IMDb Trivia for Music Box (1989)

• After the movie was released, screenwriter Joe Eszterhas‘s own father Istvan Eszterhas was accused of war crimes in Hungary by printing anti-Semitic editorials and even organizing a book burning.
• Both Kirk Douglas and Walter Matthau wanted to play the father….

Once a son,
now a father:

“He spent his earliest years in post WWII–refugee camps. He came to America and grew up in Cleveland–stealing cars, rolling drunks, battling priests, nearly going to jail. He became the screenwriter of the worldwide hits Basic Instinct, Jagged Edge, and Flashdance. He also wrote the legendary disasters Showgirls and Jade. The rebellion never ended, even as his films went on to gross more than a billion dollars at the box office and he became the most famous–or infamous–screenwriter in Hollywood. Joe Eszterhas is a complex and paradoxical figure: part outlaw and outsider combined with equal parts romantic and moralist. More than one person has called him ‘the devil.’ He has been referred to as ‘the most reviled man in America.’ But Time asked, ‘If Shakespeare were alive today, would his name be Joe Eszterhas?'”

— Random House promotional material

And eventually to become
a holy ghost…

“Yea, though I walk
through the valley of death
I will fear no evil,
for I am the meanest
son of a bitch
in the valley.”

— Karl Cullinane

in The Silver Crown,
by Joel Rosenberg

That such a request came was no surprise. Its provenance is, and cheeringly so. For this De Tocqueville Society is made up of a group of students at the new Patrick Henry College, founded by Mike Farris, the President of the Home School Legal Defense Association. More than ninety percent of the college’s students were homeschooled. If there’s a Roman Catholic in the bunch, I’ve yet to hear about it, and I’ve been to that campus twice to give lectures. [Note: Esolen does not seem to be aware that PHC requires its students to be Protestant.]

More on that in a moment. I could spend all evening singing the praises of PHC (as the students fondly call it), but let me share one discovery I made that should gratify Touchstone readers. The first time I spoke there, two years ago, I was stunned to meet young men and women who—who were young men and women. I am not stretching the truth; go to Purcellville and see it for yourselves if you doubt it; I believe my wife took a couple of pictures, just to quiet the naysayers. The young men stand tall and look you in the eye—they don’t skulk, they don’t scowl and squirm uncomfortably in the back chairs as they listen to yet another analysis of Rebecca of Sunnybrook Farm, or one of the healthier poems of Sylvia Plath. They’re frank and generous and respectful, but they hold their own in an argument, and they are eager to engage you in those. They are comfortable in their skins; they wear their manhood easily. And the young ladies are beautiful. They don’t wither away in class, far from it; but they wear skirts, they are modest in their voices and their smiles, they clearly admire the young men and are esteemed in turn; they are like creatures from a faraway planet, one sweeter and saner than ours.

Two years ago I spoke to them about medieval Catholic drama. They are evangelicals, half of them majors in Government, the rest, majors in Liberal Arts. They kept me and my wife in that room for nearly three hours after the talk was over. “Doctor Esolen, what you say about the habits of everyday life—to what extent is it like what Jean Pierre de Coussade calls ‘the sacrament of the present moment’?” “Doctor Esolen, do you see any connections between the bodiliness of this drama and the theology of Aleksandr Schmemann?” “Doctor Esolen, you have spoken a great deal about our recovery of a sense of beauty, but don’t you think that artists can also use the grotesque as a means of bringing people to the truth?” “You’ve suggested to us that Christians need to reclaim the Renaissance as our heritage, yet we are told that that was an age of the worship of man for his own sake. To what extent is the art of that period ours to reclaim?” And on and on, until nearly midnight.

The questions were superior to any that I have ever heard from a gathering of professors—and alas, I’ve been to many of those. I mean not only superior in their enthusiasm and their insistence, but in their penetrating to the heart of the problem, their willingness to make connections apparently far afield but really quite apropos, and their sheer beauty—I can think of no better word for it.

A few weeks ago I was in town for another talk, on the resurrection of the body. The Holy Father had passed away. At supper, ten or fifteen of the students packed our table, to ask questions before the talk. They were reverent and extraordinarily well informed; most especially they were interested in the Theology of the Body. The questions on that topic continued after the lecture, and I had the same experience I’d had before, but now without the surprise.

And these are the young people who are devoting an entire issue of their journal to the thought of Cardinal Ratzinger, now the new head of the Roman Catholic Church. They are hungry to know about him; in the next week or two they will do what our slatternly tarts and knaves, I mean our journalists, have never done and will not trouble themselves to do, and that is to read what Benedict XVI has said, read it with due appreciation for their differences with him, and due deference to a holy and humble man called by Christ to be a light not only to Roman Catholics but to all the nations.

These students don’t know it, but in their devotion to their new school (they are themselves the guards, the groundskeepers, the janitors; they ‘own’ the school in a way that is hard to explain to outsiders), they live the community life extolled by Leo XIII in Rerum Novarum; in their steadfastness to the truth they are stalwart participators in the quest set out by John Paul II in Fides et Ratio; in their welcoming of me and, God bless them, of the good Benedict XVI, they live in the true spirit of Lumen Gentium, that greathearted document of the council so often invoked for the lame tolerance of every betrayal of the ancient faith. And for what it’s worth, they are readers of Touchstone Magazine.

Be silent, Greeleys and Dowds of the world. These young people have you whipped, if for no other reason than that they believe in the One who is Truth, and who sets us free. How can I praise these my young brothers and sisters any more highly? God bless them and Patrick Henry College. And the rest of us, let’s keep an eye on them. We’ll be seeing quite a harvest from that seedbed!