Log24

Thursday, December 8, 2005

Thursday December 8, 2005

Filed under: General,Geometry — Tags: — m759 @ 2:56 PM
Aion Flux

That Nature is a Heraclitean Fire…
— Poem title, Gerard Manley Hopkins  

From Jung’s Map of the Soul, by Murray Stein:

“… Jung thinks of the self as undergoing continual transformation during the course of a lifetime…. At the end of his late work Aion, Jung presents a diagram to illustrate the dynamic movements of the self….”

The image “http://www.log24.com/theory/images/JungDiamonds.gif” cannot be displayed, because it contains errors.

“The formula presents a symbol of the self, for the self is not just a stable quantity or constant form, but is also a dynamic process.  In the same way, the ancients saw the imago Dei in man not as a mere imprint, as a sort of lifeless, stereotyped impression, but as an active force…. The four transformations represent a process of restoration or rejuvenation taking place, as it were, inside the self….”

“The formula reproduces exactly the essential features of the symbolic process of transformation. It shows the rotation of the mandala, the antithetical play of complementary (or compensatory) processes, then the apocatastasis, i.e., the restoration of an original state of wholeness, which the alchemists expressed through the symbol of the uroboros, and finally the formula repeats the ancient alchemical tetrameria, which is implicit in the fourfold structure of unity. 

What the formula can only hint at, however, is the higher plane that is reached through the process of transformation and integration. The ‘sublimation’ or progress or qualitative change consists in an unfolding of totality into four parts four times, which means nothing less than its becoming conscious. When psychic contents are split up into four aspects, it means that they have been subjected to discrimination by the four orienting functions of consciousness. Only the production of these four aspects makes a total description possible. The process depicted by our formula changes the originally unconscious totality into a conscious one.” 

— Jung, Collected Works, Vol. 9, Part 2, Aion: Researches into the Phenomenology of the Self (1951) 

Related material: 

  The diamond theorem

“Although ‘wholeness’ seems at first sight to be nothing but an abstract idea (like anima and animus), it is nevertheless empirical in so far as it is anticipated by the psyche in the form of  spontaneous or autonomous symbols. These are the quaternity or mandala symbols, which occur not only in the dreams of modern people who have never heard of them, but are widely disseminated in the historical recods of many peoples and many epochs. Their significance as symbols of unity and totality is amply confirmed by history as well as by empirical psychology.  What at first looks like an abstract idea stands in reality for something that exists and can be experienced, that demonstrates its a priori presence spontaneously. Wholeness is thus an objective factor that confronts the subject independently of him… Unity and totality stand at the highest point on the scale of objective values because their symbols can no longer be distinguished from the imago Dei. Hence all statements about the God-image apply also to the empirical symbols of totality.”

— Jung, Aion, as quoted in
Carl Jung and Thomas Merton

Thursday December 8, 2005

Filed under: General — Tags: — m759 @ 4:00 AM
Working Backward

“Death itself would start
working backward.”

— Aslan in
The Chronicles of Narnia 

“‘Memory is non-narrative
and non-linear,’
Lin said of the work….
‘People say,
“How do you read this?”
Any way you want.'”

— Maya Lin in
The Harvard Crimson,
Friday, Dec. 2, 2005

“Work as if you were in the
early days of a better nation.”

God in 1982 Janine

From Carole A. Holdsworth,
Dulcinea and Pynchon’s V:

Tanner may have stated it best:

“V. is whatever lights you to
 the end of the street:
 she is also the dark annihilation
 waiting at the end of the street.”

(Tony Tanner, page 36,
 “V. and V-2,” in
 Pynchon: A Collection
 of Critical Essays.
 Ed. Edward Mendelson.
 Englewood Cliffs, N. J.:
 Prentice-Hall, 1978. 16-55).

She’s a mystery
She’s everything
   a woman should be
Woman in black
   got a hold on me

Foreigner 4

Thursday December 8, 2005

Filed under: General — Tags: — m759 @ 2:02 AM
Matchwood

The New York Times
 Book Review,
 Sunday, February 2, 2003:



Cover illustration
by Stephen Savage

‘A Box of Matches’:
A Miniaturist’s
Novel of Details

In Nicholson Baker’s novel,
things not worth noticing
eventually become
all there is to notice.

Powered by WordPress