Friday, August 16, 2024
Brightness at Noon
Wednesday, January 4, 2023
Saturday, November 21, 2015
Brightness at Noon*
A recent not-too-bright book from Princeton —
Some older, brighter books from Tony Zee —
Fearful Symmetry (1986) and
Quantum Field Theory in a Nutshell (2003).
* Continued.
Sunday, March 30, 2014
Wednesday, June 12, 2013
Brightness at Noon (continued)
The eight parts of the semaphore circle
in the previous post suggest some context
for Fritz Leiber's eight-limb "spider" symbol:
See Mary Karr, Time on the Cross, and chuahaidong.org.
Monday, June 10, 2013
Brightness at Noon (continued)
Tuesday, June 4, 2013
Brightness at Noon (continued)
Wikipedia:
The Chinese name of the gate, Tiānānmén 天安門 …
is made up of the Chinese characters for "heaven,"
"peace" and "gate" respectively, which is why the
name is conventionally translated as "The Gate of
Heavenly Peace". However, this translation is
somewhat misleading, since the Chinese name is
derived from the much longer phrase "receiving the
mandate from heaven, and stabilizing the dynasty."
Another anniversary today:

See also some related philosophy and mathematics.
Monday, March 25, 2013
Thursday, November 8, 2012
Brightness at Noon
Monday, June 4, 2012
Brightness at Noon (continued)
Some background for this morning's post:
Margaret Masterman's Language, Cohesion and Form .
(See the morning post's footnote.)
Update of 12:25 PM EDT June 4, 2012—
See also "The Epiphany Philosophers" in the online
New York Times , a brief article dated September 19, 2008.
Jungians might enjoy a synchronistic note—
"Toward the Light," a brief post from this journal
on that same date.
Monday, May 21, 2012
Brightness at Noon
Occultation according to McLuhan
Marshall McLuhan writing to Ezra Pound on Dec. 21, 1948—
"The American mind is not even close to being amenable to the ideogram principle as yet. The reason is simply this. America is 100% 18th Century. The 18th century had chucked out the principle of metaphor and analogy— the basic fact that
I am trying to devise a way of stating this difficulty as it exists. Until stated and publicly recognized for what it is, poetry and the arts can’t exist in America."
For context, see Cameron McEwen, "Marshall McLuhan, John Pick, and Gerard Manley Hopkins." (Renascence , Fall 2011, Vol. 64 Issue 1, 55-76)
Friday, January 20, 2012
Brightness at Noon
See "harmonic analysis" in Mathematical Imagery and elsewhere in this journal.
Friday, June 3, 2011
Brightness at Noon (continued)
|
Hexagram 55 "Be not sad. |
Monday, May 9, 2011
Brightness at Noon (continued)
Bright Star pictures (1 megabyte)
Thursday, April 7, 2011
Brightness at Noon (continued)
Raiders of the Lost Tree— See Spelling the Tree, by Robert de Marrais.
See also "Bee Season" in this journal.
Wednesday, March 16, 2011
Brightness at Noon (continued)

Related material:
See a search for the author of
Venus on the Half-Shell .
"For every kind of vampire,
there is a kind of cross."
— Gravity's Rainbow
Sunday, February 20, 2011
Saturday, February 19, 2011
Brightness at Noon (continued)
From Epiphany Revisited —
A star figure and the Galois quaternion.
The square root of the former is the latter.
… Todo lo sé por el lucero puro
que brilla en la diadema de la Muerte.
Friday, February 11, 2011
Brightness at Noon (continued)
Thursday, February 3, 2011
Sunday, January 30, 2011
Brightness at Noon, continued…
A phrase suggested by last night's New York Times obituaries—
From Milton to Milton (click to enlarge)
The "green fields" is from Shakespeare.
The above author, Vinton Adams Dearing, died* on April 6, 2005. From this journal on that date, some babbling.
"Have your people call my people." — George Carlin
* See Dearing's page 34 —

Tuesday, January 25, 2011
Brightness at Noon, continued–
"This is that 'once in a lifetime,'
this is the thrill divine."
— Dorcas Cochran, "Again"
Background—
Today's previous post as well as Loretta's Rainbow,
the "hole in the record" theme in The Third Wor*d War,
"Is Nothing Sacred?," and James Joyce's Birthday, 2009.
See also "the name of the story" in this journal.
Thursday, January 20, 2011
Brightness at Noon, continued
"One wild rhapsody a fake for another."
– Wallace Stevens, "Arrival at the Waldorf," in Parts of a World (1942)
"Camelot is an illusion.
That doesn't matter, according to Catherine.
Camelot is an artificial construction, a public perception.
The things that matter are closer, deeper, self-generated, unkillable.
You've got to grow up to discover what those things are."
— Dan Zak, Washington Post movie review on Feb. 27, 2009. See also this journal on that date.
See as well a note on symmetry from Christmas Eve, 1981, and Verbum in this journal.
Some philosophical background— Derrida in the Garden.
Some historical background— A Very Private Woman and Noland.
Sunday, December 12, 2010
Brightness at Noon continued…
A picture one might view as
related to the novel An Object of Beauty
and the film "The Object of Beauty" —
"If it's a seamless whole you want,
pray to Apollo." — Margaret Atwood
Tuesday, September 28, 2010
Brightness at Noon (continued)
Happy birthday to Mira Sorvino (Harvard '89).
Related material: June 9 and June 10, 2008.
A more dramatic presentation, also done on June 9-10, 2008—
Alicia Keys, "Superwoman" video.
Happy dies natalis to Miles Davis—
"… nothing ever truly dies. The universe wastes nothing. Everything is simply… transformed."
— Keanu Reeves in the 2008 "Day the Earth Stood Still." (See today's 11:07 AM entry.)
Sunday, September 12, 2010
Brightness at Noon continued
16 + 9 = 25.
See also this morning's entry and "June 25" in this journal.
Monday, July 26, 2010
Brightness at Noon continued
Riddle
"Midnight in the Garden continued," a post of 12:00 AM July 20, posed the riddle of what the previous day's NY Lottery midday "440" might mean.
A jocular answer was given. Some background for a more serious answer—
Paul Newall, “Kieślowski’s Three Colours Trilogy”—
“Julie recognises the music of the busker outside playing a recorder as that of her husband’s. When she asks him where he heard it, he replies that he makes up all sorts of things. This is an instance of a theory of Kieślowski’s that ‘different people, in different places, are thinking the same thing but for different reasons.’ With regard to music in particular, he held what might be characterised as a Platonic view according to which notes pre-exist and are picked out and assembled by people. That these can accord with one another is a sign of what connects people, or so he believed.”
In honor of Wye Jamison Allanbrook, author of Rhythmic Gesture in Mozart, we note that 440 is Concert A.
Allanbrook died on July 15. See this journal on that date—
Angels in the Architecture,
Happy Birthday, and
Brightness at Noon.
Thursday, July 15, 2010
Brightness at Noon, continued
"What exactly was Point Omega?"
This is Robert Wright in Nonzero: The Logic of Human Destiny.
Wright is discussing not the novel Point Omega by Don DeLillo,
but rather a (related) concept of the Jesuit philosopher Pierre Teilhard de Chardin.
My own idiosyncratic version of a personal "point omega"—
The circular sculpture in the foreground
is called by the artist "The Omega Point."
This has been described as
"a portal that leads in or out of time and space."
For some other sorts of points, see the drawings
on the wall and Geometry Simplified—
The two points of the trivial affine space are represented by squares,
and the one point of the trivial projective space is represented by
a line segment separating the affine-space squares.
For related darkness at noon, see Derrida on différance
as a version of Plato's khôra—
The above excerpts are from a work on and by Derrida
published in 1997 by Fordham University,
a Jesuit institution— Deconstruction in a Nutshell—
For an alternative to the Villanova view of Derrida,
see Angels in the Architecture.
Sunday, July 4, 2010
Brightness at Noon (continued)
Today's sermon mentioned the phrase "Omega number."
Other sorts of Omega numbers— 24 and 759— occur
in connection with the set named Ω by R. T. Curtis in 1976—

— R. T. Curtis, "A New Combinatorial Approach to M24,"
Math. Proc. Camb. Phil. Soc. (1976), 79, 25-42
Monday, June 28, 2010
Brightness at Noon (continued)
See David Corfield,
"The Robustness of Mathematical Entities."
This is an abstract from a paper at a conference,
"From Practice to Results in Logic and Mathematics"
(June 21st-23rd, 2010, Archives Henri Poincaré,
University of Nancy (France)).
See also Corfield's post "Inevitability in Mathematics"
at the n-Category Café today. He links to an earlier
post, "Mathematical Robustness." From that post—
…let’s see what Michiel Hazewinkel has to say
in his paper Niceness theorems:
It appears that many important mathematical objects
(including counterexamples) are unreasonably
nice, beautiful and elegant. They tend to have
(many) more (nice) properties and extra bits
of structure than one would a priori expect….














