Saturday, April 21, 2018 A Getty logo — |
For All Souls' Day —
T. S. Eliot — "… intersection of the timeless with time …."
Saturday, April 21, 2018 A Getty logo — |
For All Souls' Day —
T. S. Eliot — "… intersection of the timeless with time …."
"… at his home in San Anselmo . . . ."
See also Anselm in this journal, as well as the Devil's Night post Ojos.
Mike Hale in The New York Times online today —
Review: ‘Genius’ Paints Picasso by the Numbers
"… the production’s tinselly soul.
For instance, it’s on the record that Picasso’s lovers
Dora Maar and Marie-Thérèse Walter had
a wrestling match in his studio while he was
painting 'Guernica.' 'Genius' includes that
scene, naturally, but adds its own detail:
The altercation helps Picasso overcome a creative block
and gleefully set to work on the gigantic painting.
It may be news to scholars that one of art’s
greatest testaments to the horror of war was
inspired, in part, by the excitement of being
fought over by a pair of jealous women."
See also the Feb. 17, 2017, post on Bertram Kostant
as well as "Mathieu Moonshine and Symmetry Surfing."
"Check out the … unexpected major chord
in the chorus of 'Time of the Season;'
each moment defies expectations,
but at no point do the surprises themselves
take center stage or detract from the [song’s]
other elements."
— Alasdair P. MacKenzie, April 20 in
The Harvard Crimson
Illustration —
A Getty logo —
J. Paul Getty and Minotaur, according to Hollywood —
Michelle Williams on art —
A page on Kalispell, Williams's home town —
A book by Vachel Lindsay on the area near Kalispell —
The New York Times this evening at 8:07 PM ET —
"Richard Oldenburg, who as the longtime director
of the Museum of Modern Art in New York City
oversaw blockbuster exhibitions of Picasso,
Matisse and Cézanne and a transformative
expansion that doubled its exhibition space in the
1980s, died on Tuesday at his home in Manhattan.
He was 84." — Richard Sandomir [Link added.]
See also "the crux of the matter" in a Tuesday post
and the crux from 4 PM ET today.
Emblematizing the Modern
Note that in applications, the vertical axis of the Cross of Descartes often symbolizes the timeless (money, temperature, etc.) while the horizontal axis often symbolizes time. T.S. Eliot
“Men’s curiosity searches past and future |
"O for a muse of fire,
that would ascend
The brightest heaven
of invention"
— Henry V, Prologue
"Going Up."
Powered by WordPress