Continues from March 14, 2009.
Monday, September 21, 2020
Sunday, September 20, 2020
Epistemological Metaphor
Saturday, September 19, 2020
The Summerfield Prize
Cube School
The new domain http://cube.school
points to posts tagged Cube School here.
Friday, September 18, 2020
Holiday Horns
Readings for Rosh Hashanah from this journal on April 5, 2005 —
Compare the following two passages from Holy Scripture:
“…behold behind him
a ram caught in a thicket by his horns”
“A goat butts against a hedge
And gets its horns entangled.”
Adoration of the Cube
“WHEN I IMAGINE THE CUBE, I see a structure in motion.
I see the framework of its edges, its corners, and its flexible joints,
and the continuous transformations in front of me (before you start
to worry, I assure you that I can freeze it anytime I like). I don’t see
a static object but a system of dynamic relations. In fact, this is only
half of that system. The other half is the person who handles it.
Just like everything else in our world, a system is defined by
its place within a network of relations—to humans, first of all.”
— Rubik, Erno. Cubed (p. 165). Flatiron Books. Kindle Ed., 2020.
Compare and contrast — Adoration of the Blessed Sacrament.
Thursday, September 17, 2020
Structure and Mutability . . .
Continues in The New York Times :
"One day — 'I don’t know exactly why,' he writes — he tried to
put together eight cubes so that they could stick together but
also move around, exchanging places. He made the cubes out
of wood, then drilled a hole in the corners of the cubes to link
them together. The object quickly fell apart.
Many iterations later, Rubik figured out the unique design
that allowed him to build something paradoxical:
a solid, static object that is also fluid…." — Alexandra Alter
Another such object: the eightfold cube .
At the Intersection…
Ideas and Vision: Wittgenstein via Fodor
A remark on "ideas and vision" in the previous post suggests . . .
A search for Fodor in this journal yields his parody of Wittgenstein . . .
-
A man might have this picture of what seeing is:
there is the seer and there is the thing seen .
The one sees the other. A typical philosophical theory. - We wish to ask: what are we supposed to do with this picture?
-
A man might say: ‘I can’t see a thing’ and ‘I can’t see a thing
but the fog.’ Both might be true. - ‘I can’t see a thing in this fog.’ Which thing?
Nexus
“This article is a nexus of ideas and vision….”
— Jack Plotkin at Medium.com yesterday
As are many other things. See nexus in this journal
and . . .
“Show me all the blueprints.”
— Howard Hughes, according to Hollywood
Wednesday, September 16, 2020
Critical Invisibility
Synchronology check —
This journal on the above dates —
8 January 2019 (“For the Church of Synchronology“)
and 24 April 2019 (“Critical Visibility“).
Related mathematics: Klein Correspondence posts.
Related entertainment: “The Bulk Beings.”
The above Physical Review remarks were found in a search
for a purely mathematical concept —
Tuesday, September 15, 2020
The Caputo Deconstruction
Monday, September 14, 2020
Classics Illustrated
“You’re reading me,” she murmurs.
“Particularly and surprisingly well-preserved;
tight, bright, clean and especially sharp-cornered.”
Update of 7 PM ET Sept. 14, 2020 —
A sequel to Creamy and Sweaty —
“Stop loading this page.” . . . “Too late.”
Space People Puzzle
Shades (Of London Bondage continues)
“Loitering in Lara’s dressing room, she tries on
the faux-bondage harness she picked up in London….”
See as well . . .
Socrates in the Marketplace
“The 2×2 matrix is commonly used in business strategy
as a representational tool to show conflicting concepts and
for decision making. This four-quadrant matrix diagram
is perfect to be used for business or marketing matrices
like BCG, SWOT, Ansoff, risk assessment…
Additionally, it will also be suitable to illustrate 4 ideas or
concepts.” [Link on “illustrate” added.]
See also a Log24 search for “Resplendent.”
Sunday, September 13, 2020
The Night Clerk in Duelle (1976)
“As for amateur detective Lucie, she meets Viva and
begins to realize that both Viva and her client, Leni,
are after the same jewel. Her brother reluctantly reveals
their true natures: Viva is the daughter of the Sun, and
Leni the daughter of the Moon. They can stay on Earth
for only 40 days between the last full moon of winter
and the first full moon of spring. The magic jewel can
allow them to stay.”
Braving the Elements
The title is that of a book of poems by James Merrill
that includes “The Emerald.”
“As above, so below.” — The Emerald Tablet
“The Emerald Tablet … is a compact and cryptic piece of
the Hermetica reputed to contain the secret of the prima materia
and its transmutation. It was highly regarded by European alchemists
as the foundation of their art and its Hermetic tradition.” — Wikipedia
Animated version of Book I, Proposition 47, Euclid’s Elements —
Saturday, September 12, 2020
Knots Landing
On a mathematician, a knot theorist, who reportedly died
on Sunday, September 6, 2020 —
Another death on that same date — that of an actor from
“Knots Landing: Back to the Cul-de-Sac” . . .
A related quote, courtesy of University Diaries —
Friday, September 11, 2020
Kauffman on Algebra
Kauffman‘s fixation on the work of Spencer-Brown is perhaps in part
due to Kauffman’s familiarity with Boolean algebra and his ignorance of
Galois geometry. See other posts now tagged Boole vs. Galois.
See also “A Four-Color Epic” (April 16, 2020).
In Memoriam
From the Vanderbilt University obituary of Vaughan F. R. Jones —
"During the mid-1980s, while Jones was working on a problem in von Neumann algebra theory, which is related to the foundations of quantum mechanics, he discovered an unexpected link between that theory and knot theory, a mathematical field dating back to the 19th century. Specifically, he found a new mathematical expression—now known as the Jones polynomial—for distinguishing between different types of knots as well as links in three-dimensional space. Jones’ discovery had been missed by topologists during the previous 60 years, and his finding contributed to his selection as a Fields Medalist.
'Now there is an area of mathematics called said Dietmar Bisch, professor of mathematics." [Link added.] |
Related to Jones's work —
"Topological Quantum Information Theory" at
the website of Louis H. Kauffman —
http://homepages.math.uic.edu/~kauffman/Quanta.pdf.
Kauffman —
Thursday, September 10, 2020
Of London Bondage
"After years in hiding, latex fashion re-emerged in the late 1950s,
thanks to the British designer John Sutcliffe, who created the world’s
first catsuit – the prototype rubber-fetish garment. …
The 1960s British spy series The Avengers was monumental
in bringing rubberwear to the masses. The show’s feminist heroine,
Emma Peel (played by Diana Rigg), was styled in a latex, Sutcliffe-
inspired catsuit. With Peel as a media archetype, latex’s second-skin
look wasn’t just sexy, it was superhuman.
Sutcliffe capitalised on the obsession with his products, and founded
AtomAge Magazine in 1972. The periodical, filled with artful and erotic
bondage imagery, gained a huge following among fetishists, and made
quite the splash on London’s progressive fashion scene. "
— By Cassidy George, bbc.com, 8th January 2020
See also an image from a Log24 post on that date a year earlier—
Ship Shape
Wednesday, September 9, 2020
Portrait with Holocron
Artspeak Eulogy
“… several writers called Mr. Gorchov’s paintings ‘primitive,’
but he preferred ‘rudimentary.’ They took painting back to basics,
to a primal state and a set of motifs that changed only a little,
flirting with repetition but rarely succumbing to it.”
— Roberta Smith in The New York Times this afternoon.
Gorchov reportedly “died on Aug. 18 at his home in Red Hook, Brooklyn.”
See as well some art remarks on Aug. 18 in this journal —
More generally, see other posts tagged Kampf.
Update of 1:16 PM ET Sept. 9 —
Arrow Theme
The abstract arrows below in an image from yesterday’s Design post . . .
. . . are a background feature of the Castello Sforzesco website generally,
and not specifically of Corraini’s 2016 graphic design presentation.
The arrows apparently come from repetitions of this motif —
Similar arrow motifs appear at the castle’s main page —
Tuesday, September 8, 2020
“The Eight” according to Coleridge
Metaphysical ruminations of Coleridge that might be applied to
the eightfold cube —
See also "Sprechen Sie Neutsch?".
Update of December 29, 2022 —
Design
Illustration by Pietro Corraini
Corraini design lecture on June 29, 2016 —
This journal on the same day —
Monday, September 7, 2020
A Discovery of Space
Fiction set in Duke Humfrey's Reading Room at
the Bodleian Library, University of Oxford:
"I walked quickly through the original, fifteenth-century part of the library, past the rows of Elizabethan reading desks with their three ascending bookshelves and scarred writing surfaces. Between them, Gothic windows directed the reader’s attention up to the coffered ceilings, where bright paint and gilding picked out the details of the university’s crest of three crowns and open book and where its motto, 'God is my illumination,' was proclaimed repeatedly from on high."
— Harkness, Deborah. A Discovery of Witches: |
Related non-fiction about an event on Jan. 26, 2019 —
Meanwhile, elsewhere —
A later ad for the Lyche exhibition —
See as well some posts about the Eddington song —
A Discovery of Species
From the subtitles to “A Discovery of Witches,”
Season 1, Episode 2 —
An actor playing a contemporary (2018) fictional Oxford professor —
378
00:35:54,235 –> 00:35:56,593
We’re among hundreds of laboratories
using genetics
379
00:35:56,595 –> 00:35:59,713
to study species origin,
but in our lab
380
00:35:59,715 –> 00:36:02,315
humans aren’t the only species
we’re studying.
An earlier non-fictional Oxford student writes —
Related material: Other posts tagged Structure and Mutability.
Remedial Reading
See also Archimedes at Hiroshima
and, more generally, Aitchison.
Sunday, September 6, 2020
Logo Note
This post was suggested by my Feedly tonight —
“Add note” — A constant Feedly suggestion.
OK . . .
— Images from The Hogwash Papers
Logo Detail
“Pray for the Grace of Accuracy.”
The title is from a poem by Robert Lowell.
Saturday, September 5, 2020
Poetry 101: “Do Not Block Intersection”
The title is from a post of July 27.
From earlier posts (Feb. 20, 2009) —
Emblematizing the Modern
Note that in applications, the vertical axis of T.S. Eliot:
“Men’s curiosity searches past and future |
Midrash for LA —
Ikonologie des Zwischenraums
The title is from a Cornell page in the previous post.
Related material (click to enlarge) —
The above remarks on primitive mentality suggest
a review of Snakes on a Plane.
For Witch Wannabes
Part I — From a TV series released in the UK on Sept. 14, 2018 —
Pages scattered by the wind magically reassemble
at an Oxford witch’s command:
Part II — Images on a book cover from a Log24 search for “Dominus” —
Part III — From Log24 on the “Witches” release date —
In this Cornell page, Gombrich discusses images symbolizing sin.
What sort of sin is symbolized by the above time-reversal scene
in “Discovery of Witches” and by such scenes in the new film “Tenet,”
the reader may decide.
Friday, September 4, 2020
Vox Lux
An illustration from the Vox article —
Another approach to Nolan theory —
Or Matt Helm by way of a Jedi cube.
Force Field of Dreams
(Continued from September 22, 2002.)
“As you read, watch for patterns. Pay special attention to
imagery that is geometric….” — “Pattern in The Defense “
See as well Wednesday’s Smile, and “Expanding the Spielraum“ .
Thursday, September 3, 2020
LA Stories
Recreation of a 1960s LA marquee in “Once Upon a Time in Hollywood” —
But seriously . . .
See also a “Once-Upon-a-Time”-related death.
Frown.
(A sequel to the previous post, “Smile.“)
The above image links to a New York Times opinion piece.
“Michael J. Sandel is a professor of government at Harvard
and the author of the forthcoming The Tyranny of Merit :
What’s Become of the Common Good? , from which this
essay is adapted.” — NY Times .
Wednesday, September 2, 2020
Little Metal Letters
From a report of another August 14 death —
“… on Dec. 7, 1941, ‘it seemed as though everyone at Harvard
came to the Crimson building that night, and anxiously
hung over the ticker tape [i.e., teletype ] machine to watch the
little metal letters hammer out the words that told the story.'”
— Dan Huntington Fenn Jr., quoted in his Boston Globe obituary.
“Simplicity, clarity, showing the text” — The late Howell Binkley.
“To expand the words and music and dance” . . .
See Coconut Dance.
Space Wars: Sith Pyramid vs. Jedi Cube
For the Sith Pyramid, see posts tagged Pyramid Game.
For the Jedi Cube, see posts tagged Enigma Cube
and cube-related remarks by Aitchison at Hiroshima.
This post was suggested by two events of May 16, 2019 —
A weblog post by Frans Marcelis on the Miracle Octad
Generator of R. T. Curtis (illustrated with a pyramid),
and the death of I. M. Pei, architect of the Louvre pyramid.
That these events occurred on the same date is, of course,
completely coincidental.
Perhaps Dan Brown can write a tune to commemorate
the coincidence.
Tuesday, September 1, 2020
Story Space
than cipher: a mask rather than a revelation
in the romantic sense. Does love meet with love?
Do we receive but what we give? The answer is
surely a paradox, the paradox that there are
Platonic universals beyond, but that the glass
is too dark to see them. Is there a light beyond
the glass, or is it a mirror only to the self?
The Platonic cave is even darker than Plato
made it, for it introduces the echo, and so
leaves us back in the world of men, which does
not carry total meaning, is just a story of events.”
Monday, August 31, 2020
Hollywood Logic
See as well a recent post in memory of “Chariots of Fire” actor Ben Cross.
From a Chrome Browser announcement today —
Compare and contrast “The Ghost and the Darkness” (Constellation, 1996)
and the new film “Rogue” (Lionsgate, 2020).
“Elijah?… Elijah?!” — Megan Fox in “Rogue” (00:41:47)
How Deep the Darkness*
Seals: Compare and Contrast
Saturday, August 29, 2020
Shadowlands
“What have they done to my song?”. . . C. S. Lewis might ask.
Thursday, August 27, 2020
Logline
“Careful. Evil has a way of making friends with the good
and dragging them into the darkness.” — CSI, Feb. 24, 2011
A related meditation —
Wednesday, August 26, 2020
Plan 9 from Prescott Street*
“Plan 9 deals with the resurrection of the dead.”
* See the previous post‘s link to the phrase
“Turn on, tune in, drop dead.”
Tuesday, August 25, 2020
Gail Sheehy and the Source
Sheehy reportedly died on Monday, August 24, 2020.
YouTube has the Vermont speech:
From this journal on that date —
Summary: “Turn on, tune in, drop dead.“
The Lotus Rose
The title is adapted from T. S. Eliot.
See Jung, Psychology and Religion , p. 72
(Princeton University Press, second ed., 1969).
Geometric Pedigree
Monday, August 24, 2020
For and Toward
“It is a strange, melancholy feeling to turn sixty-five, and realize
that what you have spent a good portion of your life working
for and toward was not only meritless but also destructive.”
— A new book on politics quoted by Sean Illing at vox.com this morning
For some 65th-birthday-related reflections of my own, see my posts
of August 2007.
For those who prefer entertainment to melancholy, an image
from one of those posts —
Also Dick-related —
The Mark of Zaentz
Jung's phrase "'four-square' Heavenly City" in the previous post
suggests a geometric object… the 4×4 square —
The "twelve gates" at the sides of the above figure suggest a song —
The Baez date above suggests in turn a review of
the Jan. 4, 2014, post "Heaven's Gate,"
on the death of film producer Saul Zaentz.
Related material —
The "Heavenly City" is perhaps not Cambridge, Massachusetts.
Recall as well Jean Simmons preaching the Foursquare Gospel
in the 1960 film classic "Elmer Gantry" —
Sunday, August 23, 2020
Jung on the Quaternity…
Sprechen Sie Neutsch?
“An Object Lesson” Continues.
From yesterday morning’s post “An Object Lesson” —
A search for the origin of a photo in yesterday’s New York Times
obituary of linguist Geoffrey Nunberg yields . . .
“Words are not things, but activities,” observed Dwight Bolinger,
a revered linguist who taught at Harvard before retiring to Palo Alto,
and he might have been describing Nunberg. Early this morning—
about 2:30 a.m.—he called Bolinger’s words “my favorite linguistic
epigram” in his posting on the Language Log, where blogging linguists
“chew the electronic fat,” as Nunberg puts it.
— Ann Hurst, undated article in Stanford Magazine , March/April 2005
In reality, Nunberg said something slightly different —
Meanwhile, elsewhere . . .
Scholium —
From Log24’s Language Game, Jan. 14, 2004 —
“Ludwig Wittgenstein, Philosophical Investigations :
373. Grammar tells what kind of object anything is. (Theology as grammar.)”
Saturday, August 22, 2020
Magic for Liars* . . .
From a web page —
From YouTube, for the Church of Synchronology —
Meanwhile, elsewhere . . .
* See that book title in this journal.
An Object Lesson
Posts tagged Plato's Video continue.
Related literary remarks from this journal on Oct. 1, 2016 —
— A Heart for the Gods of Mexico , Conrad Aiken, 1939
Related imagery this morning from the Gulf of Mexico —
Meanwhile, also on Oct. 1, 2016, related imagery from Star Wars Rebels —
Click here for the video.
Friday, August 21, 2020
Ludwig Wittgenstein, P.I.
“What is your aim in philosophy?—To show the fly
the way out of the fly-bottle.”
LUDWIG WITTGENSTEIN
“Philosophical Investigations”
Related philosophical investigations —
This morning’s post Gap Dance and a 2012 film . . .
“Three magazine employees head out on an assignment
to interview a guy who placed a classified advertisement
seeking a companion for time travel.” — IMDb
The finished film does not follow the script exactly. (The above
dialogue is rendered more in the spirit of Hunter Thompson.)
Logic and Efficiency
From remarks in this journal on Aug. 7 —
“You’ve got to pick up every stitch.” — Donovan
“Looking carefully at Golay’s code
is like staring into the sun.”
Gap Dance
“What would the pavement of the universe be
if there were gaps between the paving stones,
inaccessible and filled with nothing?”
— “Concerning Time,” by Iannis Xenakis and
Roberta Brown, on page 85, Perspectives of New Music ,
Vol. 27, No. 1 (Winter, 1989, pp. 84-92).
This post was suggested by the Aug. 19 remarks of
Karmela Padavic-Callaghan in Scientific American .
Music for The Bowler and Casanova Frankenstein —
Image from the website of the Scientific American author.
Thursday, August 20, 2020
Milking the Sixteenths
“In the main belly cabin he discovered the reason
for the tropical heat; a naked woman was sweating
and swearing over the maintenance gear surrounding
a transparent incubator. She was tinkering and crawling
over and under the complications like an octopus.
It was his assistant, Dr. Cluny Decco, and Krupp had
never seen her nude before, but his controlled voice
did not betray his delighted amazement.”
— Alfred Bester, The Deceivers . Kindle Edition.
From a post, Dharma Fabric , of January 7, 2020 —
Groundwork
“Ann Syrdal, a psychologist and computer science researcher
who helped develop synthetic voices that sounded like women,
laying the groundwork for such modern digital assistants as
Apple’s Siri and Amazon’s Alexa, died on July 24 at her home
in San Jose, Calif. She was 74.” — Cade Metz, NY Times, today
A Case for the Quote Investigator
“One More Reality Show”
Also* from the Early 80’s
See Corinne Wahl in an adaptation of Schnitzler’s La Ronde.
Compare and contrast the 4×4 square of the Wahl presentation
with that of the July 26 post Dirty Dancing Disco.
* A reference to the previous post.
Wednesday, August 19, 2020
Big Dick Energy
For the title, see the Aug. 17 post Vampire Workday.
Scholium for Beckinsale —
“For every kind of vampire, there is a kind of cross.” — Gravity’s Rainbow
A Poet’s Amanuensis
The title refers to a Paris Review article dated August 18, 2020.
Detail of poet Donald Hall’s home in a photo accompanying the article —
A synchronology check of Hall’s date of death — Midsummer Eve
in 2018 — yields, in this journal —
Related images I prefer to Hall’s —
In Memoriam: Ben Cross
See Cross at IMDb. He reportedly died yesterday.
“For decades, Mr. Cross worked steadily
in television and film. He had just completed
shooting for the coming film ‘The Devil’s Light,’
about an exorcism, according to a statement from
his representative, Tracy Mapes.”
Also by Azi Paybarah —
See as well Sunset Boulevard Revisited and . . .
“Do not block intersection.” — City of Los Angeles
Tuesday, August 18, 2020
Taunts and Pranks for Harvard Fans
Monday, August 17, 2020
Fabricated
“Fabricated from three tons of Cor-Ten steel . . . .”
For further fabrications, see Neville + Labrys.
The Silence at the Core
The title is a phrase by Robert Hughes from the previous post.
Art School Confidential . . .
Vampire Workday
The image below explains the origin of Kate Beckinsale’s
“Big Duck Energy” Instagram post from last night.
See also Vox Lux in this journal.
Notes for a Grammaton Cleric
See Grammaton Cleric in this journal.
This phrase describes a character in the 2002 film “Equilibrium.”
See also . . .
And Thereby Hangs . . . A Black Belt?
Context —
Accompanying dialogue —
Nina Kate is, among other things, a latex designer:
Latex design suggested by a recent Jaime King meditation
on the AA phrase Hungry, Angry, Lonely, Tired: HALT —
“Gotta work on that acronym.” — Tony Stark —
Sunday, August 16, 2020
The Wicca Man…
This post was suggested last night by Kate Beckinsale’s
pussy, Willow. Another Willow —
Willow’s dance in “The Wicker Man” is memorable.
Another dance by the same actress —
Saturday, August 15, 2020
Gentlemen Prefer . . .
“What of the night
That lights and dims the stars?
Do you know, Hans Christian,
Now that you see the night?”
— The concluding lines of “Sonatina to Hans Christian,”
by Wallace Stevens (in Harmonium (second edition, 1931))
“Never a little tea-party of white young lady foxes”
— The Snow Queen , by Hans Christian Andersen
Falling in Lust Again… Can’t Help It
" Once he opens these gates, Harry will flood his audience
with his redemptive epiphanic impression that ‘the world
was saturated with love.’ ”
— Liesl Schillinger, review of Mark Helprin’s novel
In Sunlight and in Shadow
Not to mention the MILF of human kindness.
Waiting for the Light at the End of Daisy’s Dock
Hidden Figures Matter
“Don’t forget the portcullis, Dutch Boy!”
Lives of the Painters: Dutch Boy
“Harry decides his chief peacetime duty is to use his
gift for gab to further his ‘overriding purpose,’ namely:
‘By recalling the past and freezing the present he could
open the gates of time and through them see all
allegedly sequential things as a single masterwork
with neither boundaries nor divisions.’ Once he opens
these gates, Harry will flood his audience with his
redemptive epiphanic impression that ‘the world was
saturated with love.’ ”
— Liesl Schillinger, review of Mark Helprin’s novel
In Sunlight and in Shadow in The New York Times ,
Oct. 5, 2012
“Add a Comment” (Instagram, St. Andrew’s Day 2013)
Friday, August 14, 2020
Exercise
For Leonard Cohen’s Temple of Music —
Prelude to a Mattress Dance
From “Take This Waltz” (2011)
Related architecture —
“And I’ll bury my soul in a scrapbook
With the photographs there, and the moss”
— Leonard Cohen, “Take This Waltz” lyrics
Thursday, August 13, 2020
“Mixing Memory and Desire”
“Oh I want to take you down to Kokomo,
we’ll get there fast and then we’ll take it slow
That’s where we want to go, way down in Kokomo”
— Beach Boys (1988), with images in memory of Jeffrey Epstein:
Oasis Midrash
“A Passion that Kills,” by Markus Pierson (wood sculpture, 1988)
Midrash for the Fockers —
“I like to watch.” — Chauncey Gardiner