Related material for the National Comedy Center —
"Tell the truth! Tell a lie!"
See also Avatar in this journal . . .
. . . and a post of March 29, 2024 . . .
In the March 21 Netflix series "3 Body Problem,"
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"Old men ought to be explorers." — T. S. Eliot
"Every shade I choose is intentional, chosen to evoke specific feelings
within those who view my work. Blue strokes embody tranquility, a
gentle touch that calms the nerves like a whispered secret. Swirls of
red radiate a symphony of joy, love, and passion, inviting observers to
delve into the depth of human emotions. And then there’s orange —
a hue that signifies intelligence, dedication, activity, and enthusiasm —
a palette of emotions waiting to be explored."
— Marcela Nowak at Medium.com:
A Latin Club slogan:
"We put the sex in sexagesimal."
Midrash for Bilbo and Miller's Girl —
"Some dragons like riddles."
Some less esoteric café alternatives … the ".cafe" domains
cubespace, foursquare, metamorph, and namespace.
And then there is a Morocco café domain for Marcela —
For an aspiring art director . . .
Since the event is online, your boozin' can be merely simulated .
This might be your best course of action. Looking for a cock tale ?
Related reading —
Lo Shu and Death Valley.
"You show me your control panel and I'll show you mine."
"Where past and future are gathered" — T. S. Eliot
T.S. Eliot and
the music of poetry
Durham theses, Durham University, 1999
"Taking into consideration the Symbolist influence,
together with his preoccupation with language
and his interest in the musical quality inherent
in verse, one finds that Eliot's verse contains
a rhythmic movement that tends to sweep across
the whole line and links lines and stanzas together.
His is a language that is highly charged with
a harmonic resonance and a certain distancing
and abstracting which makes the reference
more universal, less specifically personal."
"Where past and future are gathered" — T. S. Eliot
"The history of the length of movies takes place in two dimensions—
on the axis of the ordinary and the axis of the extraordinary, or,
of the rule and the exception."
— Richard Brody, The New Yorker , April 24, "In Praise of the Long Movie."
The Ordinary —
The Extraordinary —
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