Financial Times, January 30, 2023 —
Related material —
See as well Expanding the Spielraum.
Thoughts suggested by Saturday's entry–
"… with primitives the beginnings of art, science, and religion coalesce in the undifferentiated chaos of the magical mentality…."
— Carl G. Jung, "On the Relation of Analytical Psychology to Poetry," Collected Works, Vol. 15, The Spirit in Man, Art, and Literature, Princeton University Press, 1966, excerpted in Twentieth Century Theories of Art, edited by James M. Thompson.
For a video of such undifferentiated chaos, see the Four Tops' "Loco in Acapulco."
"Yes, you'll be goin' loco
down in Acapulco,
the magic down there
is so strong."
This song is from the 1988 film "Buster."
(For a related religious use of that name– "Look, Buster, do you want to live?"– see Fritz Leiber's "Damnation Morning," quoted here on Sept. 28.)
Art, science, and religion are not apparent within the undifferentiated chaos of the Four Tops' Acapulco video, which appears to incorporate time travel in its cross-cutting of scenes that seem to be from the Mexican revolution with contemporary pool-party scenes. Art, science, and religion do, however, appear within my own memories of Acapulco. While staying at a small thatched-roof hostel on a beach at Acapulco in the early 1960's, I read a paperback edition of Three Philosophical Poets, a book by George Santayana on Lucretius, Dante, and Goethe. Here we may regard art as represented by Goethe, science by Lucretius, and religion by Dante. For a more recent and personal combination of these topics, see Juneteenth through Midsummer Night, 2007, which also has references to the "primitives" and "magical mentality" discussed by Jung.
"The major structures of the psyche for Jung include the ego, which is comprised of the persona and the shadow. The persona is the 'mask' which the person presents [to] the world, while the shadow holds the parts of the self which the person feels ashamed and guilty about."
— Brent Dean Robbins, Jung page at Mythos & Logos
As for shame and guilt, see Malcolm Lowry's classic Under the Volcano, a novel dealing not with Acapulco but with a part of Mexico where in my youth I spent much more time– Cuernavaca.
Lest Lowry's reflections prove too depressing, I recommend as background music the jazz piano of the late Dave McKenna… in particular, "Me and My Shadow."
McKenna died on Saturday, the date of the entry that included "Loco in Acapulco." Saturday was also the Feast of Saint Luke.
Literary Landmarks
From Dr. Mac's Cultural Calendar for Oct. 3:
"On this day in 1610, Ben Jonson's funniest comedy The Alchemist was entered into the Stationer's Register. It involves a servant who when the masters are away sets up a necromantic shop, tricking all and everyone."
From Literary Calendar for tomorrow, Oct. 4:
"1892 — Robert Lawson, the only author/illustrator to win both the Caldecott Award and the Newbery Award—both coveted awards in the United States for children's literature, is born."
As a child I was greatly influenced by Robert Lawson's illustrations for the Godolphin abridgement of Pilgrim's Progress. Later I was to grow up partly in Cuernavaca, Mexico, an appropriate setting for The Valley of the Shadow of Death and other Bunyan/Lawson themes. Still later, I encountered Malcolm Lowry's great novel Under the Volcano, set in Cuernavaca. Lowry's novel begins with an epigraph from Bunyan. For the connection with Ben Jonson, see Pete Hamill's article "The Alchemist of Cuernavaca" in Art News magazine, April 2001, pages 134-137. See also my journal note of April 4, 2001, The Black Queen.
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