See also this journal on Feb. 15, 2017 —
Related item from Arts & Letters Daily today —
See also this journal on Feb. 15, 2017 —
Related item from Arts & Letters Daily today —
See also Avatar in this journal . . .
. . . and a post of March 29, 2024 . . .
In the March 21 Netflix series "3 Body Problem,"
|
Related reading — http://m759.net/wordpress/?s="Arrow+in+the+Blue" .
For Harlan Kane, a post from this journal on July 26, 2022 —
the date of Oettinger's reported death:
Related reading: a death on Oscars weekend . . .
Some may prefer a different sort of dream . . .
Background for the Stimmung dream, from May 2019 —
For a different type of lifeworld, see May 2019 in this journal.
For your consideration: "Nightmare Alley" Oscar nominations —
Costume design, production design, cinematography, Best Picture.
See as well the introduction by Nick Tosches to the novel .
A touch I personally like: Over the end credits, Hoagy Carmichael's
"Stardust" plays. From related remarks (here abridged) by poet
David Lehman on November 22, 2015 (the feast of St. Cecilia) —
"Every year on this day I think unfailingly of three things:
— that today is Hoagy Carnichael's birthday ….
— that if time were elastic I would write a series of
popular history novels ….
— that paranoid conspiracy theories … are based on
our fundamental inability to understand events.
From this journal on November 22, 2015 —
Instagram screenshot with added note.
Easy E for an Accountant:
Not So Easy: E-Operators
"A great many other properties of E-operators
have been found, which I have not space
to examine in detail."
— Sir Arthur Eddington, New Pathways in Science ,
Cambridge University Press, 1935, page 271.
(This book also presents Eddington's unfortunate
speculations on the fine-structure constant.)
Update of 4:04 AM ET:
Here is the not-so-tiny-dancer in
the above Instagram screenshot.
But more, much more than that …
… She did it side ways.
In some earlier news from Development Hell —
See as well this journal's report of a death on that date.
Easy E
Not So Easy: E-Operators
"A great many other properties of E-operators
have been found, which I have not space
to examine in detail."
— Sir Arthur Eddington, New Pathways in Science ,
Cambridge University Press, 1935, page 271.
(This book also presents Eddington's unfortunate
speculations on the fine-structure constant.)
"Again, Oscars for best director and best picture . . . ."
See also the previous post and a search for
"Plato thanks the Academy."
The online New York Times reports this afternoon
the death of a production designer on January 9th —
"In addition to the two Oscars Mr. Marsh won
(which he shared with others), he was nominated
for two more: for 'Scrooge' (1970), with Albert Finney and
Alex [sic ] Guinness, and 'Mary, Queen of Scots' (1971),
with Vanessa Redgrave and Glenda Jackson."
"… The Little Broomstick by Mary Stewart,
illustrated by Shirley Hughes, published Brockhampton 1971.
The story is about Mary, staying at Great-Aunt Charlotte's house,
bored until she meets the black cat Tib and finds the purple flower
fly-by-night that makes the little broomstick fly. In chapter 10
'gay go up and gay go down' Mary hides in Endor College,
the witch school, after hours and finds Tib transformed into a frog
(Madame Mumblechook had taken him from her as her entry fee).
She recites the Master Spell to release him. ' It was a simple,
gay little rhyme, and it ended on a phrase that might have been
(but wasn't) "the dancing ring of days".' "
"Bah, humbug!" — A Christmas Carol
The previous post suggests a review of remarks by Adam Gopnik
in The New Yorker on February 27, 2017 on "The Matrix" hypothesis—
"The thesis that we are in a simulation is, as people who
track such things know—my own college-age son has
explained it to me—far from a joke, or a mere conceit.
The argument, actually debated at length at the
American Museum of Natural History just last year, is that
the odds are overwhelming that ours is a simulated universe.
The argument is elegant."
No, it is not.
See as well my own remarks on the date of the above museum debate —
Tuesday, April 5, 2016.
From those remarks, a Halloween 2014 image that provides a
companion-piece to the "Easy E" of today's previous post —
German mathematician Wolf Barth reportedly died
on December 30, 2016.
Flashback to this journal on that date * —
From "The Man Who Tried to Redeem the World with Logic" —
"The following June, 1945, von Neumann penned Image from von Neumann's report —
Version converted to text —
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* And, of course, to the later post Easy E for Cullinan (Feb. 28, 2017).
Cullinan, second from left below, is the now-famous Oscars accountant.
The Matrix —
The Grid —
Picturing the Witt Construction —
"Read something that means something." — New Yorker ad
"And so both of these bizarre events put one in mind of
a simple but arresting thesis: that we are living in the Matrix,
and something has gone wrong with the controllers. . . .
The people or machines or aliens who are supposed to be
running our lives are having some kind of breakdown.
There’s a glitch, and we are in it.
Once this insight is offered, it must be said, everything else
begins to fall in order."
— Adam Gopnik in The New Yorker , Feb. 27, 2017
More recently …
Adam Gopnik in The New Yorker today reacts to the startling
outcomes of three recent contests: the presidential election,
the Super Bowl, and the Oscar for Best Picture —
"The implicit dread logic is plain."
Related material —
Transformers in this journal and …
“Lord Arglay had a suspicion that the Stone would be
purely logical. Yes, he thought, but what, in that sense,
were the rules of its pure logic?”
—Many Dimensions (1931), by Charles Williams
See also …
The above figure is from Ian Stewart's 1996 revision of a 1941 classic,
What Is Mathematics? , by Richard Courant and Herbert Robbins.
One wonders how the confused slave boy of Plato's Meno would react
to Stewart's remark that
"The number of copies required to double an
object's size depends on its dimension."
From "Core," a post of St. Lucia's Day, Dec. 13, 2016 —
In related news yesterday —
California yoga mogul’s mysterious death:
Trevor Tice’s drunken last hours detailed
"Police found Tice dead on the floor in his home office,
blood puddled around his head. They also found blood
on walls, furniture, on a sofa and on sheets in a nearby
bedroom, where there was a large bottle of Grey Goose
vodka under several blood-stained pillows on the floor."
See as well an image from "The Stone," a post of March 18, 2016 —
Some backstory —
“Lord Arglay had a suspicion that the Stone would be
purely logical. Yes, he thought, but what, in that sense,
were the rules of its pure logic?”
—Many Dimensions (1931), by Charles Williams
of Woody Allen's philosopher …
"Deadline reports that Stone is finalizing a deal
to star in Maniac , a 30-minute television series with
her former Superbad castmate Jonah Hill.
The project, a dark comedy, will be directed by
True Detective alum Cary Fukunaga and is based
on a 2014 Norwegian series about a mental-institution
patient living out a fantasy life in his dreams."
See as well the previous post and Jews Telling Stories.
Update of 11:07 PM ET —
From Variety today — "Hill and Stone would also make their
TV producing debut as the two stars are attached to exec produce
with … Anonymous Content’s Michael Sugar and Doug Wald …."
"The problem is having a solid business plan and knowing what
you're doing, whether it's a movie, a TV series or a company."
— Steve Golin in The Hollywood Reporter , Sept. 4, 2013
“Bryan Cranston won an Emmy for lead actor in a drama series Monday…”
“Tu es le pianiste….” — Log24 post 641
"It is a very fun happy collection
and I think it is
classic and timeless and elegant."
— The late L'Wren Scott,
Vanity Fair , Nov. 20, 2013
Update of 10:30 PM ET —
"I don't want Santana Abraxas!"
See also a legal term— discovery— and a musical tale.
Update of 8:28 PM—
"I’ve had the privilege recently of being a Harvard University
professor, and there I learned one of the greatest of Harvard
jokes. A group of rabbis are on the road to Golgotha and
Jesus is coming by under the cross. The young rabbi bursts
into tears and says, 'Oh, God, the pity of it!' The old rabbi says,
'What is the pity of it?' The young rabbi says, 'Master, Master,
what a teacher he was.'
'Didn’t publish!'
That cold tenure- joke at Harvard contains a deep truth.
Indeed, Jesus and Socrates did not publish."
— George Steiner, 2002 talk at York University
See also Steiner on Galois.
Les Miserables at the Academy Awards
"Hans Castorp is a searcher after the Holy Grail.
You would never have thought it when you read
his story—if I did myself, it was both more and
less than thinking. Perhaps you will read the
book again from this point of view. And perhaps
you will find out what the Grail is: the knowledge
and the wisdom, the consecration, the highest
reward, for which not only the foolish hero but
the book itself is seeking. You will find it in the
chapter called 'Snow'…."
— Thomas Mann, "The Making of
The Magic Mountain "
In related entertainment news…
Click image for some backstory.
Mann's tale is set in Davos, Switzerland.
See also Mayer at Davos.
This post was suggested by Paradigms Lost
(a post cited here a year ago today),
by David Weinberger's recent essay "Shift Happens,"
and by today's opening of "The Raven."
David Weinberger in The Chronicle of Higher Education , April 22—
"… Kuhn was trying to understand how Aristotle could be such a brilliant natural scientist except when it came to understanding motion. Aristotle's idea that stones fall and fire rises because they're trying to get to their natural places seems like a simpleton's animism.
Then it became clear to Kuhn all at once. Ever since Newton, we in the West have thought movement changes an object's position in neutral space but does not change the object itself. For Aristotle, a change in position was a change in a quality of the object, and qualitative change tended toward an asymmetric actualization of potential: an acorn becomes an oak, but an oak never becomes an acorn. Motion likewise expressed a tendency for things to actualize their essence by moving to their proper place. With that, 'another initially strange part of Aristotelian doctrine begins to fall into place,' Kuhn wrote in The Road Since Structure ."
Dr. John Raven (of Raven's Progressive Matrices)—
"… these tools cannot be immediately applied within our current workplaces, educational systems, and public management systems because the operation of these systems is determined, not by personal developmental or societal needs, but by a range of latent, rarely discussed, and hard to influence sociological forces.
But this is not a cry of despair: It points to another topic which has been widely neglected by psychologists: It tells us that human behaviour is not mainly determined by internal properties— such as talents, attitudes, and values— but by external social forces. Such a transformation in psychological thinking and theorising is as great as the transformation Newton introduced into physics by noting that the movement of inanimate objects is not determined by internal, 'animistic,' properties of the objects but by invisible external forces which act upon them— invisible forces that can nevertheless be mapped, measured, and harnessed to do useful work for humankind.
So this brings us to our fourth conceptualisation and measurement topic: How are these social forces to be conceptualised, mapped, measured, and harnessed in a manner analogous to the way in which Newton made it possible to harness the destructive forces of the wind and the waves to enable sailing boats to get to their destinations?"
Before Newton, boats never arrived?
Early Nothing
Manohla Dargis on film director Fritz Lang in The New York Times (online Jan. 21, 2011, printed Jan. 23)—
"Hollywood endings can be beautiful fibs, but in Lang’s movies the glossy smiles and fade-outs feel forced. You can almost feel him pulling at them, trying to bring them back into the dark where they belong. The miracle of his Hollywood era is that, even when the screenplays tried to force his work in one direction, he managed to take them into richer, more complex realms with a style that was alternately baroque and stripped down and peopled with characters whose cynicism was earned. Every so often, though, he did strike screenwriting gold, notably in 'The Big Heat,' his 1953 crime masterwork. 'Say, I like this, early nothing,' a mink-swaddled Gloria Grahame says of a hotel room. Everyone really is a critic."
Steven Miessner, keeper
of the Academy’s Oscars,
died of a heart attack at 48
on Wednesday, July 29, 2009:
Click the above to enlarge.
Steve Miessner, the keeper of the Oscars,
packages the statues for transport
to Kodak Theatre in Los Angeles
in preparation for the 81st
Academy Awards ceremony held
on Sunday, Feb. 22, 2009
(Chris Carlson/AP).
From the date of
Miessner’s death:
Log24 on Thursday, July 30, 2009Annals of Aesthetics, continued: Academy Awards “First of all, I’d like
“A poem cannot exhaust reality, — At War with the Word: |
— Quoted here July 29, 2009
(the day the keeper of
the Oscars died)
Possible clues:
From Google News at about
7 AM ET Mon., Aug. 3, 2009:
Henry Louis Gates Jr. mulls moving over death threatsBoston Herald – – 6 hours ago
CHILMARK – Black scholar Henry Louis Gates Jr. has received numerous death threats since he accused a white officer of …
Death threats may make Gates moveThe Daily Inquirer – 4 hours ago
Henry Louis Gates Jr. said yesterday that Harvard University suggested he move after receiving numerous death threats since he accused a white officer of …
Gates: I’ve received death threatsNECN – 9 hours ago
… Gates spoke at a book signing on Martha’s Vineyard. He also said that he has received death and bomb threats after the incident at his Cambridge home. …
Black scholar says he’s able to joke about arrestThe Associated Press – – 17 hours ago
Gates said he received numerous threats after the incident, including an e-mail that read, “You should die, you’re a racist.” Gates has changed his e-mail …
Gates grateful for island havenCape Cod Times – – 4 hours ago
As a result of death threats and bomb threats, he hasn’t returned to his Cambridge home, leased from Harvard University. The university has encouraged him …
Gates makes public appearance after race debateWorcester Telegram – – 20 hours ago
Gates, who spoke at a book signing on Martha’s Vineyard Sunday, says there also have been some serious moments. He says he received death and bomb threats …
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Tina Fey to Steve Martin
at the Oscars:
"Oh, Steve, no one wants
to hear about our religion
… that we made up."
From Wallace Stevens: A World of Transforming Shapes, by Alan D. Perlis, Bucknell University Press, 1976, p. 117:
… in 'The Pediment of Appearance,' a slight narrative poem in Transport to Summer… A group of young men enter some woods 'Hunting for the great ornament, The pediment of appearance.' Though moving through the natural world, the young men seek the artificial, or pure form, believing that in discovering this pediment, this distillation of the real, they will also discover the 'savage transparence,' the rude source of human life. In Stevens's world, such a search is futile, since it is only through observing nature that one reaches beyond it to pure form. As if to demonstrate the degree to which the young men's search is misaligned, Stevens says of them that 'they go crying/The world is myself, life is myself,' believing that what surrounds them is immaterial. Such a proclamation is a cardinal violation of Stevens's principles of the imagination. |
Superficially the young men's philosophy seems to resemble what Wikipedia calls "pantheistic solipsism"– noting, however, that "This article has multiple issues."
As, indeed, does pantheistic solipsism– a philosophy (properly called "eschatological pantheistic multiple-ego solipsism") devised, with tongue in cheek, by science-fiction writer Robert A. Heinlein.
Despite their preoccupation with solipsism, Heinlein and Stevens point, each in his own poetic way, to a highly non-solipsistic topic from pure mathematics that is, unlike the religion of Martin and Fey, not made up– namely, the properties of space.
"Sharpie, we have condensed six dimensions into four, then we either work by analogy into six, or we have to use math that apparently nobody but Jake and my cousin Ed understands. Unless you can think of some way to project six dimensions into three– you seem to be smart at such projections."
I closed my eyes and thought hard. "Zebbie, I don't think it can be done. Maybe Escher could have done it."
A discussion of Stevens's late poem "The Rock" (1954) in Wallace Stevens: A World of Transforming Shapes, by Alan D. Perlis, Bucknell University Press, 1976, p. 120:
For Stevens, the poem "makes meanings of the rock." In the mind, "its barrenness becomes a thousand things/And so exists no more." In fact, in a peculiar irony that only a poet with Stevens's particular notion of the imagination's function could develop, the rock becomes the mind itself, shattered into such diamond-faceted brilliance that it encompasses all possibilities for human thought:
The rock is the gray particular of man's life,
The stone from which he rises, up—and—ho,
The step to the bleaker depths of his descents ...
The rock is the stern particular of the air,
The mirror of the planets, one by one,
But through man's eye, their silent rhapsodist,
Turquoise the rock, at odious evening bright
With redness that sticks fast to evil dreams;
The difficult rightness of half-risen day.
The rock is the habitation of the whole,
Its strength and measure, that which is near,
point A
In a perspective that begins again
At B: the origin of the mango's rind.
(Collected Poems, 528)
|
Stevens's rock is associated with empty space, a concept that suggests "nothingness" to one literary critic:
B. J. Leggett, "Stevens's Late Poetry" in The Cambridge Companion to Wallace Stevens— On the poem "The Rock":
"… the barren rock of the title is Stevens's symbol for the nothingness that underlies all existence, 'That in which space itself is contained'…. Its subject is its speaker's sense of nothingness and his need to be cured of it."
More positively…
Space is, of course, also a topic
in pure mathematics…
For instance, the 6-dimensional
affine space (or the corresponding
5-dimensional projective space)
over the two-element Galois field
can be viewed as an illustration of
Stevens's metaphor in "The Rock."
Cara:
Here the 6-dimensional affine
space contains the 63 points
of PG(5, 2), plus the origin, and
the 3-dimensional affine
space contains as its 8 points
Conwell's eight "heptads," as in
Generating the Octad Generator.
Project MUSE — … and interpretations, “any of the Zingari shoolerim [gypsy schoolchildren] may pick a peck of kindlings yet from the sack of auld hensyne” (FW 112.4-8). … — Patrick McGee, “Reading Authority: |
“The ulterior motive behind this essay [“Reading Authority,” above], the purpose for which I seize this occasion, concerns the question or problem of authority. I stress at the outset my understanding of authority as the constructed repository of value or foundation of a system of values, the final effect of fetishism– in this case, literary fetishism. [Cf. Marx, Das Kapital] Reading– as in the phrase ‘reading authority’– should be grasped as the institutionally determined act of constructing authority….”
“[In Peter Pan] Smee is Captain Hook’s right-hand man… Barrie describes him as ‘Irish’ and ‘a man who stabbed without offence‘….”
Background: In yesterday’s morning entry, James Joyce as Jesuit, with “Dagger Definitions.”
A different Smee appears as an art critic in yesterday’s afternoon entry “Design Theory.”–
“Brock, who has a brisk mind, is a man on a mission. He read mathematical economics and political philosophy at Princeton (he has five degrees in all) and is the founder and president of Strategic Economic Decisions Inc., a think tank specializing in applying the economics of uncertainty to forecasting and risk assessment.
But phooey to all that; Brock has deeper things to think about. He believes he has cracked the secret of beautiful design. He even has equations and graphs to prove it.”
A Jesuit in Portrait of the Artist as a Young Man:
“When may we expect to have something from you on the esthetic question?”
“Our entanglement in the wilderness of Finnegans Wake is exemplified by the neologism ‘Bethicket.’ This word condenses a range of possible meanings and reinforces a diversity of possible syntactic interpretations. Joyce seems to allude to Beckett, creating a portmanteau word that melds ‘Beckett’ with ‘thicket’ (continuing the undergrowth metaphor), ‘thick’ (adding mental density to floral density)…. As a single word ‘Bethicket’ contains the confusion that its context suggests. On the one hand, ‘Bethicket me for a stump of a beech’ has the sound of a proverbial expletive that might mean something like ‘I’ll be damned’ or ‘Well, I’ll be a son of a gun.’….”
At the Oscars, 2009
Related material:Frame Tales and Dickung
"Do not let me hear
Of the wisdom of old men,
but rather of their folly"
— Four Quartets
"Dear friends, would those of you who know what this is all about please raise your hands? I think if God is dead he laughed himself to death. Because, you see, we live in Eden. Genesis has got it all wrong– we never left the Garden. Look about you. This is paradise. It's hard to find, I'll grant you, but it is here. Under our feet, beneath the surface, all around us is everything we want. The earth is shining under the soot. We are all fools. Ha ha! Moriarty has made fools of all of us. But together– you and I, tonight– we'll bring him down."
— George C. Scott as Justin Playfair
[John Travolta runs on stage
and rushes for the door.]
For a religious interpretation
of the number 707, see
To Announce a Faith
(All Hallows' Eve, 2006)
and the following link
to a Tom Stoppard line
from the previous entry:
"Heaven, how can I
believe in Heaven?"
she sings at the finale.
"Just a lying
rhyme for seven!"
"For every kind of vampire,
there is a kind of cross."
— Thomas Pynchon
"Also on the card is Adrien Brody ('The Thin Red Line') as a poseur proto-punk who lives in his parents' converted garage and strips at an underground gay club. He takes heat from his former friends– the aforementioned neighborhood toughs– for affecting an English accent and wearing a mohawk…."
— Rob Blackwelder review of Spike Lee's "Summer of Sam" (1999)
"With its white community focus, Summer of Sam is something of a departure for Lee. But with its immaculate script, faultless acting and Lee's own cameo performance, it is a typical Spike Lee film. Plenty of rapid-fire, wise-cracking dialogue and hectic crowd scenes make it fraught with tension from beginning to end. Hectic, inventive, gritty, witty, edgy and provocative, no detail is too small to escape Lee's attention and no issue too large as the film's perceptive dissection of human nature moves effortlessly between humour and horror."
"At another end of the sexual confusion spectrum, there's Vinny's childhood friend, now turned spiky-haired punk rocker, Ritchie (Adrien Brody). Recently he's started dating Ruby (Jennifer Esposito), erstwhile neighborhood tramp. They are both redeemed by their relationship, which at least at first, involves no sex, technically. Where Vinny struggles with his culturally instilled madonna-whore complex, Ritchie's just back from a stint living in the Village, looking for an identity that's distinct from his Italian gotta-be-macho upbringing. Eventually, he gets a gig at CBGB's ('How do you spell that?' wonders Vinny), but in order to make ends meet (and pay for his new guitar), he's dancing and turning tricks at Male World, a decrepit gay club where he performs fellatio with a life-sized dummy on stage, and, you assume, with clients offscreen."
— Cynthia Fuchs revew (title: "Sex and the City")
Susan G. Cole on the
75th Annual Academy Awards,
presented March 23, 2003 —
"I watched Halle Berry wipe her mouth off after Adrien Brody, in the heat of his excitement, laid the lip-lock on her for five full excruciating seconds. She was stunned, and seemed to have no idea what had happened to her. I'll tell you what happened, Halle: it's called sexual assault."
Where's the Oscar
for the mouth-wipe?
Women’s History Month continues.
Contender
“Cinderella Man: To me, this is the best film of 2005 (qualifier: I have not yet seen Walk the Line). Cinderella Man is a terrific film – maybe even a great one. It isn’t flashy, it isn’t brimming with special effects, porn stars, or snappy one-liners. But it is a terrific story, one that you feel good after watching. It’s a slice of the true Golden Age of Hollywood – a solid story about good people that is well-acted by a superb cast. It’s a very family-friendly film – although some of the boxing scenes may be too intense for little ones. I can’t recommend this film highly enough, and am still furious that it was snubbed for the Oscars – then again, perhaps I shouldn’t be. It would be an insult to the movie, the actors, and the writers to nominate this fine film with the dreck they are glorifying this year. Watch this movie. I guarantee you’ll enjoy it.”
Meanwhile, back at the ranch…
Bush Seeks to Shore Up
Support for Iraq
Fri Apr 9, 2004 03:49 PM ET
By Jeremy Pelofsky
CRAWFORD, Texas (Reuters) – President Bush on Friday won renewed pledges of support for U.S. efforts in Iraq from allies Italy, Poland and El Salvador, the White House said, as casualties and kidnappings mounted.
— Jim Carrey at
the 1996 Academy Awards
Passion
From the previous entry:
1.
Oscar:
military phonetic
for the letter
‘O’
From an entry of Dec. 21, 2002, some background in literary theory:
“I know what ‘nothing’ means….” “How do you solve a problem like Maria?” “…problems can be solved by manipulating just two symbols, 1 and 0….” “The female and the male continue this charming dance, populating the world with all living beings.” “According to Showalter’s essay*, ‘In Elizabethan slang, ‘nothing’ was a term for the female genitalia . . . what lies between maids’ legs, for, in the male visual system of representation and desire…. Ophelia’s story becomes the Story of O — the zero, the empty circle or mystery of feminine difference, the cipher of female sexuality to be deciphered by feminist interpretation.’ (222)* Ophelia is a highly sexual being…” — Leigh DiAngelo, *Showalter, Elaine. “Representing Ophelia: Women, Madness, and the Responsibilities of Feminist Criticism.” Hamlet. Ed. Susanne L. Wofford. Boston: Bedford Books of St.Martin’s Press, 1994. 220-238. |
At the Oscars Sunday night, a thought attributed by Billy Crystal to Sean Connery:
“Pussy Galore! I just got it! That’s vulgar.”
For further background, see
Passing the Crown (Aug. 24, 2003) and
The Agony and the Ya-Ya (Oct. 4, 2002).
In the Labyrinth of Memory
Taking a cue from Danny in the labyrinth of Kubrick's film "The Shining," today I retraced my steps.
My Jan. 6 entry, "Dead Poet in the City of Angels," links to a set of five December 21, 2002, entries. In the last of these, "Irish Lament," is a link to a site appropriate for Maud Gonne's birthday — a discussion of Yeats's "Among School Children."
Those who recall a young woman named Patricia Collinge (Radcliffe '64) might agree that her image is aptly described by Yeats:
Hollow of cheek as though it drank the wind
And took a mess of shadows for its meat
This meditation leads in turn to a Sept. 20, 2002, entry, "Music for Patricias," and a tune familiar to James Joyce, "Finnegan's Wake," the lyrics of which lead back to images in my entries of Dec. 20, 2002, "Last-Minute Shopping," and of Dec. 28, 2002, "Solace from Hell's Kitchen." The latter entry is in memory of George Roy Hill, director of "The Sting," who died Dec. 27, 2002.
The Dec. 28 image from "The Sting" leads us back to more recent events — in particular, to the death of a cinematographer who won an Oscar for picturing Newman and Redford in another film — Conrad L. Hall, who died Saturday, Jan. 4, 2003.
For a 3-minute documentary on Hall's career, click here.
Hall won Oscars for "Butch Cassidy and the Sundance Kid" and "American Beauty," and may win a posthumous Oscar for "Road to Perdition," last year's Irish-American mob saga:
"Tom Hanks plays Angel of Death Michael Sullivan. An orphan 'adopted' by crime boss John Rooney (Paul Newman), Sullivan worships Rooney above his own family. Rooney gave Sullivan a home when he had none. Rooney is the father Sullivan never knew. Too bad Rooney is the
Rock Island
branch of Capone's mob."
In keeping with this Irish connection, here is a set of images.
American Beauty |
|
A Game of Chess |
I need a photo-opportunity. I want a shot at redemption. Don't want to end up a cartoon In a cartoon graveyard. — Paul Simon |
"Like a chess player, he knows that to win a tournament, it is sometimes wise to offer a draw in a game even when you think you can win it."
— Roger Ebert on Robert Duvall's character in "A Civil Action"
Director Steven Zaillian will take part in a tribute to Conrad L. Hall at the Palm Springs International Film Festival awards ceremony on Jan 11. Hall was the cinematographer for Zaillian's films "A Civil Action" and "Searching for Bobby Fischer."
"A Civil Action" was cast by the Boston firm Collinge/Pickman Casting, named in part for that same Patricia Collinge ("hollow of cheek") mentioned above.
See also "Conrad Hall looks back and forward to a Work in Progress." ("Work in Progress" was for a time the title of Joyce's Finnegans Wake.)
What is the moral of all this remembrance?
An 8-page (paper) journal note I compiled on November 14, 1995 (feast day of St. Lawrence O'Toole, patron saint of Dublin, allegedly born in 1132) supplies an answer in the Catholic tradition that might have satisfied Joyce (to whom 1132 was a rather significant number):
How can you tell there's an Irishman present
at a cockfight?
He enters a duck.
How can you tell a Pole is present?
He bets on the duck.
How can you tell an Italian is present?
The duck wins.
Every picture tells a story. |
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