And then there is Bardo College . . .
"Katz approaches her subject from every angle,
its relationship to feminism, multiculturalism and
the counterculture, as well as its (now questionable)
cultural appropriation and even its underlying debt
to Minimalism (the use of repetition and the grid)."
This is from a Roberta Smith piece yesterday morning
in The New York Times print version:
"A version of this article appears in print on Aug. 6, 2021,
Section C, Page 6 of the New York edition with the headline:
Celebrating a Riotous Decor That Keeps Eyes Moving."
Well, perhaps not every angle.