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For Harlan Kane
"This time-defying preservation of selves,
this dream of plenitude without loss,
is like a snow globe from heaven,
a vision of Eden before the expulsion."
— Judith Shulevitz on Siri Hustvedt in
The New York Times Sunday Book Review
of March 31, 2019, under the headline
"The Time of Her Life."
Edenic-plenitude-related material —
"Self-Blazon… of Edenic Plenitude"
(The Issuu text is taken from Speaking about Godard , by Kaja Silverman
and Harun Farocki, New York University Press, 1998, page 34.)
Preservation-of-selves-related material —
Other Latin squares (from October 2018) —
The New York Times essay from the previous post,
illustrated with an ad . . .
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Epigraph for bullshit fans . . .
On Siri Hustvedt:
“… she explores the nature of identity
in a structure of crystalline complexity.”
— Janet Burroway, quoted in ART WARS
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♫ "When the men on the chessboard
get up and tell you where to go . . . ."
*
The previous post suggests a search in this journal
for "Bamberg." That search yields . . .
http://m759.net/wordpress/?p=20002 —
Beauty, Truth, Halloween (October 31, 2011).
From that Log24 post —
"Now resemblance (or similitude or likeness) is a relation.
If such relations are realities, then we can say that there are realities
out there that correspond to our conceptual structures."
— R.J. Kilcullen at Macquarie University, course labeled Phil360
"Beauty then is a relation."
"An Attempt to Understand the Problem of Universals"
is the title of a talk by Fabian Geier, University of Bamberg.
From a link target at the end of that post —
On Siri Hustvedt:
“… she explores the nature of identity
in a structure of crystalline complexity.”
— Janet Burroway, quoted in ART WARS
“Is it safe?”
For the Cheers neighborhood and the Church of the Advent . . .
A 4×6 Rectangle —
* An imaginary institution, but one I remember well.
Friday, March 29, 2019
|
From a Jan. 27 post —
The Hustvedt title "Dance Around the Self" suggests
a review of other posts now tagged Jung Diamonds.
Thomas Wolfe, On Time and the River* —
"The great river burned there in his vision
in that light of fading day and it was hung there
in that spell of silence and for ever, and it was
flowing on for ever, and it was stranger than a legend,
and as dark as time."
For the birthdate of Madeleine L'Engle and C. S. Lewis,
two geometric entities . . . Tesseract and MOG —
Related unicode for fans of Siri Hustvedt, who wrote
Mysteries of the Rectangle —
Related AI Overview —
"Specifically" correction —
Vide http://www.davidgorman.com/4quartets/3-salvages.htm.
* “I do not know much about gods; but I think that the river
Is a strong brown god . . . ." — "The Dry Salvages"
Another interesting role for Liu — Head of MORA . . .
As for Mythological Oversight and Restoration . . .
Kaleidoscope, continued (August 11, 2005).
Related mythological material from August 11, 2005 —
From "Siri + Wechsler" in this journal —
|
For Little Man Tate —
Related material — Wechsler in this journal and
Mark and Lucille, Bill and Violet, Al and Regina,
|
Related material —

Books by George Steiner at
https://openroadmedia.com/contributor/george-steiner —
Related language —

Recent posts now tagged Paycheck suggest . . .
Related material —
See too “The Bond with Reality” in posts tagged Voids.
Burroway on Hustvedt in The New York Times ,
Sunday, March 9, 2003 —
See as well "Putting the Structure in Structuralism."
"This time-defying preservation of selves,
this dream of plenitude without loss,
is like a snow globe from heaven,
a vision of Eden before the expulsion.
Mathematically demonstrable
but emotionally impossible,
it’s dangled just in front of us
like a bauble we can’t have
but can’t stop reaching for."
— Judith Shulevitz on Siri Hustvedt in
The New York Times Sunday Book Review
of March 31, 2019, under the headline
"The Time of Her Life."
A different self-symbolizing bauble appeared in this journal on that Sunday.
A line for Letterman — "Bauble, Babel. Babel, Bauble."
"SH lays an array of selves, fictive and autobiographical,
over each other like transparencies, to reveal deeper patterns."
— Benjamin Evans in The Guardian , Sunday, March 10, 2019,
in a review of the new Siri Hustvedt novel Memories of the Future.
See also Self-Blazon and . . .
“At that instant he saw, in one blaze of light,
an image of unutterable conviction,
the reason why the artist works and lives
and has his being — the reward he seeks —
the only reward he really cares about,
without which there is nothing. It is to snare
the spirits of mankind in nets of magic,
to make his life prevail through his creation,
to wreak the vision of his life, the rude and painful
substance of his own experience, into the congruence
of blazing and enchanted images that are themselves
the core of life, the essential pattern whence
all other things proceed, the kernel of eternity.”
— Thomas Wolfe, Of Time and the River
* Title suggested by that of a Siri Hustvedt novel.
See also Blazon in this journal.
"This time-defying preservation of selves,
this dream of plenitude without loss, is like
a snow globe from heaven, a vision of Eden
before the expulsion."
— Judith Shulevitz on Siri Hustvedt in
The New York Times online, March 26.
See also, in this journal, the dream of Edenic plenitude
in the March 20 post "Secret Characters."
The online New York Times this afternoon has an article on "the
preparatory cartoon for Raphael’s fresco 'The School of Athens.'"
Other preparatory cartoons:
The first New Yorker cover above is from a search for Hustvedt
in this journal. See the 2003 post "Art at the Vanishing Point."
See also Trivial + Affine and Eidetic Reduction.
"Siri Hustvedt is an award-winning and versatile American
writer and essayist. She earned her PhD in Literature at
Columbia University in 1986. She often points to her
Norwegian family background in her works, and she is
known as one of the foremost interpreters of Norwegian-
American identity in English literature."
— University of Oslo,
"Siri Hustvedt: Honorary doctor 2014"
See also Hustvedt in this journal.
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