From "Entertainment," a 1981 story by M. A. Foster—
"For some time, Cormen had enjoyed a peculiar suspicion, which he had learned from his wanderings around the city, and cultivated with a little notebook, in which he had made a detailed series of notes and jottings, as well as crude, but effective, charts and maps of certain districts. 'Cormen's Problem,' as it was known, was familiar to the members of the circle in which he moved; in fact, if he had not been so effective with his productions and so engaging in his personality, they might have considered him a bore. It seemed, so the suspicion went, that the city was slowly shrinking, as evidenced by abandoned districts along the city edges. Beyond the empty houses were ruins, and beyond that, traces of foundations and street lines. Moreover, it had recently dawned on him that there were no roads out of the city, although there were no restraints. One hardly noticed this—it was the norm. But like many an easy assumption, once broken it became increasingly obvious. Cormen's acquaintances were tolerant of his aberration, but generally unsympathetic. What he needed was proof, something he could demonstrate in black and white—and color if required. But the city was reluctant, so it appeared, to give up its realities so easily. The Master Entertainment Center, MEC, would not answer direct queries about this, even though it would obediently show him presentations, pictorial or symbolic as he required, of the areas in question. But it was tiresome detail work, in which he had to proceed completely on his own." |
Lily Collins in City of Bones (2013)—
American Folk Art (see August 23, 2011) —
See as well Ballet Blanc .