Saturday, August 13, 2022
Summer Reading
Tuesday, August 9, 2022
Book Lovers Day
Tuesday, April 28, 2020
Tuesday, April 9, 2013
Monday, October 20, 2008
Monday October 20, 2008
Thoughts suggested by Saturday's entry–
"… with primitives the beginnings of art, science, and religion coalesce in the undifferentiated chaos of the magical mentality…."
— Carl G. Jung, "On the Relation of Analytical Psychology to Poetry," Collected Works, Vol. 15, The Spirit in Man, Art, and Literature, Princeton University Press, 1966, excerpted in Twentieth Century Theories of Art, edited by James M. Thompson.
For a video of such undifferentiated chaos, see the Four Tops' "Loco in Acapulco."
"Yes, you'll be goin' loco
down in Acapulco,
the magic down there
is so strong."
This song is from the 1988 film "Buster."
(For a related religious use of that name– "Look, Buster, do you want to live?"– see Fritz Leiber's "Damnation Morning," quoted here on Sept. 28.)
Art, science, and religion are not apparent within the undifferentiated chaos of the Four Tops' Acapulco video, which appears to incorporate time travel in its cross-cutting of scenes that seem to be from the Mexican revolution with contemporary pool-party scenes. Art, science, and religion do, however, appear within my own memories of Acapulco. While staying at a small thatched-roof hostel on a beach at Acapulco in the early 1960's, I read a paperback edition of Three Philosophical Poets, a book by George Santayana on Lucretius, Dante, and Goethe. Here we may regard art as represented by Goethe, science by Lucretius, and religion by Dante. For a more recent and personal combination of these topics, see Juneteenth through Midsummer Night, 2007, which also has references to the "primitives" and "magical mentality" discussed by Jung.
"The major structures of the psyche for Jung include the ego, which is comprised of the persona and the shadow. The persona is the 'mask' which the person presents [to] the world, while the shadow holds the parts of the self which the person feels ashamed and guilty about."
— Brent Dean Robbins, Jung page at Mythos & Logos
As for shame and guilt, see Malcolm Lowry's classic Under the Volcano, a novel dealing not with Acapulco but with a part of Mexico where in my youth I spent much more time– Cuernavaca.
Lest Lowry's reflections prove too depressing, I recommend as background music the jazz piano of the late Dave McKenna… in particular, "Me and My Shadow."
McKenna died on Saturday, the date of the entry that included "Loco in Acapulco." Saturday was also the Feast of Saint Luke.
Thursday, May 1, 2008
Thursday May 1, 2008
the Shadows
"I sat upon the shore | |
Fishing, with the arid plain behind me"
— The Waste Land, lines 423-424 Eliot's note on line 424 —
"V. Weston, From Ritual to Romance; |
From Ritual to Romance,
by Jessie L. Weston, Cambridge University Press, 1920, Chapter IX, "The Fisher King"– "So far as the present state of our knowledge goes we can affirm with certainty that the Fish is a Life symbol of immemorial antiquity, and the title of Fisher has, from the earliest ages, been associated with Deities who were held to be specially connected with the origin and preservation of Life." Weston quotes a writer she does not name* who says that "the Fish was sacred to those deities who were supposed to lead men back from the shadows of death to life." * The Open Court, June and July 1911, p. 168 |
(a flashback) —
"Some days it went so well that you could make the country so that you could walk into it through the timber to come out into the clearing and work up onto the high ground and see the hills beyond the arm of the lake."
A Moveable Feast
Wednesday, April 9, 2003
Wednesday April 9, 2003
Hearts of Darkness
Today's birthdays:
Charles Baudelaire, poet, b. 1821
Leopold II, King of Belgium, b. 1835
Tom Lehrer, mathematician, b. 1928
In view of these birthdays and of yesterday's entry quoting Eliot on "the Shadow," the following trilogy of links seems appropriate:
The Lamont Cranston: |
Nota bene:
Today is also the birthday of
Paul Robeson and J. William Fulbright,
shadows to respect.