Log24

Friday, October 23, 2020

News from Saint Luke’s Day

Filed under: General — m759 @ 6:58 AM

Midrash for the late Harold Bloom,
author of The Daemon Knows —

It is perhaps not irrelevant that the phrase “on Saturday” in the
Los Angeles Times  of Sunday, October 18, 2020, refers to the
preceding day — October 17, 2020.  See too that date here.

Related material —

— November 2020
Notices of the American Mathematical Society

For fans of mathematics and narrative

Some may fancy Bloom as a dybbuk (cf, “A Serious Man“) turning
the page in the article above to the next page, 1590

Friday, October 18, 2019

A Song for St. Luke’s Day

Filed under: General — m759 @ 1:19 AM

From a 1962 young-adult novel —

"There's something phoney in the whole setup, Meg thought.
There is definitely something rotten in the state of Camazotz."

Song adapted from a 1960 musical —

"In short, there's simply not
A more congenial spot
For happy-ever-aftering
Than here in Camazotz!"

Sunday, June 3, 2018

“Use the Source, Luke

Filed under: General — m759 @ 3:00 PM

And thereby hangs a tale

See in particular  https://i.stack.imgur.com/iC3po.jpg .

Wednesday, October 18, 2017

Dürer for St. Luke’s Day

Filed under: G-Notes,General,Geometry — Tags: — m759 @ 1:00 PM

Structure of the Dürer magic square 

16   3   2  13
 5  10  11   8   decreased by 1 is …
 9   6   7  12
 4  15  14   1

15   2   1  12
 4   9  10   7
 8   5   6  11
 3  14  13   0 .

Base 4 —

33  02  01  30
10  21  22  13
20  11  12  23 
03  32  31  00 .

Two-part decomposition of base-4 array
as two (non-Latin) orthogonal arrays

3 0 0 3     3 2 1 0
1 2 2 1     0 1 2 3
2 1 1 2     0 1 2 3
0 3 3 0     3 2 1 0 .

Base 2 –

1111  0010  0001  1100
0100  1001  1010  0111
1000  0101  0110  1011
0011  1110  1101  0000 .

Four-part decomposition of base-2 array
as four affine hyperplanes over GF(2) —

1001  1001  1100  1010
0110  1001  0011  0101
1001  0110  0011  0101
0110  0110  1100  1010 .

— Steven H. Cullinane,
  October 18, 2017

See also recent related analyses of
noted 3×3 and 5×5 magic squares.

Tuesday, October 18, 2016

For Luke’s Day

Filed under: General — m759 @ 4:38 AM

Tuesday, June 28, 2016

“Use ‘The Source,’ Luke

Filed under: General — m759 @ 9:00 PM

See Source + Michener and The Source (Dec. 29, 2014).

Thursday, October 18, 2012

A Story for St. Luke

Filed under: General — Tags: — m759 @ 2:01 PM

"When Death tells a story,
you really have to listen."

The Book Thief  (cover)

Monday, October 18, 2010

For St. Luke’s Day —

Filed under: General,Geometry — m759 @ 6:00 PM
 

The Turning

"To everything, turn, turn, turn…

Quaternion Rotations in a Finite Geometry

… there is a season, turn, turn, turn…"

For less turning and more seasons, see a search in this journal for

fullness + multitude + "cold mountain."

Sunday, October 18, 2009

ART WARS for the Feast of St. Luke

Filed under: General — m759 @ 11:00 AM

A Sermon from Christchurch
in The New York Times

Related material:

Zen and the Art
and
For the Burning Man

Friday, November 6, 2020

Breadcrumbs

Filed under: General — Tags: — m759 @ 8:53 AM

“keywords”:
[“Donald Trump”,”conspiracy  theory”,”qanon”],
“datePublished”:
“2020-09-29T16:56:00+0000”,
“dateModified”:
“2020-10-18T15:01:55+0000”

CBS News “Use The SourceLuke.”


“Black velvet in that little boy’s smile” 

Wednesday, November 4, 2020

The Summerfield Prize . . .

Filed under: General — Tags: — m759 @ 3:45 PM

Continues.

The author of A Piece of Justice , a 1995 novel about mathematics
and quilts, has died.

Walsh died on St. Luke’s Day.  Cf.  Luke in this journal.

Tuesday, November 3, 2020

Notes Towards the Redefinition of Culture

Filed under: General — Tags: — m759 @ 8:26 AM

An online newspaper page dated Nov. 2, All Souls’ Day,
displays a story from Tuesday, Oct. 20, about an upcoming
religious event at a church named for Saint Luke.

Luke’s feast day was October 18, the date of death for
a Hollywood publicist —

A gong show I prefer to the above church version —

Saturday, June 22, 2019

Variations

Filed under: General — Tags: — m759 @ 4:22 AM

Wednesday, November 29, 2017

The Beacon

Filed under: General — m759 @ 11:41 AM

Or: "Use the Source, Luke"

Monday, November 13, 2017

Plan 9 at Yale

Filed under: General — Tags: — m759 @ 9:00 PM

Yale Professors Race Google and IBM to the First Quantum Computer

"So, after summer, in the autumn air, 
Comes the cold volume*  of forgotten ghosts,

But soothingly, with pleasant instruments, 
So that this cold, a children's tale of ice, 
Seems like a sheen of heat romanticized."

— Wallace Stevens,
"An Ordinary Evening in New Haven"

* Update of 10:20 the same evening:

An alternative to The Snow Queen  
as "the cold volume" of Wallace Stevens

On The King in the Window , by Adam Gopnik —

"The book is dedicated to Adam Gopnik's son,
Luke Auden, and his late, great godfathers,
Kirk Varnedoe and Richard Avedon.

'A fantasy that is as ambitious in theme,
sophisticated in setting, and cosmic in scope
as the works of Madeline L'Engle.

The unlikely eponymous hero is Oliver Parker,
an 11-year-old American boy living in Paris
with his mother and journalist father.
After he finds a prize in his slice of cake on
The Night of Epiphany and dons the customary
gilt-paper crown, the boy is plunged into
a battle over nothing less than control of the universe.

His enemy is the dreaded Master of Mirrors,
who rose to power during the reign of Louis XIV,
when Parisians developed technology for making
sheet glass. This faceless, evil being,
capable of capturing souls
through mirrors and enslaving them
in an alternate world that lies beyond all mirrors,
now seeks to dominate the entire universe by
mounting a quantum computer on the Eiffel Tower.

Oliver's mission is to defeat the Master of Mirrors
and save his father's stolen soul.' "

— Description at https://biblio.co.nz/. . . .

Friday, October 20, 2017

Heart of the Monkey God

Filed under: General — Tags: — m759 @ 9:42 PM

In Memoriam

"Renowned Canadian theologian Gregory Baum, 94,
author of the first draft of the Second Vatican Council's
'Nostra Aetate,' died Oct. 18 in a Montreal hospital."

National Catholic Reporter , Oct. 20, 2017

October 18 was St. Luke's Day. 

From the Log24 post "Prose" on that date

"Mister Monkey . . . . is also Hanuman, the Hindu monkey god . . . ."
— Cathleeen Schine in an online October 17 NY Times  review.

From the novel under review —

"Only the heart of the monkey god is large enough
to contain the hearts and souls of all the monkeys,
all the humans, the gods, every shining thread
that connects them."

— Francine Prose, Mister Monkey: A Novel  (p. 263).
     HarperCollins. Kindle Edition. 

See as well all posts now tagged Prose Monkey.

Wednesday, November 30, 2016

In Nuce

Filed under: General,Geometry — Tags: — m759 @ 3:48 AM
 

Excerpts from James C. Nohrnberg, "The Master of the Myth of Literature: An Interpenetrative Ogdoad for Northrop Frye," Comparative Literature  Vol. 53, No. 1 (Winter, 2001), pp. 58-82

From page 58 —
"… the posthumously revealed Notebooks. A major project of the latter was his 'Ogdoad': two groups of four books each. '[T]he second group of four […] were considered to be Blakean "emanations" or counterparts of the first four,' like 'the "double mirror" structure of The Great Code  and Words with Power : two inter-reflecting parts of four chapters apiece,' Michael Dolzani reports.* "

* P. 22 of Rereading Frye: The Published and Unpublished Works , ed. David Boyd and Imre Salusinszky, Frye Studies [series] (Toronto: University of Toronto Press, 1998). [Abbreviated as RF .]


From page 62 —
"Visionaries like Blake and dramatists like Wagner seem to be working from some larger, mythic blueprint present in nuce  from very early on."

From page 63 —
"Frye's hypothetical books and will-to-totality were obviously fruitful; if the beckoning star was illusory, it nonetheless settled on a real birthplace. The sought-for constructs substituted their scaffolding for a backbone-like confidence in pre-given beliefs; possession of the latter is why Tories like Dr. Johnson and T.S. Eliot could do quite nicely without the constructs. Frye's largely imaginary eightfold roman  may have provided him a personal substitute— or alternative— for both ideology and myth."

From page 69 —
"For Frye the chief element of imaginative or expressive form is the myth, which functions structurally in literature like geometric shapes in painting."

From page 71 —
"The metaphysical skyhook lifting the artist free from unreflective social commitment is often a latent or manifest archetype that his work renews or reworks."

From page 77 —
"Frye's treatises— so little annotated themselves— are the notes writ large; the notes in the Notebooks are treatises writ small. They interpenetrate. Denham quotes 'the masters of the T'ien-tai school of Mahayana Buddhism' as saying '[t]he whole world is contained in a mustard seed' (RF  158, 160), and Frye quotes Keats: 'Every point of thought is the center of an intellectual world' (Study  159; cf. Great Code  167-68 and AC  61). …. [Frye’s] complex books were all generated out of the monadic obiter dicta . His kingdom 'is like a grain of mustard seed, which a man took, and cast into his garden, and it grew' (Luke 13:18-19)."

Friday, October 16, 2015

Death on Columbus Day

Filed under: General — Tags: — m759 @ 11:01 AM

See as well a meditation by Lorrie Moore quoted here
on the feast of St. Luke in 2003.

Related thoughts:  Log24 on Columbus Day, and Plan 9.

Saturday, September 12, 2015

Ledger

Filed under: General — Tags: , — m759 @ 4:45 PM

Lorrie Moore, in the current New York Review of Books ,
on a detective in a TV series:

He "takes notes in a large ledger and
speaks as if he were the CEO of
a nihilist fortune cookie company."

— "Sympathy for the Devil," NYRB
      issue dated Sept. 24, 2015

See Harvard president Drew Faust as such a CEO.

The Harvard Crimson

UPDATED: September 12, 2015, at 4:22 pm. 

Luke Z. Tang ’18, a Lowell House sophomore,
has died “suddenly and unexpectedly,”
Lowell House Master Diana L. Eck told
House residents in an email Saturday.

Local authorities are investigating the cause
of the death, Eck wrote, and there is “no reason
to believe that foul play was involved.”

Wednesday, May 20, 2015

Real Life

Filed under: General — Tags: — m759 @ 12:12 AM

From Amazon.com —

From the Milwaukee Journal Sentinel  Tuesday afternoon —

A 46-year-old Jesuit priest who was a Marquette University
assistant professor of theology collapsed on campus
Tuesday morning and died, President Michael Lovell
announced to the campus community in an email.

"Rev. Lúcás (Yiu Sing Luke) Chan, S.J., died after
collapsing this morning in Marquette Hall. Just last Sunday,
Father Chan offered the invocation at the Klingler College
of Arts and Sciences graduation ceremony."

Synchronicity check

From this journal on the above publication date of
Chan's book — Sept. 20, 2012 —

IMAGE- Immersion in a fictional vision of resurrection within a tesseract

From a Log24 post on the preceding day, Sept. 19, 2012 —

The Game in the Ship cannot be approached as a job,
a vocation, a career, or a recreation. To the contrary,
it is Life and Death itself at work there. In the Inner Game,
we call the Game Dhum Welur , the Mind of God."

 — The Gameplayers of Zan

Friday, April 17, 2015

For Story Time

Filed under: General — m759 @ 6:49 PM

A book first published by Doubleday in 1979:

IMAGE- Octavia Butler, 'Kindred,' 'so many really fascinating times'

From Fritz Leiber's 1959 sci-fi classic "Damnation Morning" —

She drew from her handbag a pale grey
gleaming implement that looked by quick turns
to me like a knife, a gun, a slim sceptre, and a
delicate branding iron— especially when its tip
sprouted an eight-limbed star of silver wire.

“The test?” I faltered, staring at the thing.

“Yes, to determine whether you can live in the
fourth dimension or only die in it.”

See also Philanthropic Numerology (St. Luke's Day, 2012).

Tuesday, March 4, 2014

The Crimson Passion…

Filed under: General — m759 @ 9:00 AM

Continues.

Amy Adams as…

The $146 Million Domestic

Sunday, October 21, 2012

On the Cusp

Filed under: General — Tags: — m759 @ 3:09 PM

From St. Luke's Day, 2012—

Related material— October 9th and Father of the Bride.

Thursday, October 18, 2012

Philanthropic Numerology

Filed under: General — Tags: — m759 @ 2:01 AM

For St. Luke's Day

In memory of a philanthropist
who reportedly died last Sunday

Part I— A safe deposit box number from
the 2006 Denzel Washington film "Inside Man"—

IMAGE- Safe deposit box number 392

Part II—A related occurrence of the same number in
the Catechism of the Catholic Church.

Part III— The 1998 Denzel Washington film "Fallen."

Part IV— The works of Octavia Butler
in particular, the character Doro in Wild Seed  (1980)
and Mind of My Mind  (1977).

Kirkus Reviews on the 1977 novel

"Butler is clearly on to a promising vein—
something like Zenna Henderson's 'People' stories
without their saccharine silliness."

Friday, April 13, 2012

Askew Crews

Filed under: General — m759 @ 10:01 AM

IMAGE- NY Times obits- Actor Luke Askew, Bishop Agustin Roman

From the day Askew died

A Large & Startling Figure:
The Harry Crews Online Bibliography
www.harrycrews.org/Features/News/index.html
Page updated: March 29, 2012, 08:16 PM
Copyright © 1998 – 2010

The "large and startling" phrase is from Flannery O'Connor—

From Georgia College, Milledgeville, GA

… in Flannery O'Connor's essay "The Fiction Writer and His Country"… she explains why she writes the way she does: "When you can assume that your audience holds the same beliefs you do, you can relax a little and use more normal means of talking to it; when you have to assume that it does not, then you have to make your vision apparent by shock— to the hard of hearing you shout, and for the almost-blind you draw large and startling figures" (Mystery and Manners , p. 34).

For a large and startling figure played by Askew, see a scene from "Big Love."

IMAGE- Luke Askew as Hollis Greene in 'Big Love'

Saturday, March 3, 2012

Big Art

Filed under: General — m759 @ 1:00 PM

For Women's History Month—

The Beam of Pink Light

Beam of pink light in Philip K. Dick's 'VALIS'

Video by Josefine Lyche ('Jo Lyxe')

From a post linked to on Lyxe's upload date, Feb. 6, 2012

“… with primitives the beginnings of art, science, and religion
coalesce in the undifferentiated chaos of the magical mentality….”

— Carl G. Jung, “On the Relation of Analytical Psychology to Poetry,”
     Collected Works, Vol. 15, The Spirit in Man, Art, and Literature,
     Princeton University Press, 1966, excerpted in
    Twentieth Century Theories of Art, edited by James M. Thompson.

See also the NY Lottery for St. Luke's Day, 2011, publication date
of the new edition of Philip K. Dick's VALIS  quoted above.

Wednesday, October 19, 2011

Shine On

Filed under: General — m759 @ 4:48 AM

"There is work to be done
  in the dark before dawn."

Song lyric

Log24 posts suggested by the New York Lottery
yesterday (the Feast of Saint Luke) —

68420477107900.

Saturday, January 1, 2011

Christchurch Philosophy

Filed under: General — m759 @ 9:48 AM

In memory of Denis Dutton, a professor of philosophy at Canterbury University in Christchurch, New Zealand, who reportedly died in Christchurch on Tuesday, December 28, 2010. (This date presumably refers to New Zealand Daylight Time, 18 hours ahead of Eastern Standard time; both U.S. and New Zealand sources say Dutton died on Dec. 28.)

The New York Times reports his death today —

"A version of this article appeared in print on January 1, 2011, on page A17 of the New York edition."

Dutton's academic specialty was the philosophy of art.

For some remarks on philosophy and on art from the day of Dutton's death, see "Church Diamond" in this journal, 3:09 PM EST December 27 (9:09 AM December 28, New Zealand Daylight Time).

See also Dutton's essay "Has Conceptual Art Jumped the Shark Tank?" that was linked to here on St. Luke's Day, 2009.

For some context, see the recent Log24 posts Dry Bones and Canterbury Tale.

Friday, July 31, 2009

Friday July 31, 2009

Filed under: General — m759 @ 4:09 PM
Again with the…

ALLURE

at The New York Times.

For previous notes on
allure at the Times, see
St. Luke’s Day, 2008,
and its links.

Teaser at the top of
this afternoon’s Times’s
online front page:

Vampires Never Die:
In our fast-paced society,
eternity has a special
allure.” (With fanged
illustration)–

NYT teaser, 'Vampires Never Die'

Yesterday’s afternoon entry was
related to both the July 13th death
of avant-garde artist Dash Snow
and the beauty of Suzanne Vega.

A reference to Vega’s album
“Beauty & Crime” apppeared here
on the date of Snow’s death.
(See “Terrible End for an
Enfant Terrible
,” NY Times,
story dated July 24.)

The Vega entry yesterday was, in
part, a reference to that context.

Suzanne Vega album cover, 'Beauty and Crime'

In view of today’s Times
teaser, the large picture of
Vega shown here yesterday
(a detail of the above cover)
seems less an image of
pure beauty than of, well,
a lure… specifically, a
vampire lure:

Suzanne Vega as Vampire Bait

What healthy vampire
could resist that neck?

To me, the key words in the
Times teaser are “allure”
(discussed above) and “eternity.”

For both allure and eternity
in the same picture
(with interpretive
symbols added above)
see this journal on
January 31, 2008:

Abstract Symbols of Time and Eternity

Jean Simmons and Deborah Kerr in Black Narcissus

This image from “Black Narcissus”
casts Jean Simmons as Allure
and Deborah Kerr, in a pretty
contrast, as Eternity.

For different approaches to
these concepts, see Simmons
and Kerr in other films,
notably those co-starring
Burt Lancaster.

Lancaster seems to have had
a pretty good grasp of Allure
in his films with Simmons
and Kerr. For Eternity, see
“Rocket Gibraltar” and
“Field of Dreams.”

For less heterosexual approaches
to these concepts, see the
continuing culture coverage of
the Times— for instance, the
vampire essay above and the
Times‘s remarks Monday on
choreographer Merce Cunningham–
who always reminded me of
 Carmen Ghia in “The Producers”–

Carmen Ghia from 'The Producers'

Related material:

“Dance of the Vampires”
in “At the Still Point”
 (this journal, 1/16/03).

Friday, November 7, 2008

Friday November 7, 2008

Filed under: General — m759 @ 7:11 AM
The Getaway

Log24 on St. Luke’s Day this year:

An example of lifestyle coverage at The New York Times— a 2006 story on visual art in Mexico that included a reference to…

Damien Hirst’s gory new series
 ‘The Death of God–
Towards a Better Understanding
of Life Without God
Aboard the Ship of Fools.’

For descriptions of such life, I prefer the literary art of Robert Stone– in particular, Stone’s novel A Flag for Sunrise.

Credit must be given to the Times for an excellent 1981 review of that novel.

The review’s conclusion:

A Flag for Sunrise is
 the best novel of ideas
 I’ve read since Dostoyevsky
 escaped from Omsk.”

The author of that review, John Leonard, died Wednesday, Nov. 5. This morning’s Times has his obituary.

Monday, October 20, 2008

Monday October 20, 2008

Filed under: General — Tags: — m759 @ 1:06 AM
Me and My Shadow

Thoughts suggested by Saturday's entry–

"… with primitives the beginnings of art, science, and religion coalesce in the undifferentiated chaos of the magical mentality…."

— Carl G. Jung, "On the Relation of Analytical Psychology to Poetry," Collected Works, Vol. 15, The Spirit in Man, Art, and Literature, Princeton University Press, 1966, excerpted in Twentieth Century Theories of Art, edited by James M. Thompson.

For a video of such undifferentiated chaos, see the Four Tops' "Loco in Acapulco."

"Yes, you'll be goin' loco
  down in Acapulco,

  the magic down there
  is so strong."

This song is from the 1988 film "Buster."

(For a related religious use of that name– "Look, Buster, do you want to live?"– see Fritz Leiber's "Damnation Morning," quoted here on Sept. 28.)

Art, science, and religion are not apparent within the undifferentiated chaos of the Four Tops' Acapulco video, which appears to incorporate time travel in its cross-cutting of scenes that seem to be from the Mexican revolution with contemporary pool-party scenes. Art, science, and religion do, however, appear within my own memories of Acapulco. While staying at a small thatched-roof hostel on a beach at Acapulco in the early 1960's, I read a paperback edition of Three Philosophical Poets, a book by George Santayana on Lucretius, Dante, and Goethe. Here we may regard art as represented by Goethe, science by Lucretius, and religion by Dante. For a more recent and personal combination of these topics, see Juneteenth through Midsummer Night, 2007, which also has references to the "primitives" and "magical mentality" discussed by Jung.

"The major structures of the psyche for Jung include the ego, which is comprised of the persona and the shadow. The persona is the 'mask' which the person presents [to] the world, while the shadow holds the parts of the self which the person feels ashamed and guilty about."

— Brent Dean Robbins, Jung page at Mythos & Logos

As for shame and guilt, see Malcolm Lowry's classic Under the Volcano, a novel dealing not with Acapulco but with a part of Mexico where in my youth I spent much more time– Cuernavaca.

Lest Lowry's reflections prove too depressing, I recommend as background music the jazz piano of the late Dave McKenna… in particular, "Me and My Shadow."

McKenna died on Saturday, the date of the entry that included "Loco in Acapulco." Saturday was also the Feast of Saint Luke.
 

Tuesday, September 30, 2008

Tuesday September 30, 2008

Filed under: General — m759 @ 1:14 AM
Hole in the Wall

Loren Eiseley,
Notes of an Alchemist:

I never found
the hole in the wall;
I never found
Pancho Villa country
where you see the enemy first.

— “The Invisible Horseman”

This quotation is the result of
the following meditation:

Part I:

The Feast of St. Michael
and All Angels

On Michaelmas 2008 (yesterday):

The mailman brought next Sunday’s New York Times Book Review. On the last page was an essay by Steven Millhauser, “The Ambition of the Short Story.” It said that…

“The short story concentrates on its grain of sand, in the fierce belief that there– right there, in the palm of its hand– lies the universe. It seeks to know that grain of sand the way a lover seeks to know the face of the beloved.”

Part II:
An Actor’s Lesson

A search for the “grain of sand” phrase in this journal yielded a quotation from actor Will Smith:

“Smith has just finished reading The Alchemist, by the Brazilian writer Paulo Coelho: ‘It says the entire world is contained in one grain of sand, and you can learn everything you need to learn about the entire universe from that one grain of sand. That is the kind of concept I’m teaching my kids.'”

The quotation’s source is The Independent of July 9, 2004.

Part III:
A date with Reba

The date of The Independent‘s story turns out to contain, in this journal, a meditation on white-trash food and Reba McEntire.

(Recall her classic lyric
“I might have been born
just plain white trash,
but Fancy was my name.”)


It also contains the Notes of an Alchemist quotation above.


“Let, then, winged Fancy find
Thee a mistress to thy mind”

— John Keats, “Fancy

A passage closely related to Keats’s poem:

“Fullness… Multitude.”

These are the missing last words of Inman in Cold Mountain, added here on the Feast of St. Luke, 2004.  For the meaning of these words, click on Luke.

Thursday, December 27, 2007

Thursday December 27, 2007

Filed under: General — m759 @ 8:22 AM
Chronicles

“Fullness… Multitude.”

— The missing last words
of Inman in Cold Mountain,
added here on the
Feast of St. Luke, 2004

II Chronicles 1:

7: In that night did God appear unto Solomon, and said unto him, Ask what I shall give thee.
8: And Solomon said unto God, Thou hast shewed great mercy unto David my father, and hast made me to reign in his stead.
9: Now, O LORD God, let thy promise unto David my father be established: for thou hast made me king over a people like the dust of the earth in multitude.
10: Give me now wisdom and knowledge, that I may go out and come in before this people: for who can judge this thy people, that is so great?

On Kirk Varnedoe

“At 42– a professor with no museum experience– he was named curator of painting and sculpture at the Museum of Modern Art. It was, and is, the most influential job in the fluid, insular, fiercely contentious world of modern art. Just two decades past his last Amherst game, the lineman from Savannah was sitting in the chair where the most critical decisions in his profession are made– ‘the conscientious, continuous, resolute distinction of quality from mediocrity,’ according to his Olympian predecessor Alfred Barr. The Modern and its chief curator serve the American art establishment as a kind of aesthetic Supreme Court, and most of their rulings are beyond appeal.”

Hal Crowther

On Quality

Varnedoe, in his final
Mellon lecture at
the National Gallery,
quoted “Blade Runner”–
“I’ve seen things
you people wouldn’t believe….”Frank Rich of The New York Times
on the United States of America:”A country where
entertainment is god.”

Rich’s description may or may not
be true of the United States, but
it certainly seems true of
The New York Times:

http://www.log24.com/log/pix07A/071227-NYTobitsSm.jpg

Click on image to enlarge.

Related material:

Art Wars

Thursday, August 9, 2007

Thursday August 9, 2007

Filed under: General — m759 @ 12:00 PM
“Serious numbers  
will always be heard.”

— Paul Simon

(See St. Luke’s Day, 2005.)  


Bulletin of the American Mathematical Society
,
Volume 31, Number 1, July 1994, Pages 1-14

Selberg’s Conjectures
and Artin L-Functions
(pdf)

M. Ram Murty

Introduction

In its comprehensive form, an identity between an automorphic L-function and a “motivic” L-function is called a reciprocity law. The celebrated Artin reciprocity law is perhaps the fundamental example. The conjecture of Shimura-Taniyama that every elliptic curve over Q is “modular” is certainly the most intriguing reciprocity conjecture of our time. The “Himalayan peaks” that hold the secrets of these nonabelian reciprocity laws challenge humanity, and, with the visionary Langlands program, we have mapped out before us one means of ascent to those lofty peaks. The recent work of Wiles suggests that an important case (the semistable case) of the Shimura-Taniyama conjecture is on the horizon and perhaps this is another means of ascent. In either case, a long journey is predicted…. At the 1989 Amalfi meeting, Selberg [S] announced a series of conjectures which looks like another approach to the summit. Alas, neither path seems the easier climb….

[S] A. Selberg, Old and new
      conjectures and results
      about a class of Dirichlet series,
      Collected Papers, Volume II,
      Springer-Verlag, 1991, pp. 47-63.

Zentralblatt MATH Database
on the above Selberg paper:

“These are notes of lectures presented at the Amalfi Conference on Number Theory, 1989…. There are various stimulating conjectures (which are related to several other conjectures like the Sato-Tate conjecture, Langlands conjectures, Riemann conjecture…)…. Concluding remark of the author: ‘A more complete account with proofs is under preparation and will in time appear elsewhere.'”

Related material: Previous entry.

Tuesday, August 7, 2007

Tuesday August 7, 2007

Filed under: General — Tags: — m759 @ 6:25 PM
In memory of

Atle Selberg, mathematician,
dead at 90 on August 6, 2007

According to the
American Mathematical Society,
Selberg died, like André Weil, on
 the Feast of the Metamorphosis.

Endgame

The image “http://www.log24.com/log/pix07A/070807-escher.jpg” cannot be displayed, because it contains errors.

Metaphor for Morphean morphosis,
Dreams that wake, transform, and die,
Calm and lucid this psychosis,
Joyce's nightmare in Escher's eye.

— Steven H. Cullinane, Nov. 7, 1986

Read more.

For further views of
the Amalfi coast, site of
the above Escher scene,
see the film "A Good Woman"
(made in 2004, released in 2006)
starring Scarlett Johansson–

The image “http://www.log24.com/log/pix07A/070807-GoodWoman.jpg” cannot be displayed, because it contains errors.

Scene from "A Good Woman"

— and the following from

The Feast of St. Luke, 2005:
 
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Collegiate Church of
St. Mary Magdalene,
Atrani, Amalfi Coast, Italy:
 
"An interior made exterior"
— Wallace Stevens

Sunday, October 29, 2006

Sunday October 29, 2006

Filed under: General — m759 @ 1:00 AM
Decrease
(Readings for the
Halloween season)


In 1692 on July 31, at the time of the Salem witchcraft trials, Increase Mather reportedly “delivered a sermon… in Boston in which he posed the question… ‘O what makes the difference between the devils in hell and the angels of heaven?'”

Increase
, the father of Cotton Mather, was president of Harvard from June 27, 1692, to Sept. 6, 1701.  His name is memorialized by Harvard’s Mather House.

From Log24 on Jan. 15, 2003:

Locating Hell

“Noi siam venuti al loco ov’ i’ t’ho detto
            che tu vedrai le genti dolorose
    c’hanno perduto il ben de l’intelletto
.”

Dante, Inferno, Canto 3, 16-18

“We have come to where
              I warned you we would find
Those wretched souls
              who no longer have 
The intellectual benefits of the mind.”

Dante, Hell, Canto 3, 16-18

From a Harvard student’s weblog:

Heard in Mather  I hope you get gingivitis You want me to get oral cancer?! Goodnight fartface Turd. Turd. Turd. Turd. Turd. Make your own waffles!! Blah blah blah starcraft blah blah starcraft blah starcraft. It’s da email da email. And some blue hair! Oohoohoo Izod! 10 gigs! Yeah it smells really bad. Only in the stairs though. Starcraft blah blah Starcraft fartface. Yeah it’s hard. You have to get a bunch of battle cruisers. 40 kills! So good! Oh ho ho grunt grunt squeal.  I’m getting sick again. You have a final tomorrow? In What?! Um I don’t even know. Next year we’re draggin him there and sticking the needle in ourselves. 

” … one more line/ unravelling from the dark design/ spun by God and Cotton Mather”

— Robert Lowell

 

To honor Harvard’s Oct. 28 founding,
here are yesterday’s numbers from
the state of Grace (Kelly, of Philadelphia):

The image “http://www.log24.com/log/pix06A/061028-PAlottery.jpg” cannot be displayed, because it contains errors.

Related material:

Log24 on 1/16,
and Hexagram 41,

The image “http://www.log24.com/images/IChing/hexagram41.gif” cannot be displayed, because it contains errors.

Decrease

The Image

At the foot of the mountain, the lake:
The image of Decrease.
Thus the superior man controls his anger
And restrains his instincts.

This suggests thoughts of
the novel Cold Mountain
 (see yesterday morning)
and the following from
Log24 on St. Luke’s Day
this year:

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Lucero as portrayed by Megan Follows
Established in 1916,
Montreat College
is a private, Christian
college located in a
beautiful valley in the
Blue Ridge Mountains
of North Carolina.

From Nell:

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“The valley spirit never dies…”

See also St. Luke’s Day, 2004,
as well as a journal entry
prompted by both
the ignorant religion
of Harvard’s past
and the ignorant scientism
of Harvard’s present–
 Hitler’s Still Point:
A Hate Speech for Harvard
.

This last may, of course, not
quite fit the description of
the superior man
controlling his anger
so wisely provided by
yesterday’s lottery and
Hexagram 41.
Nobody’s perfect.

Tuesday, August 29, 2006

Tuesday August 29, 2006

Filed under: General — m759 @ 12:00 PM
Under God
(continued from
August 11)

Today’s Washington birthday:
Sen. John McCain (R-Arizona).
 

“… maybe it was McCain’s role as ‘movie-teller’ that he cherishes most– the man who used to narrate the plots of films to his fellow PoWs in the compound. ‘I must have told a hundred movies,’ says McCain. ‘Of course I don’t know a hundred movies– I made them up.'”

The Guardian

Memorable Quotes 

Lieutenant Daniel Taylor:
Where the Hell is
this God of yours?
 
Forrest Gump:
[narrating]
It’s funny Lieutenant Dan
said that, ’cause right then,
God showed up.

One year ago today:

Part I

The Gulf Coast,
Aug. 29, 2005
:

The image “http://www.log24.com/log/pix06A/060829-Katrina.gif” cannot be displayed, because it contains errors.

Part II

The same day:

The image “http://www.log24.com/log/pix06A/060829-McCain.jpg” cannot be displayed, because it contains errors.

President George W. Bush joins Arizona Senator John McCain in a small celebration of McCain’s 69th birthday Monday, Aug. 29, 2005, after the President’s arrival at Luke Air Force Base near Phoenix. The President later spoke about Medicare to 400 guests at the Pueblo El Mirage RV Resort and Country Club in nearby El Mirage. White House photo by Paul Morse

Thursday, March 30, 2006

Thursday March 30, 2006

Filed under: General — m759 @ 8:24 PM
Last Words
 
(continued from
  St. Luke’s Day, 2004)
 Galatians 4:4

 But when the fulness
 of the time was come…
.

The image “http://www.log24.com/log/pix06/060330-Pleroma1.jpg” cannot be displayed, because it contains errors.

 Luke 2:13

 And suddenly
 there was
 with the angel
 a multitude….

The image “http://www.log24.com/log/pix06/060330-Plethos1.jpg” cannot be displayed, because it contains errors.

Related material:

Satan’s Rhetoric, 8/24/05,

A Prince of Darkness, 3/28/06,

and

Inscape: The Christology and
Poetry of Gerard Manley Hopkins
,
by James Finn Cotter,
University of Pittsburgh Press,
1972.

See esp. the references to pleroma
on, according to the index, pages

40-48, 51, 65, 70, 81, 85, 92, 93,
106, 119, 122, 132, 135,  149,
159, 162-63, 168, 169, 171,
 176, 186, 193, 199, 200,
203, 207, 220, 230,
278, 285,
316n12.

Monday, March 13, 2006

Monday March 13, 2006

Filed under: General — m759 @ 1:01 PM
Christ at the
Lapin Agile

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The Christ by Wasley,
on wall under his right arm
the Picasso painting.”

Le Républicain Lorrain du 14 janvier 2001

Le Lapin Agile veille sur la Butte (par Michel Genson)

24 décembre 1900. Dans son atelier glacial du Bateau Lavoir, à  flanc de la colline de Montmartre, Picasso se frotte les yeux. C’est bien Wasley, son ami Wasley, qu’il aperçoit traversant la place Ravignan, courbé sous le poids d’un grand Christ en croix. Le sculpteur titube et s’en va gravissant un à un les escaliers qui mènent au sommet de la Butte, direction la rue des Saules. Car l’œuvre est destinée aux murs du petit estaminet où la bande a trouvé asile, pour y échanger chaque soir des refrains, bocks et vaticinations les plus folles. La bande, c’est à dire Utrillo, Max Jacob, Modigliani et les autres… Un siècle et un souffle de légende plus tard, le même Christ blanc occupe toujours la même place, sous les lumières tamisées du Lapin Agile. À l’abri sous son aisselle droite, l’autoportrait de Picasso en Arlequin a été authentique en son temps. Jusqu’au jour où le grand Frédé, tenancier mythique du lieu, s’est gratté la barbe avant de le céder à un amateur suédois de passage. Depuis l’original a fait le voyage du MAM (Modern Art Museum) de New-York, et la Butte se contente d’une copie.

Pour le reste, rien a changé ou presque pour le doyen des cabarets parisiens. Ni le décor, ni l’esprit. L’incroyable patine noire des murs, posée là par des lustres de tabagies rigolardes ou inspirées, rappelle au générique les voix des habituées de jadis, Apollinaire, Carco, Dullin, Couté, puis Pierre Brasseur, et plus proches de nous encore d’autres débutants, Caussimon, Brassens, François Billetdoux… La liste exhaustive serait impossible à dresser de tous ceux qui ont émargé au livre d’or du Lapin Agile.
 
« En haut de la rue Saint-Vincent… » La goualante roule sa rime chaotique sur le pavé de la Butte. Au carrefour de la rue des Saules, la façade est avenante, sans apprêts, avec son acacia dans la cour, et cette étrange dénomination, née des amours burlesques entre l’imagination d’un dessinateur et les facéties des usagers. En 1875, André Gill, caricaturiste ami de Rimbaud, croque en effet, pour l’enseigne de l’ancien Cabaret des Assassins, un lapin facétieux sautant d’une marmite. Le temps d’un jeu de mots et le Lapin à Gill gagne son brevet d’agilité. L’épopée commence, que perpétue Yves Mathieu, aujourd’hui propriétaire, mémoire et continuateur d’une histoire somme toute unique. Histoire, qui, pour l’anecdote, faillit se terminer prématurément, sous la pioche des démolisseurs. Vers 1900, les bicoques du maquis montmartrois doivent laisser place à un grand projet immobilier. C’est Aristide Bruant qui sauvera in extremis le cabaret. Il achète l’établissement, laisse Frédé dans les murs qu’il revendra pour « un prix amical » à Paulo, le fils du même Frédé. Lequel Paulo n’est autre que le beau-père de l’actuel patron : « C’est un truc de famille. J’ai commencé à chanter ici en 48, égrène Yves Mathieu. Ensuite j’ai fait de l’opérette à la Gaîté Lyrique, de la revue aux Folies Bergères, je suis parti en Amérique… En revenant j’ai repris le cabaret, ma femme y chante, mes fils sont là, ils apprennent le métier… C’est comme le cirque, c’est le même esprit. »

Malgré les tempêtes et les modes, le Lapin Agile dure et perdure donc. Et sa silhouette pour carte postale inspire toujours les peintres venus de partout. Comme si la halte faisait partie d’un parcours initiatique immuable. Deux pièces pour un minuscule rez-de-chaussée, dans la première, mi-loge, mi-vestiaire, une guitare attend son tour de projecteur. En l’occurrence un faisceau unique clouant le chanteur (l’humoriste ou le diseur) au rideau rouge de la seconde salle. Là où le spectacle se déroule depuis toujours, là où l’on s’accoude sans vergogne à la table d’Apollinaire, sous les lampes toujours drapées de rouge, pour écouter Ferré, Aragon, Mac Orlan ou les rengaines du Folklore populaire montmartrois. Yves Mathieu reste ferme, « ici, pas de sonorisation, pas de haut-parleur. Les gens découvrent la voix humaine. » Un refrain de Piaf glisse jusqu’au « laboratoire », le réduit où les autres artistes du programme dissertent sur l’état du monde. Les meubles de Bruant sont encore là, au hasard d’un coffre breton, un autre de marine, la façade d’un lit clos… « Des trucs d’origine » pour Yves Mathieu, qui malgré les vicissitudes du temps – il s’ingénie toute l’année durant à entretenir un établissement qui ne bénéficie d’aucun classement officiel, ni d’aucun subside – prêche haut et fort sa confiance, « parce qu’on aura plus que jamais besoin de racines, de repères, et qu’ici, c’est tout un pan de patrimoine qu’on défend à travers la chanson française, celle qu’on chante tous ensemble… » Le même secoue sa longue carcasse et se fend d’un sourire entendu : « Quand je descends à Paris, c’est pas pareil. Ici, le jour, c’est comme dans une église. Il y a le silence, et l’impression de ressentir les ondes laissées pare les cerveaux de ces types, là… » Aux murs, dessins ou tableaux laissés par Mac Orlan, Maclet ou Suzanne Valadon jouent avec l’ombre amicale.

Le Lapin Agile, 22 rue des Saules, 75018 Paris. Tel : 01 46 06 85 87

Source:
http://www.au-lapin-agile.com/info4.htm

Note the above description
of Christmas Eve 1900,
and the remark that
“Ici, le jour, c’est comme
dans une église.”

A search for more material on
the Wasley Christ leads to
Princeton’s Nassau Church:

The fullness of time. I don’t have to call on the physicists among us to conclude that this fullness was not meant to be the end of the time line. That Paul must not have been talking about time in a linear way. Fullness. Complete. Almost perfect. Overflowing with grace. Just right. Fullness. As in “the earth is the Lord’s and the fullness thereof.” Fullness. As in “I pray that you may have the power to comprehend with all of the saints, what is the breadth, and length, and height and depth, and to know the love of Christ that surpasses all knowledge, so that you may be filled with all the fullness of God.” Fullness. As in “For in Christ, all the fullness of God was pleased to dwell.” “When the fullness of time had come, God sent his Son, born of a woman.”

I can remember Christmas Eve as a child….

— Christmas Eve, 2004,
    Sermon at Nassau Church by
    The Rev. Dr. David A. Davis

Related material from Log24:

Religious Symbolism at Princeton,
on the Nassau Church,

Counting Crows on
the Feast of St. Luke
(“Fullness… Multitude”),

The Quality of Diamond,
in memory of
Saint Hans-Georg Gadamer,
who died at 102
four years ago on this date,

and

Diamonds Are Forever.

Monday, September 19, 2005

Monday September 19, 2005

Filed under: General — m759 @ 2:00 PM

The Randomness

In yesterday’s New York Times, science writer George Johnson quoted a Buddhist:

“Though he professes to accept evolutionary theory, he recoils at one of its most basic tenets: that the mutations that provide the raw material for natural selection occur at random. Look deeply enough, he suggests, and the randomness will turn out to be complexity in disguise– ‘hidden causality,’ the Buddha’s smile. There you have it, Eastern religion’s version of intelligent design.”

“The Universe in a Single Atom”: Reason and Faith

God’s Sermon:
The Randomness

Sunday
NY lottery
9/18/05
Sunday
PA lottery
9/18/05
Midday:  748 Midday:  999
Evening: 000 Evening: 709

Gamblers, religious zealots, and the insane may interpret the above as utterances of Lady Luck, God, or The Conspiracy.

A Buddhist interpretation for the New York Times:

748 is the address of
the New Orleans Zen Temple, and
000 is of course a symbol of Nirvana.

A Christian interpretation for the home state of Grace Kelly:

999 = “fullness,”
709 = 7/09 = “multitude,”
with “fullness” and “multitude”
as in the Log24 entry of
St. Luke’s Day, 2004.

See also the previous entry,
Barging In.

Update of 7:11 PM EDT:
Barging In, Part II is on
Turner Movie Classics at 8 PM EDT.

Monday, October 18, 2004

Monday October 18, 2004

Filed under: General — m759 @ 3:33 PM

Counting Crows
on the Feast of St. Luke

"In the fullness of time,
educated people will believe
there is no soul
independent of the body,
and hence no life after death."

Francis Crick, who was awarded
a Nobel Prize on this date in 1962

"She went to the men on the ground and looked at them and then she found Inman apart from them. She sat and held him in her lap. He tried to talk, but she hushed him. He drifted in and out and dreamed a bright dream of a home. It had a coldwater spring rising out of a rock, black dirt fields, old trees. In his dream, the year seemed to be happening all at one time, all the seasons blending together.  Apple trees hanging heavy with fruit but yet unaccountably blossoming, ice rimming the spring, okra plants blooming yellow and maroon, maple leaves red as October, corn crops tasseling, a stuffed chair pulled up to the glowing parlor hearth, pumpkins shining in the fields, laurels blooming on the hillsides, ditch banks full of orange jewelweed, white blossoms on dogwood, purple on redbud.  Everything coming around at once.  And there were white oaks, and a great number of crows, or at least the spirits of crows, dancing and singing in the upper limbs.  There was something he wanted to say."

— Charles Frazier, Cold Mountain

"FullnessMultitude."
 

Tuesday, April 15, 2003

Tuesday April 15, 2003

Filed under: General — m759 @ 11:07 PM

Green and Burning

After posting the 2:42 PM entry at a public library this afternoon, I picked up the following at a “Friends of the Library” used-book sale:

The Green and Burning Tree:
On the Writing and Enjoyment
of Children’s Books

by Eleanor Cameron (Little, Brown and Company, Boston and Toronto, 1969).

Cameron, on page 73, gives the source of her title; it is from the Mabinogion:

“And they saw a tall tree by the side of the river, one half of which was in flames from the root to the top, and the other half was green and in full leaf.”

Cameron finds the meaning of this symbol in Dylan Thomas: His Life and Work, by John Ackerman (Oxford University Press, 1964), p. 6:

“Another important feature of the old Welsh poetry is an awareness of the dual nature of reality, of unity in disunity, of the simultaneity of life and death, of time as an eternal moment rather than as something with a past and future.”

For part of a Nobel Prize lecture on this topic — time as an eternal moment — see Architecture of Eternity, a journal note from December 8, 2002.

That lecture is from an author, Octavio Paz, who wrote in Spanish.  Here are some other words in that language:

Mi verso es de un verde claro,
Y de un carmín encendido.

My verse is a clear green,
And a burning crimson.

These lyrics to the song “Guantanamera” (see Palm Sunday) were on my mind this afternoon when Cameron’s book caught my eye.

Green and crimson are, of course, also the colors of Christmas, or “Christ Mass.”  In view of the fact that Cameron’s book is about children’s literature, this leads, like it or not, to the following meditation.

From a religious site:

Matthew 18:3 – And said, Truly I say to you, Unless you are converted, and become like little children, you shall not enter into the kingdom of heaven.

Mark 10:15 – Truly I say to you, Whoever shall not receive the kingdom of God as a little child shall not enter it at all.

Luke 18:17 – Truly I say to you, Whoever does not receive the kingdom of God as a little child shall by no means enter it.

A meditation from a less religious site:

“What I tell you three times is true.”

Finally, from what I now consider 

  • in view of the song lyrics quoted above,
  • in view of the fact that it deals with a Cuban movie also titled “Guantanamera,”
  • in view of Cameron’s remarks on Bergman’s “The Seventh Seal” (p. 129), and
  • in view of my April 7 entry on mathematics and art,

to be an extremely religious site, a picture:

Friday, October 18, 2002

Friday October 18, 2002

Filed under: General — m759 @ 5:55 AM

Readings for the Oct. 18
Feast of St. Luke

A fellow Xangan is undergoing a spiritual crisis. Well-meaning friends are urging upon her all sorts of advice. The following is my best effort at religious counsel, meant more for the friends than for the woman in crisis.

Part I… Wallace Stevens 

From Brewer’s Dictionary of Phrase and Fable:

Ox Emblematic of St. Luke. It is one of the four figures which made up Ezekiel’s cherub (i. 10). The ox is the emblem of the priesthood….

   The dumb ox. St. Thomas Aquinas; so named by his fellow students at Cologne, on account of his dulness and taciturnity. (1224-1274.)
   Albertus said, “We call him the dumb ox, but he will give one day such a bellow as shall be heard from one end of the world to the other.” (Alban Butler.)

From Wallace Stevens, “The Latest Freed Man“:

It was how the sun came shining into his room:
To be without a description of to be,
For a moment on rising, at the edge of the bed, to be,
To have the ant of the self changed to an ox
With its organic boomings, to be changed
From a doctor into an ox, before standing up,
To know that the change and that the ox-like struggle
Come from the strength that is the strength of the sun,
Whether it comes directly or from the sun.
It was how he was free. It was how his freedom came.
It was being without description, being an ox.

Part II… The Rosy Cross

Readings:

  • Brautigan, Richard, The Hawkline Monster, Simon and Schuster, 1974…
    Just for the pleasure of reading it… A compelling work of fiction on spiritual matters that includes a conversion to Rosicrucianism in its concluding chapter.
  • Browning, Vivienne (Betty Coley, ed).
    My Browning Family Album. With a Foreword by Ben Travers, and a Poem by Jack Lindsay Springwood, London, 1979…
    The Rosicrucian tradition in Australia (highly relevant background reading for the 1994 film “Sirens”). Includes a mention of Aleister Crowley, dark mage, who also figures (prominently) in….
  • Wilson, Robert Anton, Masks of the Illuminati, Pocket Books, April 1981…
    James Joyce and Albert Einstein join in a metaphysical investigation.

    “He recited from the anonymous Muses Threnody of 1648:

    For we be brethren of the Rosy Cross
    We have the Mason Word and second sight
    Things for to come we can see aright.”

Part III… Stevens Again

A major critical work on Wallace Stevens that is not unrelated to the above three works on the Rosicrucian tradition:

Leonora Woodman, Stanza My Stone: Wallace Stevens and the Hermetic Tradition, West Lafayette, Indiana: Purdue University Press, 1983

From the Department of English, Purdue University:

Leonora Woodman came to Purdue in 1976. In 1979, she became Director of Composition, a position she held until 1986…. At the time of her death in 1991, she was in the midst of an important work on modernist poetry, Literary Modernism and the Fourth Dimension: The Visionary Poetics of D.H. Lawrence, H.D., and Hart Crane.

For more on Gnostic Christianity, see

  • Elaine Pagels, The Gnostic Gospels (Random House, 1979), and
  • Harold Bloom, Omens of Millenium: The Gnosis of Angels, Dreams, and Resurrection (Riverhead Books, 1996).

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