Log24

Monday, July 10, 2017

Plato Thanks the Academy (continued)

Filed under: General — m759 @ 9:18 pm

See also this journal on Feb. 15, 2017 —

"For Your Consideration."

Related item from Arts & Letters Daily today —

Wednesday, November 20, 2024

Thanking the Academy: AI Overview

Filed under: General — m759 @ 9:33 am

From Oscars La La

Sunday, July 7, 2024

The Titanic Avatar

Filed under: General — Tags: , , — m759 @ 3:42 pm

See also Avatar in this  journal . . .

. . . and a post of March 29, 2024 . . .

Rearranging the Deck Chairs

In the March 21 Netflix series "3 Body Problem,"
the deck of the ship Judgment Day is transformed
in a spectacular manner by an invisible  trick.

Wednesday, March 13, 2024

“Time flies like an arrow….” — Attributed to Anthony Oettinger

Filed under: General — Tags: — m759 @ 11:49 pm

Related reading — http://m759.net/wordpress/?s="Arrow+in+the+Blue" .

For Harlan Kane, a post from this journal on July 26, 2022 —
the date of Oettinger's reported death:

Related reading: a death on Oscars weekend . . .

Tuesday, March 12, 2024

“Wilde Abyss”

Filed under: General — Tags: , , — m759 @ 1:50 pm

Sunday, October 23, 2022

Saddle Design: The Little Big Horn

Filed under: General — Tags: , — m759 @ 12:34 am

Related material —

CLIPPED FROM The Californian , Salinas, California,
28 July 2001, Saturday  •  Page 25 —

The above 2001 article on Cruz Saddlery in Salinas is about the family
of "Sacheen Littlefeather," whose real name was reportedly Maria Louise Cruz.

For more about Maria/Sacheen, see yesterday's San Francisco Chronicle :

"Sacheen Littlefeather was a Native American icon.
 Her sisters say she was an ethnic fraud.
"

From that article —

Sunday, April 3, 2022

Dreams

Filed under: General — Tags: — m759 @ 8:35 am

Some may prefer a different sort of dream . . .

Background for the Stimmung  dream, from May 2019 —

For a different type of lifeworld, see May 2019 in this  journal.

Tuesday, February 8, 2022

In memory of Nick Tosches

Filed under: General — Tags: , — m759 @ 1:49 pm

For your consideration:  "Nightmare Alley" Oscar nominations

Costume design, production design, cinematography, Best Picture.

See as well the introduction by Nick Tosches to the novel .

A touch I personally like:  Over the end credits, Hoagy Carmichael's
"Stardust" plays. From related remarks (here abridged) by poet
David Lehman on November 22, 2015 (the feast of St. Cecilia) —

"Every year on this day I think unfailingly of three things:

— that today is Hoagy Carnichael's birthday ….

— that if time were elastic I would write a series of
   popular history novels ….

— that paranoid conspiracy theories are based on
   our fundamental inability to understand events.

From this  journal on November 22, 2015 —

http://www.log24.com/log/pix11C/111127-Ong-PresenceOfTheWord.jpg

Tuesday, July 27, 2021

Dancing in the Moonlight

Filed under: General — Tags: , — m759 @ 1:00 am


Instagram screenshot with added note.

Easy E for an Accountant:

 

Not So Easy:  E-Operators

"A great many other properties of  E-operators
have been found, which I have not space
to examine in detail."

— Sir Arthur EddingtonNew Pathways in Science ,
Cambridge University Press, 1935, page 271.
(This book also presents Eddington's unfortunate
speculations on the fine-structure constant.)

Update of 4:04 AM  ET:
Here is the not-so-tiny-dancer in
the above Instagram screenshot.

Monday, February 10, 2020

Gap Dance

Filed under: General — Tags: — m759 @ 12:26 am

But more, much more than that

… She did it  side ways.

In some earlier news from Development Hell

See as well this  journal's report of a death on that date.

Friday, November 15, 2019

Operators

Filed under: General — Tags: , — m759 @ 2:40 pm

Easy E

 

Not So Easy:  E-Operators

"A great many other properties of  E-operators
have been found, which I have not space
to examine in detail."

Sir Arthur Eddington, New Pathways in Science ,
Cambridge University Press, 1935, page 271.
(This book also presents Eddington's unfortunate
speculations on the fine-structure constant.)

Monday, February 25, 2019

The Sartwell Illusion

Filed under: General — Tags: — m759 @ 2:56 pm

See Sartwell in this journal and . . .

"Read something that means something." — New Yorker  motto.

From a search for Alperin in this  journal —

http://www.log24.com/log/pix18/180824-Alperin-Groups_and_Representations-1995-p61-Further_Exercises.jpg

Why PSL(2,7) is isomorphic to GL(3.2)

Monday, July 9, 2018

Beaty Confidential

Filed under: General — Tags: — m759 @ 2:24 pm

See also Lumet's "Child's Play."

Related entertainment —

Tuesday, May 22, 2018

Spotlight

Filed under: General — m759 @ 11:15 am

"What could go wrong?"  See . . .

The producers of "Spotlight," a 2015 film about The Boston Globe

Saturday, April 14, 2018

Thanking the Academy

Filed under: General — Tags: — m759 @ 10:56 am

"Again, Oscars for best director and best picture . . . ."

See also the previous post and a search for
"Plato thanks the Academy."

Thursday, January 18, 2018

A Phrase That Might Have Been

Filed under: General — m759 @ 5:12 pm

The online New York Times  reports this afternoon
the death of a production designer on January 9th —

"In addition to the two Oscars Mr. Marsh won
(which he shared with others), he was nominated
for two more: for 'Scrooge' (1970), with Albert Finney and
Alex [sic ] Guinness, and 'Mary, Queen of Scots' (1971),
with Vanessa Redgrave and Glenda Jackson."

" The Little Broomstick  by  Mary Stewart,
illustrated by Shirley Hughes, published Brockhampton 1971.
The story is about Mary, staying at Great-Aunt Charlotte's house,
bored until she meets the black cat Tib and finds the purple flower
fly-by-night that makes the little broomstick fly. In chapter 10
'gay go up and gay go down' Mary hides in Endor College,
the witch school, after hours and finds Tib transformed into a frog
(Madame Mumblechook had taken him from her as her entry fee).
She recites the Master Spell to release him. ' It was a simple,
gay little rhyme, and it ended on a phrase that might have been
(but wasn't) "the dancing ring of days".'  
"  

"Bah, humbug!" — A Christmas Carol

Saturday, November 25, 2017

Night at the Museum

Filed under: General — Tags: — m759 @ 9:45 pm

The previous post suggests a review of remarks by Adam Gopnik
in The New Yorker  on February 27, 2017 on "The Matrix" hypothesis—

"The thesis that we are in a simulation is, as people who
track such things know—my own college-age son has
explained it to me—far from a joke, or a mere conceit.
The argument, actually debated at length at the
American Museum of Natural History just last year, is that
the odds are overwhelming that ours is a simulated universe.
The argument is elegant."

No, it is not. 

See as well my own remarks on the date of the above museum debate
Tuesday, April 5, 2016.

From those remarks, a Halloween 2014 image that provides a
companion-piece to the "Easy E" of today's previous post

E-Elements

Filed under: General — Tags: — m759 @ 12:12 pm

German mathematician Wolf Barth reportedly died
on December 30, 2016.

Flashback to this journal on that date *

From "The Man Who Tried to Redeem the World with Logic" —

"The following June, 1945, von Neumann penned
what would become a historic document entitled
'First Draft of a Report on the EDVAC,' the first published
description of a stored-program binary computing machine—
the modern computer."

Image from von Neumann's report —

Version converted to text —


* And, of course, to the later post  Easy E for Cullinan  (Feb. 28, 2017).
    Cullinan, second from left below, is the now-famous Oscars accountant.

Friday, November 24, 2017

The Matrix Meets the Grid

Filed under: G-Notes,General,Geometry — Tags: , — m759 @ 2:00 pm

The Matrix —

  The Grid —

  Picturing the Witt Construction

     "Read something that means something." — New Yorker  ad

Wednesday, March 8, 2017

The Matrix Hypothesis

Filed under: General — Tags: , — m759 @ 9:20 am

"And so both of these bizarre events put one in mind of
a simple but arresting thesis: that we are  living in the Matrix,
and something has gone wrong with the controllers. . . .
The people or machines or aliens who are supposed to be
running our lives are having some kind of breakdown.
There’s a glitch, and we are in it.

Once this insight is offered, it must be said, everything  else
begins to fall in order."

Adam Gopnik in The New Yorker , Feb. 27, 2017 

More recently

Monday, February 27, 2017

Logic for Jews

Filed under: General — Tags: , — m759 @ 9:07 pm

(Continued)

Adam Gopnik in The New Yorker  today reacts to the startling
outcomes of three recent contests: the presidential election,
the Super Bowl, and the Oscar for Best Picture —

"The implicit dread logic is plain."

Related material —

Transformers in this journal and

“Lord Arglay had a suspicion that the Stone would be
purely logical.  Yes, he thought, but what, in that sense,
were the rules of its pure logic?”

Many Dimensions  (1931), by Charles Williams

See also

The above figure is from Ian Stewart's 1996 revision of a 1941 classic, 
What Is Mathematics? , by Richard Courant and Herbert Robbins.

One wonders how the confused slave boy of Plato's Meno  would react
to Stewart's remark that

"The number of copies required to double an
 object's size depends on its dimension."

Saturday, January 28, 2017

Cranking It Up

Filed under: General — m759 @ 12:17 pm

From "Core," a post of St. Lucia's Day, Dec. 13, 2016 —

'We are rooted in yoga and love the magic that happens when that practice is cranked up to eleven.'

In related news yesterday —

California yoga mogul’s mysterious death:
Trevor Tice’s drunken last hours detailed

"Police found Tice dead on the floor in his home office,
blood puddled around his head. They also found blood
on walls, furniture, on a sofa and on sheets in a nearby
bedroom, where there was a large bottle of Grey Goose
vodka under several blood-stained pillows on the floor."

See as well an image from "The Stone," a post of March 18, 2016 —

Some backstory —

“Lord Arglay had a suspicion that the Stone would be
purely logical.  Yes, he thought, but what, in that sense,
were the rules of its pure logic?”

Many Dimensions  (1931), by Charles Williams

Friday, March 18, 2016

The Stone…

Filed under: General — Tags: — m759 @ 10:30 pm

of  Woody Allen's  philosopher

"Deadline reports that Stone is finalizing a deal
to star in Maniac , a 30-minute television series with
her former Superbad  castmate Jonah Hill.
The project, a dark comedy, will be directed by 
True Detective  alum Cary Fukunaga and is based
on a 2014 Norwegian series about a mental-institution
patient living out a fantasy life in his dreams."

Vanity Fair  today

See as well the previous post and Jews Telling Stories.

Update of 11:07 PM ET —

From Variety  today — "Hill and Stone would also make their
TV producing debut as the two stars are attached to exec produce
with  Anonymous Content’s Michael Sugar and Doug Wald …."

"The problem is having a solid business plan and knowing what
you're doing, whether it's a movie, a TV series or a company."
Steve Golin in The Hollywood Reporter , Sept. 4, 2013

Tuesday, August 26, 2014

Le Pianiste

Filed under: General — m759 @ 12:00 pm

Bryan Cranston won an Emmy for lead actor in a drama series Monday…”

“Tu es le pianiste….” — Log24 post 641

Monday, March 17, 2014

Collection

Filed under: General — Tags: — m759 @ 10:09 pm

"It is a very fun happy collection
and I think it is
classic and timeless and elegant."

The late L'Wren Scott,
Vanity Fair , Nov. 20, 2013

Update of 10:30 PM ET —

"I don't want  Santana Abraxas!"

Saturday, January 4, 2014

Heaven’s Gate

Filed under: General — m759 @ 8:00 pm

Continues.

See also a legal term— discovery— and a musical tale.

Update of 8:28 PM—

"He got the voices speakin' riddles."

Tuesday, February 26, 2013

Publication

Filed under: General,Geometry — Tags: — m759 @ 4:00 pm

"I’ve had the privilege recently of being a Harvard University
professor, and there I learned one of the greatest of Harvard
jokes. A group of rabbis are on the road to Golgotha and 
Jesus is coming by under the cross. The young rabbi bursts
into tears and says, 'Oh, God, the pity of it!' The old rabbi says,
'What is the pity of it?' The young rabbi says, 'Master, Master,
what a teacher he was.'

'Didn’t publish!'

That cold tenure- joke at Harvard contains a deep truth.
Indeed, Jesus and Socrates did not publish."

— George Steiner, 2002 talk at York University

Related material

See also Steiner on Galois.

Les Miserables  at the Academy Awards

Snow

Filed under: General — m759 @ 2:01 am

"Hans Castorp is a searcher after the Holy Grail.
You would never have thought it when you read
his story—if I did myself, it was both more and
less than thinking. Perhaps you will read the
book again from this point of view. And perhaps
you will find out what the Grail is: the knowledge
and the wisdom, the consecration, the highest
reward, for which not only the foolish hero but
the book itself is seeking. You will find it in the
chapter called 'Snow'…."

— Thomas Mann, "The Making of
     The Magic Mountain "

In related entertainment news…

Click image for some backstory.

Mann's tale is set in Davos, Switzerland.
See also Mayer  at Davos.

Friday, April 27, 2012

Paradigms Lost continues…

Filed under: General — Tags: — m759 @ 9:00 pm

This post was suggested by Paradigms Lost
(a post cited here a year ago today),
by David Weinberger's recent essay "Shift Happens,"
and by today's opening of "The Raven."

David Weinberger in The Chronicle of Higher Education April 22

"… Kuhn was trying to understand how Aristotle could be such a brilliant natural scientist except when it came to understanding motion. Aristotle's idea that stones fall and fire rises because they're trying to get to their natural places seems like a simpleton's animism.

Then it became clear to Kuhn all at once. Ever since Newton, we in the West have thought movement changes an object's position in neutral space but does not change the object itself. For Aristotle, a change in position was a change in a quality of the object, and qualitative change tended toward an asymmetric actualization of potential: an acorn becomes an oak, but an oak never becomes an acorn. Motion likewise expressed a tendency for things to actualize their essence by moving to their proper place. With that, 'another initially strange part of Aristotelian doctrine begins to fall into place,' Kuhn wrote in The Road Since Structure ."

Dr. John Raven (of Raven's Progressive Matrices)

"… these tools cannot be immediately applied within our current workplaces, educational systems, and public management systems because the operation of these systems is determined, not by personal developmental or societal needs, but by a range of latent, rarely discussed, and hard to influence sociological forces.

But this is not a cry of despair: It points to another topic which has been widely neglected by psychologists: It tells us that human behaviour is not  mainly determined by internal  properties— such as talents, attitudes, and values— but by external  social forces. Such a transformation in psychological thinking and theorising is as great as the transformation Newton introduced into physics by noting that the movement of inanimate objects is not determined by internal, 'animistic,' properties of the objects but by invisible external forces which act upon them— invisible forces that can nevertheless be mapped, measured, and harnessed to do useful work for humankind.

So this brings us to our fourth conceptualisation and measurement topic: How are these social forces to be conceptualised, mapped, measured, and harnessed in a manner analogous to the way in which Newton made it possible to harness the destructive forces of the wind and the waves to enable sailing boats to get to their destinations?"

Before Newton, boats never arrived?

Monday, June 13, 2011

Oscar Nightmare

Filed under: General — m759 @ 10:10 pm

Click to enlarge

IMAGE- Oscars producer dies.

Related material: Oscar Day 2007

Tuesday, January 25, 2011

For Your Consideration…

Filed under: General — m759 @ 1:20 pm

Early Nothing

Manohla Dargis on film director Fritz Lang in The New York Times  (online Jan. 21, 2011, printed Jan. 23)—

"Hollywood endings can be beautiful fibs, but in Lang’s movies the glossy smiles and fade-outs feel forced. You can almost feel him pulling at them, trying to bring them back into the dark where they belong. The miracle of his Hollywood era is that, even when the screenplays tried to force his work in one direction, he managed to take them into richer, more complex realms with a style that was alternately baroque and stripped down and peopled with characters whose cynicism was earned. Every so often, though, he did strike screenwriting gold, notably in 'The Big Heat,' his 1953 crime masterwork. 'Say, I like this, early nothing,' a mink-swaddled Gloria Grahame says of a hotel room. Everyone really is a critic."

Here comes everyone .

Monday, September 27, 2010

The Social Network…

Filed under: General,Geometry — Tags: , , — m759 @ 9:29 am

… In the Age of Citation

1. INTRODUCTION TO THE PROBLEM
Social network analysis is focused on the patterning of the social
relationships that link social actors. Typically, network data take the
form of a square-actor by actor-binary adjacency matrix, where
each row and each column in the matrix represents a social actor. A
cell entry is 1 if and only if a pair of actors is linked by some social
relationship of interest (Freeman 1989).

— "Using Galois Lattices to Represent Network Data,"
by Linton C. Freeman and Douglas R. White,
Sociological Methodology,  Vol. 23, pp. 127–146 (1993)

From this paper's CiteSeer page

Citations

766  Social Network Analysis: Methods and Applications – WASSERMAN, FAUST – 1994
100 The act of creation – Koestler – 1964
 75 Visual Thinking – Arnheim – 1969

Visual Image of the Problem—

From a Google search today:

http://www.log24.com/log/pix10B/100927-GardnerGaloisSearch.jpg

Related material—

http://www.log24.com/log/pix10B/100927-GoogleBirthdayCake.jpg

"It is better to light one candle…"

"… the early favorite for best picture at the Oscars" — Roger Moore

Monday, August 3, 2009

Monday August 3, 2009

Filed under: General — m759 @ 7:11 am
For Your Consideration

The Police, 'Synchronicity' album, detail of cover

LA Times yesterday:

Steven Miessner, keeper
of the Academy’s Oscars,
died of a heart attack at 48
on Wednesday, July 29, 2009:

LA Times obit for Steven Miessner, 'Keeper of the Oscars,' who died July 29, 2009

Click the above to enlarge.

Steve Miessner, keeper of the Oscars, on Feb. 21, 2009

Steve Miessner, the keeper of the Oscars,
packages the statues for transport

to Kodak Theatre in Los Angeles
in preparation for the 81st
 Academy Awards ceremony held
on Sunday, Feb. 22, 2009
(Chris Carlson/AP).

From the date of
Miessner’s death
:

Adam and God (Sistine Chapel), with Jungian Self-Symbol and Ojo de Dios (The Diamond Puzzle)

From the following day:

Log24 on Thursday, July 30, 2009

Annals of Aesthetics, continued:

Academy Awards
for Cambridge

“First of all, I’d like
 to thank the Academy.”
Remark attributed to Plato

Arrest of Prof. Henry Louis Gates, Jr., in Cambridge, Mass.

“A poem cannot exhaust reality,
  but it can arrest it.

At War with the Word:
   Literary Theory and
   Liberal Education
,
   by R. V. Young,
   Chapter One

“Who knows where madness lies?”

— Quoted here July 29, 2009
(the day the keeper of
the Oscars died)

Possible clues:

From Google News at about
7 AM ET Mon., Aug. 3, 2009:

Henry Louis Gates Jr. mulls moving over death threats

Boston Herald – Susan MiltonJessica Van Sack – ‎6 hours ago‎
CHILMARK – Black scholar Henry Louis Gates Jr. has received numerous death threats since he accused a white officer of

Death threats may make Gates move

The Daily Inquirer – ‎4 hours ago‎
Henry Louis Gates Jr. said yesterday that Harvard University suggested he move after receiving numerous death threats since he accused a white officer of

Gates: I’ve received death threats

NECN – ‎9 hours ago‎
Gates spoke at a book signing on Martha’s Vineyard. He also said that he has received death and bomb threats after the incident at his Cambridge home.

Black scholar says he’s able to joke about arrest

The Associated Press – Denise Lavoie – ‎17 hours ago‎
Gates said he received numerous threats after the incident, including an e-mail that read, “You should die, you’re a racist.” Gates has changed his e-mail

Gates grateful for island haven

Cape Cod Times – Susan Milton – ‎4 hours ago‎
As a result of death threats and bomb threats, he hasn’t returned to his Cambridge home, leased from Harvard University. The university has encouraged him

Gates makes public appearance after race debate

Worcester Telegram – Denise Lavoie – ‎20 hours ago‎
Gates, who spoke at a book signing on Martha’s Vineyard Sunday, says there also have been some serious moments. He says he received death and bomb threats

Tuesday, February 24, 2009

Tuesday February 24, 2009

 
Hollywood Nihilism
Meets
Pantheistic Solipsism

Tina Fey to Steve Martin
at the Oscars:
"Oh, Steve, no one wants
 to hear about our religion
… that we made up."

Tina Fey and Steve Martin at the 2009 Oscars

From Wallace Stevens: A World of Transforming Shapes, by Alan D. Perlis, Bucknell University Press, 1976, p. 117:

… in 'The Pediment of Appearance,' a slight narrative poem in Transport to Summer

 A group of young men enter some woods 'Hunting for the great ornament, The pediment of appearance.' Though moving through the natural world, the young men seek the artificial, or pure form, believing that in discovering this pediment, this distillation of the real, they will also discover the 'savage transparence,' the rude source of human life. In Stevens's world, such a search is futile, since it is only through observing nature that one reaches beyond it to pure form. As if to demonstrate the degree to which the young men's search is misaligned, Stevens says of them that 'they go crying/The world is myself, life is myself,' believing that what surrounds them is immaterial. Such a proclamation is a cardinal violation of Stevens's principles of the imagination.


Superficially the young men's philosophy seems to resemble what Wikipedia calls "pantheistic solipsism"– noting, however, that "This article has multiple issues."

As, indeed, does pantheistic solipsism– a philosophy (properly called "eschatological pantheistic multiple-ego solipsism") devised, with tongue in cheek, by science-fiction writer Robert A. Heinlein.

Despite their preoccupation with solipsism, Heinlein and Stevens point, each in his own poetic way, to a highly non-solipsistic topic from pure mathematics that is, unlike the religion of Martin and Fey, not made up– namely, the properties of space.

Heinlein:

"Sharpie, we have condensed six dimensions into four, then we either work by analogy into six, or we have to use math that apparently nobody but Jake and my cousin Ed understands. Unless you can think of some way to project six dimensions into three– you seem to be smart at such projections."
    I closed my eyes and thought hard. "Zebbie, I don't think it can be done. Maybe Escher could have done it."

Stevens:

A discussion of Stevens's late poem "The Rock" (1954) in Wallace Stevens: A World of Transforming Shapes, by Alan D. Perlis, Bucknell University Press, 1976, p. 120:

For Stevens, the poem "makes meanings of the rock." In the mind, "its barrenness becomes a thousand things/And so exists no more." In fact, in a peculiar irony that only a poet with Stevens's particular notion of the imagination's function could develop, the rock becomes the mind itself, shattered into such diamond-faceted brilliance that it encompasses all possibilities for human thought:

The rock is the gray particular of man's life,
The stone from which he rises, up—and—ho,
The step to the bleaker depths of his descents ...

The rock is the stern particular of the air,
The mirror of the planets, one by one,
But through man's eye, their silent rhapsodist,

Turquoise the rock, at odious evening bright
With redness that sticks fast to evil dreams;
The difficult rightness of half-risen day.

The rock is the habitation of the whole,
Its strength and measure, that which is near,
     point A
In a perspective that begins again

At B: the origin of the mango's rind.

                    (Collected Poems, 528)

Stevens's rock is associated with empty space, a concept that suggests "nothingness" to one literary critic:

B. J. Leggett, "Stevens's Late Poetry" in The Cambridge Companion to Wallace Stevens— On the poem "The Rock":

 

"… the barren rock of the title is Stevens's symbol for the nothingness that underlies all existence, 'That in which space itself is contained'….  Its subject is its speaker's sense of nothingness and his need to be cured of it."

 

This interpretation might appeal to Joan Didion, who, as author of the classic novel Play It As It Lays, is perhaps the world's leading expert on Hollywood nihilism.

More positively…

Space is, of course, also a topic
in pure mathematics…
For instance, the 6-dimensional
affine space
(or the corresponding
5-dimensional projective space)

The 4x4x4 cube

over the two-element Galois field
can be viewed as an illustration of
Stevens's metaphor in "The Rock."

Heinlein should perhaps have had in mind the Klein correspondence when he discussed "some way to project six dimensions into three." While such a projection is of course trivial for anyone who has taken an undergraduate course in linear algebra, the following remarks by Philippe Cara present a much more meaningful mapping, using the Klein correspondence, of structures in six (affine) dimensions to structures in three.

Cara:

Philippe Cara on the Klein correspondence
Here the 6-dimensional affine
space contains the 63 points
of PG(5, 2), plus the origin, and
the 3-dimensional affine
space contains as its 8 points
Conwell's eight "heptads," as in
Generating the Octad Generator.

Monday, February 23, 2009

Monday February 23, 2009

Filed under: General — m759 @ 2:22 pm
Another Manic Monday
McGee and Smee 

Project MUSE —

and interpretations, “any of the
Zingari shoolerim [gypsy schoolchildren]
may pick a peck of kindlings yet from the
sack of auld hensyne” (FW 112.4-8).

— Patrick McGee, “Reading Authority:
Feminism and Joyce,” MFS: Modern
Fiction Studies
— Volume 35, Number 3,
Fall 1989, pp. 421-436, The Johns Hopkins
University Press

McGee Thanks the Academy:

“The ulterior motive behind this essay [“Reading Authority,” above], the purpose for which I seize this occasion, concerns the question or problem of authority. I stress at the outset my understanding of authority as the constructed repository of value or foundation of a system of values, the final effect of fetishism– in this case, literary fetishism. [Cf. Marx, Das Kapital] Reading– as in the phrase ‘reading authority’– should be grasped as the institutionally determined act of constructing authority….”

Wikipedia:

“[In Peter Pan] Smee is Captain Hook’s right-hand man… Barrie describes him as ‘Irish’ and ‘a man who stabbed without offence‘….”

Background: In yesterday’s morning entry, James Joyce as Jesuit, with “Dagger Definitions.”

A different Smee appears as an art critic in yesterday’s afternoon entry “Design Theory.”–

Smee Stabs Without Offence:

“Brock, who has a brisk mind, is a man on a mission. He read mathematical economics and political philosophy at Princeton (he has five degrees in all) and is the founder and president of Strategic Economic Decisions Inc., a think tank specializing in applying the economics of uncertainty to forecasting and risk assessment.

But phooey to all that; Brock has deeper things to think about. He believes he has cracked the secret of beautiful design. He even has equations and graphs to prove it.”

A Jesuit in Portrait of the Artist as a Young Man:

“When may we expect to have something from you on the esthetic question?”

Beckett Bethicketted:

“Our entanglement in the wilderness of Finnegans Wake is exemplified by the neologism ‘Bethicket.’ This word condenses a range of possible meanings and reinforces a diversity of possible syntactic interpretations. Joyce seems to allude to Beckett, creating a portmanteau word that melds ‘Beckett’ with ‘thicket’ (continuing the undergrowth metaphor), ‘thick’ (adding mental density to floral density)…. As a single word ‘Bethicket’ contains the confusion that its context suggests. On the one hand, ‘Bethicket me for a stump of a beech’ has the sound of a proverbial expletive that might mean something like ‘I’ll be damned’ or ‘Well, I’ll be a son of a gun.’….”

Stephen Dilks

Winslet, Penn, and Cruz at the Oscars, 2009

At the Oscars, 2009

Related material:

Frame Tales and Dickung

Wednesday, February 27, 2008

Wednesday February 27, 2008

Filed under: General — Tags: — m759 @ 11:07 am
The Plot

"Do not let me hear
Of the wisdom of old men,
but rather of their folly"
 
Four Quartets 

"Dear friends, would those of you who know what this is all about please raise your hands? I think if God is dead he laughed himself to death. Because, you see, we live in Eden. Genesis has got it all wrong– we never left the Garden. Look about you. This is paradise. It's hard to find, I'll grant you, but it is here. Under our feet, beneath the surface, all around us is everything we want. The earth is shining under the soot. We are all fools. Ha ha! Moriarty has made fools of all of us. But together– you and I, tonight– we'll bring him down."

— George C. Scott as Justin Playfair

 

The earth is shining
    under the soot…

THE WORLD is charged with the grandeur of God.
  It will flame out, like shining from shook foil;
  It gathers to a greatness, like the ooze of oil
Crushed. Why do men then now not reck his rod?
Generations have trod, have trod, have trod;  
  And all is seared with trade; bleared, smeared with toil;
  And wears man’s smudge and shares man’s smell: the soil
Is bare now, nor can foot feel, being shod.
 
And for all this, nature is never spent;

There lives the dearest freshness deep down things;

       
And though the last lights off the black West went
  Oh, morning, at the brown brink eastward, springs—
Because the Holy Ghost over the bent
  World broods with warm breast and with ah! bright wings.

Gerard Manley Hopkins, Society of Jesus

 

Ah! bright wings

"Whoever owns the Boeing 707
  parked on La Brea Avenue,
  your landing lights are on."

 [John Travolta runs on stage
  and rushes for the door.]

Oscar Night, Feb. 24, 2008

For a religious interpretation
of the number 707, see

To Announce a Faith

(All Hallows' Eve, 2006)

and the following link
to a Tom Stoppard line
from the previous entry:

"Heaven, how can I
believe in Heaven?"
she sings at the finale.

"Just a lying
 rhyme for seven!"
 

Wednesday, December 20, 2006

Wednesday December 20, 2006

Filed under: General — Tags: , — m759 @ 9:26 am
Spike

"For every kind of vampire,
there is a kind of cross."
— Thomas Pynchon  

The image “http://www.log24.com/log/pix06B/061220-Spike.jpg” cannot be displayed, because it contains errors.

"Also on the card is Adrien Brody ('The Thin Red Line') as a poseur proto-punk who lives in his parents' converted garage and strips at an underground gay club. He takes heat from his former friends– the aforementioned neighborhood toughs– for affecting an English accent and wearing a mohawk…."

Rob Blackwelder review of Spike Lee's "Summer of Sam" (1999)

The image “http://www.log24.com/log/pix06B/061220-BrodySign.jpg” cannot be displayed, because it contains errors.

"With its white community focus, Summer of Sam is something of a departure for Lee. But with its immaculate script, faultless acting and Lee's own cameo performance, it is a typical Spike Lee film. Plenty of rapid-fire, wise-cracking dialogue and hectic crowd scenes make it fraught with tension from beginning to end. Hectic, inventive, gritty, witty, edgy and provocative, no detail is too small to escape Lee's attention and no issue too large as the film's perceptive dissection of human nature moves effortlessly between humour and horror."

Andrea Henry review

The image “http://www.log24.com/log/pix06B/061222-BrodyDiner.jpg” cannot be displayed, because it contains errors.

"At another end of the sexual confusion spectrum, there's Vinny's childhood friend, now turned spiky-haired punk rocker, Ritchie (Adrien Brody). Recently he's started dating Ruby (Jennifer Esposito), erstwhile neighborhood tramp. They are both redeemed by their relationship, which at least at first, involves no sex, technically. Where Vinny struggles with his culturally instilled madonna-whore complex, Ritchie's just back from a stint living in the Village, looking for an identity that's distinct from his Italian gotta-be-macho upbringing. Eventually, he gets a gig at CBGB's ('How do you spell that?' wonders Vinny), but in order to make ends meet (and pay for his new guitar), he's dancing and turning tricks at Male World, a decrepit gay club where he performs fellatio with a life-sized dummy on stage, and, you assume, with clients offscreen."

Cynthia Fuchs revew (title: "Sex and the City")
 

Oscar's War on Women: 

Susan G. Cole on the  
75th Annual Academy Awards,
presented March 23, 2003 —

"I watched Halle Berry wipe her mouth off after Adrien Brody, in the heat of his excitement, laid the lip-lock on her for five full excruciating seconds. She was stunned, and seemed to have no idea what had happened to her. I'll tell you what happened, Halle: it's called sexual assault."

Mephisto vs. the X-Men, Vol. 1, No. 3

The Kiss…

The image “http://www.log24.com/log/pix06B/061220-Kiss.jpg” cannot be displayed, because it contains errors.

Where's the Oscar
for the mouth-wipe?

Saturday, March 4, 2006

Saturday March 4, 2006

Filed under: General — m759 @ 10:34 am

Women’s History Month continues.

Contender

Miss O’Hara
on the Oscars:
The image “http://www.log24.com/log/pix06/060304-CinderellaMan.jpg” cannot be displayed, because it contains errors.

“Cinderella Man: To me, this is the best film of 2005 (qualifier: I have not yet seen Walk the Line). Cinderella Man is a terrific film – maybe even a great one. It isn’t flashy, it isn’t brimming with special effects, porn stars, or snappy one-liners. But it is a terrific story, one that you feel good after watching. It’s a slice of the true Golden Age of Hollywood – a solid story about good people that is well-acted by a superb cast. It’s a very family-friendly film – although some of the boxing scenes may be too intense for little ones. I can’t recommend this film highly enough, and am still furious that it was snubbed for the Oscars – then again, perhaps I shouldn’t be. It would be an insult to the movie, the actors, and the writers to nominate this fine film with the dreck they are glorifying this year. Watch this movie. I guarantee you’ll enjoy it.”

Friday, April 9, 2004

Friday April 9, 2004

Filed under: General — m759 @ 4:35 pm

Meanwhile, back at the ranch…

Bush Seeks to Shore Up
Support for Iraq

Fri Apr 9, 2004 03:49 PM ET

By Jeremy Pelofsky

CRAWFORD, Texas (Reuters) – President Bush on Friday won renewed pledges of support for U.S. efforts in Iraq from allies Italy, Poland and El Salvador, the White House said, as casualties and kidnappings mounted.

Viva El Salvador!

— Jim Carrey at
 the 1996 Academy Awards

Tuesday, March 2, 2004

Tuesday March 2, 2004

Filed under: General — m759 @ 3:01 pm

Passion

From the previous entry:

 1.
Oscar:
military phonetic
for the letter
‘O’

From an entry of Dec. 21, 2002, some background in literary theory:

“I know what ‘nothing’ means….”
— Maria Wyeth in Play It As It Lays

“How do you solve a problem like Maria?”
— Oscar Hammerstein II

“…problems can be solved by manipulating just two symbols, 1 and 0….” 
— George Johnson, obituary of Claude Shannon

“The female and the male continue this charming dance, populating the world with all living beings.” 
— Leonard Shlain, The Alphabet Versus the Goddess, Penguin Arkana paperback, 1999, Chapter 17, “Lingam/Yoni” 

“According to Showalter’s essay*, ‘In Elizabethan slang, ‘nothing’ was a term for the female genitalia . . . what lies between maids’ legs, for, in the male visual system of representation and desire…. Ophelia’s story becomes

the Story of O — the zero, the empty circle or mystery of feminine difference, the cipher of female sexuality to be deciphered by feminist interpretation.’ (222)* Ophelia is a highly sexual being…”

— Leigh DiAngelo,
   Ophelia as a Sexual Being

*Showalter, Elaine. “Representing Ophelia: Women, Madness, and the Responsibilities of Feminist Criticism.” Hamlet. Ed. Susanne L. Wofford. Boston: Bedford Books of St.Martin’s Press, 1994. 220-238.

At the Oscars Sunday night, a thought attributed by Billy Crystal to Sean Connery:

“Pussy Galore! I just got it! That’s vulgar.”

For further background, see

Passing the Crown (Aug. 24, 2003) and

The Agony and the Ya-Ya (Oct. 4, 2002).

Wednesday, January 8, 2003

Wednesday January 8, 2003

Filed under: General — Tags: — m759 @ 4:17 pm

In the Labyrinth of Memory

Taking a cue from Danny in the labyrinth of Kubrick's film "The Shining," today I retraced my steps.

My Jan. 6 entry, "Dead Poet in the City of Angels," links to a set of five December 21, 2002, entries.  In the last of these, "Irish Lament," is a link to a site appropriate for Maud Gonne's birthday — a discussion of Yeats's "Among School Children."

Those who recall a young woman named Patricia Collinge (Radcliffe '64) might agree that her image is aptly described by Yeats:

Hollow of cheek as though it drank the wind
And took a mess of shadows for its meat

This meditation leads in turn to a Sept. 20, 2002, entry, "Music for Patricias," and a tune familiar to James Joyce, "Finnegan's Wake," the lyrics of which lead back to images in my entries of Dec. 20, 2002, "Last-Minute Shopping," and of Dec. 28, 2002, "Solace from Hell's Kitchen."  The latter entry is in memory of George Roy Hill, director of "The Sting," who died Dec. 27, 2002.

The Dec. 28 image from "The Sting" leads us back to more recent events — in particular, to the death of a cinematographer who won an Oscar for picturing Newman and Redford in another film — Conrad L. Hall, who died Saturday, Jan. 4, 2003. 

For a 3-minute documentary on Hall's career, click here.

Hall won Oscars for "Butch Cassidy and the Sundance Kid" and "American Beauty," and may win a posthumous Oscar for "Road to Perdition," last year's Irish-American mob saga:

"Tom Hanks plays Angel of Death Michael Sullivan. An orphan 'adopted' by crime boss John Rooney (Paul Newman), Sullivan worships Rooney above his own family. Rooney gave Sullivan a home when he had none. Rooney is the father Sullivan never knew. Too bad Rooney is the

Rock Island
branch of Capone's mob."

In keeping with this Irish connection, here is a set of images.

American Beauty
© Suzanne Harle 1997

Conrad L. Hall

 

A Game of Chess

I need a photo-opportunity.
I want a shot at redemption.
Don't want to end up a cartoon
In a cartoon graveyard.
— Paul Simon

"Like a chess player, he knows that to win a tournament, it is sometimes wise to offer a draw in a game even when you think you can win it."

Roger Ebert on Robert Duvall's character in "A Civil Action"

Director Steven Zaillian will take part in a tribute to Conrad L. Hall at the Palm Springs International Film Festival awards ceremony on Jan 11.  Hall was the cinematographer for Zaillian's films "A Civil Action" and "Searching for Bobby Fischer." 

"A Civil Action" was cast by the Boston firm Collinge/Pickman Casting, named in part for that same Patricia Collinge ("hollow of cheek") mentioned above.

See also "Conrad Hall looks back and forward to a Work in Progress."  ("Work in Progress" was for a time the title of Joyce's Finnegans Wake.)

What is the moral of all this remembrance?

An 8-page (paper) journal note I compiled on November 14, 1995 (feast day of St. Lawrence O'Toole, patron saint of Dublin, allegedly born in 1132) supplies an answer in the Catholic tradition that might have satisfied Joyce (to whom 1132 was a rather significant number): 

How can you tell there's an Irishman present
at a cockfight?
     He enters a duck.
How can you tell a Pole is present?
     He bets on the duck.
How can you tell an Italian is present?
     The duck wins.

Every picture tells a story.

Hall wins Oscar for "American Beauty"

 

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