Log24

Tom Wolfe in The Painted Word  (1975) —

“I am willing (now that so much has been revealed!)
to predict that in the year 2000, when the Metropolitan
or the Museum of Modern Art puts on the great
retrospective exhibition of American Art 1945-75,
the three artists who will be featured, the three seminal
figures of the era, will be not Pollock, de Kooning, and
Johns-but Greenberg, Rosenberg, and Steinberg.
Up on the walls will be huge copy blocks, eight and a half
by eleven feet each, presenting the protean passages of
the period … a little ‘fuliginous flatness’ here … a little
‘action painting’ there … and some of that ‘all great art
is about art’ just beyond. Beside them will be small
reproductions of the work of leading illustrators of
the Word from that period….”

The above group of 322,560 permutations appears also in a 2011 book —

— and in 2013-2015 papers by Anne Taormina and Katrin Wendland:

Mathematics and Narrative, continued

"… a vision invisible, even ineffable, as ineffable as the Angels and the Universal Souls"

— Tom Wolfe, The Painted Word , 1975, quoted here on October 30th

"… our laughable abstractions, our wryly ironic po-mo angels dancing on the heads of so many mis-imagined quantum pins."

— Dan Conover on September 1st, 2011

"Recently I happened to be talking to a prominent California geologist, and she told me: 'When I first went into geology, we all thought that in science you create a solid layer of findings, through experiment and careful investigation, and then you add a second layer, like a second layer of bricks, all very carefully, and so on. Occasionally some adventurous scientist stacks the bricks up in towers, and these towers turn out to be insubstantial and they get torn down, and you proceed again with the careful layers. But we now realize that the very first layers aren't even resting on solid ground. They are balanced on bubbles, on concepts that are full of air, and those bubbles are being burst today, one after the other.'

I suddenly had a picture of the entire astonishing edifice collapsing and modern man plunging headlong back into the primordial ooze. He's floundering, sloshing about, gulping for air, frantically treading ooze, when he feels something huge and smooth swim beneath him and boost him up, like some almighty dolphin. He can't see it, but he's much impressed. He names it God."

— Tom Wolfe, "Sorry, but Your Soul Just Died," Forbes , 1996

"… Ockham's idea implies that we probably have the ability to do something now such that if we were to do it, then the past would have been different…"

— Stanford Encyclopedia of Philosophy

"Today is February 28, 2008, and we are privileged to begin a conversation with Mr. Tom Wolfe."

— Interviewer for the National Association of Scholars

From that conversation—

Wolfe : "People in academia should start insisting on objective scholarship, insisting  on it, relentlessly, driving the point home, ramming it down the gullets of the politically correct, making noise! naming names! citing egregious examples! showing contempt to the brink of brutality!"

As for "mis-imagined quantum pins"…
This  journal on the date of the above interview— February 28, 2008—

Illustration from a Perimeter Institute talk given on July 20, 2005

The date of Conover's "quantum pins" remark above (together with Ockham's remark above and the above image) suggests a story by  Conover, "The Last Epiphany," and four posts from September 1st, 2011—

Boundary,  How It Works,  For Thor's Day,  and The Galois Tesseract.

Those four posts may be viewed as either an exploration or a parody of the boundary between mathematics and narrative.

"There is  such a thing as a tesseract." —A Wrinkle in Time

“In The Painted Word, a rumination on the state of American painting in the 1970s, Tom Wolfe described an epiphany….”

— Peter Berkowitz, “Literature in Theory”

“I had an epiphany.”

— Apostolos Doxiadis, organizer of last summer’s conference on mathematics and narrative.  See the Log24 entry of 1:06 PM last August 23 and the four entries that preceded it.

“… das Durchleuchten des ewigen Glanzes des ‘Einen’ durch die materielle Erscheinung“

— A definition of beauty from Plotinus, via Werner Heisenberg

“By groping toward the light we are made to realize how deep the darkness is around us.”

— Arthur Koestler, The Call Girls: A Tragi-Comedy, Random House, 1973, page 118, quoted in The Shining of May 29

“Perhaps we are meant to see the story as a cubist retelling of the crucifixion….”

— Adam White Scoville, quoted in Cubist Crucifixion, on Iain Pears’s novel, An Instance of the Fingerpost