Log24

Sunday, July 7, 2024

The Titanic Avatar

Filed under: General — Tags: , , — m759 @ 3:42 pm

See also Avatar in this  journal . . .

. . . and a post of March 29, 2024 . . .

Rearranging the Deck Chairs

In the March 21 Netflix series "3 Body Problem,"
the deck of the ship Judgment Day is transformed
in a spectacular manner by an invisible  trick.

Heart Song

Filed under: General — Tags: , — m759 @ 3:27 pm

Thursday, November 23, 2023

Art Puzzle

Filed under: General — Tags: — m759 @ 1:07 pm

Sunday, October 9, 2005

Sunday October 9, 2005

Filed under: General — Tags: — m759 @ 11:00 am
Today's Sermon:
Magical Thinking

 
On this date– "In 1936,
the first generator at Boulder
(later Hoover) Dam began
transmitting electricity to Los Angeles."
— Today in History, Associated Press
 
"Brightness doubled
   generates radiance."
— Hexagram 30

"I know what nothing means."
— Maria Wyeth in Play It As It Lays

"Nothing is random."
— Mark Helprin in Winter's Tale

Maria Wyeth in Las Vegas:

"… She thought about nothing.  Her mind was a blank tape, imprinted daily with snatches of things overheard, fragments of dealers' patter, the beginnings of jokes and odd lines of song lyrics.  When she finally lay down nights in the purple room she would play back the day's tape, a girl singing into a microphone and a fat man dropping a glass, cards fanned on a table and a dealer's rake in closeup and a woman in slacks crying and the opaque blue eyes of the guard at some baccarat table.  A child in the harsh light of a crosswalk on the Strip.  A sign on Fremont Street.  A light blinking.  In her half sleep the point was ten, the jackpot was on eighteen, the only man that could ever reach her was the son of a preacher man, someone was down sixty, someone was up, Daddy wants a popper and she rode a painted pony let the spinning wheel spin.

By the end of a week she was thinking constantly about where her body stopped and the air began, about the exact point in space and time that was the difference between Maria and other.  She had the sense that if she could get that in her mind and hold it for even one micro-second she would have what she had come to get.  As if she had fever, her skin burned and crackled with a pinpoint sensitivity.  She could feel smoke against her skin.  She could feel voice waves.  She was beginning to feel color, light intensities, and she imagined that she could be put blindfolded in front of the signs at the Thunderbird and the Flamingo and know which was which.  'Maria,' she felt someone whisper one night, but when she turned there was nobody.

She began to feel the pressure of Hoover Dam, there on the desert, began to feel the pressure and pull of the water.  When the pressure got great enough she drove out there.  All that day she felt the power  surging through her own body. All day she was faint with vertigo, sunk in a world where great power grids converged, throbbing lines plunged finally into the shallow canyon below the dam's face, elevators like coffins dropped into the bowels of the earth itself.  With a guide and a handful of children Maria walked through the chambers, stared at the turbines in the vast glittering gallery, at the deep still water with the hidden intakes sucking all the while, even as she watched, clung to the railings, leaned out, stood finally on a platform over the pipe that carried the river beneath the dam.  The platform quivered.  Her ears roared.  She wanted to stay in the dam, lie on the great pipe itself, but reticence saved her from asking.

'Just how long have you been here now,' Freddy Chaikin asked when she ran into him in Caesar's.  'You planning on making a year of it?  Or what?'"

Related material

The front page of today's
New York Times Book Review

and Log24, July 15, 2004:

The image “http://www.log24.com/log/pix04A/040715-Pit2.jpg” cannot be displayed, because it contains errors.

A quotation that somehow
seems relevant:

O the mind, mind has mountains,
   cliffs of fall
Frightful, sheer, no-man fathomed.
   Hold them cheap
May who ne'er hung there.

Gerard Manley Hopkins

 

Friday, July 15, 2005

Friday July 15, 2005

Filed under: General — Tags: , — m759 @ 6:00 pm

Feast of St. Bonaventure

From Darkness Visible:

"Ed Rinehart [sic] made a fortune painting canvases that were just one solid color.  He had his black period in which the canvas was totally black.  And then he had a blue period in which he was painting the canvas blue."

— Martin Gardner interview in AMS Notices, June/July 2005 

From Art History:

"Art history was very personal through the eyes of Ad Reinhardt."

— Robert Morris,
    Smithsonian Archives of American Art

From The Edge of Eternity:

Christopher Fry's obituary
in The New York Times

"His plays radiated an optimistic faith in God and humanity, evoking, in his words, 'a world in which we are poised on the edge of eternity, a world which has deeps and shadows of mystery, and God is anything but a sleeping partner.' He said he wrote his plays in poetry because that was 'the language in which man expresses his own amazement' at the complexity both of himself and of a reality which, beneath the surface, was 'wildly, perilously, inexplicably fantastic.'"

From
Arrangement in
Black and Blue:

 

The image “http://www.log24.com/log/pix05A/050703-Cold.jpg” cannot be displayed, because it contains errors.

Adapted from cover of
German edition of Cold Mountain

 

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