Log24

Wednesday, April 5, 2017

Dem Bones

Filed under: Uncategorized — Tags: , — m759 @ 12:15 PM

A note at the end of an article on architecture historian
Christopher Gray in the current online New Yorker  —

This article appears in other versions
of the April 10, 2017, issue, with
the headline “Dem Bones.”

"Defeated, you will rise to your feet as is said of Dry Bones .
These bones will rise again." — Agnes Martin, 1973

Accounting for Taste —

Faye Dunaway and Warren Beatty at the Oscars:

Ben Affleck, star of "The Accountant," at the Oscars:

See also Prisoner + Bones in this  journal.

Tuesday, December 28, 2010

Dry Bones

Filed under: Uncategorized — m759 @ 7:59 PM

The webpage of Cullinane College — "For Love of God…."

http://www.log24.com/log/pix10B/101228-CullinaneCollege.jpg

Related material —

From a post for the opening of Cullinane College on January 29, 2003:

"Young man sings 'Dry Bones'"

Illustrations:

http://www.log24.com/log/pix10B/101228-ThePrisonerTrial.jpg

http://www.log24.com/log/pix10B/101228-ThePrisonerEandE.jpg

What prompted the above meditation —

http://www.log24.com/log/pix10B/101228-Memento-BillWhite.jpg

From an obituary of Bill White (who reportedly died at 66 on November 14)—

"During his career, he was consulted by, among others,
the crime writer Patricia Cornwell, and the artist Damien Hirst
(who used his expertise when working on his 2007 piece
For the Love of God, a platinum cast of a skull, encrusted with diamonds)."

Wednesday, January 29, 2003

Wednesday January 29, 2003

Filed under: Uncategorized — m759 @ 6:09 PM

Inaugural Address
for Cullinane College

(undelivered):

The Prisoner

Cullinane College was scheduled to open its doors officially on January 29, 2003.  The following might have been an appropriate inaugural address.

From The Prisoner: Comments
 on the Final Episode, “Fall Out”
:

“When the President asks for a vote, he says: ‘All in favor.’ But he never asks for those opposed. (Though it appears that none will be opposed — and though he says its a democratic assembly, it is hardly that. The President even says that the society is in a ‘democratic crisis,’ though without democracy present, it’s just a sham.)

#48/Young Man sings ‘Dry Bones,’, which is his rebellion (notice its chaotic effect on ‘society’). But then the song gets taken over, ‘polished,’ and sung by a voice-over (presumably set up by #1). Does this mean that society is stealing the thunder (i.e. the creative energy) of youth, and cheapening it, or does it mean that youth is just rebelling in the same way that their fathers did (with equal ineffectiveness)? Perhaps it is simply a comment on the ease with which society can deal with the real rebellion of the 1960’s, which purported to be led by musicians; one that even the Beatles said was impossible in ‘Revolution.'”

President: Guilty! Read the Charge!

#48 is guilty, of something, and then the society pins something on him.”

The Other Side of the Coin

The Weinman Dime

From the CoinCentric website:

In 1916, sculptor Adolph A. Weinman produced a new design for the dime called the Liberty Head type. The motif features Miss Liberty facing left, wearing a Phrygian cap with wings, symbolizing “liberty of thought”. The word “LIBERTY” encircles her head, with “IN GOD WE TRUST” and the date below her head.

The reverse depicts Roman fasces, a bundle of rods with the center rod being an ax, against a branch in the background. It is a symbol of state authority, which offers a choice: “by the rod or by the ax”. The condemned was either beaten to death with the rods or allowed the mercy of the ax. The words “UNITED STATES OF AMERICA” and “ONE DIME” surround the border. “E PLURIBUS UNUM” appears at the lower right.

Excerpt from the poem that Robert Frost (who died on this date in 1963) meant to read at the 1961 inauguration of John F. Kennedy:

It makes the prophet in us all presage
The glory of a next Augustan age
Of a power leading from its strength and pride,
Of young ambition eager to be tried,
Firm in our free beliefs without dismay,
In any game the nations want to play.
A golden age of poetry and power
Of which this noonday’s the beginning hour.

I greatly prefer Robinson Jeffers’s “Shine, Perishing Republic“:

While this America settles in the mould of its vulgarity,
    heavily thickening to empire,
And protest, only a bubble in the molten mass, pops and sighs out, 
    and the mass hardens,
I sadly smiling remember….

See also the thoughts on Republic vs. Empire in the work of Alec Guinness (as Marcus Aurelius and as Obi-Wan Kenobi).

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