Recorded and edited By Aniela Jaffé,
translated from the German
by Richard and Clara Winston,
Vintage Books edition of April 1989
From pages 195-196:
“Only gradually did I discover what the mandala really is: ‘Formation, Transformation, Eternal Mind’s eternal recreation.’*
And that is the self, the wholeness of the personality,
which if all goes well is harmonious,
but which cannot tolerate self-deceptions.”
* Faust , Part Two, trans. by Philip Wayne (Harmondsworth,
England, Penguin Books Ltd., 1959), p. 79. The original:
… Gestaltung, Umgestaltung, Des ewigen Sinnes ewige Unterhaltung….
Jung’s “Formation, Transformation” quote is from
the realm of the Mothers (Faust , Part Two, Act 1, Scene 5:
A Dark Gallery).
The speaker is Mephistopheles.
"I have too much backstory" — Bryan Cranston, 2012
"Only poets and schizophrenics communicate in language
that defies rational analysis, and poets do not normally
do so in ordinary conversation . . . . They also do it with
a certain elegance, lacking in this case, and usually with
some kind of rhythm and sonority."
— Robert Anton Wilson, Quantum Psychology ,
discussing the following situation in a mental hospital:
"A strange man had approached and said, 'I'm not Slavic.'
Many paranoids begin a conversation with such assertions,
vitally important to them, but sounding a bit strange to
the rest of us."
"All of these ideas have shown promise at some time or other, and some are still under active investigation. But my conclusion after all this work is that the part of algebra that shows the most promise for genuinely useful applications to fundamental physics is the representation theory, real, complex, integral and modular, of the group GL(2, 3). There is, of course, no guarantee that a viable theory can be built on this foundation. But it appears to be the only part of algebra that both has a reasonable chance of success and has not already been exhaustively explored in the physics literature. It is therefore worth serious consideration."
The above phrase "the intersection of storytelling and visual arts"
suggests a review . . .
Storytelling —
Visual arts —
"This pattern is a square divided into nine equal parts.
It has been called the 'Holy Field' division and
was used throughout Chinese history for many
different purposes, most of which were connected
with things religious, political, or philosophical."
From Number and Time ,
by Marie-Louise von Franz,
Northwestern U. Press paperback,
December 31, 1974 —
Star Wars Chess:
Originally chess seems to have represented
an earthly mirror-image of "the stars' battles
in Heaven,"22 an outline of those battles from
which man's destiny proceeded.
22. See Joseph Needham, Science and Civilization
in China (Cambridge, 1959), III, 540ff., 303ff.;
see also IV, pt. 1, 230, 265, 327 ff.
* I.e., for Philip Pullman, author of His Dark Materials .
Those who prefer fiction to reality may consult
a Baja-related search in this journal for "Sea of Cortez."
That search in turn suggests a Fandom webpage related
to yesterday's post "Perspective" — https://davidmitchell.fandom.com/wiki/Luisa_Rey.
"Luisa Rey is played by Halle Berry in the Wachowski siblings'
2012 adaptation of Cloud Atlas . . . . Her name is based on The Bridge of San Luis Rey . . . ."
"Similarities and parallels can be drawn between alebrijes
and various supernatural creatures from Mexico's indigenous
and European past." — Wikipedia on the subject of today's
Google Doodle.
"Today’s Doodle celebrates the 115th birthday of
a Mexican artist who turned his dreams into reality…."
"The ability to imagine is the largest part of what you call intelligence.
You think the ability to imagine is merely a useful step on the way to
solving a problem or making something happen. But imagining it is
what makes it happen.
This is the gift of your species and this is the danger, because you
do not choose to control your imaginings. You imagine wonderful things
and you imagine terrible things, and you take no responsibility for the
choice. You say you have inside you both the power of good and the
power of evil, the angel and the devil, but in truth you have just one
thing inside you—the ability to imagine."
An in-universe perspective describes the narrative
(or a fictional element of the narrative, such as
characters, places, groups, and lore) from the
vantage of characters within the fictional universe,
treating it as if it were real and ignoring real-world context and sourced analysis.
Many fan wikis and fan websites (see below) take this
approach, but it should not be used for Wikipedia articles.
Whether writing about matters small or large,
Mr. Dunn said in a 2010 episode of The Cortland Review ’s video series “Poets in Person,”
the key was to find the meaning beneath the experience.
“Even your most serious problem,” he said,
“very few people are going to be interested in
unless you yourself, in the act of writing the poem,
make some discoveries about it.”
— By Neil Genzlinger, New York Times ,
June 25, 2021, 10:23 a.m. ET
"We have much to discover." — Saying attributed to
Christopher Marlowe in a TV series. See posts now tagged 4X.
"Trickster is among other things the gatekeeper who opens the door into the next world; those who mistake him for a psychopath never even know such a door exists." (159)
What is "the next world"? It might be the Underworld….
The pleasures of fabulation, the charming and playful lie– this line of thought leads Hyde to the last link in his subtitle, the connection of the trickster to art. Hyde reminds us that the wall between the artist and that American favourite son, the con-artist, can be a thin one indeed; that craft and crafty rub shoulders; and that the words artifice, artifact, articulation and art all come from the same ancient root, a word meaning "to join," "to fit," and "to make." (254) If it’s a seamless whole you want, pray to Apollo, who sets the limits within which such a work can exist. Tricksters, however, stand where the door swings open on its hinges and the horizon expands: they operate where things are joined together, and thus can also come apart.
"I went to a garden party to reminisce with my old friends:
A chance to share old memories and play our songs again.
When I got to the garden party, they all knew my name…
No one recognized me, I didn't look the same."
From a June 21 Instagram story —
From Ernest Hemingway's The Garden of Eden —
She slipped out of bed and stood straight with her long brown legs
and her beautiful body tanned evenly from the far beach where they
swam without suits. She held her shoulders back and her chin up
and she shook her head so her heavy tawny hair slapped around
her cheeks and then bowed forward so it all fell forward and covered
her face. She pulled the striped shirt over her head and then shook
her hair back and then sat in the chair in front of the mirror on the
dresser and brushed it back looking at it critically. It fell to the top of
her shoulders. She shook her head at the mirror. Then she pulled on
her slacks and belted them and put on her faded blue rope-soled shoes.
"I have to ride up to Aigues Mortes," she said.
"Good," he said. "I'll come too."
"No. I have to go alone. It's about the surprise."
"If you have built castles in the air,
your work need not be lost;
that is where they should be.
Now put the foundations under them.”
— Henry David Thoreau
The above image is from a post of Dec. 14, 2016, titled "Outer Sanctum."
See as well an Esquire magazine, UK, article in the Jan/Feb 2017 issue . . .with the issuu.com date Dec. 14, 2016(pp. 140-141 ff.) —
"Words are events, happenings, not things,
as letters make them appear to be."
— Walter J. Ong, S.J., page 2 in
"Writing and the Evolution of Consciousness,"
in Mosaic: An Interdisciplinary Critical Journal ,
Vol. 18, No. 1 (Winter 1985), pp. 1-10 (11 pages,
counting the prefatory page with a photo of Ong).
Published by: University of Manitoba.
https://www.jstor.org/stable/24777620
". . . originally delivered by Walter J. Ong
as the 7th Annual 'Sidney Warhaft Memorial Lecture',
January 26, 1984, University of Manitoba, Winnipeg."
"In the following essay, Fleischauer examines
the language and syntax of Updike's prose, particularly
aspects of irony, symbolism, and literary detachment
evoked in his use of descriptive vocabulary and imagery."
Well, Romeo and Juliet, Samson and Delilah
Baby you can bet a love they couldn't deny
My words say split, but my words they lie
Cause when we kiss, ooh, fire
{Bridge}
Oh fire
Kisses like fire…
Burn me up with fire
I like what you're doin now, fire
Touchin' me, fire
Touchin' me, burnin me, fire
Take me home
"… a difficult novel just sits there on your shelf unread —
unless you happen to be a student, in which case you're
obliged to turn the pages of Woolf and Beckett."
"Daisy, when she comes to tea at Nick's house,
refers to the flowers brought by Gatsby as being
appropriate for a funeral and asks 'Where's the corpse?'
Gatsby enters immediately thereafter. This foreshadows
what will happen to Gatsby. The dialogue is not in the novel…."
* Note for pedagogues: Latour's "three ranks" should be "three files." Ranks are horizontal, files vertical. Also, there may be more than 24
compartments in the cabinet, but Latour discusses only those shown.
Towards the end of his career, when it was clear that literary theory had taken hold in the academy, Frye began to reflect on literary theory. In an interview with Deanne Bogdan, Frye laments, “I am feeling out of the great critical trends today”…. Northrop Frye was right that he was “out of fashion,” both in terms of his own theories and his place in literary theory; however, he did seek to reverse the course. Frye hoped to reclaim literary studies from deconstruction, which had become, in a sense, his chief opponent ….
"In 1948, he enrolled at the University of Toronto
to study political science and economics.
The avant-garde filmmaker Maya Deren taught
a workshop at the university one semester and
he became her lighting assistant. She encouraged
him to abandon economics and make movies instead."
The title is a phrase by Wallace Stevens.
See Staats-Oper , a post of Thursday, June 3.
See as well posts of 9/11, 2014. . . a date suggested by the song lyric
"Oh, moon of Alabama" in one of those posts. The song lyric was in turn
suggested by a New York Times obituary this evening.
For other suggestive remarks, see Bowie in this journal.
Dialogue from Season 1, Episode 8 of "His Dark Materials" —
Asriel: And the serpent said, "You shall not surely die, for the Authority doth know that on that day that ye eat thereof, your eyes shall be opened, your daemons shall assume their true form and ye shall be as…"
Both: "… gods, knowing good and…"
Lyra: "… evil."
Asriel: "… Dust ." You see? They have been trying to convince us for centuries that we are born guilty. And that we have to spend a lifetime atoning for the crime of eating an apple. Is there any proof for this heinous stain, this shame, this guilt? No, not at all. We are to take it on faith, and on the word of the Authority.
But Dust… Dust is an elementary particle that we can record, measure, study.
Arthur Staats, the very influential psychologist who
established the practice of "time out" for naughty
children, reportedly "died at 97 on April 26
at his home in Oahu, Hawaii."
The New York Times says this evening that
"Dr. Staats’s legacy was reflected by
the license plate of his silver BMW —
TYM-OUT . . . ."
Related material —
"I love those Bavarians … So meticulous."
— The Devil, according to Don Henley
And then there is non-bullshit about a
four-by-six frame —
Bullshit addicts pondering the meaning of the letter "Q" may consult
"Q is for Quelle ," "Q is for Quality," and this journal on the above American Scholar date — March 2, 2020.
We represent things in the world with words, and once you know that words represent concrete things, it's a short jump to realizing that words can represent abstract things, too.
Symbolic representation isn't necessarily straightforward, either. "A philosopher named Quine had this notion," she said. "If you're out in the field with somebody, and they point and say 'Gavagai!' and you look and you see a rabbit running through the field, you assume that gavagai in their language means rabbit . But how do you know it doesn't mean 'brown,' or 'tail,' or 'leg,' or 'fur'—"
"Or, 'Look at that!'" I said.
"Yeah, all of this other stuff is present, but we have this whole object notion," she said. "We have a notion of what constitutes a distinct object, and we assume that the word corresponds to that whole object as a default. Would the alien have that notion?"
"A debonair Virginian, Mr. Warner was sometimes called
the senator from central casting; his ramrod military posture,
distinguished gray hair and occasionally overblown
speaking style fit the Hollywood model." — Carl Hulse
"Daisy, when she comes to tea at Nick's house,
refers to the flowers brought by Gatsby as being
appropriate for a funeral and asks 'Where's the corpse?'
Gatsby enters immediately thereafter. This foreshadows
what will happen to Gatsby. The dialogue is not in the novel…."