See also this journal on June 21st, 2013.
Monday, August 6, 2018
Friday, October 23, 2015
Retro or Not?
Happy birthday to the late Michael Crichton (Harvard ’64).
See also Diamond Theory Roulette —
Part of the ReCode Project (http://recodeproject.com). Based on "Diamond Theory" by Steven H. Cullinane, originally published in "Computer Graphics and Art" Vol. 2 No. 1, February 1977. Copyright (c) 2013 Radames Ajna — OSI/MIT license (http://recodeproject/license).
Related remarks on Plato for Harvard’s
Graduate School of Design —
See also posts from the above publication date, March 31,
2006, among posts now tagged “The Church in Philadelphia.”
Saturday, September 26, 2015
Symbols, Local and Global
Local:
Global:
Photo by Brendan Smialowski today
Msgr. Mark Miles, the Pope's translator, at
Independence Hall in Philadelphia today.
What, if anything, the Church means by the symbol
he holds is not clear, but presumably its meaning,
if there is one, is more global than local.
Friday, March 31, 2006
Friday March 31, 2006
"Philosophers ponder the idea of identity: what it is to give something a name on Monday and have it respond to that name on Friday…."
— Bernard Holland in
The New York Times
Monday, May 20, 1996
March 27, 2006–
Mid-Day: 888
See today's noon entry
and Eight is a Gate.
See
Dogma in the State of Grace,
Is Nothing Sacred?,
and, from page 557 of
Webster's
New World Dictionary,
College Edition, 1960:
As performed by
Princess Grace of Monaco
St James's Palace, London,
on 22nd November 1978
in the presence of Her Majesty,
Queen Elizabeth
The Queen Mother
Friday March 31, 2006
Women's History Month continues…
Ontology Alignment
"He had with him a small red book of Mao's poems, and as he talked he squared it on the table, aligned it with the table edge first vertically and then horizontally. To understand who Michael Laski is you must have a feeling for that kind of compulsion."
— Joan Didion in the
Saturday Evening Post,
Nov. 18, 1967 (reprinted in
Slouching Towards Bethlehem)
"Or were you," I said.
He said nothing.
"Raised a Catholic," I said.
He aligned a square crystal paperweight with the edge of his desk blotter.
— Joan Didion in
The Last Thing He Wanted,
Knopf, 1996
"It was Plato who best expressed– who veritably embodied– the tension between the narrative arts and mathematics….
Plato clearly loved them both, both mathematics and poetry. But he approved of mathematics, and heartily, if conflictedly, disapproved of poetry. Engraved above the entrance to his Academy, the first European university, was the admonition: Oudeis ageometretos eiseto. Let none ignorant of geometry enter. This is an expression of high approval indeed, and the symbolism could not have been more perfect, since mathematics was, for Plato, the very gateway for all future knowledge. Mathematics ushers one into the realm of abstraction and universality, grasped only through pure reason. Mathematics is the threshold we cross to pass into the ideal, the truly real."
— Rebecca Goldstein,
Mathematics and
the Character of Tragedy