For Women's History Month
Self —
Illusion —
For some related remarks, see Aion in this journal.
"SH lays an array of selves, fictive and autobiographical,
over each other like transparencies, to reveal deeper patterns."
— Benjamin Evans in The Guardian , Sunday, March 10, 2019,
in a review of the new Siri Hustvedt novel Memories of the Future.
See also Self-Blazon and . . .
"This time-defying preservation of selves,
this dream of plenitude without loss, is like
a snow globe from heaven, a vision of Eden
before the expulsion."
— Judith Shulevitz on Siri Hustvedt in
The New York Times online, March 26.
See also, in this journal, the dream of Edenic plenitude
in the March 20 post "Secret Characters."
"Cell 461" quote from Curzio Malaparte superimposed on a scene from
the 1963 Godard film "Le Mépris " ("Contempt") —
"The architecture… beomes closely linked to the script…."
Malaparte's cell number , 461, is somewhat less closely linked
to the phrase "eternal blazon" —
Irving was quoted here on Dec. 22, 2008 —
The Tale of
the Eternal Blazon
by Washington Irving
“Blazon meant originally a shield , and then
the heraldic bearings on a shield .
Later it was applied to the art of describing
or depicting heraldic bearings in the proper
manner; and finally the term came to signify
ostentatious display and also description or
record by words or other means . In Hamlet ,
Act I Sc. 5, the Ghost, while talking with
Prince Hamlet, says:
‘But this eternal blazon must not be
To ears of flesh and blood.’
Eternal blazon signifies revelation or description
of things pertaining to eternity .”
— Irving’s Sketch Book , p. 461
Update of 6:25 PM ET —
"Self-Blazon… of Edenic Plenitude"
(The Issuu text is taken from Speaking about Godard , by Kaja Silverman
and Harun Farocki, New York University Press, 1998, page 34.)
Powered by WordPress