The Hunger Game —
The Ellenberg Epigraph —
The Epigraph Source —
The title is a phrase by Wallace Stevens.
See Staats-Oper , a post of Thursday, June 3.
See as well posts of 9/11, 2014 . . . a date suggested by the song lyric
"Oh, moon of Alabama" in one of those posts. The song lyric was in turn
suggested by a New York Times obituary this evening.
For other suggestive remarks, see Bowie in this journal.
The previous Log24 post, on mathematics, was titled
“Models: A Return to Utrecht.”
After writing that post I decided to check out another sort of
Utrecht model, and found a surprising echo:
“A Return to Utrecht: The Sylvia Kristel Archives.”
Recommended related reading: Kristel’s obituary in The Telegraph .
Recommended related music:
https://www.google.com/search?q=
%22show+us+the+way+to+the+next+little+girl%22+bowie .
Maybe. See Bowie singing “Show us the way to the next little girl …”
Related art:
Review from Variety (March 1, 2020):
“The trigger warning big enough to cover the plot details, let alone
the themes here, has not yet been invented (such a trigger would
have to be more in the order of the firing pin on a mortar, or maybe
the detonation code to a suitcase nuke), so proceed with caution. . . .”
Related culture:
Susan Sarandon in “White Palace” (1990, based on a 1987 novel).
Sarandon also starred in “The Hunger” (1983), along with David Bowie
and Catherine Deneuve (above).
"What the piece of art is about is the gray space in the middle."
— David Bowie, as quoted in the above Crimson piece.
Bowie's "gray space" is the space between the art and the beholder.
I prefer the gray space in the following figure —
Context: The Trinity Stone (Log24, June 4, 2018).
For Radu Surdulescu, who . . .
"participated in the 1956 reclamatory movements
of the students in Bucharest. He was among the
organizers of the demonstration to be held in
the University Square on November 5, 1956."
— Wikipedia (Google translation from Romanian)
See also squares and Surdulescu in "From Tate to Plato"
(Log24, November 19, 2004).
Those who prefer fiction may consult William Boyd and
Terry Gilliam.
Two items from November 24, 2015 —
Tuesday, November 24, 2015 Filed under: General — m759 @ 11:11 PM
In memory of economic historian Douglass C. North, “We needed new tools, but they simply did not exist.” Related reading and viewing — Beattyville, Kentucky and Log24 post About the People. |
Related material —
David Bowie and Catherine Deneuve star in "The Hunger" (1983).
Vampira and Loki at Cannes
From Blockbuster, a post of Friday, August 4, 2017 —
The article suggests a look at a July 3 Times review of the life
of Jan Fontein, a former Boston Museum of Fine Arts director —
"Mr. Fontein’s time as director coincided with
the nationwide rise of the blockbuster exhibition,
and he embraced the concept. 'There was such a thing
as a contemplative museum, but I don’t think that can
survive anymore,' he told Newsweek in 1978."
From The New York Times this evening —
"Mr. Roth made his mark at the Victoria and Albert
with record-breaking exhibitions focused on
David Bowie in 2013, Alexander McQueen in 2015
and The Beatles and the youth revolution of the 1960s
in 2016."
Related material —
Record-breaking in this journal and Sunday in the Park with Death.
This post is thanks to Nicole Kidman …
E! Online today reminds us that "Bowie's song 'Nature Boy'
was ... featured in Kidman's 2001 film Moulin Rouge ."
A YouTube video of the Moulin Rouge "Nature Boy"
was uploaded on April 1, 2011. That date in this journal —
The last New York Lottery number
"…every answer involves as much of history
James S. Atherton, The Books at the Wake: |
James Joyce reportedly died on today's date in 1941.
(Continued from Sousa vs. Boulez, Epiphany 2016)
From Sigla (December 22, 2014) —
"Time is irrelevant in these matters.
Joyce and the monastic brethren who
painted their manuscript ornaments
a thousand years ago were working on
the same project. There was a pattern
to be abstracted…."
— Adolf Holl, The Left Hand of God
The time of the previous post, 3:10 (AM), suggests, in a
surreal manner that the spirit of the late David Bowie might
find amusing, a review of Log24 posts last year on 3/10 —
An Obit for Dooley and The Big Screw.
As for the time, 6:25, of this post, see Apocatastasis.
The above new David Bowie video may be
viewed, by those who like such things, as
a memorial to a composer who died on
Twelfth Night (Jan. 5), 2016.
Related material: Faustus in this journal.
A weblog reports Chris Rock's remarks
on Saturday Night Live this past weekend:
"It’s America, we commercialize everything.
Look at what we did to Christmas.
Christmas. Christmas is Jesus’ birthday.
It’s Jesus’ birthday. Now, I don’t know Jesus
but from what I’ve read, Jesus is the least
materialistic person to ever roam the earth.
No bling on Jesus.
Jesus kept a low profile and we turned his
birthday into the most materialistic day of the
year. Matter of fact, we have the Jesus birthday
season. It’s a whole season of materialism.
Then, at the end of the Jesus birthday season
we have the nerve to have an economist come
on TV and tell you how horrible the Jesus birthday
season was this year. Oh, we had a horrible Jesus’
birthday this year. Hopefully, business will pick up
by his Crucifixion.”
Related music and image:
"Show us the way to the next little girl …"
Natalie Wood in "Miracle on 34th Street" (1947)
Related non-materialistic meditations:
The Rhetoric of Abstract Concepts and Gods and Giants.
To Feb. 11, 2012:
“News and Traffic. Sports and Weather. These were his acid terms
for the life he’d left behind, more than two years of living with
the tight minds that made the war. It was all background noise,
he said, waving a hand. He liked to wave a hand in dismissal.”
— DeLillo, Don (2010-02-02), Point Omega
Send in the Clowns. (Click to enlarge.)
The above flashback was suggested by Lev Grossman’s verb “trafficked”
in yesterday’s posts, and by the song lyric “show us the way to
the next little girl.”
For the Thin White Duke —
The Next Whiskey Bar:
Saturday, August 16, 2014, 6:00 pm in UTC+02
at LYNX 760 in Oslo, Norway.
From The Thin White Duke:
“When I was living in my apartment in Berlin,
I would sing this at breakfast every morning.”
Oh, show me the way to the next whiskey bar
Oh, don’t ask why, no, don’t ask why
For we must find the next whiskey bar
Or if we don’t find the next whiskey bar
I tell you we must die, I tell you we must die
I tell you, I tell you, I tell you we must die
Read more: David Bowie – Alabama Song Lyrics | MetroLyrics
See also…
“Wir trauern um Otto Piene, der unerwartet am 17.7 in Berlin gestorben ist.”
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