The title of the previous post, "Church and Temple," together
with today's online New York Times obituaries for singer
Lara Saint Paul (d. May 8) and playwright Leah Rose Napolin
(d. May 13), suggests a review…
See as well a Log24 search for Isaac Singer.
From a Log24 post of March 4, 2008 —
|
SINGER, ISAAC:
"Sets forth his own aims in writing for children and laments
— An Annotated Listing of Criticism
"She returned the smile, then looked across the room to
— A Swiftly Tilting Planet,
For "the dimension of time," see A Fold in Time, Time Fold,
A Swiftly Tilting Planet is a fantasy for children |
Ibid. —
The pen's point:
John Trever, Albuquerque Journal, 2/29/08
Note the figure on the cover of National Review above —
A related figure from Pentagram Design —
See, more generally, Isaac Singer in this journal.
Alternate Title —
Types of Ambiguity:
The Circle in the Triangle,
the Singer in the Song.
From an excellent June 17 Wall Street Journal review of a new
Isaac Bashevis Singer book from Princeton University Press —
" 'Old Truths and New Clichés,' a collection of 19
prose articles, most appearing in English for the
first time, reveals that Singer was as consummate
an essayist as he was a teller of tales." — Benjamin Balint
From a search in this journal for Singer —
Related material —
From a post of June 2, "Self-Enclosing" —
|
"… the self-enclosing processes by which late 20th-century
— Colin Burrow in the June 9, 2022 issue |
From the December 14, 2021, post Notes on Lines —
The triangle, a percussion instrument that was
featured prominently in the Tom Stoppard play
"Every Good Boy Deserves Favour."
On author Madeleine L’Engle:
“Madeleine’s adult books– including the autobiographical titles that eventually would be grouped together as the Crosswicks Journals– A Circle of Quiet (1971), The Summer of the Great-Grandmother (1974), The Irrational Season (1976), and Two-Part Invention (1988)– were edited by Robert Giroux. If Roger Straus was FSG’s [Farrar, Straus & Giroux’s] worldly sophisticate presiding over editorial meetings, Bob Giroux was the white-haired, rosy-cheeked favorite uncle (if you happened to have an erudite uncle who had edited T. S. Eliot, Robert Lowell, Isaac Bashevitz Singer, Elizabeth Bishop, Flannery O’Connor, and Walker Percy).”
On Robert Giroux, who died early this morning:
For a less demanding standard, see today’s previous entry.
For CENTRAL
Central Intelligence:
"God does not play dice."
— Paraphrase of a remark
by Albert Einstein
Another Nobel Prize winner,
Isaac Bashevis Singer—
"a God who speaks in deeds,
not in words, and whose
vocabulary is the Cosmos"
From "The Escapist:
The Reality of Fantasy Games"–
From today's New York Times:
A Kaddish for Gygax:
| "I was reading Durant's section on Plato, struggling to understand his theory of the ideal Forms that lay in inviolable perfection out beyond the phantasmagoria. (That was the first, and I think the last, time that I encountered that word.)" |
Related material:
For more on the word
"phantasmagoria," see
Log24 on Dec. 12, 2004
and on Sept. 23, 2006.
For phantasmagoria in action,
see Dungeons & Dragons
and Singer's (and others')
Jewish fiction.
For non-phantasmagoria,
see (for instance) the Elements
of Euclid, which culminates
in the construction of the
Platonic solids illustrated above.
See also Geometry for Jews.
John Trever, Albuquerque Journal, 2/29/08
The pen's point:
|
Log24, Dec. 11, 2006
SINGER, ISAAC:
"Sets forth his own aims in writing for children and laments 'slice of life' and chaos in children's literature. Maintains that children like good plots, logic, and clarity, and that they have a concern for 'so-called eternal questions.'"
— An Annotated Listing
"She returned the smile, then looked across the room to her youngest brother, Charles Wallace, and to their father, who were deep in concentration, bent over the model they were building of a tesseract: the square squared, and squared again: a construction of the dimension of time."
— A Swiftly Tilting Planet,
A Swiftly Tilting Planet is a fantasy for children set partly in Vespugia, a fictional country bordered by Chile and Argentina.
|
J. G. Ballard on “the architecture of death“:
“… a huge system of German fortifications that included the Siegfried line, submarine pens and huge flak towers that threatened the surrounding land like lines of Teutonic knights. Almost all had survived the war and seemed to be waiting for the next one, left behind by a race of warrior scientists obsessed with geometry and death.”
— The Guardian, March 20, 2006
“For him, writing is a struggle both with geometry and death.”
— “The Duende,” American Poetry Review, July/August 1999
— Harper’s Magazine review
quoted on back cover of
Cubism and Twentieth-Century Art,
by Robert Rosenblum
(Abrams paperback, 2001)
— An Annotated Listing of Criticism
by Linnea Hendrickson
“She returned the smile, then looked
across the room to her youngest brother,
Charles Wallace, and to their father,
who were deep in concentration, bent
over the model they were building
of a tesseract: the square squared,
and squared again: a construction
of the dimension of time.”
— A Swiftly Tilting Planet,
by Madeleine L’Engle
For “the dimension of time,”
see A Fold in Time,
Time Fold, and
Diamond Theory in 1937.
For a more adult audience —
In memory of General Augusto Pinochet, who died yesterday in Santiago, Chile, a quotation from Federico Garcia Lorca‘s lecture on “the Duende” (Buenos Aires, Argentina, 1933):
Augustine of Hippo, who is said to
have died on this date in 430 A.D.
"He is, after all, not merely taking over a Neoplatonic ontology, but he is attempting to combine it with a scriptural tradition of a rather different sort, one wherein the divine attributes most prized in the Greek tradition (e.g. necessity, immutability, and atemporal eternity) must somehow be combined with the personal attributes (e.g. will, justice, and historical purpose) of the God of Abraham, Isaac, and Jacob."
— Stanford Encyclopedia of Philosophy on Augustine
Here is a rather different attempt
to combine the eternal with the temporal:
|
The Eternal
Symbol of necessity,
For details, see |
The Temporal
Symbol of the
For details, see |
|
The eternal
combined with the temporal:
|
|
Related material:
Logocentric Theology
“Logic is all about the entertaining of possibilities.”
— Colin McGinn,
Mindsight: Image, Dream, Meaning,
Harvard U. Press (See yesterday’s entry.)
“God is the sum of all possibilities.”
— Isaac Bashevis Singer, according to
the Associated Press “Today in History“
feature for today, March 30, 2005
“A probability space is a measure space with total measure one.”
— Gregory F. Lawler, Probability Notes
“Hear, O Israel: The Lord our God, the Lord is one.”
For other illustrations of logocentric theology, see
Matrix of the Death God (May 25, 2003),
Transcendental Meditation (July 30, 2003),
and, for Warren Beatty’s birthday today,
Graphical Password (April 27, 2003).
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