Log24

Friday, June 14, 2024

Miles Davis:  Kind of Indigo

Filed under: General — Tags: , , , — m759 @ 4:44 am

Related blue-black meditation —

A Weeknd for Sam Levinson:

Saturday, May 25, 2024

Coloring Books*

Filed under: General — m759 @ 12:21 pm

* Related remarks:  Willard Motley on a Chicago color.

Friday, October 20, 2023

Artfield Invitation

Filed under: General — Tags: — m759 @ 7:47 pm

Last night's touching dialogue on "Loki" between Victor Timely and
Miss MInutes suggests a review of a recent rather one-sided conversation
of my own —

Thus far, there has been no reply.

The "Loki" dialogue above took place in Chicago, a town repeatedly
described by novelist Willard Motley as a "blue-black panther."

Perhaps the email addressee has in mind the sage advice of
Ogden Nash . . .

"If called by a panther, don't anther."

Thursday, June 15, 2023

Study in Red and Grey*

Filed under: General — Tags: — m759 @ 10:13 pm

For the blue-black frame, a hat tip to Willard Motley.

See also the above date — 6 Nov 2021 — in this  journal.

* See as well a Log24 search for Red and Gray .

Sunday, February 5, 2023

Dimensions

Filed under: General — Tags: , , , — m759 @ 2:01 am

A Logo for Riri

The above Nick Romano passage is from Knock on Any Door,
a 1947 novel by Willard Motley.  Another Motley novel about
Chicago, from 1958 . . .

Let No Man Write My Epitaph

Page 41

The city was a blue-black panther that slunk along beside them. The tall, skyscraper night-grass hemmed them in. The thousand neon animal eyes watched their going.

Page 67

The blue-black panther of a city watched their going. The un- blinking neon animal eyes watched their going. Thousands of neon signs lit their way. In an alley behind West Madison Street half an

Page 68

hour before, a bum, drunk, had frozen to death lying in the back doorway of a pawnshop. The blue-black panther crouched over him.

Page 70

First the creak of ice as an automobile goes by. Then the frown into your room of the red brick building across the street, its windows frosted over like cold, unfriendly eyes. Then a bum stumbling along trying to keep warm. Now a drunk, unevenly. And the wind like the howling voice of the blue-black panther, hunting, finding. And the clanging of impersonal streetcars. And each bar of neon, cold, dead. No message. The clown takes his bow and it is Christmas Day.

Page 79

The blue-black panther followed them, sniffing at their heels.

Page 106

Above them the blue-black panther lay on the roof of a tenement house, its feline chin on the cornice, its yellow-green eyes staring down onto the black night street of Maxwell. Its tail, wagging slowly back and forth, was like a lasso, a noose, sending little shivers of pebbles rolling loosely across the roof.

Page 154

Then he went down to the Shillelagh Club. Through the pane, in the crowded, noisy place, he saw her. She was sitting at a table near the back, alone. Her cigarette had fallen from her lips and rolled away from her on the table top. It had burned itself to a long gray ash. Her head hung loosely on her neck as if she was asleep. A half-empty glass of beer was in front of her. Please, Mother, please come out, he prayed to her. And he stood next door to the tavern, waiting, his small shoulders drawn in, his head down in shame. And often he walked to the window and stood on tiptoe. She was still there. In the same position. He waited. He would be late to school tomorrow. He waited, keeping the long vigil. He waited. Twelve years old. And the thousand neon-animal eyes stared at him savagely. He waited. The blue-black panther lashed out its tail, flicking its furry tip against his ankles. He waited.

Page 250

Alongside the blue-black patrol wagon the blue-black panther walks majestically.

Page 262

Outside the door the blue-black panther rubs its back like a house cat.

Page 409

Nick held the cigarette listlessly. The smoke curled up his wrist and arm like a snake. The blue-black panther licked his hand.

Friday, August 2, 2013

Duende for St. Wallace

Filed under: General — m759 @ 11:01 am

IMAGE- Google search on 'Wallace Stevens died'

(The final quote above is bogus. Stevens did write "Death is the mother 
of beauty," but the "perishable" part is from a lesser poet, Billy Collins.)

For the duende  of this post's title, see a dance.

The dance suggests a 1956 passage by Robert Silverberg—

"There was something in the heart of the diamond—
not the familiar brown flaw of the others, but something
of a different color, something moving and flickering.
Before my eyes, it changed and grew.

And I saw what it was. It was the form of a girl—
a woman, rather, a voluptuous, writhing nude form
in the center of the gem. Her hair was a lustrous blue-black,
her eyes a piercing ebony. She was gesturing to me,
holding out her hands, incredibly beckoning from within
the heart of the diamond.

I felt my legs go limp. She was growing larger, coming closer,
holding out her arms, beckoning, calling—

She seemed to fill the room. The diamond grew to gigantic size,
and my brain whirled and bobbed in dizzy circles.
I sensed the overpowering, wordless call."

— "Guardian of the Crystal Gate," August 1956

For similar gestures, see Nicole Kidman's dance in "The Human Stain."

Tuesday, February 3, 2004

Tuesday February 3, 2004

Filed under: General — Tags: — m759 @ 7:11 pm

Retiring Faculty

The following is related to
today's previous four log24 entries.

From my paper journal, a Xeroxed note, composed entirely of cut copies
of various documents,
from July 11, 1990….

 

Harvard Alumni Gazette June 1990


Retiring Faculty Continue their Love of Learning, Creativity

Thought for today: "He who tells the truth must have one foot in the stirrup." — Armenian Proverb

Preserve me from the enemy
     who has something to gain: and
     from the friend who has something to lose.
Remembering the words of
     Nehemiah the Prophet:
"The trowel in hand, and the gun
     rather loose in the holster."

— T. S. Eliot, Choruses from the Rock — 1934

Pattern in Islamic Art is the most thorough study yet published of the structure of the art.

Oleg Grabar, Aga Khan Professor of Islamic Art, will join the Institute for Advanced Study at Princeton, where he will devote himself to pure research.  He has three books planned — which he estimates will take him about four years to finish — including books on the theory of ornament, and studies of early medieval Jerusalem and Islamic Sicily.  "I'm also planning to brush up on my Persian, which I had kind of forgotten," he said.


Clint Eastwood is the nameless stranger who mysteriously appears in the Warner Brothers film 'Pale Rider.'

Closing the cylinder, he holstered the gun, pivoted, and strode across the now silent street toward his horse.
   An ashen-faced Lahood stared out the second-story window, following the tall man's movements.  In his right hand he held a long-barreled blue-black derringer.  He raised the muzzle purposefully.
   The Preacher put a foot in the stirrup and hesitated.  Turning, he lifted his eyes to a particular window.  The curtains behind it moved slightly.  The report of the single shot was muffled by distance and glass.  From his position the Preacher could not hear the thump of the body as it struck the thick Persian rug.  He did not have to hear it.
   Lahood had begun this day's work, and Lahood had finished it.

Sources: Harvard Alumni Gazette, local newspaper, a volume of the poems of T. S. Eliot, David Wade's Pattern in Islamic Art, and a paperback novelization of Pale Rider

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