See also Harvard's Memorial Church in "Ready when you are, C. B."—
HARVARD CRIMSON/ ALEX R. LEVIN
Sharon Stone lectures at
Harvard's Memorial Church
on March 14, 2005…
See also Harvard's Memorial Church in "Ready when you are, C. B."—
HARVARD CRIMSON/ ALEX R. LEVIN
Sharon Stone lectures at
Harvard's Memorial Church
on March 14, 2005…
From Under the Volcano , Chapter II—
Hotel Bella Vista
Gran Baile Noviembre 1938
a Beneficio de la Cruz Roja.
Los Mejores Artistas del radio en accion.
No falte Vd.
From Shining Forth—
"What he sees is something real."
— Charles Williams, The Figure of Beatrice
See "Nine is a Vine" and "Hereafter" in this journal.
As quoted here last October 23—
Margaret Atwood on Lewis Hyde's Trickster Makes This World: Mischief, Myth, and Art—
"Trickster is among other things the gatekeeper who opens the door into the next world; those who mistake him for a psychopath never even know such a door exists." (159)
What is "the next world"? It might be the Underworld….
The pleasures of fabulation, the charming and playful lie– this line of thought leads Hyde to the last link in his subtitle, the connection of the trickster to art. Hyde reminds us that the wall between the artist and that American favourite son, the con-artist, can be a thin one indeed; that craft and crafty rub shoulders; and that the words artifice, artifact, articulation and art all come from the same ancient root, a word meaning "to join," "to fit," and "to make." (254) If it’s a seamless whole you want, pray to Apollo, who sets the limits within which such a work can exist. Tricksters, however, stand where the door swings open on its hinges and the horizon expands: they operate where things are joined together, and thus can also come apart.
Back to the Real
Colum McCann on yesterday’s history:
“Fiction gives us access to a very real history.”
The Associated Press thought for today:
“Journalism allows its readers to witness history; fiction gives its readers an opportunity to live it.”
— John Hersey, American author (born on this date in 1914, died 1993).
From John Hersey’s The Child Buyer (1960):
“I was wondering about that this morning… About forgetting. I’ve always had an idea that each memory was a kind of picture, an insubstantial picture. I’ve thought of it as suddenly coming into your mind when you need it, something you’ve seen, something you’ve heard, then it may stay awhile, or else it flies out, then maybe it comes back another time…. If all the pictures went out, if I forgot everything, where would they go? Just out into the air? Into the sky? Back home around my bed, where my dreams stay?”
“We keep coming back and coming back
To the real: to the hotel instead of the hymns….”
— Wallace Stevens
Postcard from eBay
From Under the Volcano, by Malcolm Lowry, 1947, Chapter I:
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