Prequel from 1961 (click image for context):
Detail that may be interpreted as the Chinese
3×3 "Holy Field" and a Chinese temple bell—
"Ting-a-ling." — Kurt Vonnegut.
Prequel from 1961 (click image for context):
Detail that may be interpreted as the Chinese
3×3 "Holy Field" and a Chinese temple bell—
"Ting-a-ling." — Kurt Vonnegut.
From Das Glasperlenspiel (Hermann Hesse, 1943) —
“Bastian Perrot… constructed a frame, modeled on a child’s abacus, a frame with several dozen wires on which could be strung glass beads of various sizes, shapes, and colors. The wires corresponded to the lines of the musical staff, the beads to the time values of the notes, and so on. In this way he could represent with beads musical quotations or invented themes, could alter, transpose, and develop them, change them and set them in counterpoint to one another. In technical terms this was a mere plaything, but the pupils liked it.… …what later evolved out of that students’ sport and Perrot’s bead-strung wires bears to this day the name by which it became popularly known, the Glass Bead Game.”
From “Mimsy Were the Borogoves” (Lewis Padgett, 1943)—
…”Paradine looked up. He frowned, staring. What in—
…”Is that an abacus?” he asked. “Let’s see it, please.”
…Somewhat unwillingly Scott brought the gadget across to his father’s chair. Paradine blinked. The “abacus,” unfolded, was more than a foot square, composed of thin, rigid wires that interlocked here and there. On the wires the colored beads were strung. They could be slid back and forth, and from one support to another, even at the points of jointure. But— a pierced bead couldn’t cross interlocking wires—
…So, apparently, they weren’t pierced. Paradine looked closer. Each small sphere had a deep groove running around it, so that it could be revolved and slid along the wire at the same time. Paradine tried to pull one free. It clung as though magnetically. Iron? It looked more like plastic.
…The framework itself— Paradine wasn’t a mathematician. But the angles formed by the wires were vaguely shocking, in their ridiculous lack of Euclidean logic. They were a maze. Perhaps that’s what the gadget was— a puzzle.
…”Where’d you get this?”
…”Uncle Harry gave it to me,” Scott said on the spur of the moment. “Last Sunday, when he came over.” Uncle Harry was out of town, a circumstance Scott well knew. At the age of seven, a boy soon learns that the vagaries of adults follow a certain definite pattern, and that they are fussy about the donors of gifts. Moreover, Uncle Harry would not return for several weeks; the expiration of that period was unimaginable to Scott, or, at least, the fact that his lie would ultimately be discovered meant less to him than the advantages of being allowed to keep the toy.
…Paradine found himself growing slightly confused as he attempted to manipulate the beads. The angles were vaguely illogical. It was like a puzzle. This red bead, if slid along this wire to that junction, should reach there— but it didn’t. A maze, odd, but no doubt instructive. Paradine had a well-founded feeling that he’d have no patience with the thing himself.
…Scott did, however, retiring to a corner and sliding beads around with much fumbling and grunting. The beads did sting, when Scott chose the wrong ones or tried to slide them in the wrong direction. At last he crowed exultantly.
…”I did it, dad!”
…””Eh? What? Let’s see.” The device looked exactly the same to Paradine, but Scott pointed and beamed.
…”I made it disappear.”
…”It’s still there.”
…”That blue bead. It’s gone now.”
…Paradine didn’t believe that, so he merely snorted. Scott puzzled over the framework again. He experimented. This time there were no shocks, even slight. The abacus had showed him the correct method. Now it was up to him to do it on his own. The bizarre angles of the wires seemed a little less confusing now, somehow.
…It was a most instructive toy—
…It worked, Scott thought, rather like the crystal cube.
* Title thanks to Saturday Night Live (Dec. 4-5, 2010).
From The Abacus Conundrum —
Bastian Perrot… constructed a frame, modeled on a child’s abacus, a frame with several dozen wires on which could be strung glass beads of various sizes, shapes, and colors. The wires corresponded to the lines of the musical staff, the beads to the time values of the notes, and so on. In this way he could represent with beads musical quotations or invented themes, could alter, transpose, and develop them, change them and set them in counterpoint to one another. In technical terms this was a mere plaything, but the pupils liked it.… …what later evolved out of that students’ sport and Perrot’s bead-strung wires bears to this day the name by which it became popularly known, the Glass Bead Game.” — Das Glasperlenspiel (Hermann Hesse, 1943) |
See also Web Audio Resources at GitHub.
On the film "Anna" in the previous post —
See also the above world premiere date in the posts of October 2013 —
esp. the post Conundrum.
Related material — An early scene in "Mindscape" . . .
. . . and "The Abacus Conundrum" in this journal.
Continued from Tuesday, November 18, 2014
International poster for the 2010 film "Black Swan"—
"Death is a black swan." — Graciela Chichilnisky
Tom Wolfe in The Painted Word (1975):
“It is important to repeat that Greenberg and Rosenberg
did not create their theories in a vacuum or simply turn up
with them one day like tablets brought down from atop
Green Mountain or Red Mountain (as B. H. Friedman once
called the two men). As tout le monde understood, they
were not only theories but … hot news,
straight from the studios, from the scene.”
“Parable of American Painting,” 1954 — From The Tradition of the New , by Harold Rosenberg
“In this essay Rosenberg set out to explain what he believed to be definitively American about Abstract Expressionism. He did so by drawing on the American Revolutionary War for his metaphors, likening the new Americans to the coonskin trappers whose knowledge of their terrain enabled them to pick off the British soldiers (Redcoats), who followed the dictates of their military training. The professionally- trained soldiers were defeated because, as Rosenberg states, ‘They were such extreme European professionals … they did not even see the American trees.’ ‘Redcoatism’ was, Rosenberg argued, a symptom of the old European world’s stubborn rejection of the new. It did at one time also ‘[dominate] the history of American art,’ he wrote, but with the advent of Abstract Expressionism, times had changed. And just as the Coonskins were victorious because they stood apart from the professional military, so the new American art was triumphant because, as Rosenberg saw it, it marked a profound break with the traditions of European art.” |
![]() Lectures at Bennington, 1971 |
For example:
Art adapted today from the Google search screen. Discuss.
Hexagram 35:
Progress
"Then came a 'Robot Psychologist,' known as a Psychological Matrix Rotator,
developed for the Department of Defense. It is still used to literally 'see' that
the right man gets the right Army job."
— Ronald Reagan, 1961 GE Sales Meeting
"Always with a little humor." — Yen Lo
In memory of Dr. Irving Peress,
who reportedly died on Thursday,
November 13, 2014.
Yesterday's post and recent Hollywood news suggest
a meditation on a Progressive Matrix —
Click to enlarge.
"My card."
Structurally related images —
A sample Raven's Progressive Matrices test item
(such items share the 3×3 structure of the hash symbol above):
Structural background —
From the author of The Abacus Conundrum—
Harlan Kane's sequel to The Apollo Meme—
THE KRISTEN EFFECT
"Thus the universal mutual attraction between the sexes is represented."
— Hexagram 31
Recommended— An essay (part 1 of 5 parts) in today's New York TImes—
I don’t want to die in |
"I agree with one of the earlier commenters that this is a piece of fine literary work. And in response to some of those who have wondered 'WHAT IS THE POINT?!' of this essay, I would like to say: Must literature always answer that question for us (and as quickly and efficiently as possible)?"
For an excellent survey of the essay's historical context, see The Stanford Encyclopedia of Philosophy article
"The Incommensurability of Scientific Theories,"
First published Wed., Feb. 25, 2009,
by Eric Oberheim and Paul Hoyningen-Huene.
Related material from this journal—
Paradigms, Paradigms Lost, and a search for "mere geometry." This last includes remarks contrasting Euclid's definition of a point ("that which has no parts") with a later notion useful in finite geometry.
See also (in the spirit of The Abacus Conundrum )…
(Note the Borges epigraph above.)
The sequel to Another Manic Monday and The Abacus Conundrum —
You'll glitter and gleam so
Make somebody dream so that
Some day he may buy you a ring, ringa-linga
I've heard that's where it leads…
Related material — Janet's Tea Party
Saturday Night Live on December 4, 2010 —
If you liked Harlan Kane's THE ABACUS CONUNDRUM, you'll love…
THE LOTTERY ENIGMA —
New York Lottery on Sunday, December 5, 2010
Related links— For 076, yesterday's entry on "Independence Day."
For 915, see 9/15, "Holy Cross Day Revisited," and its prequel,
linked to on 9/15 as "Ready When You Are, C.B."
See also "Citizen Harlan" and "The Beaver."
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