge reaches God, except one…
God's Bridge: The Cross

— Billy Graham Evangelistic Association,
according to messiahpage.com

"… just as God defeats the devil:
this bridge exists;
it is the theory of the field
of algebraic functions over
a finite field of constants
(that is to say, a finite number
of elements: also said to be a Galois
field, or earlier 'Galois imaginaries'
because Galois first defined them
and studied them….)"

André Weil, 1940 letter to his sister,
Simone Weil, alias Simone Galois
(see previous entry)

Related material:

Billy Graham and the City:
A Later Look at His Words

— New York Times, June 24, 2005

Geometry for Jews
and other art notes

Galois Geometry

Mathematics and Narrative

Thursday, June 23, 2005

Thursday June 23, 2005

Filed under: General,Geometry — Tags: — m759 @ 3:00 pm

Mathematics and Metaphor

The current (June/July) issue of the Notices of the American Mathematical Society has two feature articles.  The first, on the vulgarizer Martin Gardner, was dealt with here in a June 19 entry, Darkness Visible.  The second is related to a letter of André Weil (pdf) that is in turn related to mathematician Barry Mazur’s attempt to rewrite mathematical history  and to vulgarize other people’s research by using metaphors drawn, it would seem, from the Weil letter.
 
A Mathematical Lie conjectures that Mazur’s revising of history was motivated by a desire to dramatize some arcane mathematics, the Taniyama conjecture, that deals with elliptic curves and modular forms, two areas of mathematics that have been known since the nineteenth century to be closely related.

Mazur led author Simon Singh to believe that these two areas of mathematics were, before Taniyama’s conjecture of 1955, completely unrelated — 

“Modular forms and elliptic equations live in completely different regions of the mathematical cosmos, and nobody would ever have believed that there was the remotest link between the two subjects.” — Simon Singh, Fermat’s Enigma, 1998 paperback, p. 182

This is false.  See Robert P. Langlands, review of Elliptic Curves, by Anthony W. Knapp, Bulletin of the American Mathematical Society, January 1994.

It now appears that Mazur’s claim was in part motivated by a desire to emulate the great mathematician André Weil’s manner of speaking; Mazur parrots Weil’s “bridge” and “Rosetta stone” metaphors —

From Peter Woit’s weblog, Feb. 10, 2005:

“The focus of Weil’s letter is the analogy between number fields and the field of algebraic functions of a complex variable. He describes his ideas about studying this analogy using a third, intermediate subject, that of function fields over a finite field, which he thinks of as a ‘bridge‘ or ‘Rosetta stone.'” 

In “A 1940 Letter of André Weil on Analogy in Mathematics,” (pdf), translated by Martin H. Krieger, Notices of the A.M.S., March 2005, Weil writes that

“The purely algebraic theory of algebraic functions in any arbitrary field of constants is not rich enough so that one might draw useful lessons from it. The ‘classical’ theory (that is, Riemannian) of algebraic functions over the field of constants of the complex numbers is infinitely richer; but on the one hand it is too much so, and in the mass of facts some real analogies become lost; and above all, it is too far from the theory of numbers. One would be totally obstructed if there were not a bridge between the two.  And just as God defeats the devil: this bridge exists; it is the theory of the field of algebraic functions over a finite field of constants….

On the other hand, between the function fields and the ‘Riemannian’ fields, the distance is not so large that a patient study would not teach us the art of passing from one to the other, and to profit in the study of the first from knowledge acquired about the second, and of the extremely powerful means offered to us, in the study of the latter, from the integral calculus and the theory of analytic functions. That is not to say that at best all will be easy; but one ends up by learning to see something there, although it is still somewhat confused. Intuition makes much of it; I mean by this the faculty of seeing a connection between things that in appearance are completely different; it does not fail to lead us astray quite often. Be that as it may, my work consists in deciphering a trilingual text {[cf. the Rosetta Stone]}; of each of the three columns I have only disparate fragments; I have some ideas about each of the three languages: but I know as well there are great differences in meaning from one column to another, for which nothing has prepared me in advance. In the several years I have worked at it, I have found little pieces of the dictionary. Sometimes I worked on one column, sometimes under another.”

Here is another statement of the Rosetta-stone metaphor, from Weil’s translator, Martin H.  Krieger, in the A.M.S. Notices of November 2004,  “Some of What Mathematicians Do” (pdf):

“Weil refers to three columns, in analogy with the Rosetta Stone’s three languages and their arrangement, and the task is to ‘learn to read Riemannian.’  Given an ability to read one column, can you find its translation in the other columns?  In the first column are Riemann’s transcendental results and, more generally, work in analysis and geometry.  In the second column is algebra, say polynomials with coefficients in the complex numbers or in a finite field. And in the third column is arithmetic or number theory and combinatorial properties.”

For greater clarity, see  Armand Borel (pdf) on Weil’s Rosetta stone, where the three columns are referred to as Riemannian (transcendental), Italian (“algebraico-geometric,” over finite fields), and arithmetic (i.e., number-theoretic).
 
From Fermat’s Enigma, by Simon Singh, Anchor paperback, Sept. 1998, pp. 190-191:

Barry Mazur: “On the one hand you have the elliptic world, and on the other you have the modular world.  Both these branches of mathematics had been studied intensively but separately…. Than along comes the Taniyama-Shimura conjecture, which is the grand surmise that there’s a bridge between these two completely different worlds.  Mathematicians love to build bridges.”

Simon Singh: “The value of mathematical bridges is enormous.  They enable communities of mathematicians who have been living on separate islands to exchange ideas and explore each other’s  creations…. The great potential of the Taniyama-Shimura conjecture was that it would connect two islands and allow them to speak to each other for the first time.  Barry Mazur thinks of the Taniyama-Shimura conjecture as a translating device similar to the Rosetta stone…. ‘It’s as if you know one language and this Rosetta stone is going to give you an intense understanding of the other language,’ says Mazur.  ‘But the Taniyama-Shimura conjecture is a Rosetta stone with a certain magical power.'”

If Mazur, who is scheduled to speak at a conference on Mathematics and Narrative this July, wants more material on stones with magical powers, he might consult The Blue Matrix and The Diamond Archetype.

Sunday, June 19, 2005

Sunday June 19, 2005

Filed under: General,Geometry — Tags: , , — m759 @ 4:00 am
ART WARS:
Darkness Visible
"No light, but rather darkness visible
 Serv'd only to discover sights of woe"
John Milton, Paradise Lost,
Book I,  lines 63-64
 
From the cover article (pdf) in the
June/July 2005 Notices of the
American Mathematical Society–

Martin Gardner

A famed vulgarizer, Martin Gardner,
summarizes the art of Ad Reinhardt
(Adolph Dietrich Friedrich Reinhardt,
  Dec. 24, 1913 – Aug. 30, 1967):
 
"Ed Rinehart [sic] made a fortune painting canvases that were just one solid color.  He had his black period in which the canvas was totally black.  And then he had a blue period in which he was painting the canvas blue.  He was exhibited in top shows in New York, and his pictures wound up in museums.  I did a column in Scientific American on minimal art, and I reproduced one of Ed Rinehart's black paintings.  Of course, it was just a solid square of pure black.  The publisher insisted on getting permission from the gallery to reproduce it."
 
Related material
from Log24.net,
Nov. 9-12, 2004:
 

Fade to Black

"…that ineffable constellation of talents that makes the player of rank: a gift for conceiving abstract schematic possibilities; a sense of mathematical poetry in the light of which the infinite chaos of probability and permutation is crystallized under the pressure of intense concentration into geometric blossoms; the ruthless focus of force on the subtlest weakness of an opponent."

— Trevanian, Shibumi

"'Haven't there been splendidly elegant colors in Japan since ancient times?'

'Even black has various subtle shades,' Sosuke nodded."

— Yasunari Kawabata, The Old Capital

An Ad Reinhardt painting
described in the entry of
noon, November 9, 2004
is illustrated below.

Ad Reinhardt,  Greek Cross

Ad Reinhardt,
Abstract Painting, 1960-66.
Oil on canvas, 60 x 60 inches.
Solomon R. Guggenheim Museum

The viewer may need to tilt
the screen to see that this
painting is not uniformly black,
but is instead a picture of a
Greek cross, as described below.

"The grid is a staircase to the Universal…. We could think about Ad Reinhardt, who, despite his repeated insistence that 'Art is art,' ended up by painting a series of… nine-square grids in which the motif that inescapably emerges is a Greek cross.

 

Greek Cross

There is no painter in the West who can be unaware of the symbolic power of the cruciform shape and the Pandora's box of spiritual reference that is opened once one uses it."

— Rosalind Krauss,
Meyer Schapiro Professor
of Modern Art and Theory
at Columbia University

(Ph.D., Harvard U., 1969),
in "Grids"

The image “http://www.log24.com/log/pix04B/041109-Krauss.jpg” cannot be displayed, because it contains errors.

Krauss

 In memory of
St. William Golding
(Sept. 19, 1911 – June 19, 1993)

Sunday, June 12, 2005

Sunday June 12, 2005

Filed under: General,Geometry — m759 @ 12:00 am
ART WARS
continued

From The New Yorker of June 6, 2005:

The image “http://www.log24.com/log/pix05A/050612-Wars.gif” cannot be displayed, because it contains errors.

Recommended geometry:

The image “http://www.log24.com/log/pix05A/050612-Loco2.jpg” cannot be displayed, because it contains errors.

Click on picture to enlarge.

Related material:

ART WARS

Geometry for Jews

Mathematics and Narrative.

Thursday, June 9, 2005

Thursday June 9, 2005

Filed under: General,Geometry — Tags: , — m759 @ 7:45 pm
Kernel of Eternity

continued

"At that instant he saw,
in one blaze of light,
an image of unutterable conviction….
the core of life, the essential pattern
whence all other things proceed,
the kernel of eternity."

— Thomas Wolfe,
Of Time and the River

From "The Relations between
Poetry and Painting," by Wallace Stevens:

"The theory of poetry, that is to say, the total of the theories of poetry, often seems to become in time a mystical theology or, more simply, a mystique. The reason for this must by now be clear. The reason is the same reason why the pictures in a museum of modern art often seem to become in time a mystical aesthetic, a prodigious search of appearance, as if to find a way of saying and of establishing that all things, whether below or above appearance, are one and that it is only through reality, in which they are reflected or, it may be, joined together, that we can reach them. Under such stress, reality changes from substance to subtlety…. It was from the point of view of… [such a] subtlety that Klee could write: 'But he is one chosen that today comes near to the secret places where original law fosters all evolution. And what artist would not establish himself there where the organic center of all movement in time and space—which he calls the mind or heart of creation— determines every function.' Conceding that this sounds a bit like sacerdotal jargon, that is not too much to allow to those that have helped to create a new reality, a modern reality, since what has been created is nothing less."

As yesterday's entry "Kernel of Eternity" indicated, the word "kernel" has a definite meaning in mathematics.  The Klein four-group, beloved of structural anthropologists and art theorists, is a particularly apt example of a kernel. (See PlanetMath for details.)

Diagrams of this group may have influenced Giovanni Sambin, professor of mathematical logic at the University of Padua; the following impressive-looking diagram is from Sambin's

The image “http://www.log24.com/theory/images/SambinBP1Pic2A.jpg” cannot be displayed, because it contains errors.

Sambin argues that this diagram reflects some of the basic structures of thought itself… making it perhaps one way to describe what  Klee called the "mind or heart of creation." 

But this verges on what Stevens called the sacerdotal.  It seems that a simple picture of the "kernel of eternity" as the four-group, a picture without reference to logic or philosophy, and without distracting letters and labels, is required.  The following is my attempt to supply such a picture:

Klein four-group

This is a picture of the four-group
as a permutation group on four points.
Pairs of colored arrows indicate the three
transformations other than the identity,
which may be regarded either as
invisible or as rendered by
the four black points themselves.

Update of 7:45 PM Thursday:

Review of the above (see comments)
by a typical Xanga reader:

"Ur a FUCKIN' LOSER!!!!!  LMFAO!!!!"

For more merriment, see
The Optical Unconscious
and
The Painted Word.

A recent Xangan movie review:

"Annakin's an idiot, but he's not an idiot because that's the way the character works, he's an idiot because George Lucas was too lazy to make him anything else. He has to descend to the Daaaahk Side, but the dark side never really seems all that dark. He kills children, but offscreen. We never get to see the transformation. One minute he cares about the republic, the next he's killing his friends, and then for some reason he's duelling with Obi Wan on a lava flow. Who cares? Not me….

So a big ol' fuck you to George Lucas. Fuck you, George!"

Both Xangans seem to be fluent in what Tom Wolfe has called the "fuck patois."

A related suggestion from Google:

Give Dad a photo gift

These remarks from Xangans and Google
 suggest the following photo gift,
based on a 2003 journal entry:

The image “http://www.log24.com/log/pix05A/050609-Fahne.jpg” cannot be displayed, because it contains errors.

Wednesday, June 8, 2005

Wednesday June 8, 2005

Filed under: General,Geometry — Tags: , , — m759 @ 4:00 pm

Kernel of Eternity

Today is the feast day of Saint Gerard Manley Hopkins, “immortal diamond.”

“At that instant he saw, in one blaze of light, an image of unutterable conviction, the reason why the artist works and lives and has his being–the reward he seeks–the only reward he really cares about, without which there is nothing. It is to snare the spirits of mankind in nets of magic, to make his life prevail through his creation, to wreak the vision of his life, the rude and painful substance of his own experience, into the congruence of blazing and enchanted images that are themselves the core of life, the essential pattern whence all other things proceed, the kernel of eternity.”

— Thomas Wolfe, Of Time and the River

“… the stabiliser of an octad preserves the affine space structure on its complement, and (from the construction) induces AGL(4,2) on it. (It induces A8 on the octad, the kernel of this action being the translation group of the affine space.)”

— Peter J. Cameron,
The Geometry of the Mathieu Groups (pdf)

“… donc Dieu existe, réponse!

— attributed, some say falsely, to Leonhard Euler

Tuesday, June 7, 2005

Tuesday June 7, 2005

Filed under: General,Geometry — Tags: — m759 @ 1:01 pm
The Sequel to Rhetoric 101:

101 101

“A SINGLE VERSE by Rimbaud,”
writes Dominique de Villepin,
the new French Prime Minister,
“shines like a powder trail
on a day’s horizon.
It sets it ablaze all at once,
explodes all limits,
draws the eyes
to other heavens.”

— Ben Macintyre,
The London Times, June 4:

When Rimbaud Meets Rambo


“Room 101 was the place where
your worst fears were realised
in George Orwell’s classic
 Nineteen Eighty-Four.

[101 was also]
Professor Nash’s office number
  in the movie ‘A Beautiful Mind.'”

Prime Curios

Classics Illustrated —

The image “http://www.log24.com/log/pix05A/050607-Nightmare.jpg” cannot be displayed, because it contains errors.

Click on picture for details.

(For some mathematics that is actually
from 1984, see Block Designs
and the 2005 followup
The Eightfold Cube.)

Saturday, June 4, 2005

Saturday June 4, 2005

Filed under: General,Geometry — Tags: — m759 @ 7:00 pm
  Drama of the Diagonal
  
   The 4×4 Square:
  French Perspectives

Earendil_Silmarils:
The image “http://www.log24.com/log/pix05A/050604-Fuite1.jpg” cannot be displayed, because it contains errors.
  
   Les Anamorphoses:
 
   The image “http://www.log24.com/log/pix05A/050604-DesertSquare.jpg” cannot be displayed, because it contains errors.
 
  "Pour construire un dessin en perspective,
   le peintre trace sur sa toile des repères:
   la ligne d'horizon (1),
   le point de fuite principal (2)
   où se rencontre les lignes de fuite (3)
   et le point de fuite des diagonales (4)."
   _______________________________
  
  Serge Mehl,
   Perspective &
  Géométrie Projective:
  
   "… la géométrie projective était souvent
   synonyme de géométrie supérieure.
   Elle s'opposait à la géométrie
   euclidienne: élémentaire
  
  La géométrie projective, certes supérieure
   car assez ardue, permet d'établir
   de façon élégante des résultats de
   la géométrie élémentaire."
  
  Similarly…
  
  Finite projective geometry
  (in particular, Galois geometry)
   is certainly superior to
   the elementary geometry of
  quilt-pattern symmetry
  and allows us to establish
   de façon élégante
   some results of that
   elementary geometry.
  
  Other Related Material…
  
   from algebra rather than
   geometry, and from a German
   rather than from the French:  

"This is the relativity problem:
to fix objectively a class of
equivalent coordinatizations
and to ascertain
the group of transformations S
mediating between them."
— Hermann Weyl,
The Classical Groups,
Princeton U. Press, 1946

The image “http://www.log24.com/log/pix05/050124-galois12s.jpg” cannot be displayed, because it contains errors.

Evariste Galois

 Weyl also says that the profound branch
of mathematics known as Galois theory

   "… is nothing else but the
   relativity theory for the set Sigma,
   a set which, by its discrete and
    finite character, is conceptually
   so much simpler than the
   infinite set of points in space
   or space-time dealt with
   by ordinary relativity theory."
  — Weyl, Symmetry,
   Princeton U. Press, 1952
  
   Metaphor and Algebra…  

"Perhaps every science must
start with metaphor
and end with algebra;
and perhaps without metaphor
there would never have been
any algebra." 

   — attributed, in varying forms, to
   Max Black, Models and Metaphors, 1962

For metaphor and
algebra combined, see  

  "Symmetry invariance
  in a diamond ring,"

  A.M.S. abstract 79T-A37,
Notices of the
American Mathematical Society,
February 1979, pages A-193, 194 —
the original version of the 4×4 case
of the diamond theorem.

  
More on Max Black…

"When approaching unfamiliar territory, we often, as observed earlier, try to describe or frame the novel situation using metaphors based on relations perceived in a familiar domain, and by using our powers of association, and our ability to exploit the structural similarity, we go on to conjecture new features for consideration, often not noticed at the outset. The metaphor works, according to Max Black, by transferring the associated ideas and implications of the secondary to the primary system, and by selecting, emphasising and suppressing features of the primary in such a way that new slants on it are illuminated."

— Paul Thompson, University College, Oxford,
    The Nature and Role of Intuition
     in Mathematical Epistemology

  A New Slant…  

That intuition, metaphor (i.e., analogy), and association may lead us astray is well known.  The examples of French perspective above show what might happen if someone ignorant of finite geometry were to associate the phrase "4×4 square" with the phrase "projective geometry."  The results are ridiculously inappropriate, but at least the second example does, literally, illuminate "new slants"– i.e., diagonals– within the perspective drawing of the 4×4 square.

Similarly, analogy led the ancient Greeks to believe that the diagonal of a square is commensurate with the side… until someone gave them a new slant on the subject.

Friday, May 27, 2005

Friday May 27, 2005

Filed under: General,Geometry — m759 @ 12:25 pm
Drama of the Diagonal,
Part Deux

Wednesday’s entry The Turning discussed a work by Roger Cooke.  Cooke presents a

“fanciful story (based on Plato’s dialogue Meno).”

The History of Mathematics is the title of the Cooke book.

Associated Press thought for today:

“History is not, of course, a cookbook offering pretested recipes. It teaches by analogy, not by maxims. It can illuminate the consequences of actions in comparable situations, yet each generation must discover for itself what situations are in fact comparable.”
 — Henry Kissinger (whose birthday is today)

For Henry Kissinger on his birthday:
a link to Geometry for Jews.

This link suggests a search for material
on the art of Sol LeWitt, which leads to
an article by Barry Cipra,
The “Sol LeWitt” Puzzle:
A Problem in 16 Squares
(ps),
a discussion of a 4×4 array
of square linear designs.
  Cipra says that

“If you like, there are three symmetry groups lurking within the LeWitt puzzle:  the rotation/reflection group of order 8, a toroidal group of order 16, and an ‘existential’* group of order 16.  The first group is the most obvious.  The third, once you see it, is also obvious.”

* Jean-Paul Sartre,
  Being and Nothingness,
  Philosophical Library, 1956
  [reference by Cipra]

For another famous group lurking near, if not within, a 4×4 array, click on Kissinger’s birthday link above.

Kissinger’s remark (above) on analogy suggests the following analogy to the previous entry’s (Drama of the Diagonal) figure:
 

  The image “http://www.log24.com/log/pix05/021126-diagonH2.jpg” cannot be displayed, because it contains errors.

Logos Alogos II:
Horizon

This figure in turn, together with Cipra’s reference to Sartre, suggests the following excerpts (via Amazon.com)–

From Sartre’s Being and Nothingness, translated by Hazel E. Barnes, 1993 Washington Square Press reprint edition:

1. on Page 51:
“He makes himself known to himself from the other side of the world and he looks from the horizon toward himself to recover his inner being.  Man is ‘a being of distances.'”
2. on Page 154:
“… impossible, for the for-itself attained by the realization of the Possible will make itself be as for-itself–that is, with another horizon of possibilities.  Hence the constant disappointment which accompanies repletion, the famous: ‘Is it only this?’….”
3. on Page 155:
“… end of the desires.  But the possible repletion appears as a non-positional correlate of the non-thetic self-consciousness on the horizon of the  glass-in-the-midst-of-the-world.”
4. on Page 158:
“…  it is in time that my possibilities appear on the horizon of the world which they make mine.  If, then, human reality is itself apprehended as temporal….”
5. on Page 180:
“… else time is an illusion and chronology disguises a strictly logical order of  deducibility.  If the future is pre-outlined on the horizon of the world, this can be only by a being which is its own future; that is, which is to come….”
6. on Page 186:
“…  It appears on the horizon to announce to me what I am from the standpoint of what I shall be.”
7. on Page 332:
“… the boat or the yacht to be overtaken, and the entire world (spectators, performance, etc.) which is profiled on the horizon.  It is on the common ground of this co-existence that the abrupt revelation of my ‘being-unto-death’….”
8. on Page 359:
“… eyes as objects which manifest the look.  The Other can not even be the object aimed at emptily at the horizon of my being for the Other.”
9. on Page 392:
“… defending and against which he was leaning as against a wail, suddenly opens fan-wise and becomes the foreground, the welcoming horizon toward which he is fleeing for refuge.”
10.  on Page 502:
“… desires her in so far as this sleep appears on the ground of consciousness. Consciousness therefore remains always at the horizon of the desired body; it makes the meaning and the unity of the body.”
11.  on Page 506:
“… itself body in order to appropriate the Other’s body apprehended as an organic totality in situation with consciousness on the horizon— what then is the meaning of desire?”
12.  on Page 661:
“I was already outlining an interpretation of his reply; I transported myself already to the four corners of the horizon, ready to return from there to Pierre in order to understand him.”
13.  on Page 754:
“Thus to the extent that I appear to myself as creating objects by the sole relation of appropriation, these objects are myself.  The pen and the pipe, the clothing, the desk, the house– are myself.  The totality of my possessions reflects the totality of my being.  I am what I have.  It is I myself which I touch in this cup, in this trinket.  This mountain which I climb is myself to the extent that I conquer it; and when I am at its summit, which I have ‘achieved’ at the cost of this same effort, when I attain this magnificent view of the valley and the surrounding peaks, then I am the view; the panorama is myself dilated to the horizon, for it exists only through me, only for me.”

Illustration of the
last horizon remark:

The image “http://www.log24.com/log/pix05/050527-CipraLogo.gif” cannot be displayed, because it contains errors.

The image “http://www.log24.com/log/pix05/050527-CIPRAview.jpg” cannot be displayed, because it contains errors.
 
From CIPRA – Slovenia,
the Institute for the
Protection of the Alps

For more on the horizon, being, and nothingness, see

Thursday, May 26, 2005

Thursday May 26, 2005

Filed under: General,Geometry — Tags: — m759 @ 4:23 pm

Drama of the Diagonal
"The beautiful in mathematics
resides in contradiction.
Incommensurability, logoi alogoi, was
the first splendor in mathematics."
— Simone Weil, Oeuvres Choisies,
éd. Quarto
, Gallimard, 1999, p. 100
 

Logos Alogos
by S. H. Cullinane

"To a mathematician, mathematical entities have their own existence, they habitate spaces created by their intention.  They do things, things happen to them, they relate to one another.  We can imagine on their behalf all sorts of stories, providing they don't contradict what we know of them.  The drama of the diagonal, of the square…"

— Dennis Guedj, abstract of "The Drama of Mathematics," a talk to be given this July at the Mykonos conference on mathematics and narrative.

For the drama of the diagonal of the square, see

Thursday May 26, 2005

Filed under: General,Geometry — m759 @ 4:00 am
The Changing

The previous entry dealt with a transformation
of the diamond figure from Plato’s Meno
into a visual proof of the Pythagorean theorem:

The image “http://www.log24.com/theory/images/DiamondTurning.jpg” cannot be displayed, because it contains errors.

Here is a transformation of Plato’s diamond
into the “gyronny” pattern of heraldry:

The image “http://www.log24.com/theory/images/Gyronny.gif” cannot be displayed, because it contains errors.
Viking Heraldry

The image “http://www.log24.com/theory/images/DiamondChanging2.jpg” cannot be displayed, because it contains errors.

For the mathematics dealing with
this sort of transformation, see
The Diamond 16 Puzzle and Diamond Theory.

Wednesday, May 25, 2005

Wednesday May 25, 2005

Filed under: General,Geometry — Tags: — m759 @ 2:22 pm

The Turning

Readers who have an Amazon.com account may view book pages relevant to the previous entry.  See page 77 of The Way We Think, by Fauconnier and Turner (Amazon search term = Meno).  This page discusses both the Pythagorean theorem and Plato's diamond figure in the Meno, but fails to "blend" these two topics.  See also page 53 of The History of Mathematics, by Roger Cooke (first edition), where these two topics are in fact blended (Amazon search term = Pythagorean).  The illustration below is drawn from the Cooke book.

The image “http://www.log24.com/log/pix05/050525-Figs.jpg” cannot be displayed, because it contains errors.

Cooke demonstrates how the Pythagorean theorem might have been derived by "blending" Plato's diamond (left) with the idea of moving the diamond's corners (right).

The previous entry dealt with a conference on mathematics and narrative.  Above is an example I like of mathematics…. Here is an example I like of narrative:

Kate felt quite dizzy. She didn't know exactly what it was
that had just happened, but she felt pretty damn  certain  that
it  was  the  sort of experience that her mother would not have
approved of on a first date.
     "Is this all part of what we have to do to go to  Asgard?"
she said. "Or are you just fooling around?"
     "We will go to Asgard...now," he said.
     At that moment he raised his hand as if to pluck an apple,
but instead of plucking he made a tiny, sharp turning movement.
The effect  was as if he had twisted the entire world through a
billionth part of a billionth  part  of  a  degree.  Everything
shifted,  was  for  a  moment  minutely  out of focus, and then
snapped back again as a suddenly different world.

— Douglas Adams, The Long Dark Tea-Time of the Soul

And here is a blend of the concepts "Asgard" and "conference":

"Asgard
    During the Interuniverse Society conference,
    a bridge was opened to Valhalla…."

  Bifrost
     In Norse myth, the rainbow bridge
     that connected Earth to Asgard,
     home of the gods.  It was extended
     to Tellus Tertius during the
     Interuniverse Society conference"

— From A Heinlein Concordance

The image “http://www.log24.com/log/pix05/050525-Rainbow.jpg” cannot be displayed, because it contains errors.

 

— Front page picture from a
local morning newspaper published
today, Wednesday, May 25, 2005

 

As George Balanchine once asked,
"How much story do you want?"

Wednesday, May 18, 2005

Wednesday May 18, 2005

Filed under: General,Geometry — Tags: — m759 @ 11:07 pm
On Beauty

“Beauty is the proper conformity
  of the parts to one another
  and to the whole.”
 
  — Werner Heisenberg,
Die Bedeutung des Schönen
  in der exakten Naturwissenschaft,”
  address delivered to the
  Bavarian Academy of Fine Arts,
  Munich, 9 Oct. 1970, reprinted in
  Heisenberg’s Across the Frontiers,
  translated by Peter Heath,
  Harper & Row, 1974
 
  Related material:
 
 The Eightfold Cube
 
 The Eightfold Cube


Sunday, May 8, 2005

Sunday May 8, 2005

Filed under: General,Geometry — Tags: , — m759 @ 12:00 am

Geometry and Theology

See

the science fiction writer mentioned in a Friday entry.

Mark Olson’s article is at the website of the New England Science Fiction Association, publisher of Ingathering: The Complete People Stories of Zenna Henderson.  This book, by one of my favorite science-fiction authors, was apparently edited by the same Mark Olson.

The following remarks seem relevant to the recurring telepathy theme in Henderson:

From the first article cited above,
David L. Neuhouser,
Higher Dimensions in the Writings of C. S. Lewis (pdf):

“If we are three-dimensional cross-sections of four-dimensional reality, perhaps we are parts of the same body. In fact, we know we are parts of the same body in some way, this four-dimensional idea just may help us to see it more clearly. Remember the preceding comments are mine, not Lewis’s. He puts it this way, ‘That we can die “in” Adam and live “in” Christ seems to me to imply that man as he really is differs a good deal from man as our categories of thought and our three-dimensional imaginations represent him; that the separateness… which we discern between individuals, is balanced, in absolute reality, by some kind of inter-inanimation of which we have no conception at all. It may be that the acts and sufferings of great archetypal individuals such as Adam and Christ are ours, not by legal fiction, metaphor, or causality, but in some much deeper fashion. There is no question, of course, of individuals melting down into a kind of spiritual continuum such as Pantheistic systems believe in; that is excluded by the whole tenor of our faith.'”

From Webster’s Unabridged, 1913 edition:

inanimate
, v. t.

[Pref. in- in (or intensively) + animate.]
 To animate. [Obs.] — Donne.

inanimation, n.

Infusion of life or vigor;
animation; inspiration.
[Obs.]
The inanimation of Christ
living and breathing within us.
Bp. Hall.

Related words…

Also from the 1913 Webster’s:

circumincession, n.

[Pref. circum- + L. incedere, incessum, to walk.]
(Theol.) The reciprocal existence in each other
of the three persons of the Trinity.

From an online essay:

perichoresis
, n.

“The term means mutual indwelling or, better, mutual interpenetration and refers to the understanding of both the Trinity and Christology. In the divine perichoresis, each person has ‘being in each other without coalescence’ (John of Damascus ca. 650). The roots of this doctrine are long and deep.”

—  Bert Waggoner

coinherence, n.

“In our human experience of personhood, at any rate in a fallen world, there is in each person an inevitable element of exclusiveness, of opaqueness and impenetrability.  But with the three divine persons it is not so.  Each is entirely ‘open’ to the others, totally transparent and receptive.  This transparency and receptivity is summed up in the Greek notion of perichoresis, which Gibbon once called ‘the deepest and darkest corner of the whole theological abyss.’  Rendered in Latin as circumincessio and in English usually as ‘coinherence,’ the Greek term means literally, cyclical movement, and so reciprocity, interchange, mutual indwelling.  The prefix peri bears the sense ‘around,’ while choresis is linked with chora, ‘room,’ space,’ ‘place’ or ‘container,’ and with chorein, to ‘go,’ ‘advance,’ ‘make room for’ or ‘contain.’  Some also see a connection with choros, ‘dance,’ and so they take perichoresis to mean ’round dance.’  Applied to Christ, the term signifies that his two natures, the divine and the human, interpenetrate one another without separation and without confusion.  Applied to the Trinity, it signifies that each person ‘contains’ the other two and ‘moves’ within them.  In the words of St Gregory of Nyssa, ‘All that is the Father’s is seen in the Son, and all that is the Son’s belongs also the Father. For the whole Son abides in the Father, and he has in his turn the whole Father abiding in himself.’ 

By virtue of this perichoresis, Father, Son and Holy Spirit ‘coinhere‘ in one another, each dwelling in the other two through an unceasing movement of mutual love – the ’round dance’ of the Trinity.”

— Timothy Ware, Bishop Kallistos of Diokleia,
    The Human Person as an Icon of the Trinity

Friday, May 6, 2005

Friday May 6, 2005

Filed under: General,Geometry — Tags: , , — m759 @ 7:28 pm

Fugues

"To improvise an eight-part fugue
is really beyond human capability."

— Douglas R. Hofstadter,
Gödel, Escher, Bach

The image “http://www.log24.com/theory/images/cube2x2x2.gif” cannot be displayed, because it contains errors.

Order of a projective
 automorphism group:
168

"There are possibilities of
contrapuntal arrangement
of subject-matter."

— T. S. Eliot, quoted in
Origins of Form in Four Quartets.

The image “http://www.log24.com/theory/images/Grid4x4A.gif” cannot be displayed, because it contains errors.

Order of a projective
 automorphism group:
20,160

Wednesday, May 4, 2005

Wednesday May 4, 2005

Filed under: General,Geometry — Tags: , , — m759 @ 1:00 pm
The Fano Plane
Revisualized:

 

 The Eightfold Cube

or, The Eightfold Cube

Here is the usual model of the seven points and seven lines (including the circle) of the smallest finite projective plane (the Fano plane):
 
The image “http://www.log24.com/theory/images/Fano.gif” cannot be displayed, because it contains errors.
 

Every permutation of the plane's points that preserves collinearity is a symmetry of the  plane.  The group of symmetries of the Fano plane is of order 168 and is isomorphic to the group  PSL(2,7) = PSL(3,2) = GL(3,2). (See Cameron on linear groups (pdf).)

The above model indicates with great clarity six symmetries of the plane– those it shares with the equilateral triangle.  It does not, however, indicate where the other 162 symmetries come from.  

Shown below is a new model of this same projective plane, using partitions of cubes to represent points:

 

Fano plane with cubes as points
 
The cubes' partitioning planes are added in binary (1+1=0) fashion.  Three partitioned cubes are collinear if and only if their partitioning planes' binary sum equals zero.

 

The second model is useful because it lets us generate naturally all 168 symmetries of the Fano plane by splitting a cube into a set of four parallel 1x1x2 slices in the three ways possible, then arbitrarily permuting the slices in each of the three sets of four. See examples below.

 

Fano plane group - generating permutations

For a proof that such permutations generate the 168 symmetries, see Binary Coordinate Systems.

 

(Note that this procedure, if regarded as acting on the set of eight individual subcubes of each cube in the diagram, actually generates a group of 168*8 = 1,344 permutations.  But the group's action on the diagram's seven partitions of the subcubes yields only 168 distinct results.  This illustrates the difference between affine and projective spaces over the binary field GF(2).  In a related 2x2x2 cubic model of the affine 3-space over GF(2) whose "points" are individual subcubes, the group of eight translations is generated by interchanges of parallel 2x2x1 cube-slices.  This is clearly a subgroup of the group generated by permuting 1x1x2 cube-slices.  Such translations in the affine 3-space have no effect on the projective plane, since they leave each of the plane model's seven partitions– the "points" of the plane– invariant.)

To view the cubes model in a wider context, see Galois Geometry, Block Designs, and Finite-Geometry Models.

 

For another application of the points-as-partitions technique, see Latin-Square Geometry: Orthogonal Latin Squares as Skew Lines.

For more on the plane's symmetry group in another guise, see John Baez on Klein's Quartic Curve and the online book The Eightfold Way.  For more on the mathematics of cubic models, see Solomon's Cube.

 

For a large downloadable folder with many other related web pages, see Notes on Finite Geometry.

Tuesday, April 5, 2005

Tuesday April 5, 2005

Filed under: General,Geometry — Tags: — m759 @ 3:17 pm
Art History:
The Pope of Hope

At the Vatican on
Shakespeare's Birthday
(See Log24.net,
Oct. 4, 2002)

See also the iconology
what Dan Brown in
The Da Vinci Code
  calls "symbology" —
of Pandora's Box
at Log24.net,
March 10, 2005:

The image “http://www.log24.com/log/pix05/050310-Nell2.jpg” cannot be displayed, because it contains errors.

 

"Man and woman are a pair of locked caskets,
each containing the key to the other."

Baroness Karen Blixen

"Karol Wojtyla had looked into
the heart of darkness–
and at the heart of darkness
discovered reason
for an indomitable hope.

He lived on the far side of
the greatest catastrophe
in human history,
the death of the Son of God,
and knew that evil
did not have the last word.
This is the key…."

Richard John Neuhaus,
April 4, 2005

The image “http://www.log24.com/log/pix05/050405-JoyceGeometry.gif” cannot be displayed, because it contains errors.

Finnegans Wake, p. 293,
"the lazily eye of his lapis"

 

The image “http://www.log24.com/log/pix05/050403-StPetersSq3.jpg” cannot be displayed, because it contains errors.

 

Perette Elizabeth Michelli on the Ovato Tondo:

 

"Notice how the Pope turns out to be
at the center of the breaking and
redefining of the Classical system."

"Derrida on Plato on writing says 'In order for these contrary values (good/evil, true/false, essence/appearance, inside/outside, etc.) to be in opposition, each of the terms must be simply EXTERNAL to the other, which means that one of these oppositions (the opposition between inside and outside) must already be accredited as the matrix of all possible opposition.' "

Peter J. Leithart

See also


Skewed Mirrors
,
Sept. 14, 2003

"Evil did not  have the last word."
Richard John Neuhaus, April 4, 2005

Lps. The keys to. Given! A way a lone
a last a loved a long the

PARIS,
1922-1939

"There is never any ending to Paris."
— Ernest Hemingway

For the first word, see Louis Armand on
Lethe, erinnerung, and riverrun.

See also the following passage,
linked to on the Easter Vigil, 2005:

  You will find to the left of the House of Hades
    a spring,
  And by the side thereof standing
    a white cypress.
  To this spring approach not near.
  But you shall find another,
    from the lake of Memory
  Cold water flowing forth, and there are
    guardians before it.
  Say, "I am a child of Earth and starry Heaven;
  But my race is of Heaven alone.
    This you know yourselves.
  But I am parched with thirst and I perish.
    Give me quickly
  The cold water flowing forth
    from the lake of Memory."

Tuesday, March 22, 2005

Tuesday March 22, 2005

Filed under: General,Geometry — Tags: , , — m759 @ 4:01 pm

Make a Différance

From Frida Saal's
Lacan The image “http://www.log24.com/log/pix05/050322-Diamond.gif” cannot be displayed, because it contains errors. Derrida:

"Our proposal includes the lozenge (diamond) in between the names, because in the relationship / non-relationship that is established among them, a tension is created that implies simultaneously a union and a disjunction, in the perspective of a theoretical encounter that is at the same time necessary and impossible. That is the meaning of the lozenge that joins and separates the two proper names. For that reason their respective works become totally non-superposable and at the same time they were built with an awareness, or at least a partial awareness, of each other. What prevails between both of them is the différance, the Derridean signifier that will become one of the main issues in this presentation."

 


From a Contemporary Literary Theory website:

"Différance is that which all signs have, what constitutes them as signs, as signs are not that to which they refer: i) they differ, and hence open a space from that which they represent, and ii) they defer, and hence open up a temporal chain, or, participate in temporality. As well, following de Sassure's famous argument, signs 'mean' by differing from other signs. The coined word 'différance' refers to at once the differing and the deferring of signs. Taken to the ontological level†, the differing and deferring of signs from what they mean, means that every sign repeats the creation of space and time; and ultimately, that différance is the ultimate phenomenon in the universe, an operation that is not an operation, both active and passive, that which enables and results from Being itself."

From a text purchased on
Make a Difference Day, Oct. 23, 1999:

The image “http://www.log24.com/log/pix05/050322-Fig39.gif” cannot be displayed, because it contains errors.22. Without using the Pythagorean Theorem prove that the hypotenuse of  an isosceles right triangle will have the length The image “http://www.log24.com/log/pix05/050322-Sqtr2.gif” cannot be displayed, because it contains errors.  if the equal legs have the length 1.  Suggestion: Consider the similar triangles in Fig. 39.
23.  The ancient Greeks regarded the Pythagorean Theorem as involving areas, and they proved it by means of areas.  We cannot do so now because we have not yet considered the idea of area.  Assuming for the moment, however, the idea of the area of a square, use this idea instead of similar triangles and proportion in Ex. 22 above to show that x = The image “http://www.log24.com/log/pix05/050322-Sqtr2.gif” cannot be displayed, because it contains errors. .

 

— Page 98 of Basic Geometry, by George David Birkhoff, Professor of Mathematics at Harvard University, and Ralph Beatley, Associate Professor of Education at Harvard University (Scott, Foresman 1941)



Though it may be true, as the president of Harvard recently surmised, that women are inherently inferior to men at abstract thought — in particular, pure mathematics*  — they may in other respects be quite superior to men:

The image “http://www.log24.com/log/pix05/050322-Reba2.jpg” cannot be displayed, because it contains errors.

The above is from October 1999.
See also Naturalized Epistemology,
from Women's History Month, 2001.

* See the remarks of Frida Saal above and of Barbara Johnson on mathematics (The Shining of May 29, cited in Readings for St. Patrick's Day).


† For the diamond symbol at "the ontological level," see Modal Theology, Feb. 21, 2005.  See also Socrates on the immortality of the soul in Plato's Meno, source of the above Basic Geometry diamond.

Saturday, March 12, 2005

Saturday March 12, 2005

Filed under: General,Geometry — m759 @ 5:09 am
Three Eleanors

Continued from March 10:

For some children…

The image “http://www.log24.com/log/pix05/050310-Burton.jpg” cannot be displayed, because it contains errors.

It takes three Eleanors.

The image “http://www.log24.com/log/pix05/050310-Eleanors.jpg” cannot be displayed, because it contains errors.
1             2              3

For Alice, a beautiful child

who died in London
on Tuesday
at 72:

The image “http://www.log24.com/log/pix05/050312-Form.jpg” cannot be displayed, because it contains errors.

Today’s New York Times says that
Alice, the author of Fairy Tale,
was a
“passionately traditional Catholic.”

For related material, see
Immortal Diamond:
O’Hara, Hopkins, and Joyce
.

See also the conflict between Trudeau’s
  “diamond theory” and
“story theory”
of truth
,

and Suzanne Keen‘s article from the
Catholic publication Commonweal:

Getting to Truth by Lying.

Monday, February 28, 2005

Monday February 28, 2005

Filed under: General,Geometry — Tags: — m759 @ 7:00 pm

The Meaning of 3:16

From The New Yorker, issue dated Feb. 28, 2005:

"Time Bandits," by Jim Holt, pages 80-85:

"Wittgenstein once averred that 'there can never be surprises in logic.'"

"Miss Gould," by David Remnick, pages 34-35:

"She was a fiend for problems of sequence and logic…. Her effect on a piece of writing could be like that of a master tailor on a suit; what had once seemed slovenly and overwrought was suddenly trig and handsome."

Suddenly:

See Donald E. Knuth's Diamond Signs, Knuth's 3:16 Bible Texts Illuminated, and the entry of 3:16 PM today.

Trig and handsome:

Remnick on Miss Gould again:

The image “http://www.log24.com/log/pix05/050228-MissGould.gif” cannot be displayed, because it contains errors.
Miss Gould,
photo from
Oberlin site

 

"She shaped the language of the magazine, always striving for a kind of Euclidean clarity– transparent, precise, muscular."

Figure from           
3/16 2004:           
Intersecting altitudes
Einstein on Time cover

Einstein on his
"holy geometry book" —

"Here were assertions, as for example the intersection of the three altitudes of a triangle in one point, which– though by no means evident– could nevertheless be proved with such certainty that any doubt appeared to be out of the question. This lucidity and certainty made an indescribable impression upon me."

The image “http://www.log24.com/log/pix05/050228-Graveyard.jpg” cannot be displayed, because it contains errors.

   "I need a photo opportunity,   
      I want a shot at redemption…."

Sunday, February 20, 2005

Sunday February 20, 2005

Filed under: General,Geometry — Tags: , , , — m759 @ 2:20 pm

Relativity Blues

Today, February 20, is the 19th anniversary of my note The Relativity Problem in Finite Geometry.  Here is some related material.

In 1931, the Christian writer Charles Williams grappled with the theology of time, space, free will, and the many-worlds interpretation of quantum mechanics (anticipating by many years the discussion of this topic by physicists beginning in the 1950's).

(Some pure mathematics — untainted by physics or theology — that is nevertheless related, if only by poetic analogy, to Williams's 1931 novel, Many Dimensions, is discussed in the above-mentioned note and in a generalization, Solomon's Cube.)

On the back cover of Williams's 1931 novel, the current publisher, William B. Eerdmans Publishing Company of Grand Rapids, Michigan, makes the following statement:

"Replete with rich religious imagery, Many Dimensions explores the relation between predestination and free will as it depicts different human responses to redemptive transcendence."

One possible response to such statements was recently provided in some detail by a Princeton philosophy professor.  See On Bullshit, by Harry G. Frankfurt, Princeton University Press, 2005.

A more thoughtful response would take into account the following:

1. The arguments presented in favor of philosopher John Calvin, who discussed predestination, in The Death of Adam: Essays on Modern Thought, by Marilynne Robinson

2. The physics underlying Einstein's remarks on free will, God, and dice
 
3. The physics underlying Rebecca Goldstein's novel Properties of Light and Paul Preuss's novels  Secret Passages and Broken Symmetries

4. The physics underlying the recent so-called "free will theorem" of John Conway and Simon Kochen of Princeton University

5. The recent novel Gilead, by Marilynne Robinson, which deals not with philosophy, but with lives influenced by philosophy — indirectly, by the philosophy of the aforementioned John Calvin.

From a review of Gilead by Jane Vandenburgh:  

"In The Death of Adam, Robinson shows Jean Cauvin to be the foremost prophet of humanism whose Protestant teachings against the hierarchies of the Roman church set in motion the intellectual movements that promoted widespread literacy among the middle and lower classes, led to both the American and French revolutions, and not only freed African slaves in the United States but brought about suffrage for women. It's odd then that through our culture's reverse historicism, the term 'Calvinism' has come to mean 'moralistic repression.'"

For more on what the Calvinist publishing firm Eerdmans calls "redemptive transcendence," see various July 2003 Log24.net entries.  If these entries include a fair amount of what Princeton philosophers call bullshit, let the Princeton philosophers meditate on the summary of Harvard philosophy quoted here on November 5 of last year, as well as the remarks of November 5, 2003,  and those of November 5, 2002.

From Many Dimensions (Eerdmans paperback, 1963, page 53):

"Lord Arglay had a suspicion that the Stone would be purely logical.  Yes, he thought, but what, in that sense, were the rules of its pure logic?"

A recent answer:

Modal Theology

"We symbolize logical necessity
with the box (box.gif (75 bytes))
and logical possibility
with the diamond (diamond.gif (82 bytes))."

Keith Allen Korcz,
(Log24.net, 1/25/05)

And what do we           
   symbolize by  The image “http://www.log24.com/theory/images/Modal-diamondbox.gif” cannot be displayed, because it contains errors. ?

"The possibilia that exist,
and out of which
the Universe arose,
are located in
     a necessary being…."

Michael Sudduth,
Notes on
God, Chance, and Necessity
by Keith Ward,
Regius Professor of Divinity
at Christ Church College, Oxford
(the home of Lewis Carroll)

Thursday, February 17, 2005

Thursday February 17, 2005

Filed under: General,Geometry — Tags: , — m759 @ 1:00 pm
Modal Theology

"We symbolize logical necessity
with the box (box.gif (75 bytes))
and logical possibility
with the diamond (diamond.gif (82 bytes))."

Keith Allen Korcz,
(Log24.net, 1/25/05)

And what do we           
   symbolize by  The image “http://www.log24.com/theory/images/Modal-diamondbox.gif” cannot be displayed, because it contains errors. ?

On the Lapis Philosophorum,
the Philosophers' Stone –

"'What is this Stone?' Chloe asked….
'…It is told that, when the Merciful One
made the worlds, first of all He created
that Stone and gave it to the Divine One
whom the Jews call Shekinah,
and as she gazed upon it
the universes arose and had being.'"
Many Dimensions,
by Charles Williams, 1931
(Eerdmans paperback,
April 1979, pp. 43-44)

"The lapis was thought of as a unity
and therefore often stands for
the prima materia in general."
Aion, by C. G. Jung, 1951
(Princeton paperback,
1979, p. 236)

"Its discoverer was of the opinion that
he had produced the equivalent of
the primordial protomatter
which exploded into the Universe."
The Stars My Destination,
by Alfred Bester, 1956
(Vintage hardcover,
July 1996, p. 216)

"The possibilia that exist,
and out of which
the Universe arose,
are located in
     a necessary being…."

Michael Sudduth,
Notes on
God, Chance, and Necessity
by Keith Ward,
Regius Professor of Divinity
at Christ Church College, Oxford
(the home of Lewis Carroll)

See also
The Diamond Archetype.

For more on modal theology, see

Kurt Gödel's Ontological Argument
and

 The Ontological Argument
 from Anselm to Gödel.

Tuesday, February 8, 2005

Tuesday February 8, 2005

Filed under: General,Geometry — m759 @ 10:00 am
New from the
Oscar-winning producer,
director, and screenwriter

of “A Beautiful Mind” –

The image “http://www.log24.com/log/pix05/050208-Crowe.jpg” cannot be displayed, because it contains errors.

With apologies to Dan Brown

“The Divine Proportion

is an irrational number and
the positive solution
of the quadratic equation

x2 – x – 1 = 0,

which is (1+Sqrt(5))/2,
about 1.618034.

The Greek letter ‘phi’
(see below for the symbol)
is sometimes used
to represent this number.”

The image “http://www.log24.com/log/pix05/050208-pentagon2.gif” cannot be displayed, because it contains errors.

Don Cohen  

For another approach to
the divine proportion, see

Best Picture.

“The rogue’s yarn that will run through much of the material is the algebraic symmetry to which the name of Galois is attached and which I wanted to introduce in as concrete and appealing a way as possible….

Apart from its intrinsic appeal, that is the reason for treating the construction of the pentagon, and our task today will be to acquire some feel for this construction.  It is not easy.”
 
— R. P. Langlands, 1999 lecture (pdf) at the Institute for Advanced Study, Princeton, in the spirit of Hermann Weyl

Thursday, January 27, 2005

Thursday January 27, 2005

Filed under: General,Geometry — Tags: — m759 @ 8:00 pm

Da Capo
                                                
                           You say I am repeating
    Something I have said before. I shall say it again.
Shall I say it again?                                           

Four Quartets

From Golden Globe night:

The image “http://www.log24.com/log/pix05/050116-Rag.jpg” cannot be displayed, because it contains errors.

 

Symbols

A Game of Chess

Geometry for Jews

Geometry of Quartets

Thursday January 27, 2005

Filed under: General,Geometry — Tags: — m759 @ 2:29 am
Crystal Night

From artbook.com:

Mies van der Rohe:
Mies in Berlin

The image “http://www.log24.com/log/pix05/050127-Mies.jpg” cannot be displayed, because it contains errors.

Winner of
The Society of Architectural Historians
2002 Philip Johnson Award
for Excellence

Exhibition Catalog

"Published to accompany
a groundbreaking 2001 exhibition at
The Museum of Modern Art, New York."

 

From Mies and the Mastodon,
by Martin Filler, The New Republic,
issue dated Aug. 6, 2001:

"It would have been wiser for the new MoMA catalog… to have addressed the issue of his politics…. By ignoring such a central subject… the show gives off a mild stench of cover-up…. Only the German-born Rosemarie Haag Bletter (full disclosure: she is my wife) alludes to the verboten topic in her [catalog] essay on Mies's flirtation with crystal imagery, drawing a sharp parallel between the architect's extensive use of Kristallglas (plate glass) and the ensuing devastation of Kristallnacht, which erupted just three months after he left for the States."

Also from Filler's essay:

"Mies's rigorously simplified structures, typified by grids of steel and glass and an absence of applied ornament, represented the Platonic ideal of modernism for many people."

For more on history, politics, and
Mies's disciple Philip Johnson,
who died Tuesday evening, see

"We Cannot Not Know History."

For more on aesthetics, see the
Log24.net entry of Tuesday noon,

Diamonds Are Forever.

For more on a Platonic ideal of sorts,
see the following figure in two versions:
 
Version A, from Plato's Meno and
Diamond Theory,

The image “http://www.log24.com/log/pix05/050127-MenoDiamond.gif” cannot be displayed, because it contains errors.

and Version B,

The image “http://www.log24.com/log/pix05/050125-Forever.gif” cannot be displayed, because it contains errors.

from the date of Johnson's death
at his "famous crystalline box."

Was less more?

Monday, January 24, 2005

Monday January 24, 2005

Filed under: General,Geometry — Tags: , — m759 @ 2:45 pm

Old School Tie

From a review of A Beautiful Mind:

“We are introduced to John Nash, fuddling flat-footed about the Princeton courtyard, uninterested in his classmates’ yammering about their various accolades. One chap has a rather unfortunate sense of style, but rather than tritely insult him, Nash holds a patterned glass to the sun, [director Ron] Howard shows us refracted patterns of light that take shape in a punch bowl, which Nash then displaces onto the neckwear, replying, ‘There must be a formula for how ugly your tie is.’ ”

The image “http://www.log24.com/log/pix05/050124-Tie.gif” cannot be displayed, because it contains errors.
“Three readings of diamond and box
have been extremely influential.”– Draft of
Computing with Modal Logics
(pdf), by Carlos Areces
and Maarten de Rijke

“Algebra in general is particularly suited for structuring and abstracting. Here, structure is imposed via symmetries and dualities, for instance in terms of Galois connections……. diamonds and boxes are upper and lower adjoints of Galois connections….”

— “Modal Kleene Algebra
and Applications: A Survey
(pdf), by Jules Desharnais,
Bernhard Möller, and
Georg Struth, March 2004
See also
Galois Correspondence

The image “http://www.log24.com/log/pix05/050124-galois12s.jpg” cannot be displayed, because it contains errors.
Evariste Galois

and Log24.net, May 20, 2004:

“Perhaps every science must
start with metaphor
and end with algebra;
and perhaps without metaphor
there would never have been
any algebra.”

— attributed, in varying forms
(1, 2, 3), to Max Black,
Models and Metaphors, 1962

For metaphor and
algebra combined, see

“Symmetry invariance
in a diamond ring,”

A.M.S. abstract 79T-A37,
Notices of the Amer. Math. Soc.,
February 1979, pages A-193, 194 —
the original version of the 4×4 case
of the diamond theorem.

Sunday, January 16, 2005

Sunday January 16, 2005

Filed under: General,Geometry — m759 @ 8:00 pm

Four Quartets

The image “http://www.log24.com/log/pix05/050116-Rag.jpg” cannot be displayed, because it contains errors.

Symbols

A Game of Chess

Geometry for Jews

Geometry of Quartets

Friday, January 14, 2005

Friday January 14, 2005

Filed under: General,Geometry — m759 @ 2:56 pm

Geometry Download

There is a new web page offering my notes on finite geometry in a very large (about 7 MB) zipped folder for downloading.  (Individual notes may be previewed without downloading the folder.)

Friday, January 7, 2005

Friday January 7, 2005

Filed under: General,Geometry — Tags: — m759 @ 7:59 am

In Memory of
Guy Davenport

From the day Davenport died:

The image “http://www.log24.com/log/pix05/050104-Endgame.jpg” cannot be displayed, because it contains errors.

“At Merton College, Oxford,
he wrote the first thesis on Joyce
to be accepted by the university.”

Today’s New York Times

From a very informative essay
on Davenport’s aesthetics:

“T.S. Eliot’s experiments
in ideogrammatic method
are equally germane to Davenport,
who shares with the poet
an avant-garde aesthetic and
a conservative temperament.
Davenport’s text reverberates
with echoes of Four Quartets.”

— Andre Furlani

“At the still point, there the dance is.”

—  T. S. Eliot, Four Quartets,
quoted in the epigraph to
the chapter on automorphism groups
in Parallelisms of Complete Designs,
by Peter J. Cameron,
published when Cameron was at
Merton College, Oxford.

See also
Elegance.

Saturday, January 1, 2005

Saturday January 1, 2005

Filed under: General,Geometry — m759 @ 8:08 am

Metamorphosis

This illustration was added yesterday
to Geometry of the 4×4 Square.

Wednesday, December 22, 2004

Wednesday December 22, 2004

Filed under: General,Geometry — m759 @ 7:59 am

Geometry Update

Added a new section,
“How the MOG works,” to
Geometry of the 4×4 Square.

Thursday, December 2, 2004

Thursday December 2, 2004

Filed under: General,Geometry — Tags: — m759 @ 8:23 pm

The Poem of Pure Reality

                                       "We seek
The poem of pure reality, untouched
By trope or deviation,
    straight to the word,
Straight to the transfixing object,
    to the object
At the exactest point at which it is itself,
Transfixing by being purely what it is…."

Wallace Stevens (1879-1955)
"An Ordinary Evening in New Haven" IX,
from The Auroras of Autumn (1950)
(Collected Poems, pp. 465-489)

I have added new material to Geometry of the 4×4 Square, including links to a new commentary on a paper by Burkard Polster.

"It is a good light, then, for those
That know the ultimate Plato,
Tranquillizing with this jewel
The torments of confusion."

— Wallace Stevens,
Collected Poetry and Prose, page 21,
The Library of America, 1997

Friday, November 19, 2004

Friday November 19, 2004

Filed under: General,Geometry — Tags: , — m759 @ 11:00 pm

From Tate to Plato
In honor of Allen Tate's birthday (today)
and of the MoMA re-opening (tomorrow)

"For Allen Tate the concept of tension was the most useful formal tool at the critic’s disposal, as irony and paradox were for Brooks. The principle of tension sustains the whole structure of meaning, and, as Tate declares in Tension in Poetry (1938), he derives it from lopping the prefixes off the logical terms extension and intension (which define the abstract and denotative aspect of the poetic language and, respectively, the concrete and connotative one). The meaning of the poem is 'the full organized body of all the extension and intension that we can find in it.'  There is an infinite line between extreme extension and extreme intension and the readers select the meaning at the point they wish along that line, according to their personal drives, interests or approaches. Thus the Platonist will tend to stay near the extension end, for he is more interested in deriving an abstraction of the object into a universal…."

— from Form, Structure, and Structurality,
   by Radu Surdulescu

"Eliot, in a conception comparable to Wallace Stevens' 'Anecdote of the Jar,' has suggested how art conquers time:

        Only by the form, the pattern,
Can words or music reach
The stillness, as a Chinese jar still
Moves perpetually in its stillness."

F. O. Matthiessen
   in The Achievement of T.S. Eliot,
   Oxford University Press, 1958

From Writing Chinese Characters:

"It is practical to think of a character centered within an imaginary square grid…. The grid can… be… subdivided, usually to 9 or 16 squares…."

The image “http://www.log24.com/log/pix04B/041119-ZhongGuo.jpg” cannot be displayed, because it contains errors.

These "Chinese jars"
(as opposed to their contents)
are as follows:

The image “http://www.log24.com/log/pix04B/041119-Grids.gif” cannot be displayed, because it contains errors.

Various previous Log24.net entries have
dealt with the 3×3 "form" or "pattern"
(to use the terms of T. S. Eliot).

For the 4×4 form, see Poetry's Bones
and Geometry of the 4×4 Square.

Tuesday, November 16, 2004

Tuesday November 16, 2004

Filed under: General,Geometry — m759 @ 12:12 pm

Geometry, continued

Added a long footnote on symplectic properties of the 4×4 array to “Geometry of the 4×4 Square.”

Saturday, September 25, 2004

Saturday September 25, 2004

Filed under: General,Geometry — m759 @ 5:30 pm

Writings for
Yom Kippur

by Borges and God:

Thirsty for knowing what God knows,
Juda Loew devoted himself to permutations
of letters and complex variations

New York State Lottery,
evening, Sept. 24, 2004:  185

and finally said the Name which is the Key…

New York State Lottery,
midday, Sept. 25, 2004:   673.

On 185:

See Wittgenstein’s Philosophical Investigations (PI), section 185, on the nature of rules.

On 673:

See the following works:

Moral of these writings, thanks to Gregory Chaitin:

“Mais quand une regle est fort composée, ce qui luy est conforme, passe pour irrégulier.”

[But when a rule is extremely complex, that which conforms to it passes for random.]

— Leibniz, Discours de métaphysique, VI, 1686

See also the previous entry, High Holy Hexagram, and Pi continued.

Friday, September 24, 2004

Friday September 24, 2004

Filed under: General,Geometry — Tags: — m759 @ 6:49 pm

Readings for
Yom Kippur

The film Pi is, in part, about an alleged secret name of God that can be uttered only on Yom Kippur.  This is my personal version of such a name– not an utterance, but instead a picture:

6:49:32 PM
Sept. 24, 2004

Complete graph K6

The Details:

 

Sylvester's Music 

The Unity of Mathematics

720 in the Book

Synthemes and Spreads (pdf)

(Appendix A of
"Classification of
Partial Spreads in PG(4,2)
,"
by Leonard H. Soicher et al.)

Friday, September 17, 2004

Friday September 17, 2004

Filed under: General,Geometry — Tags: , , , — m759 @ 12:00 pm

God is in…
The Details

From an entry for Aug. 19, 2003 on
conciseness, simplicity, and objectivity:

Above: Dr. Harrison Pope, Harvard professor of psychiatry, demonstrates the use of the Wechsler Adult Intelligence Scale "block design" subtest.

Another Harvard psychiatrist, Armand Nicholi, is in the news lately with his book The Question of God: C.S. Lewis and Sigmund Freud Debate God, Love, Sex, and the Meaning of Life.

Pope

Nicholi

Old
Testament
Logos

New
Testament
Logos

For the meaning of the Old-Testament logos above, see the remarks of Plato on the immortality of the soul at

Cut-the-Knot.org.

For the meaning of the New-Testament logos above, see the remarks of R. P. Langlands at

The Institute for Advanced Study.

On Harvard and psychiatry: see

The Crimson Passion:
A Drama at Mardi Gras

(February 24, 2004)

This is a reductio ad absurdum of the Harvard philosophy so eloquently described by Alston Chase in his study of Harvard and the making of the Unabomber, Ted Kaczynski.  Kaczynski's time at Harvard overlapped slightly with mine, so I may have seen him in Cambridge at some point.  Chase writes that at Harvard, the Unabomber "absorbed the message of positivism, which demanded value-neutral reasoning and preached that (as Kaczynski would later express it in his journal) 'there is no logical justification for morality.'" I was less impressed by Harvard positivism, although I did benefit from a course in symbolic logic from Quine.  At that time– the early 60's– little remained at Harvard of what Robert Stone has called "our secret culture," that of the founding Puritans– exemplified by Cotton and Increase Mather.

From Robert Stone, A Flag for Sunrise:

"Our secret culture is as frivolous as a willow on a tombstone.  It's a wonderful thing– or it was.  It was strong and dreadful, it was majestic and ruthless.  It was a stranger to pity.  And it's not for sale, ladies and gentlemen."

Some traces of that culture:

A web page
in Australia:

A contemporary
Boston author:

Click on pictures for details.

A more appealing view of faith was offered by PBS on Wednesday night, the beginning of this year's High Holy Days:

Armand Nicholi: But how can you believe something that you don't think is true, I mean, certainly, an intelligent person can't embrace something that they don't think is true — that there's something about us that would object to that.

 

Jeremy Fraiberg: Well, the answer is, they probably do believe it's true.

Armand Nicholi: But how do they get there? See, that's why both Freud and Lewis was very interested in that one basic question. Is there an intelligence beyond the universe? And how do we answer that question? And how do we arrive at the answer of that question?

Michael Shermer: Well, in a way this is an empirical question, right? Either there is or there isn't.

Armand Nicholi: Exactly.

Michael Shermer: And either we can figure it out or we can't, and therefore, you just take the leap of faith or you don't.

Armand Nicholi: Yeah, now how can we figure it out?

Winifred Gallagher: I think something that was perhaps not as common in their day as is common now — this idea that we're acting as if belief and unbelief were two really radically black and white different things, and I think for most people, there's a very — it's a very fuzzy line, so that —

Margaret Klenck: It's always a struggle.

Winifred Gallagher: Rather than — I think there's some days I believe, and some days I don't believe so much, or maybe some days I don't believe at all.

Doug Holladay: Some hours.

Winifred Gallagher: It's a, it's a process. And I think for me the big developmental step in my spiritual life was that — in some way that I can't understand or explain that God is right here right now all the time, everywhere.

Armand Nicholi: How do you experience that?

Winifred Gallagher: I experience it through a glass darkly, I experience it in little bursts. I think my understanding of it is that it's, it's always true, and sometimes I can see it and sometimes I can't. Or sometimes I remember that it's true, and then everything is in Technicolor. And then most of the time it's not, and I have to go on faith until the next time I can perhaps see it again. I think of a divine reality, an ultimate reality, uh, would be my definition of God.

Winifred
Gallagher

Sangaku

Gallagher seemed to be the only participant in the PBS discussion that came close to the Montessori ideals of conciseness, simplicity, and objectivity.  Dr. Montessori intended these as ideals for teachers, but they seem also to be excellent religious values.  Just as the willow-tombstone seems suited to Geoffrey Hill's style, the Pythagorean sangaku pictured above seems appropriate to the admirable Gallagher.

Wednesday, September 15, 2004

Wednesday September 15, 2004

Filed under: General,Geometry — m759 @ 11:30 am

Translation Plane
for Rosh Hashanah

Figure A

From the website of

Priv.-Doz. Dr. H. Klein,
Arbeitsgruppe Geometrie,
Mathematisches Seminar der
Christian-Albrechts-Universität zu Kiel —

The Translation Plane of Order Nine

There are exactly four projective planes of order nine, and one of these planes is a non-Desarguesian translation plane.

Theorem. Up to isomorphism, there exists exactly one non-Desarguesian translation plane of order 9.

This translation plane is defined by a spreadset in a 2-dimensional vector space over the field GF(3), consisting of the following matrices.


 

As it turns out, the coordinatizing quasifield is a nearfield. Moreover the non-Desarguesian translation plane of order 9 has Lenz-Barlotti type IVa.3.

Two versions of the defining spreadset for this plane are shown in Figure A.  In the left part of Fig. A, the matrices of Dr. Klein are altered by the use of “2” instead of “-1” (since these are the same, modulo 3).  In the right part of Fig. A, the corresponding figures from my 1985 note Visualizing GL(2, p) are shown.

Tuesday, September 14, 2004

Tuesday September 14, 2004

Filed under: General,Geometry — Tags: , — m759 @ 3:00 pm

The Square Wheel

Harmonic analysis may be based either on the circular (i.e., trigonometric) functions or on the square (i. e., Walsh) functions.  George Mackey's masterly historical survey showed that the discovery of Fourier analysis, based on the circle, was of comparable importance (within mathematics) to the discovery (within general human history) of the wheel.  Harmonic analysis based on square functions– the "square wheel," as it were– is also not without its importance.

For some observations of Stephen Wolfram on square-wheel analysis, see pp. 573 ff. in Wolfram's magnum opus, A New Kind of Science (Wolfram Media, May 14, 2002).  Wolfram's illustration of this topic is closely related, as it happens, to a note on the symmetry of finite-geometry hyperplanes that I wrote in 1986.  A web page pointing out this same symmetry in Walsh functions was archived on Oct. 30, 2001.

That web page is significant (as later versions point out) partly because it shows that just as the phrase "the circular functions" is applied to the trigonometric functions, the phrase "the square functions" might well be applied to Walsh functions– which have, in fact, properties very like those of the trig functions.  For details, see Symmetry of Walsh Functions, updated today.

"While the reader may draw many a moral from our tale, I hope that the story is of interest for its own sake.  Moreover, I hope that it may inspire others, participants or observers, to preserve the true and complete record of our mathematical times."

From Error-Correcting Codes
Through Sphere Packings
To Simple Groups
,
by Thomas M. Thompson,
Mathematical Association of America, 1983

Monday, August 30, 2004

Monday August 30, 2004

Filed under: General,Geometry — Tags: — m759 @ 12:07 pm

Q.E.D.

A Log24 entry of Aug. 17, 2004, on the
three Semitic (or “Abrahamic”) religions:

“Looney.”

From Scotsman.com News
Mon., 30 Aug., 2004
11:43 AM (UK)

Ex-Priest Sentenced
for Disrupting Marathon

By Pat Hurst, PA News, in Athens

An ex-priest who lives in Britain was given a 12-month suspended sentence today for disrupting the men’s Olympic marathon in Athens.

Cornelius Horan, 57, a former Catholic priest living in London, appeared before a Greek judge this morning, local police said.

He was sentenced and released from custody but his whereabouts are unknown.

Irishman Horan, originally from Kerry, dashed from the sidelines to attack the marathon front-runner during yesterday’s event.

He told officers he staged the disruption to “prepare for the second coming”.

A police spokesman said: “He has got mental problems. He is not very well.

“His only explanation for his behaviour was that it was for the second coming.”

Horan also disrupted last year’s Silverstone Formula One Grand Prix by dashing across the track.

Leslie Broad, of Deunant Books, which publishes Mr Horan’s books on its website, said: “We publish two of his books on biblical prophecies and he seems to be fairly convinced that the second coming is due fairly shortly.

“After the incident at Silverstone, he did say he would never do anything like that again.

“He comes across as a shy, very intelligent and compassionate man but as is often the way with people who are very intelligent, it sometimes manifests itself in very strange ways.

“I think he found prison a fairly uplifting experience. He came out feeling that he had met a lot of people he wouldn’t normally have met, people who had committed serious crimes.”

Horan’s victim yesterday, Vanderlei De Lima, from Brazil, was at the head of the race just three miles from the finish.

Horan grabbed him and bundled him into spectators at the side of the road.

After a scuffle, the runner managed to get away, but he was clearly ruffled and finished third.

The Brazilian Olympic Committee put in an official complaint to the Greeks and at one point the final medal ceremony to be staged during the closing ceremony was in doubt.

Horan was arrested and taken to the General Police Division of Attica, where he stayed overnight.

Author biography
from
Deunant Books:

Father Cornelius (“Neil”) Horan


Horan

“Neil Horan was born in 1947, in Scartaglen, County Kerry, in the Republic of Ireland. After schooling in Ireland he was ordained a Catholic Priest in Saint Mary’s Cathedral, Killarney, in 1973.

He has served all his priestly life in the Southwark Diocese, covering London south of the River Thames and Kent, his first Parish being Bexley in Kent. His interest in Bible prophecy began when he attended a lecture in 1974, given by the Apostolic Fellowship of Christ, a group which had originated with the Christadelphians. Meaning ‘Brothers in Christ’, the Christadelphians were a small Church formed in 1861 by Dr John Thomas. Father Horan says he owes a debt of gratitude to the Christadelphian tradition for the understanding of the Bible which they gave him. He regards the Bible as the greatest Book in the world and has devoted his life to making it better known, especially the Prophecies.

He is not a prophet, considering himself to be merely an interpreter, has never received a Divine message or vision, and God has never spoken to him. He feels that he is right only in so far as he interprets the Book of Books correctly.

He is still a Catholic Priest, listed in the Catholic Directory under his full name of Cornelius Horan. Cornelius, a Centurian [sic] in the Roman army, was the first Christian convert; Father Horan is proud to bear that name and hopes to meet his famous namesake soon, when Jesus comes.”

A Glorious New World
by Father Neil Horan

“Are there passages in the Bible that foretell events that were, at the time it was written, far in the future? Father Neil Horan argues eloquently, knowledgeably and persuasively in this book, first published in 1985, that this is so. It is easy to scoff at predictions of events that were, according to the book, to have taken place a few years ago but which have not happened, but to do that would be wrong. With only the most subtle changes of emphasis in interpretation, it could just as easily be argued that events in the Middle East particularly have to a large degree fulfilled the prophecies for the years since 1985.

Then there are the events yet to come. They are, according to the author and his sources, to be the most significant in the history of mankind, and are going to happen soon. With a little thought, certain current-day world figures are a disconcertingly comfortable match for some of the characters who will act out the earth-shattering dramas to come. Even the most hardened cynic will get that prickly feeling down the back of his neck as he reads this book.

Taken together with Father Horan’s later work ‘Christ Will Soon Take Power From All Governments’ (also available from Deunant Books) the two books represent one of the most remarkable and significant bodies of work seen in this field for many, many years.”

Deunant Books on Theology

Ludwig Wittgenstein,
Philosophical Investigations:

373. Grammar tells what kind of object anything is. (Theology as grammar.)

Grammar and Geometry:
The Euclidean Proposition,
by J. B. Calvert:

For more on Wittgenstein, theology, and grammar, see the Log24

entries of Jan. 14, 2004.

Related material:

God Goes Hollywood,
by Jeremiah Cullinane

Saturday, August 28, 2004

Saturday August 28, 2004

Filed under: General,Geometry — m759 @ 5:01 pm

History of Mathematics

“… mathematicians often treat history with contempt (unsullied by any practice or even knowledge of it, of course).”

The Rainbow of Mathematics

On the history of the relationship between orthogonality (in the Latin-square sense) and skewness (in the projective-space sense)–

See the newly updated

Orthogonal Latin Squares as Skew Lines.

Thursday, August 12, 2004

Thursday August 12, 2004

Filed under: General,Geometry — Tags: — m759 @ 7:26 am

Battle of Gods and Giants,
Part III:

The Invisible Made Visible

From today's New York Times:

"Leon Golub, an American painter of expressionistic, heroic-scale figures that reflect dire modern political conditions, died on Sunday in Manhattan. He was 82….

In the 1960's he produced a series, called 'Gigantomachies,' of battling, wrestling figures. They were based on classical models, including the Hellenistic Altar of Pergamon. But there was nothing idealized about them."

The Hellenistic Altar of Pergamon,
from  Battle of Gods and Giants:

 

Golub's New York Times obituary concludes with a quote from a 1991 interview:

"Asked about his continuing and future goal he said, 'To head into real!'"

From Tuesday's Battle of Gods and Giants:

This sort of mathematics illustrates the invisible "form" or "idea" behind the visible two-color pattern.  Hence it exemplifies, in a way, the conflict described by Plato between those who say that "real existence belongs only to that which can be handled" and those who say that "true reality consists in certain intelligible and bodiless forms."

Perhaps, if Golub is fortunate enough to escape from the afterlife version of Plato's Cave, he will also be fortunate enough to enter Purgatory, where there awaits a course in reality, in the form of…

Geometry for Jews.

 

Wednesday, August 11, 2004

Wednesday August 11, 2004

Filed under: General,Geometry — Tags: , , — m759 @ 5:35 am

Battle of Gods and Giants,
Part II:

Wonders of the Invisible World

Yesterday at about 5 PM I added a section titled "Invariants" to the 3:01 PM entry Battle of Gods and Giants.  Within this added section was the sentence

"This sort of mathematics illustrates the invisible 'form' or 'idea' behind the visible two-color pattern."

Now, at about 5 AM, I see in today's New York Times a review of a book titled The Invisible Century, by Richard Panek.  The reviewer, David Gelernter, says the "invisible" of the title refers to

"science that is done not by studying what you can see…. but by repairing instead to the privacy of your own mind, with the shades drawn and the lights off: the inner sanctum of intellectual history."

The book concerns the research of Einstein and Freud.  Gelernter says

"As Mr. Panek usefully notes, Einstein himself first called his work an 'invariant theory,' not a 'relativity theory.' Einstein does not say 'everything is relative,' or anything remotely like it."

The reader who clicks on the word "invariants" in Battle of Gods and Giants will receive the same information.

Gelernter's conclusion:

"The Invisible Century is a complex book about a complex topic. Mr. Panek's own topic is not so much invisibility, it seems to me, as a different kind of visibility, centering on mind-pictures revealed by introspection, which are just as sharp and clear as (for example) the mind-music Beethoven heard when he was deaf.

Inner visibility is a fascinating topic…."

As is synchronicity, a topic in the work of a greater man than Freud– Carl Jung.  The above remarks may be viewed as "synchronicity made visible."

All of this was, of course, foreshadowed in my web page "A Mathematician's Aesthetics" of August 2000:

C. G. Jung on Archetypes
and Visible Reality:

"All the most powerful ideas in history go back to archetypes. This is particularly true of religious ideas, but the central concepts of science, philosophy, and ethics are no exception to this rule. In their present form they are variants of archetypal ideas, created by consciously applying and adapting these ideas to reality. For it is the function of consciousness not only to recognize and assimilate the external world through the gateway of the senses, but to translate into visible reality the world within us."

— Carl Gustav Jung, "The Structure of the Psyche" (1927), in Collected Works Vol. 8, Structure and Dynamics of the Psyche, P. 342

Paul Klee on Visible Reality:

"Art does not reproduce the visible; rather, it makes visible…. My aim is always to get hold of the magic of reality and to transfer this reality into painting– to make the invisible visible through reality. It may sound paradoxical, but it is, in fact, reality which forms the mystery of our existence."

— Paul Klee, "Creative Credo" from The Inward Vision: Watercolors, Drawings, Writings. Abrams, not dated; published c. 1958.

Wallace Stevens on
the Visibility of Archetypes:

"These forms are visible
     to the eye that needs,
Needs out of the whole
     necessity of sight."

— Wallace Stevens, "The Owl in the Sarcophagus," (first publ. 1950) in
Collected Poetry and Prose, Library of America, 1997

Tuesday, August 10, 2004

Tuesday August 10, 2004

Filed under: General,Geometry — Tags: , , — m759 @ 3:01 pm

Battle of Gods and Giants

In checking the quotations from Dante in the previous entry, I came across the intriguing site Gigantomachia:

"A gigantomachia or primordial battle between the gods has been retold in myth, cult, art and theory for thousands of years, from the Egyptians to Heidegger. This site will present the history of the theme. But it will do so in an attempt to raise the question of the contemporary relevance of it. Does the gigantomachia take place today? Where? When? In what relation to you and me?"

Perhaps atop the Empire State Building?

(See An Affair to Remember and  Empire State Building to Honor Fay Wray.)

Perhaps in relation to what the late poet Donald Justice called "the wood within"?

Perhaps in relation to T. S. Eliot's "The Waste Land" and the Feast of the Metamorphosis?

Or perhaps not.

Perhaps at Pergamon:

Perhaps at Pergamon Press:

Invariants 

"What modern painters are trying to do,
if they only knew it, is paint invariants."

— James J. Gibson in Leonardo
(Vol. 11, pp. 227-235.
Pergamon Press Ltd., 1978)

An example of invariant structure:

The three line diagrams above result from the three partitions, into pairs of 2-element sets, of the 4-element set from which the entries of the bottom colored figure are drawn.  Taken as a set, these three line diagrams describe the structure of the bottom colored figure.  After coordinatizing the figure in a suitable manner, we find that this set of three line diagrams is invariant under the group of 16 binary translations acting on the colored figure.

A more remarkable invariance — that of symmetry itself — is observed if we arbitrarily and repeatedly permute rows and/or columns and/or 2×2 quadrants of the colored figure above. Each resulting figure has some ordinary or color-interchange symmetry.

This sort of mathematics illustrates the invisible "form" or "idea" behind the visible two-color pattern.  Hence it exemplifies, in a way, the conflict described by Plato between those who say that "real existence belongs only to that which can be handled" and those who say that "true reality consists in certain intelligible and bodiless forms."

For further details, see a section on Plato in the Gigantomachia site.

Monday, August 9, 2004

Monday August 9, 2004

Filed under: General,Geometry — m759 @ 10:00 pm

Quilt Geometry

Saturday, July 17, 2004

Saturday July 17, 2004

Filed under: General,Geometry — m759 @ 2:00 pm

New Web Page:

Galois Geometry

Wednesday, July 7, 2004

Wednesday July 7, 2004

Filed under: General,Geometry — m759 @ 7:00 pm

Beyond Geometry

(Title of current L. A. art exhibit)

John Baez:

What is the difference between topology and geometry?

Geometry you learn in high school; topology in college. So, topology costs more.

A bit more seriously….

“The greatest obstacle to discovery
is not ignorance —
  it is the illusion of knowledge.”

— Daniel J. Boorstin,
American historian, educator, writer.
Source: The Washington Post,
“The Six O’Clock Scholar,”
by Carol Krucoff (29 Jan. 1984)

For the illusion of knowledge,
see (for instance)
The Importance of Being Nothingness,
by Craig J. Hogan
(American Scientist, Sept.-Oct. 2001).

A bit more seriously…

“These cases are
neither harmless nor amusing.”
— Craig J. Hogan, op. cit.

For example:

“Thanks to Dr. Matrix
for honouring this website
with the Award for Science Excellence
on May 14, 2002 and selecting it
for prominent display in the categories
of Mathematics and Creative Minds.”

See also my notes
On Dharwadker’s Attempted Proof,
November 28, 2000, and
The God-Shaped Hole,
February 21, 2001.

Friday, July 2, 2004

Friday July 2, 2004

Filed under: General,Geometry — Tags: , — m759 @ 2:00 am

Is Nothing Sacred?

…continued…

From a review in today’s

New York Times

of an L.A. art exhibit,

“Beyond Geometry”

By Michael Kimmelman
in Los Angeles

The roots of this work go back to Duchamp, the abiding spirit of “Beyond Geometry.” When he acquired his porcelain urinal in 1917 from a plumbing equipment manufacturer on lower Fifth Avenue in Manhattan, signed it R. Mutt and submitted the now infamous “Fountain” to the Society of Independent Artists exhibition, he set the stage for nearly every subsequent attempt to blur the difference between art and everyday life.

This was the great breakthrough of modernism or the end of culture as we know it, depending on your perspective. Either way, after Duchamp, as the artist Joseph Kosuth has put it, all art became conceptual.

Duchamp predicted that even a breath might end up being called a work of art, and he was right. Gilbert and George started calling their performances sculptures in the 70’s. Chris Burden, James Lee Byars and others said that their actions were sculptures. Smithson declared derelict factories and suburbs to be sculptures. Artists even made light, the ultimate intangible, into sculpture.

The show includes sculptures by Richard Serra and Barnett Newman. I recall Mr. Serra once talking about how Barnett Newman’s paintings invite you to walk past them, to experience them not in a single glance but over time, physically. He said the paintings, with their vertical stripes, or “zips,” are “about dividing and placing spaces next to one another, not about illusionism.”

“They’re great when you have to walk by them and immerse yourself in the divisions of their spaces,” he added. Meaning, they’re like sculptures.

Nomenclature is not the point. What matters is the ethos of countercultural disruption, looking at the world and art through the other end of the telescope, which is the heart of “Beyond Geometry” and the appeal of its best works to young artists.

Now is the time to put this period of postwar tumult into global perspective. The show here is a useful step in that direction.

Meanwhile, in Philadelphia,
other art events:

The image “http://www.log24.com/log/pix04A/040702-Nothing.gif” cannot be displayed, because it contains errors.

(Click on logo for details.)

The reader may determine whether the Philadelphia nothing is the sort of nothing deemed, by some, sacred in my note of March 9, 2000.

I personally have a very low opinion of Kimmelman and his “ethos of countercultural disruption.”  The sort of light sculpture his words evoke is not that of the Pantheon (illustrated in an entry for St. Peter’s Day) but that of the current Philadelphia “Big Nothing” show, which in turn reminds me of that classic 1973 Hollywood art exhibit, The Exorcist:

The image “http://www.log24.com/log/pix04A/040702-Exorcist.jpg” cannot be displayed, because it contains errors.

Tuesday, June 29, 2004

Tuesday June 29, 2004

Filed under: General,Geometry — Tags: , , — m759 @ 2:22 pm
And So To Bed

Advanced Study (6/26/04), continued…

Part I: Ulysses

When?

Going to dark bed there was a square round Sinbad the Sailor roc's auk's egg in the night of the bed of all the auks of the rocs of Darkinbad the Brightdayler.

Where?

The image “http://www.log24.com/log/pix04A/bullet.gif” cannot be displayed, because it contains errors.

Ulysses, conclusion of Ch. 17

 

Part II: Badcoc

A Visual Meditation for

the Feast of St. Peter

The image “http://www.log24.com/log/pix04A/040629-Badcoc.gif” cannot be displayed, because it contains errors.

For further details on this structure, see

Magic Squares, Finite Planes,
and Points of Inflection
on Elliptic Curves
,
by Ezra Brown, and

Visualizing GL(2, p)
by Steven H. Cullinane.

For a more literary approach
to this structure, see

Balanchine's Birthday (Jan. 9, 2003),
Art Theory for Yom Kippur (Oct. 5, 2003),
A Form (May 22, 2004),
Ineluctable (May 27, 2004),
A Form, continued (June 5, 2004),
Parallelisms (June 6, 2004),
Deep Game (June 26, 2004), and
Gameplayers of Zen (June 27, 2004).

The image “http://www.log24.com/log/pix04A/040629-Players.jpg” cannot be displayed, because it contains errors.

To appreciate fully this last entry
on Gameplayers,
one must understand
the concept of "suicide"
in the game of Go

and be reminded
by the fatuous phrase of the
Institute of Contemporary Art
quoted in Gameplayers
"
encompassed by 'nothing' " —
of John 1:5.

The image “http://www.log24.com/log/pix04A/040629-Commentary.jpg” cannot be displayed, because it contains errors.

Sunday, June 6, 2004

Sunday June 6, 2004

Filed under: General,Geometry — Tags: — m759 @ 1:28 pm
Parallelisms

“I confess I do not believe in time.
I like to fold my magic carpet,
after use, in such a way
as to superimpose
one part of the pattern
upon another.”

(Nabokov, Speak, Memory)

From a review of On the Composition of Images, Signs & Ideas, by Giordano Bruno:

Proteus in the House of Mnemosyne (which is the fifth chapter of the Third Book) relies entirely on familiarity with Vergil’s Aeneid (even when the text shifts from verse to prose). The statement, “Proteus is, absolutely, that one and the same subject matter which is transformable into all images and resemblances, by means of which we can immediately and continually constitute order, resume and explain everything,” reads less clear than the immediate analogy, “Just as from one and the same wax we awaken all shapes and images of sensate things, which become thereafter the signs of all things that are intelligible.”

From an interview with Vladimir Nabokov published in Wisconsin Studies in Contemporary Literature, vol. VIII, no. 2, Spring 1967:

When I was your student, you never mentioned the  Homeric parallels in discussing Joyce’s Ulysses  But you did supply “special information” in introducing many of the masterpieces: a map of Dublin for Ulysses….  Would you be able to suggest some equivalent for your own readers?

Joyce himself very soon realized with dismay that the harping on those essentially easy and vulgar “Homeric parallelisms” would only distract one’s attention from the real beauty of his book. He soon dropped these pretentious chapter titles which already were “explaining” the book to non-readers.  In my lectures I tried to give factual data only. A map of three country estates with a winding river and a figure of the butterfly Parnassius mnemosyne for a cartographic cherub will be the endpaper in my revised edition of Speak, Memory.

For more on Joyce and Proteus,
see the May 27 entry
Ineluctable.

Saturday, June 5, 2004

Saturday June 5, 2004

Filed under: General,Geometry — Tags: — m759 @ 11:11 am
A Form,
 continued…

Some cognitive uses
of the 3×3 square
are discussed in

From Lullus to Cognitive Semantics:
The Evolution of a Theory of Semantic Fields

by Wolfgang Wildgen and in

Another Page in the Foundation of Semiotics:
A Book Review of On the Composition of Images, Signs & Ideas, by Giordano Bruno…
by Mihai Nadin

“We have had a gutful of fast art and fast food. What we need more of is slow art: art that holds time as a vase holds water: art that grows out of modes of perception and whose skill and doggedness make you think and feel; art that isn’t merely sensational, that doesn’t get its message across in 10 seconds, that isn’t falsely iconic, that hooks onto something deep-running in our natures. In a word, art that is the very opposite of mass media. For no spiritually authentic art can beat mass media at their own game.”

Robert Hughes, speech of June 2, 2004

Whether the 3×3 square grid is fast art or slow art, truly or falsely iconic, perhaps depends upon the eye of the beholder.

For a meditation on the related 4×4 square grid as “art that holds time,” see Time Fold.

Thursday, May 20, 2004

Thursday May 20, 2004

Filed under: General,Geometry — Tags: — m759 @ 7:00 am

Parable

"A comparison or analogy. The word is simply a transliteration of the Greek word: parabolé (literally: 'what is thrown beside' or 'juxtaposed'), a term used to designate the geometric application we call a 'parabola.'….  The basic parables are extended similes or metaphors."

http://religion.rutgers.edu/nt/
    primer/parable.html

"If one style of thought stands out as the most potent explanation of genius, it is the ability to make juxtapositions that elude mere mortals.  Call it a facility with metaphor, the ability to connect the unconnected, to see relationships to which others are blind."

Sharon Begley, "The Puzzle of Genius," Newsweek magazine, June 28, 1993, p. 50

"The poet sets one metaphor against another and hopes that the sparks set off by the juxtaposition will ignite something in the mind as well. Hopkins’ poem 'Pied Beauty' has to do with 'creation.' "

Speaking in Parables, Ch. 2, by Sallie McFague

"The Act of Creation is, I believe, a more truly creative work than any of Koestler's novels….  According to him, the creative faculty in whatever form is owing to a circumstance which he calls 'bisociation.' And we recognize this intuitively whenever we laugh at a joke, are dazzled by a fine metaphor, are astonished and excited by a unification of styles, or 'see,' for the first time, the possibility of a significant theoretical breakthrough in a scientific inquiry. In short, one touch of genius—or bisociation—makes the whole world kin. Or so Koestler believes."

— Henry David Aiken, The Metaphysics of Arthur Koestler, New York Review of Books, Dec. 17, 1964

For further details, see

Speaking in Parables:
A Study in Metaphor and Theology

by Sallie McFague

Fortress Press, Philadelphia, 1975

Introduction
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7

"Perhaps every science must start with metaphor and end with algebra; and perhaps without metaphor there would never have been any algebra."

— attributed, in varying forms (1, 2, 3), to Max Black, Models and Metaphors, 1962

For metaphor and algebra combined, see

"Symmetry invariance in a diamond ring," A.M.S. abstract 79T-A37, Notices of the Amer. Math. Soc., February 1979, pages A-193, 194 — the original version of the 4×4 case of the diamond theorem.

Wednesday, May 19, 2004

Wednesday May 19, 2004

Filed under: General,Geometry — Tags: , — m759 @ 2:00 pm

Style

In memory of Lynn H. Loomis:

The above diagram is from a
(paper) journal note of October 21, 1999.

It pictures the relationship of my own discovery, diamond theory (at center), to the field, harmonic analysis, of Professor Loomis, a writer whose style I have long admired.

A quotation from the 1999 note:

"…it is not impossible to draw a fairly sharp dividing line between our mental disposition in the case of esthetic response and that of the responses of ordinary life.  A far more difficult question arises if we try to distinguish it from the responses made by us to certain abstract mental constructions such as those of pure mathematics…. Perhaps the distinction lies in this, that in the case of works of art the whole end and purpose is found in the exact quality of the emotional state, whereas in the case of mathematics the purpose is the constatation of the universal validity of the relations without regard to the quality of the emotion accompanying apprehension.  Still, it would be impossible to deny the close similarity of the orientation of faculties and attention in the two cases."
— Roger Fry, Transformations (1926), Doubleday Anchor paperback, 1956, p. 8

In other words, appreciating mathematics is much like appreciating art.

(Digitized diagram courtesy of Violet.)

Saturday, May 8, 2004

Saturday May 8, 2004

Filed under: General,Geometry — m759 @ 12:00 am

Royal Roads

“Here were assertions, as for example the intersection of the three altitudes of a triangle in one point, which — though by no means evident — could nevertheless be proved with such certainty that any doubt appeared to be out of the question. This lucidity and certainty made an indescribable impression upon me.”

— Albert Einstein
   on his “holy geometry book”
   (entry of 3/14/04)  

“We’ll try to understand
  how people decide what is true.”

— Nathaniel Miller
    on his geometry course

“People make up stories
 about what they experience.
 Stories that catch on are called ‘true.’ “

— Richard J. Trudeau
    on his geometry course

“There is no royal road to geometry.”

— Saying attributed to Euclid

“The royal road to knowledge,
  it is easy to express:
  to err, and err, and err again,
  but less, and less, and less.”

Nathaniel Miller‘s
    geometry course 

Prison-Abuse Panel is Third
in Bush’s War on Terrorism

— Headline from today’s
    New York Times 

“The royal road to ruin
  is easy to explore:
  err, and err, and err again,
  but more, and more, and more.”

— George W. Bush’s
    unholy geometry book

Friday, April 30, 2004

Friday April 30, 2004

Filed under: General,Geometry — m759 @ 5:24 pm

Notes

  

On “Notes Toward a Supreme Fiction,” by Wallace Stevens:

“This third section continues its play of opposing forces, introducing in the second canto a ‘blue woman,’ arguably a goddess- or muse-figure, who stands apart from images of fecundity and sexuality….”

Michael Bryson 

From a Beethoven’s Birthday entry:

Moulin Bleu

  

Kaleidoscope turning…
Shifting pattern
within unalterable structure…
— Roger Zelazny, Eye of Cat   

See, too, Blue Matrices, and
a link for Beethoven’s birthday:

Song for the
Unification of Europe
(Blue 1)

From today’s news:

PRAGUE, Czech Republic (AP) – Ushering in a bold new era, hundreds of thousands of people packed streets and city squares across Europe on Friday for festivals and fireworks marking the European Union’s historic enlargement to 25 countries from 15.

The expanded EU, which takes in a broad swath of the former Soviet bloc – a region separated for decades from the West by barbed wire and Cold War ideology – was widening to 450 million citizens at midnight (6 p.m.EDT) to create a collective superpower rivalling the United States.

“All these worlds are yours
except Europa.
Attempt no landing there.”

Sunday, April 25, 2004

Sunday April 25, 2004

Filed under: General,Geometry — m759 @ 3:31 pm

Small World

Added a note to 4×4 Geometry:

The 4×4 square model  lets us visualize the projective space PG(3,2) as well as the affine space AG(4,2).  For tetrahedral and circular models of PG(3,2), see the work of Burkard Polster.  The following is from an advertisement of a talk by Polster on PG(3,2).

The Smallest Perfect Universe

“After a short introduction to finite geometries, I’ll take you on a… guided tour of the smallest perfect universe — a complex universe of breathtaking abstract beauty, consisting of only 15 points, 35 lines and 15 planes — a space whose overall design incorporates and improves many of the standard features of the three-dimensional Euclidean space we live in….

Among mathematicians our perfect universe is known as PG(3,2) — the smallest three-dimensional projective space. It plays an important role in many core mathematical disciplines such as combinatorics, group theory, and geometry.”

— Burkard Polster, May 2001

Thursday, April 22, 2004

Thursday April 22, 2004

Filed under: General,Geometry — Tags: , — m759 @ 10:07 pm

Minimalism

"It's become our form of modern classicism."

— Nancy Spector in 
   the New York Times of April 23, 2004

Part I: Aesthetics

In honor of the current Guggenheim exhibition, "Singular Forms" — A quotation from the Guggenheim's own website

"Minimalism refers to painting or sculpture

  1. made with an extreme economy of means
  2. and reduced to the essentials of geometric abstraction….
  3. Minimalist art is generally characterized by precise, hard-edged, unitary geometric forms….
  4. mathematically regular compositions, often based on a grid….
  5. the reduction to pure self-referential form, emptied of all external references….
  6. In Minimal art what is important is the phenomenological basis of the viewer’s experience, how he or she perceives the internal relationships among the parts of the work and of the parts to the whole….
  7. The repetition of forms in Minimalist sculpture serves to emphasize the subtle differences in the perception of those forms in space and time as the spectator’s viewpoint shifts in time and space."

Discuss these seven points
in relation to the following:

 
Form,
by S. H. Cullinane

Logos and Logic

Mark Rothko's reference
to geometry as a "swamp"
and his talk of "the idea" in art

Michael Kimmelman's
remarks on ideas in art 

Notes on ideas and art

Geometry
of the 4×4 square

The Grid of Time

ART WARS:
Judgment Day
(2003, 10/07)

Part II: Theology

Today's previous entry, "Skylark," concluded with an invocation of the Lord.   Of course, the Lord one expects may not be the Lord that appears.


 John Barth on minimalism:

"… the idea that, in art at least, less is more.

It is an idea surely as old, as enduringly attractive and as ubiquitous as its opposite. In the beginning was the Word: only later came the Bible, not to mention the three-decker Victorian novel. The oracle at Delphi did not say, 'Exhaustive analysis and comprehension of one's own psyche may be prerequisite to an understanding of one's behavior and of the world at large'; it said, 'Know thyself.' Such inherently minimalist genres as oracles (from the Delphic shrine of Apollo to the modern fortune cookie), proverbs, maxims, aphorisms, epigrams, pensees, mottoes, slogans and quips are popular in every human century and culture–especially in oral cultures and subcultures, where mnemonic staying power has high priority–and many specimens of them are self-reflexive or self-demonstrative: minimalism about minimalism. 'Brevity is the soul of wit.' "


Another form of the oracle at Delphi, in minimalist prose that might make Hemingway proud:

"He would think about Bert.  Bert was an interesting man.  Bert had said something about the way a gambler wants to lose.  That did not make sense.  Anyway, he did not want to think about it.  It was dark now, but the air was still hot.  He realized that he was sweating, forced himself to slow down the walking.  Some children were playing a game with a ball, in the street, hitting it against the side of a building.  He wanted to see Sarah.

When he came in, she was reading a book, a tumbler of dark whiskey beside her on the end table.  She did not seem to see him and he sat down before he spoke, looking at her and, at first, hardly seeing her.  The room was hot; she had opened the windows, but the air was still.  The street noises from outside seemed almost to be in the room with them, as if the shifting of gears were being done in the closet, the children playing in the bathroom.  The only light in the room was from the lamp over the couch where she was reading.

He looked at her face.  She was very drunk.  Her eyes were swollen, pink at the corners.  'What's the book,' he said, trying to make his voice conversational.  But it sounded loud in the room, and hard.

She blinked up at him, smiled sleepily, and said nothing.

'What's the book?'  His voice had an edge now.

'Oh,' she said.  'It's Kierkegaard.  Soren Kierkegaard.' She pushed her legs out straight on the couch, stretching her feet.  Her skirt fell back a few inches from her knees.  He looked away.

'What's that?' he said.

'Well, I don't exactly know, myself."  Her voice was soft and thick.

He turned his face away from her again, not knowing what he was angry with.  'What does that mean, you don't know, yourself?'

She blinked at him.  'It means, Eddie, that I don't exactly know what the book is about.  Somebody told me to read it once, and that's what I'm doing.  Reading it.'

He looked at her, tried to grin at her — the old, meaningless, automatic grin, the grin that made everbody like him — but he could not.  'That's great,' he said, and it came out with more irritation than he had intended.

She closed the book, tucked it beside her on the couch.  She folded her arms around her, hugging herself, smiling at him.  'I guess this isn't your night, Eddie.  Why don't we have a drink?'

'No.'  He did not like that, did not want her being nice to him, forgiving.  Nor did he want a drink.

Her smile, her drunk, amused smile, did not change.  'Then let's talk about something else,' she said.  'What about that case you have?  What's in it?'  Her voice was not prying, only friendly, 'Pencils?'

'That's it,' he said.  'Pencils.'

She raised her eyebrows slightly.  Her voice seemed thick.  'What's in it, Eddie?'

'Figure it out yourself.'  He tossed the case on the couch."

— Walter Tevis, The Hustler, 1959,
    Chapter 11


See, too, the invocation of Apollo in

A Mass for Lucero, as well as 

GENERAL AUDIENCE OF JOHN PAUL II
Wednesday 15 January 2003
:

"The invocation of the Lord is relentless…."

and

JOURNAL ENTRY OF S. H. CULLINANE
Wednesday 15 January 2003
:

Karl Cullinane —
"I will fear no evil, for I am the
meanest son of a bitch in the valley."

Sunday, April 11, 2004

Sunday April 11, 2004

Filed under: General,Geometry — m759 @ 3:28 pm

Good Friday and
Descartes’s Easter Egg

“The use of z, y, x . . . to represent unknowns is due to René Descartes, in his La géometrie (1637)…. In a paper on Cartesian ovals, prepared before 1629, x alone occurs as unknown…. This is the earliest place in which Descartes used one of the last letters of the alphabet to represent an unknown.”

— Florian Cajori, A History of Mathematical Notations. 2 volumes. Lasalle, Illinois: The Open Court Publishing Co., 1928-1929. (Vol. 1, page 381)

This is from

http://members.aol.com/jeff570/variables.html.

Descartes’s Easter Egg is found at

EggMath: The Shape of an Egg —
Cartesian Ovals
 

An Easter Meditation
on Humpty Dumpty

The following is excerpted from a web page headed “Catholic Way.”  It is one of a series of vicious and stupid Roman Catholic attacks on Descartes.  Such attacks have been encouraged by the present Pope, who today said “may the culture of life and love render vain the logic of death.”

The culture of life and love is that of the geometry (if not the philosophy) of Descartes.  The logic of death is that of Karol Wojtyla, as was made very clear in the past century by the National Socialist Party, which had its roots in Roman Catholicism.

Humpty Dumpty sat on a wall.
Humpty Dumpty had a great fall

“In the century just completed, the human race found itself in a position not unlike the scrambled mess at the base of an imaginary English wall….

… we are heirs to a humanity that is broken, fractured, confused, unsure of what to make of itself….

 … ‘postmodernism’ is merely the articulation of the fractured, dissipated state of the human being…. 

Without relating a history of modern philosophy, our unfortunate human shell has suffered a continual fragmentation for a period of roughly 500 years. (You philosophers out there will recognize immediately that I am referring to the legacy of René Descartes.) And this fragmentation has been a one-way street: one assault after another on the integrity and dignity of the human person until you have, well, the 20th Century.

But now it’s the 21st Century.

The beauty … the marvel … the miracle of our time is the possibility that gravity will reverse itself: Humpty Dumpty may be able, once again, to assume his perch.”

—  Ted Papa,
Raising Humpty Dumpty

Voilà.

The upper part
of the above icon
is from EggMath.
For the lower part,
see Good Friday.

Monday, April 5, 2004

Monday April 5, 2004

Filed under: General,Geometry — Tags: , , — m759 @ 4:03 am

Ideas and Art

 
Motto of
Plato's Academy

 

From Minimalist Fantasies,
by Roger Kimball, May 2003:

All I want anyone to get out of my paintings, and all I ever get out of them, is the fact that you can see the whole idea without any confusion. … What you see is what you see.
—Frank Stella, 1966

Minimal Art remains too much a feat of ideation, and not enough anything else. Its idea remains an idea, something deduced instead of felt and discovered.
— Clement Greenberg, 1967

The artists even questioned whether art needed to be a tangible object. Minimalism … Conceptualism — suddenly art could be nothing more than an idea, a thought on a piece of paper….
— Michael Kimmelman, 2003

There was a period, a decade or two ago, when you could hardly open an art journal without encountering the quotation from Frank Stella I used as an epigraph. The bit about “what you see is what you see” was reproduced ad nauseam. It was thought by some to be very deep. In fact, Stella’s remarks—from a joint interview with him and Donald Judd—serve chiefly to underscore the artistic emptiness of the whole project of minimalism. No one can argue with the proposition that “what you see is what you see,” but there’s a lot to argue with in what he calls “the fact that you can see the whole idea without any confusion.” We do not, of course, see ideas. Stella’s assertion to the contrary might be an instance of verbal carelessness, but it is not merely verbal carelessness. At the center of minimalism, as Clement Greenberg noted, is the triumph of ideation over feeling and perception, over aesthetics.
— Roger Kimball, 2003

 

 

From How Not Much Is a Whole World,
by Michael Kimmelman, April 2, 2004

Decades on, it's curious how much Minimalism, the last great high modern movement, still troubles people who just can't see why … a plain white canvas with a line painted across it


"William Clark,"
by Patricia Johanson, 1967

should be considered art. That line might as well be in the sand: on this side is art, it implies. Go ahead. Cross it.

….

The tug of an art that unapologetically sees itself as on a par with science and religion is not to be underestimated, either. Philosophical ambition and formal modesty still constitute Minimalism's bottom line.

If what results can sometimes be more fodder for the brain than exciting to look at, it can also have a serene and exalted eloquence….

That line in the sand doesn't separate good art from bad, or art from nonart, but a wide world from an even wider one.

 

I maintain that of course
we can see ideas.

Example: the idea of
invariant structure.

"What modern painters
are trying to do,
if they only knew it,
is paint invariants."

— James J. Gibson, Leonardo,
    Vol. 11, pp. 227-235.
    Pergamon Press Ltd., 1978

For a discussion
of how this works, see
Block Designs,
4×4 Geometry, and
Diamond Theory.

Incidentally, structures like the one shown above are invariant under an important subgroup of the affine group AGL(4,2)…  That is to say, they are not lost in translation.  (See previous entry.)

Friday, March 19, 2004

Friday March 19, 2004

Filed under: General,Geometry — m759 @ 2:35 pm

Geometry of the 4×4 Square:

http://log24.com/theory/geometry.html

“There is such a thing as a tesseract.”
A Wrinkle in Time

Tuesday, March 16, 2004

Tuesday March 16, 2004

Filed under: General,Geometry — m759 @ 1:06 pm

Anschaulichkeit

In memory of John W. Seybold, who died at 88 on Sunday, March 14, 2004….

Seybold is said to have originated the application of the phrase “what you see is what you get” (WYSIWYG) to computerized typesetting.

The date of Seybold’s death was also the date of Einstein’s birth.

The entry “Clarity and Certainty” for that day contains a discussion by Einstein of the fact that the altitudes of a triangle have a point in common.

A March 14 search for a clear diagram of that fact yielded the above illustration, to which I returned today after reading of Seybold’s WYSIWYG philosophy.  The illustration is taken from an article by a British teacher of geometry that contains the following:

“Dick Tahta wrote… of geometry as involving the direct apprehension of imagery, gazing as into the eyes of a beloved and a certain intuition-seeing (Anschauung)…..

His sentences have tremendous power, and yet the terms he uses are slippery and seem unexplainable. What is, or what might be, ‘direct apprehension of imagery’? What is evoked by the powerfully metaphorical ‘gazing as into the eyes of a beloved’? ‘Intuition’ is a tremendously difficult term…. The combination ‘intuition-seeing’ seems to represent an attempt to convey a meaning for the German ‘Anschauung,’ and echoes the original title of the text Anschauliche Geometrie by Hilbert and Cohn-Vossen which was published in English as Geometry and the Imagination.”

From the same article:

“… for Lacan ‘mathematics … is constantly in touch with the unconscious’….

Commentators on Lacan frequently write that… he argued that the human being is captivated by an image….

The object, in a sense, gazes back.”

From a discussion group:

“Anschaulichkeit” is in my Cassell’s German-English dictionary, with the meanings “visual or graphic quality, clearness, vividness, perspicuity.”

For “anschaulich,” this dictionary gives “visual, clear, vivid, graphic, concrete; (Phil.) intuitive, perceptual.”

For “Anschauung” it has

  1. visual perception…..
  2. mode of viewing, way of looking at or seeing, idea, conception, notion, opinion, (point of) view, outlook
  3. (Phil.) perception…..
  4. (Theol.) contemplation.

The final meaning above, theological contemplation, suggests that the altitude-intersection diagram above may be used for a meditation on the Trinity.  This is, of course, silly, but no sillier than the third-rate lucubrations of the damned charlatan Lacan.

And so let us pray that Einstein on his birthday was joined by Seybold in rapturous contemplation of the Trinity as revealed in the physicist’s “holy geometry book.”

For a less silly geometrico-theological metaphor, see “Scalene Trinities” from The Mind of the Maker, by Dorothy Sayers.

For a related revelation, see A Contrapuntal Theme.

Sunday, March 14, 2004

Sunday March 14, 2004

Filed under: General,Geometry — m759 @ 3:28 pm

Clarity and Certainty

“At the age of 12 I experienced a second wonder of a totally different nature: in a little book* dealing with Euclidean plane geometry, which came into my hands at the beginning of a schoolyear. Here were assertions, as for example the intersection of the three altitudes of a triangle in one point, which — though by no means evident — could nevertheless be proved with such certainty that any doubt appeared to be out of the question. This lucidity and certainty [Klarheit und Sicherheit] made an indescribable impression upon me….  For example I remember that an uncle told me the Pythagorean theorem before the holy geometry booklet* had come into my hands. After much effort I succeeded in ‘proving’ this theorem on the basis of the similarity of triangles … for anyone who experiences [these feelings] for the first time, it is marvellous enough that man is capable at all to reach such a degree of certainty and purity [Sicherheit und Reinheit] in pure thinking as the Greeks showed us for the first time to be possible in geometry.”

— from “Autobiographical Notes” in Albert Einstein: Philosopher-Scientist, edited by Paul Arthur Schilpp

“Although our intellect always longs for clarity and certainty, our nature often finds uncertainty fascinating.”

— Carl von Clausewitz at Quotes by Clausewitz

For clarity and certainty, consult All About Altitudes (and be sure to click the “pop it up” button).

For murkiness and uncertainty, consult The Fog of War.

Happy birthday, Albert.

* Einstein’s “holy geometry booklet” was, according to Banesh Hoffman, Lehrbuch der Geometrie zum Gebrauch an höheren Lehranstalten, by Eduard Heis (Catholic astronomer and textbook writer) and Thomas Joseph Eschweiler.

Wednesday, March 10, 2004

Wednesday March 10, 2004

Filed under: General,Geometry — Tags: — m759 @ 4:07 am

Ennui of the First Idea

The ennui of apartments described by Stevens in "Notes Toward a Supreme Fiction" (see previous entry) did not, of course, refer to the "apartments" of incidence geometry.  A more likely connection is with the apartments — the "ever fancier apartments and furnishings" — of Stéphane Mallarmé, described by John Simon as the setting for what might plausibly be called, in Stevens's words, "an ennui of the first idea":

"Language was no more than a collection of meaningless conventional signs, and life could absurdly end at any moment. He [Mallarmé] became aware, in Millan’s* words, 'of the extremely fine line

separating absence and presence, being and nothingness, life and death, which later … he could place at the very centre of his work and make the cornerstone of his personal philosophy and his mature poetics.' "

— John Simon, Squaring the Circle

* A Throw of the Dice: The Life of Stéphane Mallarmé, by Gordon Millan

The illustration of the "fine line" is not by Mallarmé but by myself.  (See Songs for Shakespeare, March 5, where the line separates being from nothingness, and Ridgepole, March 7, where the line represents the "great primal beginning" of Chinese philosophy (or, equivalently, Stevens's "first idea" or Mallarmé's line "separating absence and presence, being and nothingness, life and death.")

Sunday, February 22, 2004

Sunday February 22, 2004

Filed under: General,Geometry — Tags: — m759 @ 8:53 am

Invariants

"What modern painters are trying to do,
if they only knew it, is paint invariants."

— James J. Gibson in Leonardo

(Vol. 11, pp. 227-235.
Pergamon Press Ltd., 1978)

Those who have clicked
on the title above
may find the following of interest.

Sean Socha

Imagination/Reality:
Wallace Stevens'
Harmonium

and the Visual Arts

I see modern art's usefulness for Stevens in its reconfiguration of the relationship between imagination and reality…. Stevens will incorporate a device from painting to illustrate his poetic idea. For instance, "Metaphors of a Magnifico" (Harmonium) illustrates an idea about the fragmentation and/or subjectivity of reality and the importance of perspective by incorporating the Cubist technique of multiple perspectives.

Also perhaps relevant:

Einstein wanted to know what was invariant (the same) for all observers. The original title for his theory was (translated from German) "Theory of Invariants." — Wikipedia

Friday, February 20, 2004

Friday February 20, 2004

Filed under: General,Geometry — Tags: — m759 @ 3:24 pm

Finite Relativity

Today is the 18th birthday of my note

The Relativity Problem in Finite Geometry.”

That note begins with a quotation from Weyl:

“This is the relativity problem: to fix objectively a class of equivalent coordinatizations and to ascertain the group of transformations S mediating between them.”

— Hermann Weyl, The Classical Groups, Princeton University Press, 1946, p. 16

Here is another quotation from Weyl, on the profound branch of mathematics known as Galois theory, which he says

“… is nothing else but the relativity theory for the set Sigma, a set which, by its discrete and finite character, is conceptually so much simpler than the infinite set of points in space or space-time dealt with by ordinary relativity theory.”

— Weyl, Symmetry, Princeton University Press, 1952, p. 138

This second quotation applies equally well to the much less profound, but more accessible, part of mathematics described in Diamond Theory and in my note of Feb. 20, 1986.

Friday February 20, 2004

Filed under: General,Geometry — Tags: — m759 @ 12:00 am

The Da Vinci Code
and
Symbology at Harvard

The protagonist of the recent bestseller The Da Vinci Code is Robert Langdon, "a professor of Religious Symbology at Harvard University."  A prominent part in the novel is played by the well-known Catholic organization Opus Dei.  Less well known (indeed, like Langdon, nonexistent) is the academic discipline of "symbology."  (For related disciplines that do exist, click here.) What might a course in this subject at Harvard be like?

Harvard Crimson, April 10, 2003:

While Opus Dei members said that they do not refer to their practices of recruitment as "fishing," the Work’s founder does describe the process of what he calls "winning new apostles" with an aquatic metaphor.

Point #978 of The Way invokes a passage in the New Testament in which Jesus tells Peter that he will make him a "fisher of men." The point reads:

" ‘Follow me, and I will make you into fishers of men.’ Not without reason does our Lord use these words: men—like fish—have to be caught by the head. What evangelical depth there is in the ‘intellectual apostolate!’ ”

IMAGE- Escher, 'Fishes and Scales'

IMAGE- Cullinane, 'Invariance'

Exercise for Symbology 101:

Describe the symmetry
in each of the pictures above.
Show that the second picture
retains its underlying structural
symmetry under a group of
322,560 transformations.

Having reviewed yesterday's notes
on Gombrich, Gadamer, and Panofsky,
discuss the astrological meaning of
the above symbols in light of
today's date, February 20.

Extra credit:

Relate the above astrological
symbolism to the four-diamond
symbol in Jung's Aion.

Happy metaphors!

Robert Langdon

Sunday, February 8, 2004

Sunday February 8, 2004

Filed under: General,Geometry — m759 @ 2:00 pm

The Quality of Diamond

On February 3, 2004, archivist and abstract painter Ward Jackson died at 75.  From today’s New York Times:

“Inspired by painters like Piet Mondrian and Josef Albers, Mr. Jackson made austere, hard-edged geometric compositions, typically on diamond-shaped canvases.”

On a 2003 exhibit by Pablo Helguera that included Mr. Jackson:

Parallel Lives

Parallel Lives recounts and recontextualizes real episodes from the lives of five disparate individuals including Florence Foster Jenkins, arguably the world’s worst opera singer; Giulio Camillo, a Renaissance mystic who aimed to build a memory container for all things; Friedrich Froebel, the inventor of the kindergarten education system, the members of the last existing Shaker community, and Ward Jackson, the lifelong archivist of the Solomon R. Guggenheim Museum.

Parallel Lives pays homage to Hans-Georg Gadamer (1900-2002) and his system of philosophical hermeneutics built through an exploration of historicity, language, and art. This exhibition, which draws its title from the classic work by Plutarch, is a project that explores biography as a medium, drawing from the earlier innovation of the biographical practice in works like Marcel Schwob’s “Imaginary Lives” (1896) and John Aubrey’s “Brief Lives” (1681). Through display means, the project blends the lives of these individuals into one basic story, visually stating the relationship between individualism and society as best summarized by Gadamer’s famous phrase: “we all are others, and we all are a self.”

On February 3, the day that Jackson died, there were five different log24.net entries:

  1. The Quality with No Name 
  2. Speaking Globally
  3. Lila
  4. Theory of Design
  5. Retiring Faculty.

Parallels with the Helguera exhibit:

Florence Foster Jenkins: Janet Jackson in (2) above.

Giulio Camillo: Myself as compiler of the synchronistic excerpts in (5).

Friedrich Froebel: David Wade in (4).

The last Shakers: Christopher Alexander and his acolytes in (1).

Ward Jackson: On Feb. 3, Jackson became a permanent part of Quality — i.e., Reality — itself, as described in (3).

Some thoughts of Hans-Georg Gadamer
relevant to Jackson’s death:

Gadamer, Art, and Play

by G.T. Karnezis

The pleasure it [art] elicits “is the joy of knowledge.” It does not operate as an enchantment but “a transformation into the true.” Art, then, would seem to be an essentializing agent insofar as it reveals what is essential. Gadamer asks us to see reality as a horizon of “still undecided possibilities,” of unfulfilled expectations, of contingency. If, in a particular case, however, “a meaningful whole completes and fulfills itself in reality,” it is like a drama. If someone sees the whole of reality as a closed circle of meaning” he will be able to speak “of the comedy and tragedy of life” (genres becoming ways of conceiving reality). In such cases where reality “is understood as a play, there emerges the reality of what play is, which we call the play of art.” As such, art is a realization: “By means of it everyone recognizes that that is how things are.” Reality, in this viewpoint, is what has not been transformed. Art is defined as “the raising up of this reality to its truth.”

As noted in entry (3) above
on the day that Jackson died,

“All the world’s a stage.”

William Shakespeare

Thursday, January 29, 2004

Thursday January 29, 2004

Filed under: General,Geometry — Tags: , , — m759 @ 2:30 pm

Misunderstanding
in the Theory of Design

"Whether or not we can follow the theorist in his demonstrations, there is one misunderstanding we must avoid at all cost.  We must not confuse the analyses of geometrical symmetries with the mathematics of combination and permutation….

The earliest (and perhaps the rarest) treatise on the theory of design drives home this insight with marvellous precision."

— E. H. Gombrich, 1979, in
   The Sense of Order

This is perhaps the stupidest remark I have ever read.  The "treatise on the theory of design" that Gombrich refers to is

  • Dominique Douat, Méthode Pour Faire une Infinité de Desseins Differents…. Paris, 1722.

For some background, see

Truchet Tiling,  

Truchet & Types:
Tiling Systems and Ornaments
, and

Douat Designs

Certain of the Truchet/Douat patterns have rather intriguing mathematical properties, sketched in my website Diamond Theory.  These properties become clear if and only if we we do what Gombrich declares that we must not do:  "confuse the analyses of geometrical symmetries with the mathematics of combination and permutation."  (The verb "confuse" should, of course, be replaced by the verb "combine.")
 

Tuesday, January 20, 2004

Tuesday January 20, 2004

Filed under: General,Geometry — m759 @ 4:00 am

Screenshot

A search on “vult decipi” at about
3:40 AM today yielded the following, from
 http://www.sacklunch.net/Latin/P/
populusvultdecipidecipiatur.html

The ad for “Geometry of Latin Squares,”
my own. is in direct competition with
Jesus Loves You.”
Good luck, Latin squares.

Sunday, January 11, 2004

Sunday January 11, 2004

Filed under: General,Geometry — Tags: — m759 @ 11:11 am

The Lottery

New York
Jan. 10, 2004

Midday:  720

Evening: 510

Pennsylvania
Jan. 10, 2004

Midday:  616

Evening: 201

What these numbers mean to me:

720: See the recent entries

Music for Dunne's Wake,

720 in the Book, and

Report to the Joint Mathematics Meetings.

616 and 201:

The dates, 6/16 and 2/01,
of Bloomsday and St. Bridget's Day.

510:  A more difficult association…

Perhaps "Love at the Five and Dime"
(8/3/03 and 1/4/04).

Perhaps Fred Astaire's birthday, 5/10.

More interesting…

A search for relevant material in my own archives, using the phrase "may 10" cullinane journal, leads to the very interesting weblog Heckler & Coch, which contains the following brief entries (from May 19, 2003):

"May you live in interesting times
While widely reported as being an ancient Chinese curse, this phrase is likely to be of recent and western origin.

Geometry of the I Ching
The Cullinane sequence of the 64 hexagrams"

"… there are many associations of ideas which do not correspond to any actual connection of cause and effect in the world of phenomena…."

— John Fiske, "The Primeval Ghost-World," quoted in the Heckler & Coch weblog

"The association is the idea"

— Ian Lee on the communion of saints and the association of ideas (in The Third Word War, 1978)

Tuesday, January 6, 2004

Tuesday January 6, 2004

Filed under: General,Geometry — Tags: , , — m759 @ 10:10 pm

720 in the Book

Searching for an epiphany on this January 6 (the Feast of the Epiphany), I started with Harvard Magazine, the current issue of January-February 2004.

An article titled On Mathematical Imagination concludes by looking forward to

“a New Instauration that will bring mathematics, at last, into its rightful place in our lives: a source of elation….”

Seeking the source of the phrase “new instauration,” I found it was due to Francis Bacon, who “conceived his New Instauration as the fulfilment of a Biblical prophecy and a rediscovery of ‘the seal of God on things,’ ” according to a web page by Nieves Mathews.

Hmm.

The Mathews essay leads to Peter Pesic, who, it turns out, has written a book that brings us back to the subject of mathematics:

Abel’s Proof:  An Essay
on the Sources and Meaning
of Mathematical Unsolvability

by Peter Pesic,
MIT Press, 2003

From a review:

“… the book is about the idea that polynomial equations in general cannot be solved exactly in radicals….

Pesic concludes his account after Abel and Galois… and notes briefly (p. 146) that following Abel, Jacobi, Hermite, Kronecker, and Brioschi, in 1870 Jordan proved that elliptic modular functions suffice to solve all polynomial equations.  The reader is left with little clarity on this sequel to the story….”

— Roger B. Eggleton, corrected version of a review in Gazette Aust. Math. Soc., Vol. 30, No. 4, pp. 242-244

Here, it seems, is my epiphany:

“Elliptic modular functions suffice to solve all polynomial equations.”


Incidental Remarks
on Synchronicity,
Part I

Those who seek a star
on this Feast of the Epiphany
may click here.


Most mathematicians are (or should be) familiar with the work of Abel and Galois on the insolvability by radicals of quintic and higher-degree equations.

Just how such equations can be solved is a less familiar story.  I knew that elliptic functions were involved in the general solution of a quintic (fifth degree) equation, but I was not aware that similar functions suffice to solve all polynomial equations.

The topic is of interest to me because, as my recent web page The Proof and the Lie indicates, I was deeply irritated by the way recent attempts to popularize mathematics have sown confusion about modular functions, and I therefore became interested in learning more about such functions.  Modular functions are also distantly related, via the topic of “moonshine” and via the  “Happy Family” of the Monster group and the Miracle Octad Generator of R. T. Curtis, to my own work on symmetries of 4×4 matrices.


Incidental Remarks
on Synchronicity,
Part II

There is no Log24 entry for
December 30, 2003,
the day John Gregory Dunne died,
but see this web page for that date.


Here is what I was able to find on the Web about Pesic’s claim:

From Wolfram Research:

From Solving the Quintic —

“Some of the ideas described here can be generalized to equations of higher degree. The basic ideas for solving the sextic using Klein’s approach to the quintic were worked out around 1900. For algebraic equations beyond the sextic, the roots can be expressed in terms of hypergeometric functions in several variables or in terms of Siegel modular functions.”

From Siegel Theta Function —

“Umemura has expressed the roots of an arbitrary polynomial in terms of Siegel theta functions. (Mumford, D. Part C in Tata Lectures on Theta. II. Jacobian Theta Functions and Differential Equations. Boston, MA: Birkhäuser, 1984.)”

From Polynomial

“… the general quintic equation may be given in terms of the Jacobi theta functions, or hypergeometric functions in one variable.  Hermite and Kronecker proved that higher order polynomials are not soluble in the same manner. Klein showed that the work of Hermite was implicit in the group properties of the icosahedron.  Klein’s method of solving the quintic in terms of hypergeometric functions in one variable can be extended to the sextic, but for higher order polynomials, either hypergeometric functions in several variables or ‘Siegel functions’ must be used (Belardinelli 1960, King 1996, Chow 1999). In the 1880s, Poincaré created functions which give the solution to the nth order polynomial equation in finite form. These functions turned out to be ‘natural’ generalizations of the elliptic functions.”

Belardinelli, G. “Fonctions hypergéométriques de plusieurs variables er résolution analytique des équations algébrique générales.” Mémoral des Sci. Math. 145, 1960.

King, R. B. Beyond the Quartic Equation. Boston, MA: Birkhäuser, 1996.

Chow, T. Y. “What is a Closed-Form Number.” Amer. Math. Monthly 106, 440-448, 1999. 

From Angel Zhivkov,

Preprint series,
Institut für Mathematik,
Humboldt-Universität zu Berlin:

“… discoveries of Abel and Galois had been followed by the also remarkable theorems of Hermite and Kronecker:  in 1858 they independently proved that we can solve the algebraic equations of degree five by using an elliptic modular function….  Kronecker thought that the resolution of the equation of degree five would be a special case of a more general theorem which might exist.  This hypothesis was realized in [a] few cases by F. Klein… Jordan… showed that any algebraic equation is solvable by modular functions.  In 1984 Umemura realized the Kronecker idea in his appendix to Mumford’s book… deducing from a formula of Thomae… a root of [an] arbitrary algebraic equation by Siegel modular forms.”  

— “Resolution of Degree Less-than-or-equal-to Six Algebraic Equations by Genus Two Theta Constants


Incidental Remarks
on Synchronicity,
Part III

From Music for Dunne’s Wake:

Heaven was kind of a hat on the universe,
a lid that kept everything underneath it
where it belonged.”

— Carrie Fisher,
Postcards from the Edge

     

720 in  
the Book”

and
Paradise

“The group Sp4(F2) has order 720,”
as does S6. — Angel Zhivkov, op. cit.

Those seeking
“a rediscovery of
‘the seal of God on things,’ “
as quoted by Mathews above,
should see
The Unity of Mathematics
and the related note
Sacerdotal Jargon.

For more remarks on synchronicity
that may or may not be relevant
to Harvard Magazine and to
the annual Joint Mathematics Meetings
that start tomorrow in Phoenix, see

Log24, June 2003.

For the relevance of the time
of this entry, 10:10, see

  1. the reference to Paradise
    on the “postcard” above, and
  2. Storyline (10/10, 2003).

Related recreational reading:

Labyrinth



The Shining

Shining Forth

Saturday, December 20, 2003

Saturday December 20, 2003

Filed under: General,Geometry — Tags: — m759 @ 5:00 pm

White, Geometric, and Eternal

This afternoon's surfing:

Prompted by Edward Rothstein's own Fides et Ratio encyclical in today's NY Times, I googled him.

At the New York Review of Books, I came across the following by Rothstein:

"… statements about TNT can be represented within TNT: the formal system can, in a precise way, 'talk' about itself."

This naturally prompted me to check what is on TNT on this, the feast day of St. Emil Artin.  At 5 PM this afternoon, we have Al Pacino in "The Devil's Advocate" — a perfect choice for the festival of an alleged saint.

Preparing for Al, I meditated on the mystical significance of the number 373, as explained in Zen and Language Games: the page number 373 in Robert Stone's theological classic A Flag for Sunrise conveys the metaphysical significance of the phrase "diamonds are forever" — "the eternal in the temporal," according to Stone's Catholic priest.  This suggests a check of another theological classic, Pynchon's Gravity's RainbowPage 373 there begins with the following description of prewar Berlin:

"white and geometric."

This suggests the following illustration of a white and geometric object related to yesterday's entry on Helmut Wielandt:

From antiquark.com

Figure 1

(This object, which illustrates the phrase "makin' the changes," also occurs in this morning's entry on the death of a jazz musician.)

A further search for books containing "white" and "geometric" at Amazon.com yields the following:

Figure 2

From Mosaics, by
Fassett, Bahouth, and Patterson:

"A risco fountain in Mexico city, begun circa 1740 and made up of Mexican pottery and Chinese porcelain, including Ming.

The delicate oriental patterns on so many different-sized plates and saucers [are] underlined by the bold blue and white geometric tiles at the base."

Note that the tiles are those of Diamond Theory; the geometric object in figure 1 above illustrates a group that plays a central role in that theory.

Finally, the word "risco" (from Casa del Risco) associated with figure 2 above leads us to a rather significant theological site associated with the holy city of Santiago de Compostela:

Figure 3

Vicente Risco's
Dedalus in Compostela.

Figure 3 shows James Joyce (alias Dedalus), whose daughter Lucia inspired the recent entry Jazz on St. Lucia's Day — which in turn is related, by last night's 2:45 entry and by Figure 1, to the mathematics of group theory so well expounded by the putative saint Emil Artin.

"His lectures are best described as
polished diamonds."
Fine Hall in its Golden Age,
by Gian-Carlo Rota

If Pynchon plays the role of devil's advocate suggested by his creation, in Gravity's Rainbow, of the character Emil Bummer, we may hope that Rota, no longer in time but now in eternity, can be persuaded to play the important role of saint's advocate for his Emil.
 

Update of 6:30 PM 12/20/03:

Riddled:

The Absolutist Faith
of The New York Times

White and Geometric, but not Eternal.

Saturday December 20, 2003

Filed under: General,Geometry — m759 @ 1:09 am

For St. Emil’s Day

On this date in 1962, Emil Artin died.

He was, in his way, a priest of Apollo, god of music, light, and reason.

The previous entry dealt with permutation groups, in the context of a Jan. 2004 AMS Notices review of a book on the mathematics of juggling.

It turns out that juggling is, in fact, related to Artin’s theory of “braid groups.”  For details, see Juggling Braids.

For more on Apollo, see my entry of

1/09.

Friday, December 19, 2003

Friday December 19, 2003

Filed under: General,Geometry — Tags: , — m759 @ 10:00 pm

Happy Birthday, Helmut Wielandt
(wherever you may be)

Cover illustration,
AMS Notices, January 2004

In light of my entry on change-ringing of this date last year, the above AMS Notices cover may serve to illustrate what Heidegger so memorably dubbed the

 "Geheimnis des Glockenturms."

For details on the illustration,
click here and scroll down.

(Wielandt was an expert
on permutation groups.)
 

Tuesday, December 16, 2003

Tuesday December 16, 2003

Filed under: General,Geometry — Tags: , — m759 @ 2:24 pm

Moulin Bleu

  

Kaleidoscope turning…
Shifting pattern
within unalterable structure…

— Roger Zelazny, Eye of Cat   

See, too, Blue Matrices, and
a link for Beethoven's birthday:

Song for the
Unification of Europe
(Blue 1)

Saturday, December 13, 2003

Saturday December 13, 2003

Filed under: General,Geometry — Tags: , — m759 @ 2:02 pm

We Are the Key:
The Shining of December 13

For James and Lucia Joyce

In the Orbit of Genius —
TIME, Dec. 1, 2003
:

"Once, when her mother asked if Joyce should visit her in the sanatorium, Lucia said, 'Tell him I am a crossword puzzle, and if he does not mind seeing a crossword puzzle, he is to come out.' "

Compare and contrast
with Finnegans Wake

From Roger Zelazny's Eye of Cat:

"A massive, jaguarlike form with a single, gleaming eye landed on the vehicle's hood forward and to the front.  It was visible for but an instant, and then it sprang away. The car tipped, its air cushion awry, and it was already turning onto its side before he left the trail.  He fought with the wheel and the attitude control, already knowing that it was too late.  There came a strong shock accompanied by a crunching noise, and he felt himself thrown forward.

DEADLY, DEADLY, DEADLY…
Kaleidoscope turning… Shifting  pattern within unalterable structure… Was it a mistake? There is pain with the power…  Time's friction at the edges…  Center loosens, forms again elsewhere…  Unalterable?  But – Turn outward.  Here songs of self erode the will till actions lie stillborn upon night's counterpane.  But – Again the movement…  Will it hold beyond a catch of moment?  To fragment…  Not kaleidoscope.  No center.  But again… To form it will.  To will it form.  Structure… Pain…  Deadly, deadly…  And lovely.  Like a sleek, small dog… A plastic statue… The notes of an organ, the first slug of gin on an empty stomach… We settle again, farther than ever before… Center. The light!… It is difficult being a god. The pain. The beauty. The terror of selfless –  Act!  Yes. Center, center, center… Here? Deadly…

necess yet again from bridge of brainbow oyotecraven stare decesis on landaway necessity timeslast the arnings ent and tided turn yet beastfall nor mindstorms neither in their canceling sarved cut the line that binds ecessity towarn and findaway twill open pandorapack wishdearth amen amenusensis opend the mand of min apend the pain of durthwursht vernichtung desiree tolight and eadly dth cessity sesame

We are the key."

Tuesday, December 9, 2003

Tuesday December 9, 2003

Filed under: General,Geometry — m759 @ 11:11 am

Street of the Fathers

From Bruce Wagner’s Wild Palms —

Robert Morse sings in Kyoto
as negotiators discuss
the Go chip
:

In My Room

Coordinates for a 4×4 space:

A Small Go Board Study:


A 4×4
Go Board

From
Université René Descartes,
45 rue des Saints Pères,
Paris

Today’s birthdays:

Kirk Douglas
Buck Henry
John Malkovich

Wednesday, November 12, 2003

Wednesday November 12, 2003

Filed under: General,Geometry — Tags: — m759 @ 9:58 am

The Silver Table

“And suddenly all was changed.  I saw a great assembly of gigantic forms all motionless, all in deepest silence, standing forever about a little silver table and looking upon it.  And on the table there were little figures like chessmen who went to and fro doing this and that.  And I knew that each chessman was the idolum or puppet representative of some one of the great presences that stood by.  And the acts and motions of each chessman were a moving portrait, a mimicry or pantomine, which delineated the inmost nature of his giant master.  And these chessmen are men and women as they appear to themselves and to one another in this world.  And the silver table is Time.  And those who stand and watch are the immortal souls of those same men and women.  Then vertigo and terror seized me and, clutching at my Teacher, I said, ‘Is that the truth?….’ ”

— C.S. Lewis, The Great Divorce, final chapter

Follow-up to the previous four entries:

St. Art Carney, whom we may imagine to be a passenger on the heavenly bus in The Great Divorce, died on Sunday, Nov. 9, 2003.

The entry for that date (Weyl’s birthday) asks for the order of the automorphism group of a 4×4 array.  For a generalization to an 8×8 array — i.e., a chessboard — see

Geometry of the I Ching.

Audrey Meadows, said to have been the youngest daughter of her family, was born in Wuchang, China.

Tui: The Youngest Daughter

“Tui means to ‘give joy.’  Tui leads the common folk and with joy they forget their toil and even their fear of death. She is sometimes also called a sorceress because of her association with the gathering yin energy of approaching winter.  She is a symbol of the West and autumn, the place and time of death.”

Paraphrase of Book III, Commentaries of Wilhelm/Baynes.

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