Log24

Sunday, May 10, 2020

Plato Again Thanks the Academy

Filed under: General — Tags: — m759 @ 10:41 pm

I prefer  The Pride of Lowell —

IMAGE- Scenes from 'The Fighter'- Amy Adams, Christian Bale

Some literary background— Doctor Sax.

Monday, July 10, 2017

Plato Thanks the Academy (continued)

Filed under: General — m759 @ 9:18 pm

See also this journal on Feb. 15, 2017 —

"For Your Consideration."

Related item from Arts & Letters Daily today —

Saturday, January 3, 2015

Plato Thanks the Academy

Filed under: General — Tags: , — m759 @ 9:00 pm

(Continued)

Confession in 'The Seventh Seal'

Click on the image for related material.

Saturday, September 6, 2014

Plato Thanks the Academy

Filed under: General — m759 @ 9:00 pm

(Continued)

Plato at Stanford:
Lacan and the Matheme of Fantasy

“… [in] the matheme of fantasy ($ ◊ ),
the diamond-shaped “lozenge” (poinçon )
can be read as a condensation of four symbols:
one, (the logical symbol for conjunction [“and”]);
two, (the logical symbol for disjunction [“or”]);
three, > (the mathematical symbol for “greater than”); and,
four, < (the mathematical symbol for “less than”). As per
Lacan’s matheme, the subject’s desires are scripted and
orchestrated by an unconscious fundamental fantasy
in which the desiring subject ($) is positioned in relation to
its corresponding object-cause of desire ( ).”

— plato.stanford.edu, Stanford Encyclopedia of Philosophy

Plato.stanford.edu on Lacan, and Halle Berry in 'Frankie and Alice'

The Stanford author: 

The author is a professor in Albuquerque.
For other perspectives, see that city in this journal.

For the film  authors, see IMDb.

Monday, August 25, 2014

Plato Thanks the Academy

Filed under: General — m759 @ 12:00 am

(Continued)

See Shadowlands in this journal.
The film so titled was directed by Richard Attenborough,
President of the Royal Academy of Dramatic Art,
who reportedly died on Sunday, August 24, 2014.

It’s all in Plato, all in Plato:
bless me, what do  they
teach them at these schools!”
— C. S. Lewis

Wednesday, March 19, 2014

Plato Thanks the Academy

Filed under: General — Tags: — m759 @ 9:00 pm

(Continued)

IMAGE- Art Jeffries (Bruce Willis) and Simon Lynch (Miko Hughes), 'Mercury Rising' (1998)

“Click on fanciful .”

Sunday, March 2, 2014

Plato Thanks the Academy…

Filed under: General — Tags: — m759 @ 12:00 pm

(Continued)

… With a trip to yesteryear suggested by
the Feb. 28 New York Times  article 
"Casting Shadows on a Fanciful World"

("Wes Anderson Evokes Nostalgia in 
'The Grand Budapest Hotel' ").

Saturday, April 14, 2018

Thanking the Academy

Filed under: General — Tags: — m759 @ 10:56 am

"Again, Oscars for best director and best picture . . . ."

See also the previous post and a search for
"Plato thanks the Academy."

Monday, December 26, 2016

Fanciful (continued)

Filed under: General — m759 @ 1:00 pm

From "Plato Thanks the Academy," March 19, 2014 —

IMAGE- Art Jeffries (Bruce Willis) and Simon Lynch (Miko Hughes), 'Mercury Rising' (1998)

“Click on fanciful .”

A possible result —

See also "Triple Cross."

Monday, January 5, 2015

Gitterkrieg*

Filed under: General,Geometry — Tags: , — m759 @ 2:00 pm
 

Wednesday, March 13, 2013

Blackboard Jungle

Filed under: Uncategorized — m759 @ 8:00 AM 

From a review in the April 2013 issue of
Notices of the American Mathematical Society

"The author clearly is passionate about mathematics
as an art, as a creative process. In reading this book,
one can easily get the impression that mathematics
instruction should be more like an unfettered journey
into a jungle where an individual can make his or her
own way through that terrain."

From the book under review—

"Every morning you take your machete into the jungle
and explore and make observations, and every day
you fall more in love with the richness and splendor 
of the place."

— Lockhart, Paul (2009-04-01). 
A Mathematician's Lament:
How School Cheats Us Out of Our Most Fascinating
and Imaginative Art Form 
 (p. 92).
Bellevue Literary Press. Kindle Edition. 

Related material: Blackboard Jungle in this journal.

See also Galois Space and Solomon's Mines.

"I pondered deeply, then, over the
adventures of the jungle. And after
some work with a colored pencil
I succeeded in making my first drawing.
My Drawing Number One.
It looked something like this:

I showed my masterpiece to the
grown-ups, and asked them whether
the drawing frightened them.

But they answered: 'Why should
anyone be frightened by a hat?'"

The Little Prince

* For the title, see Plato Thanks the Academy (Jan. 3).

Sunday, September 7, 2014

Sunday School

Filed under: General — Tags: — m759 @ 8:28 am

In memory of Joan Rivers

Heaven's Gate

This post was suggested by the previous post‘s quote

“the subject’s desires are scripted and orchestrated
by an unconscious fundamental fantasy,”

and by one of my favorite musical fantasies:

Melanie – Brand New Key (’71) .

Academics may prefer the following —

Susanne K. Langer,'Philosophy in a New Key'

Friday, March 23, 2012

Embedding the Stone

Filed under: General,Geometry — Tags: — m759 @ 8:00 am

"Imbedding the God character in a holy book's very detailed narrative
and building an entire culture around this narrative
seems by itself to confer a kind of existence on Him."

John Allen Paulos in the philosophy column "The Stone,"
     New York Times  online, Oct. 24, 2010

A related post from Log24 later that year—

Sunday, November 28, 2010

The Embedding

 — m759 @ 6:00 AM

The New York Times Magazine  this morning on a seminar on film theory at Columbia University—

"When the seminar reconvened after the break, Schamus said, 'Let’s dive into the Meno,' a dialogue in which Plato and Socrates consider virtue. 'The heart of it is the mathematical proof.' He rose from his seat and went to the whiteboard, where he drew figures and scribbled numbers as he worked through the geometry. 'You can only get the proof visually,' he concluded, stepping back and gazing at it. Plato may be skeptical about the category of the visual, he said, but 'you are confronted with a visual proof that gets you back to the idea embedded in visuality.'"

The Meno Embedding

Plato's Diamond embedded in The Matrix

See also Plato's Code and
 Plato Thanks the Academy.

 

 

"Next come the crown of thorns and Jesus' agonized crawl across the stage,
bearing the weight of his own crucifix. And at last, after making
yet another entrance, Mr. Nolan strikes the pose immortalized
in centuries of art, clad in a demure loincloth, arms held out to his sides,
one leg artfully bent in front of the other, head hanging down
in tortured exhaustion. Gently spotlighted, he rises from the stage
as if by magic, while a giant cross, pulsing with hot gold lights,
descends from above to meet him. Mr. Lloyd Webber's churning guitar rock
hits a climactic note, and the audience erupts in excited applause."

— Charles Isherwood, review of "Jesus Christ Superstar" in today's  New York Times

Other remarks on embedding —

Part I

Review of a new book on linguistics, embedding, and a South American tribe—

"Imagine a linguist from Mars lands on Earth to survey the planet's languages…."
Chronicle of Higher Education , March 20, 2012

Part II

The Embedding , by Ian Watson (Review of a 1973 novel from Shakespeare's birthday, 2006)

Sunday, November 28, 2010

The Embedding

Filed under: General,Geometry — m759 @ 6:00 am

The New York Times Magazine  this morning on a seminar on film theory at Columbia University—

"When the seminar reconvened after the break, Schamus said, 'Let’s dive into the Meno,' a dialogue in which Plato and Socrates consider virtue. 'The heart of it is the mathematical proof.' He rose from his seat and went to the whiteboard, where he drew figures and scribbled numbers as he worked through the geometry. 'You can only get the proof visually,' he concluded, stepping back and gazing at it. Plato may be skeptical about the category of the visual, he said, but 'you are confronted with a visual proof that gets you back to the idea embedded in visuality.'"

The Meno Embedding

Plato's Diamond embedded in The Matrix

See also Plato's Code and
 Plato Thanks the Academy.

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