Related material — 7/02, 2021.
Sunday, March 12, 2023
Saturday, July 2, 2022
Lancelot, Fellow of the Royal Society
Royalist poetry —
Not so royalist —
"Can you imagine the mathematical possibilities?"
Illustration of the not-so-royalist line —
"Carey and Chad Hayes…
are successful screenwriters now."
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Friday, July 2, 2021
Number, Time, and The New Mutants
From Number and Time ,
by Marie-Louise von Franz,
Northwestern U. Press paperback,
December 31, 1974 —
Star Wars Chess:
Originally chess seems to have represented an earthly mirror-image of "the stars' battles in Heaven,"22 an outline of those battles from which man's destiny proceeded. 22. See Joseph Needham, Science and Civilization in China (Cambridge, 1959), III, 540ff., 303ff.; see also IV, pt. 1, 230, 265, 327 ff.
From the recent film The New Mutants —
Anya Taylor-Joy plays in a pool:
"Roll credits."
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Tuesday, July 15, 2014
Photo Opportunity
"I need a photo opportunity, I want a shot at redemption.
Don't want to end up a cartoon in a cartoon graveyard."
– Paul Simon
|
"The theory of poetry, that is to say, the total of the theories of poetry, often seems to become in time a mystical theology or, more simply, a mystique. The reason for this must by now be clear. The reason is the same reason why the pictures in a museum of modern art often seem to become in time a mystical aesthetic, a prodigious search of appearance, as if to find a way of saying and of establishing that all things, whether below or above appearance, are one and that it is only through reality, in which they are reflected or, it may be, joined together, that we can reach them. Under such stress, reality changes from substance to subtlety, a subtlety in which it was natural for Cézanne to say: 'I see planes bestriding each other and sometimes straight lines seem to me to fall' or 'Planes in color…. The colored area where shimmer the souls of the planes, in the blaze of the kindled prism, the meeting of planes in the sunlight.' The conversion of our Lumpenwelt went far beyond this. It was from the point of view of another subtlety that Klee could write: 'But he is one chosen that today comes near to the secret places where original law fosters all evolution. And what artist would not establish himself there where the organic center of all movement in time and space– which he calls the mind or heart of creation– determines every function.' Conceding that this sounds a bit like sacerdotal jargon, that is not too much to allow to those that have helped to create a new reality, a modern reality, since what has been created is nothing less.
— Wallace Stevens, Harvard College Class of 1901, "The Relations between Poetry and Painting" in The Necessary Angel (Knopf, 1951) |
For background on the planes illustrated above,
see Diamond theory in 1937.
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