Log24

Thursday, July 26, 2012

Solomon’s Seal

Filed under: General,Geometry — Tags: , , , — m759 @ 12:00 pm

(Mathematics and Narrative, continued)

Narrative—

The Ring and The Stone from yesterday’s post, and…

“In Medieval Jewish, Christian and Islamic legends,
the Seal of Solomon was a magical signet ring
said to have been possessed by King Solomon….”

— Wikipedia article, Seal of Solomon

Mathematics—

IMAGE- Eric Temple Bell on the mathematics of 'Solomon's Seal' (in his 'Development of Mathematics')

A fact related to the mathematical
“Solomon’s seal” described above by Bell:

IMAGE- J.W.P. Hirschfeld on the mathematics of 'Solomon's Seal', with reference to Edge on the same topic

The reference to Edge is as follows—

[3] Edge, W. L., Quadrics over GF(2) and
their relevance for the cubic surface group
,
Canadian J. Maths. 11 (1959) ….

(This reference relates Hirschfeld’s remarks
quoted above to the 64-point affine space
illustrated below (via the associated
63-point projective  space PG (5, 2)).

As for the narrative’s Stone… 

See Solomon’s Cube.

IMAGE- 'Solomon's Cube'

Friday, November 17, 2023

Classicism Continued: An Apotheosis of Modernity

Filed under: General — Tags: — m759 @ 12:34 pm
 

From Chapter 23, "Poetry," by Adam Parkes, in
A Companion to Modernist Literature and Culture,
edited by David Bradshaw and Kevin J. H. Dettmar,
Blackwell Companions to Literature and Culture,
© 2006 by Blackwell Publishing Ltd.

Writing in 1910–11, the English poet and critic T. E. Hulme claimed that the two major traditions in poetry, romanticism and classicism, were as different as a well and a bucket. According to the romantic party, Hulme explained, humankind is “intrinsically good, spoilt by circumstance”; that is, our nature is “a well, a reservoir full of possibilities.” For the classical party, however, human nature is “like a bucket”; it is “intrinsically limited, but disciplined by order and tradition to something fairly decent” (Hulme 1987: 117). But it was not only that romanticism and classicism were as dissimilar as a well and a bucket; their contents were different, too. To draw water from the well of romanticism was, in effect, to pour a “pot of treacle over the dinner table,” while the classical bucket was more likely to be full of little stones – or jewels, perhaps. Romanticism, in Hulme’s view, was the result of displaced religious fervor; it represented the return of religious instincts that the “perverted rhetoric of Rationalism” had suppressed, so that “concepts that are right and proper in their own sphere are spread over, and so mess up, falsify and blur the clear outlines of human experience” (Hulme 1987: 118). Classicism, by contrast, traded in dry goods – dry, hard goods, to be precise.

Hulme left little doubt as to which side he was on. “It is essential to prove,” he argued, “that beauty may be in small, dry things. The great aim is accurate, precise and definite description. . . . I prophesy that a period of dry, hard, classical verse is coming” (Hulme 1987: 131–3). If by “dry, hard, classical verse” Hulme meant poems looking like the fragments of Sappho, he didn’t have to wait long to see his prophecy fulfilled.

The hard sand breaks,
and the grains of it
are clear as wine.

Far off over the leagues of it,
the wind,

228

playing on the wide shore,
piles little ridges,
and the great waves
break over it.

So wrote Hilda Doolittle in “Hermes of the Ways,” the first poem that she signed “H. D., Imagiste” at the behest of her fellow American expatriate Ezra Pound. From Pound’s perspective, the Imagist movement that he co-founded in 1912 with H. D. and the English poet Richard Aldington was finished well before the First World War began in August 1914; throughout this war-torn decade, however, Imagism continued to spawn the poetry of “small, dry things” whose coming Hulme had predicted a few years before.

Indeed, modernist poets weren’t content merely to break down the extended heroic narratives – the “spilt religion,” as Hulme put it – of their treacly nineteenthcentury predecessors; they insisted on breaking down small things into ever-smaller particles and subparticles. This logic of disintegration is clearly at work in poems like “Hermes of the Ways,” where each line is metrically unique, creating a sense of perpetual freshness – an apotheosis of modernity, as it were.

REFERENCE

Hulme, T. E. (1987). Speculations: Essays on Humanism and the Philosophy of Art, ed. Herbert Read. London and New York: Routledge and Kegan Paul. First published 1924.

Compare and contrast:

Jeremy Gray,
Plato's Ghost: The Modernist Transformation of Mathematics,
Princeton University Press, first edition Sept. 22, 2008

"Here, modernism is defined as an autonomous body of ideas,
having little or no outward reference, placing considerable emphasis
on formal aspects of the work and maintaining a complicated—
indeed, anxious— rather than a naïve relationship with the
day-to-day world, which is the de facto view of a coherent group
of people, such as a professional or discipline-based group
that has a high sense of the seriousness and value of what it is
trying to achieve. This brisk definition…."

(Quoted at the webpage Solomon's Cube.)

Friday, May 6, 2022

Interality and the Bead Game

Filed under: General — Tags: , , — m759 @ 3:00 pm

WIkipedia on the URL suffix ".io" —

"In computer science, "IO" or "I/O" is commonly used
as an abbreviation for input/output, which makes the
.io domain desirable for services that want to be
associated with technology. .io domains are often used
for open source projects, application programming
interfaces ("APIs"), startup companiesbrowser games,
and other online services."

An association with the Bead Game from a post of April 7, 2018

IMAGE- 'Solomon's Cube'

Glasperlenspiel  passage quoted here in Summa Mythologica 

“"I suddenly realized that in the language, or at any rate
in the spirit of the Glass Bead Game, everything actually
was all-meaningful, that every symbol and combination of
symbols led not hither and yon, not to single examples,
experiments, and proofs, but into the center, the mystery
and innermost heart of the world, into primal knowledge.
Every transition from major to minor in a sonata, every
transformation of a myth or a religious cult, every classical
or artistic formulation was, I realized in that flashing moment,
if seen with a truly meditative mind, nothing but a direct route
into the interior of the cosmic mystery, where in the alternation
between inhaling and exhaling, between heaven and earth,
between Yin and Yang, holiness is forever being created.”

A less poetic meditation on the above 4x4x4 design cube —

"I saw that in the alternation between front and back,
between top and bottom, between left and right,
symmetry is forever being created."

See also a related remark by Lévi-Strauss in 1955

"…three different readings become possible:
left to right, top to bottom, front to back."

The recent use by a startup company of the URL "interality.io" suggests
a fourth  reading for the 1955 list of Lévi-Strauss — in and out
i.e., inner and outer group automorphisms —  from a 2011 post
on the birthday of T. S. Eliot :

A transformation:

Inner and outer group automorphisms

Click on the picture for details.

Thursday, November 25, 2021

Fire

Filed under: General — m759 @ 1:28 pm

"Faced with a larger surface than he had ever provided with facets,
in his desperation he had divided the diamond with imaginary lines,
treating each section as if it were a single small stone and arranging
the clusters of facets so they would interact with one another, as if they
were single facets in a smaller stone.  What if the final result lacked fire?"

— Novel* by Noah Gordon, who reportedly died on Monday, Nov. 22.

*

Novel by Noah Gordon, 'The Diamond of Solomon' (in German translation)

German translation of an April 1, 1979, novel.

Monday, November 11, 2019

Time and Chance

Filed under: General — Tags: , , , — m759 @ 2:49 pm

http://www.log24.com/log/pix10B/101202-DreidelAndStone.jpg

The misleading image at right above is from the cover of
an edition of Charles Williams's classic 1931 novel 
Many Dimensions  published in 1993 by Wm. B. Eerdmans.

Compare and constrast —

Goedel Escher Bach cover

Cover of a book by Douglas Hofstadter

IMAGE- 'Solomon's Cube'

An Invariance of Symmetry

Sunday, July 15, 2018

Jewish Oases

Filed under: General,Geometry — Tags: , — m759 @ 10:06 pm

"… Lincoln Plaza Cinemas, the Juilliard String Quartet,
and the Strand Book Store remained  oases
for cultural and intellectual stimulation."

John S. Friedman in The Forward , Jan. 21, 2018

Read more: 

https://forward.com/culture/392483/
how-fred-bass-dan-talbot-robert-mann
-shaped-new-york-culture/

From  the Oasis  in Steven Spielberg's "Ready Player One" (2018) —

I prefer, from a Log24 search for Flux Capacitor

Symbologist Robert Langdon views a corner of Solomon's Cube

From "Raiders of the Lost Images" —

"The cube shape of the lost Mother Box,
also known as the Change Engine,
is shared by the Stone in a novel by
Charles Williams, Many Dimensions .
See the Solomon's Cube webpage."

Sunday, July 8, 2018

Sixers*

Filed under: General,Geometry — m759 @ 12:00 pm

Eric Temple Bell, 'The Development of Mathematics'

See also Solomon's  cube.

* Title suggested by a 2011 dystopian novel.

Saturday, May 19, 2018

Flux Capacitor

Filed under: General,Geometry — Tags: , , , — m759 @ 4:13 pm

For Tom Hanks and Dan Brown —

Symbologist Robert Langdon views a corner of Solomon's Cube

From "Raiders of the Lost Images" —

"The cube shape of the lost Mother Box,
also known as the Change Engine,
is shared by the Stone in a novel by
Charles Williams, Many Dimensions .
See the Solomon's Cube webpage."

See as well a Google search for flux philosophy
https://www.google.com/search?q=flux+philosophy.

Saturday, April 7, 2018

Sides

The FBI holding cube in "The Blacklist" —

" 'The Front' is not the whole story . . . ."

— Vincent Canby, New York Times  film review, 1976,
     as quoted in Wikipedia.

See also Solomon's Cube in this  journal.

IMAGE- 'Solomon's Cube'

Webpage demonstrating symmetries of 'Solomon's Cube'

Some may view the above web page as illustrating the
Glasperlenspiel  passage quoted here in Summa Mythologica 

“"I suddenly realized that in the language, or at any rate
in the spirit of the Glass Bead Game, everything actually
was all-meaningful, that every symbol and combination of
symbols led not hither and yon, not to single examples,
experiments, and proofs, but into the center, the mystery
and innermost heart of the world, into primal knowledge.
Every transition from major to minor in a sonata, every
transformation of a myth or a religious cult, every classical
or artistic formulation was, I realized in that flashing moment,
if seen with a truly meditative mind, nothing but a direct route
into the interior of the cosmic mystery, where in the alternation
between inhaling and exhaling, between heaven and earth,
between Yin and Yang, holiness is forever being created.”

A less poetic meditation on the above 4x4x4 design cube —

"I saw that in the alternation between front and back,
between top and bottom, between left and right,
symmetry is forever being created."

See also a related remark by Lévi-Strauss in 1955

"…three different readings become possible:
left to right, top to bottom, front to back."

Tuesday, February 27, 2018

Raiders of the Lost Images

Filed under: General,Geometry — Tags: — m759 @ 11:28 am

On the recent film "Justice League" —

From DC Extended Universe Wiki, "Mother Box" —

"However, during World War I, the British rediscovered
mankind's lost Mother Box. They conducted numerous studies
but were unable to date it due to its age. The Box was then
shelved in an archive, up until the night Superman died,
where it was then sent to Doctor Silas Stone, who
recognized it as a perpetual energy matrix. . . ." [Link added.]

The cube shape of the lost Mother Box, also known as the
Change Engine, is shared by the Stone in a novel by Charles Williams,
Many Dimensions . See the Solomon's Cube webpage.

See too the matrix of Claude Lévi-Strauss in posts tagged
Verwandlungslehre .

Some literary background:

Who speaks in primordial images speaks to us
as with a thousand trumpets, he grips and overpowers,
and at the same time he elevates that which he treats
out of the individual and transitory into the sphere of
the eternal. 
— C. G. JUNG

"In the conscious use of primordial images—
the archetypes of thought—
one modern novelist stands out as adept and
grand master: Charles Williams.
In The Place of the Lion  he incarnates Plato’s
celestial archetypes with hair-raising plausibility.
In Many Dimensions  he brings a flock of ordinary
mortals face to face with the stone bearing
the Tetragrammaton, the Divine Name, the sign of Four.
Whether we understand every line of a Williams novel
or not, we feel something deep inside us quicken
as Williams tells the tale.

Here, in The Greater Trumps , he has turned to
one of the prime mysteries of earth . . . ."

— William Lindsay Gresham, Preface (1950) to
Charles Williams's The Greater Trumps  (1932)

For fans of what the recent series Westworld  called "bulk apperception" —

Wednesday, June 21, 2017

Concept and Realization

Filed under: General,Geometry — Tags: , , — m759 @ 1:12 pm

Remark on conceptual art quoted in the previous post

"…he’s giving the concept but not the realization."

A concept See a note from this date in 1983:

IMAGE- 'Solomon's Cube'

A realization  

Webpage demonstrating symmetries of 'Solomon's Cube'

Not the best possible realization, but enough for proof of concept .

Wednesday, December 2, 2015

Symbology

Filed under: General,Geometry — Tags: , — m759 @ 12:00 pm

Symbologist Robert Langdon views a corner of Solomon's Cube

Click image to search Log24
for Solomon + Stone.

Monday, August 19, 2013

Noon

Filed under: General,Geometry — Tags: — m759 @ 12:00 pm

Last midnight's post quoted poet John Hollander
on Cervantes—

"… the Don’s view of the world is correct at midnight,
and Sancho’s at noon."

The post concluded with a figure that might, if
rotated slightly, be regarded as a sort of Star of
David or Solomon's Seal. The figure's six vertices
may be viewed as an illustration of Pascal's
"mystic hexagram."

Pacal's hexagram is usually described
as a hexagon inscribed in a conic
(such as a circle). Clearly the hexagon
above may be so inscribed.

The figure suggests that last midnight's Don be
played by the nineteenth-century mathematician
James Joseph Sylvester. His 1854 remarks on
the nature of geometry describe a different approach
to the Pascal hexagram—

"… the celebrated theorem of Pascal known under the name of the Mystic Hexagram, which is, that if you take two straight lines in a plane, and draw at random other straight lines traversing in a zigzag fashion between them, from A in the first to B in the second, from B in the second to C in the first, from C in the first to D in the second, from D in the second to E in the first, from E in the first to F in the second and finally from F in the second back again to A the starting point in the first, so as to obtain ABCDEF a twisted hexagon, or sort of cat's-cradle figure and if you arrange the six lines so drawn symmetrically in three couples: viz. the 1st and 4th in one couple, the 2nd and 5th in a second couple, the 3rd and 6th in a third couple; then (no matter how the points ACE have been selected upon one of the given lines, and BDF upon the other) the three points through which these three couples of lines respectively pass, or to which they converge (as the case may be) will lie all in one and the same straight line."

For a Sancho view of Sylvester's "cat's cradle," see some twentieth-century
remarks on "the most important configuration of all geometry"—

"Now look, your grace," said Sancho,
"what you see over there aren't giants,
but windmills, and what seems to be arms
are just their sails, that go around in the wind
and turn the millstone."
"Obviously," replied Don Quijote,
"you don't know much about adventures.”

― Miguel de Cervantes Saavedra

Thursday, September 27, 2012

Mathematics and Narrative (continued)

Filed under: General — Tags: — m759 @ 12:00 pm

In diamond-narrative news today…

IMAGE- Pink Panther actor dies at 95

"Among the low points of his career was his performance
in the disastrous 1985 remake of “King Solomon’s Mines….”

— David Belcher in today's online New York Times

Friday, July 27, 2012

Raiders of the Lost Ring

Filed under: General,Geometry — Tags: , , , — m759 @ 11:30 am

Wikipedia on a magical ring

IMAGE- Wikipedia article, 'Seal of Solomon'

Background—  The Ring and the Stone, a story linked to here Wednesday.

"By then he was familiar with the work of the Vienna Actionists….
He once said that he had his first taste of the movement
when he heard the screams of his mother’s dental patients
from her office next door to the family’s apartment."

Obituary of a Viennese artist who reportedly died Wednesday

"Is it safe?"

Thursday, July 19, 2012

But Seriously…

Filed under: General — m759 @ 9:00 pm

For those who prefer fiction:

"Many Dimensions  (1931) — An evil antiquarian illegally purchases
the fabled Stone of Suleiman (Williams uses this Muslim form
rather than the more familiar King Solomon) from its Islamic guardian
in Baghdad and returns to England to discover not only that the Stone
can multiply itself infinitely without diminishing the original, but that it
also allows its possessor to transcend the barriers of space and time."

Wikipedia article on the author Charles Williams

Monday, April 16, 2012

Carroll Thanks the Academy

Filed under: General,Geometry — Tags: , , , — m759 @ 11:30 am

Gary Gutting, "Arguing About Language," in "The Stone,"
The New York Times  philosophy column, yesterday—

There's a sense in which we speak language
and a sense in which, in Mallarmé's famous phrase,
“language itself speaks.”

Famous? A Google Book Search for

"language itself speaks" Mallarmé

yields 2 results, neither helpful.

But a Google Book Search for

"language itself speaks" Heidegger

yields "about 312 results."

A related search yields the following

Paul Valéry, encountering Un Coup de Dés  in Mallarmé’s worksheets in 1897, described the text as tracing the pattern of thought itself:

It seemed to me that I was looking at the form and pattern of a thought, placed for the first time in finite space. Here space itself truly spoke, dreamed, and gave birth to temporal forms….

… there in the same void with them, like some new form of matter arranged in systems or masses or trailing lines, coexisted the Word! (Leonardo  309*)

* The page number is apparently a reference to The Collected Works of Paul Valéry: Leonardo, Poe, Mallarmé , translated by Malcolm Cowley and James R. Lawler, Princeton University Press, 1972. (As a temporal  form, "309" might be interpreted as a reference to 3/09, March 9, the date of a webpage on the Void.)

For example—

Symbologist Robert Langdon views a corner of Solomon's Cube

Background:
Deconstructing Alice
and Symbology.

Monday, February 14, 2011

Simplify (continued)

Filed under: General,Geometry — Tags: — m759 @ 12:00 pm

"Plato acknowledges how khora  challenges our normal categories
 of rational understanding. He suggests that we might best approach it
 through a kind of dream  consciousness."
  —Richard Kearney, quoted here yesterday afternoon

"You make me feel like I'm living a teenage dream."
 — Song at last night's Grammy awards

Image-- Richard Kiley with record collection in 'Blackboard Jungle,' 1955

Richard Kiley in "Blackboard Jungle" (1955)
Note the directive on the blackboard.

Quoted here last year on this date

Alexandre Borovik's Mathematics Under the Microscope  (American Mathematical Society, 2010)—

"Once I mentioned to Gelfand that I read his Functions and Graphs ; in response, he rather sceptically asked me what I had learned from the book. He was delighted to hear my answer: 'The general principle of always looking at the simplest possible example.'….

So, let us look at the principle in more detail:

Always test a mathematical theory on the simplest possible example…

This is a banality, of course. Everyone knows it; therefore, almost no one follows it."

Related material— Geometry Simplified and A Simple Reflection Group of Order 168.

"Great indeed is the riddle of the universe.
 Beautiful indeed is the source of truth."

– Shing-Tung Yau, Chairman,
Department of Mathematics, Harvard University

"Always keep a diamond in your mind."

King Solomon at the Paradiso

IMAGE-- Imaginary movie poster- 'The Galois Connection'- from stoneship.org

Image from stoneship.org

Thursday, January 6, 2011

Epiphany Riddle

Filed under: General,Geometry — Tags: — m759 @ 11:32 am

"Spaces and geometries, those which we perceive,
which we can’t perceive, or which only some of us perceive,
are a recurring theme in Against  the Day ."

Michael White

"大哉大哉  宇宙之谜
 美哉美哉  真理之源"

"Great indeed is the riddle of the universe.
 Beautiful indeed is the source of truth."

— Shing-Tung Yau, Chairman,
Department of Mathematics, Harvard University

"Always keep a diamond in your mind."

King Solomon at the Paradiso

IMAGE-- Imaginary movie poster- 'The Galois Connection'- from stoneship.org

Image from stoneship.org

Tuesday, December 7, 2010

The Tiffany Puzzle

Filed under: General,Geometry — Tags: — m759 @ 5:00 am

Suggested by Dan Brown's remarks in today's Science Times  special section on puzzles—

http://www.log24.com/log/pix10B/101202-DreidelAndStoneSm.jpg

For a fanciful linkage of the dreidel 's concept of chance
to The Stone 's concept of invariant law, note that the
New York Lottery evening number on Dec. 1 (the
beginning of Hanukkah) was 840. See also the number
840 in the final post (July 20, 2002) of a search for
Solomon's Cube.

http://www.log24.com/log/pix10B/101207-FifthAve5AM.jpg

Thursday, December 2, 2010

Caesarian

Filed under: General,Geometry — Tags: — m759 @ 8:00 am

The Dreidel Is Cast

The Nietzschean phrase "ruling and Caesarian spirits" occurred in yesterday morning's post "Novel Ending."

That post was followed yesterday morning by a post marking, instead, a beginning— that of Hanukkah 2010. That Jewish holiday, whose name means "dedication," commemorates the (re)dedication of the Temple in Jerusalem in 165 BC.

The holiday is celebrated with, among other things, the Jewish version of a die—  the dreidel . Note the similarity of the dreidel  to an illustration of The Stone*  on the cover of the 2001 Eerdmans edition of  Charles Williams's 1931 novel Many Dimensions

http://www.log24.com/log/pix10B/101202-DreidelAndStone.jpg

For mathematics related to the dreidel , see Ivars Peterson's column on this date fourteen years ago.
For mathematics related (if only poetically) to The Stone , see "Solomon's Cube" in this journal.

Here is the opening of Many Dimensions

http://www.log24.com/log/pix10B/101202-WilliamsChOne.jpg

For a fanciful linkage of the dreidel 's concept of chance to The Stone 's concept of invariant law, note that the New York Lottery yesterday evening (the beginning of Hanukkah) was 840. See also the number 840 in the final post (July 20, 2002) of the "Solomon's Cube" search.

Some further holiday meditations on a beginning—

Today, on the first full day of Hanukkah, we may or may not choose to mark another beginning— that of George Frederick James Temple, who was born in London on this date in 1901. Temple, a mathematician, was President of the London Mathematical Society in 1951-1953. From his MacTutor biography

"In 1981 (at the age of 80) he published a book on the history of mathematics. This book 100 years of mathematics (1981) took him ten years to write and deals with, in his own words:-

those branches of mathematics in which I had been personally involved.

He declared that it was his last mathematics book, and entered the Benedictine Order as a monk. He was ordained in 1983 and entered Quarr Abbey on the Isle of Wight. However he could not stop doing mathematics and when he died he left a manuscript on the foundations of mathematics. He claims:-

The purpose of this investigation is to carry out the primary part of Hilbert's programme, i.e. to establish the consistency of set theory, abstract arithmetic and propositional logic and the method used is to construct a new and fundamental theory from which these theories can be deduced."

For a brief review of Temple's last work, see the note by Martin Hyland in "Fundamental Mathematical Theories," by George Temple, Philosophical Transactions of the Royal Society, A, Vol. 354, No. 1714 (Aug. 15, 1996), pp. 1941-1967.

The following remarks by Hyland are of more general interest—

"… one might crudely distinguish between philosophical and mathematical motivation. In the first case one tries to convince with a telling conceptual story; in the second one relies more on the elegance of some emergent mathematical structure. If there is a tradition in logic it favours the former, but I have a sneaking affection for the latter. Of course the distinction is not so clear cut. Elegant mathematics will of itself tell a tale, and one with the merit of simplicity. This may carry philosophical weight. But that cannot be guaranteed: in the end one cannot escape the need to form a judgement of significance."

— J. M. E. Hyland. "Proof Theory in the Abstract." (pdf)
Annals of Pure and Applied Logic 114, 2002, 43-78.

Here Hyland appears to be discussing semantic ("philosophical," or conceptual) and syntactic ("mathematical," or structural) approaches to proof theory. Some other remarks along these lines, from the late Gian-Carlo Rota

http://www.log24.com/log/pix10B/101202-RotaChXII-sm.jpg

    (Click to enlarge.)

See also "Galois Connections" at alpheccar.org and "The Galois Connection Between Syntax and Semantics" at logicmatters.net.

* Williams's novel says the letters of The Stone  are those of the Tetragrammaton— i.e., Yod, He, Vau, He  (cf. p. 26 of the 2001 Eerdmans edition). But the letters on the 2001 edition's cover Stone  include the three-pronged letter Shin , also found on the dreidel .  What esoteric religious meaning is implied by this, I do not know.

Tuesday, January 26, 2010

Symbology

Filed under: General,Geometry — Tags: , , — m759 @ 9:00 pm

From this journal:

Friday December 5, 2008

m759 @ 1:06 PM
 
Mirror-Play of
the Fourfold

For an excellent commentary
 on this concept of Heidegger,

View selected pages
from the book

Dionysus Reborn:

Play and the Aesthetic Dimension
in Modern Philosophical and
Scientific Discourse

(Mihai I. Spariosu,
Cornell U. Press, 1989)

Related material:
the logo for a
web page

Logo for 'Elements of Finite Geometry'

– and Theme and Variations.

Transition to the
Garden of Forking Paths–

(See For Baron Samedi)–

The Found Symbol
Robert Langdon (played by Tom Hanks) and a corner of Solomon's Cube

and Dissemination, by Jacques Derrida,
translated by Barbara Johnson,
London, Athlone Press, 1981–

Pages 354-355
On the mirror-play of the fourfold

Pages 356-357
Shaking up a whole culture

Pages 358-359
Cornerstone and crossroads

Pages 360-361
A deep impression embedded in stone

Pages 362-363
A certain Y, a certain V

Pages 364-365
The world is Zeus's play

Page 366
It was necessary to begin again

 

Thursday, September 17, 2009

Thursday September 17, 2009

Filed under: General,Geometry — Tags: — m759 @ 8:00 pm
Jennifer's Body

The following remark this evening by Ann Hornaday of The Washington Post serves as an instant review of today's previous cinematic Log24 offering starring the late Patrick Swayze:

"Watch it, forget it, move on."

A perhaps more enduring tribute:

Patrick Swayze in 'King Solomon's Mines'

 

Related material:

Solomon's Cube,
Solomon and Sheba,
and
Raiders of the Lost Stone.

"Ready when you are, C.B."

 

Tuesday, February 17, 2009

Tuesday February 17, 2009

Filed under: General,Geometry — Tags: , , , , — m759 @ 1:06 pm

Diamond-Faceted:
Transformations
of the Rock

A discussion of Stevens's late poem "The Rock" (1954) in Wallace Stevens: A World of Transforming Shapes, by Alan D. Perlis, Bucknell University Press, 1976, p. 120:

For Stevens, the poem "makes meanings of the rock." In the mind, "its barrenness becomes a thousand things/And so exists no more." In fact, in a peculiar irony that only a poet with Stevens's particular notion of the imagination's function could develop, the rock becomes the mind itself, shattered into such diamond-faceted brilliance that it encompasses all possibilities for human thought:

The rock is the gray particular of man's life,
The stone from which he rises, up—and—ho,
The step to the bleaker depths of his descents ...

The rock is the stern particular of the air,
The mirror of the planets, one by one,
But through man's eye, their silent rhapsodist,

Turquoise the rock, at odious evening bright
With redness that sticks fast to evil dreams;
The difficult rightness of half-risen day.

The rock is the habitation of the whole,
Its strength and measure, that which is near,
     point A
In a perspective that begins again

At B: the origin of the mango's rind.

                    (Collected Poems, 528)

A mathematical version of
this poetic concept appears
in a rather cryptic note
from 1981 written with
Stevens's poem in mind:

http://www.log24.com/log/pix09/090217-SolidSymmetry.jpg

For some explanation of the
groups of 8 and 24
motions referred to in the note,
see an earlier note from 1981.

For the Perlis "diamond facets,"
see the Diamond 16 Puzzle.

For a much larger group
of motions, see
Solomon's Cube.

As for "the mind itself"
and "possibilities for
human thought," see
Geometry of the I Ching.

Saturday, December 6, 2008

Saturday December 6, 2008

Filed under: General — m759 @ 11:30 pm
X

Marks the Spot

The Lost Stone of Solomon
 
http://www.log24.com/log/pix08A/081206-BorW.gif
 

Sunday, May 18, 2008

Sunday May 18, 2008

Filed under: General,Geometry — Tags: — m759 @ 2:02 pm

From the Grave

DENNIS OVERBYE

in yesterday's New York Times:

"From the grave, Albert Einstein
poured gasoline on the culture wars
between science and religion this week…."

An announcement of a
colloquium at Princeton:

Cartoon of Coxedter exhuming Geometry

Above: a cartoon,
"Coxeter exhuming Geometry,"
with the latter's tombstone inscribed

"GEOMETRY

  600 B.C. —
1900 A.D.
R.I.P."

Page from 'The Paradise of Childhood,' 1906 edition

The above is from
The Paradise of Childhood,
a work first published in 1869.

"I need a photo-opportunity,
I want a shot at redemption.
Don't want to end up a cartoon
In a cartoon graveyard."

— Paul Simon

Einstein on TIME cover as 'Man of the Century'

Albert Einstein,
1879-1955:

"It is quite clear to me that the religious paradise of youth, which was thus lost, was a first attempt to free myself from the chains of the 'merely-personal,' from an existence which is dominated by wishes, hopes and primitive feelings.  Out yonder there was this huge world, which exists independently of us human beings and which stands before us like a great, eternal riddle, at least partially accessible to our inspection and thinking.  The contemplation of this world beckoned like a liberation…."

Autobiographical Notes, 1949

Related material:

A commentary on Tom Wolfe's
"Sorry, but Your Soul Just Died"–

"The Neural Buddhists," by David Brooks,
 in the May 13 New York Times:

"The mind seems to have
the ability to transcend itself
and merge with a larger
presence that feels more real."

A New Yorker commentary on
a new translation of the Psalms:

"Suddenly, in a world without
Heaven, Hell, the soul, and
eternal salvation or redemption,
the theological stakes seem
more local and temporal:
'So teach us to number our days.'"

and a May 13 Log24 commentary
on Thomas Wolfe's
"Only the Dead Know Brooklyn"–

"… all good things — trout as well as
eternal salvation — come by grace
and grace comes by art
and art does not come easy."

A River Runs Through It

"Art isn't easy."
— Stephen Sondheim,
quoted in
Solomon's Cube.

For further religious remarks,
consult Indiana Jones and the
Kingdom of the Crystal Skull
and The Librarian:
Return to King Solomon's Mines.

Monday, July 23, 2007

Monday July 23, 2007

Daniel Radcliffe
is 18 today.
Daniel Radcliffe as Harry Potter

Greetings.

“The greatest sorcerer (writes Novalis memorably)
would be the one who bewitched himself to the point of
taking his own phantasmagorias for autonomous apparitions.
Would not this be true of us?”

Jorge Luis Borges, “Avatars of the Tortoise”

El mayor hechicero (escribe memorablemente Novalis)
sería el que se hechizara hasta el punto de
tomar sus propias fantasmagorías por apariciones autónomas.
¿No sería este nuestro caso?”

Jorge Luis Borges, “Los Avatares de la Tortuga

Autonomous Apparition

At Midsummer Noon:

“In Many Dimensions (1931)
Williams sets before his reader the
mysterious Stone of King Solomon,
an image he probably drew from
a brief description in Waite’s
The Holy Kabbalah (1929) of
a supernatural cubic stone
on which was inscribed
‘the Divine Name.’”
The image “http://www.log24.com/log/pix07/070624-Waite.gif” cannot be displayed, because it contains errors.
Related material:
It is not enough to cover the rock with leaves.
We must be cured of it by a cure of the ground
Or a cure of ourselves, that is equal to a cure 

Of the ground, a cure beyond forgetfulness.
And yet the leaves, if they broke into bud,
If they broke into bloom, if they bore fruit,

And if we ate the incipient colorings
Of their fresh culls might be a cure of the ground.

– Wallace Stevens, “The Rock”

See also
as well as
Hofstadter on
his magnum opus:
“… I realized that to me,
Gödel and Escher and Bach
were only shadows
cast in different directions by
some central solid essence.
I tried to reconstruct
the central object, and
came up with this book.”
Goedel Escher Bach coverHofstadter’s cover.

Here are three patterns,
“shadows” of a sort,
derived from a different
“central object”:
Faces of Solomon's Cube, related to Escher's 'Verbum'

Click on image for details.

Sunday, June 24, 2007

Sunday June 24, 2007

Filed under: General,Geometry — Tags: — m759 @ 12:00 pm
Raiders of
the Lost Stone

(Continued from June 23)

Scott McLaren on
Charles Williams:
 
"In Many Dimensions (1931)
Williams sets before his reader the
mysterious Stone of King Solomon,
an image he probably drew
from a brief description in Waite's
The Holy Kabbalah (1929)
of a supernatural cubic stone
on which was inscribed
'the Divine Name.'"

The image “http://www.log24.com/log/pix07/070624-Waite.gif” cannot be displayed, because it contains errors.

Related material:

The image “http://www.log24.com/log/pix07/070624-Cube.gif” cannot be displayed, because it contains errors.

Solomon's Cube,

Geometry of the 4x4x4 Cube,

The Klein Correspondence,
Penrose Space-Time,
and a Finite Model

Friday, November 10, 2006

Friday November 10, 2006

Filed under: General — m759 @ 3:31 pm

Livingstone

On this date:

In 1871, journalist-explorer Henry M. Stanley found Scottish missionary David Livingstone, who had not been heard from for years, near Lake Tanganyika in central Africa.

— AP “Today in History,” Nov. 10

Related material:

The history
of Princeton’s
Witherspoon Street
Presbyterian Church

1 Peter 2, on the
“living stone.”
NIV Bible

“Counter-change is
sometimes known as
Robbing Peter to Pay Paul.”
 — Helen Kelley Patchwork

Paul Robeson in
King Solomon’s
Mines

Counterchange
symmetry

See also Wednesday’s
Grave Matters.

Thursday, October 5, 2006

Thursday October 5, 2006

Filed under: General,Geometry — Tags: , — m759 @ 9:11 am
In Touch with God

(Title of an interview with
the late Paul Halmos, mathematician)

Since Halmos died on Yom Kippur, his thoughts on God may be of interest to some.

From a 1990 interview:

“What’s the best part of being a mathematician? I’m not a religious man, but it’s almost like being in touch with God when you’re thinking about mathematics. God is keeping secrets from us, and it’s fun to try to learn some of the secrets.”

I personally prefer Annie Dillard on God:

“… if Holy the Firm is matter at its dullest, Aristotle’s materia prima, absolute zero, and since Holy the Firm is in touch with the Absolute at base, then the circle is unbroken.  And it is…. Holy the Firm is in short the philosopher’s stone.”

Some other versions of
the philosopher’s stone:

The image �http://www.log24.com/log/pix06/060101-SixOfOne.jpg� cannot be displayed, because it contains errors.

And, more simply,
April 28, 2004:

This last has the virtue of
being connected with Halmos
via his remarks during the
“In Touch with God” interview:

“…at the root of all deep mathematics there is a combinatorial insight… the really original, really deep insights are always combinatorial….”
 
“Combinatorics, the finite case, is where the genuine, deep insight is.”

See also the remark of Halmos that serves as an epigraph to Theme and Variations.

Finally, it should be noted that
the 4×9 black rectangle

The image “http://www.log24.com/log/pix06A/061004-Halmos100x225.jpg” cannot be displayed, because it contains errors.

has also served
at least one interpreter
as a philosopher’s stone,
and is also the original
“Halmos tombstone.”

(See previous entry.)

Friday, March 10, 2006

Friday March 10, 2006

Filed under: General — m759 @ 7:59 pm

Women’s History Month continues…

Raiders of the Lost

Stone

The image “http://www.log24.com/log/pix06/060310-Stone.jpg” cannot be displayed, because it contains errors.

In honor of the upcoming program
on Women and Mathematics
at the Institute for Advanced Study
and of Sharon Stone’s 2005 lecture
at Harvard’s Memorial Church,

here are links to reviews of
two Sharon Stone classics:


“King Solomon’s Mines” (1985),
said to be inspired by the
1981 box-office success
of
“Raiders of the Lost Ark,” and

“Diabolique” (1996), starring
Stone as
a teacher of mathematics
at St. Anselm’s School for Boys.

For related material on St. Anselm
and mathematics at Princeton, see
Modal Theology and the
April 2006 AMS Notices
on Kurt Gödel.

See also yesterday’s entry
and
Log24, Jan. 1-15, 2006.

Today’s birthdays:
Sharon Stone and
Gregory La Cava.

Sunday, February 20, 2005

Sunday February 20, 2005

Filed under: General,Geometry — Tags: , , — m759 @ 2:20 pm

Relativity Blues

Today, February 20, is the 19th anniversary of my note The Relativity Problem in Finite Geometry.  Here is some related material.

In 1931, the Christian writer Charles Williams grappled with the theology of time, space, free will, and the many-worlds interpretation of quantum mechanics (anticipating by many years the discussion of this topic by physicists beginning in the 1950's).

(Some pure mathematics — untainted by physics or theology — that is nevertheless related, if only by poetic analogy, to Williams's 1931 novel, Many Dimensions, is discussed in the above-mentioned note and in a generalization, Solomon's Cube.)

On the back cover of Williams's 1931 novel, the current publisher, William B. Eerdmans Publishing Company of Grand Rapids, Michigan, makes the following statement:

"Replete with rich religious imagery, Many Dimensions explores the relation between predestination and free will as it depicts different human responses to redemptive transcendence."

One possible response to such statements was recently provided in some detail by a Princeton philosophy professor.  See On Bullshit, by Harry G. Frankfurt, Princeton University Press, 2005.

A more thoughtful response would take into account the following:

1. The arguments presented in favor of philosopher John Calvin, who discussed predestination, in The Death of Adam: Essays on Modern Thought, by Marilynne Robinson

2. The physics underlying Einstein's remarks on free will, God, and dice
 
3. The physics underlying Rebecca Goldstein's novel Properties of Light and Paul Preuss's novels  Secret Passages and Broken Symmetries

4. The physics underlying the recent so-called "free will theorem" of John Conway and Simon Kochen of Princeton University

5. The recent novel Gilead, by Marilynne Robinson, which deals not with philosophy, but with lives influenced by philosophy — indirectly, by the philosophy of the aforementioned John Calvin.

From a review of Gilead by Jane Vandenburgh:  

"In The Death of Adam, Robinson shows Jean Cauvin to be the foremost prophet of humanism whose Protestant teachings against the hierarchies of the Roman church set in motion the intellectual movements that promoted widespread literacy among the middle and lower classes, led to both the American and French revolutions, and not only freed African slaves in the United States but brought about suffrage for women. It's odd then that through our culture's reverse historicism, the term 'Calvinism' has come to mean 'moralistic repression.'"

For more on what the Calvinist publishing firm Eerdmans calls "redemptive transcendence," see various July 2003 Log24.net entries.  If these entries include a fair amount of what Princeton philosophers call bullshit, let the Princeton philosophers meditate on the summary of Harvard philosophy quoted here on November 5 of last year, as well as the remarks of November 5, 2003,  and those of November 5, 2002.

From Many Dimensions (Eerdmans paperback, 1963, page 53):

"Lord Arglay had a suspicion that the Stone would be purely logical.  Yes, he thought, but what, in that sense, were the rules of its pure logic?"

A recent answer:

Modal Theology

"We symbolize logical necessity
with the box (box.gif (75 bytes))
and logical possibility
with the diamond (diamond.gif (82 bytes))."

Keith Allen Korcz,
(Log24.net, 1/25/05)

And what do we           
   symbolize by  The image “http://www.log24.com/theory/images/Modal-diamondbox.gif” cannot be displayed, because it contains errors. ?

"The possibilia that exist,
and out of which
the Universe arose,
are located in
     a necessary being…."

Michael Sudduth,
Notes on
God, Chance, and Necessity
by Keith Ward,
Regius Professor of Divinity
at Christ Church College, Oxford
(the home of Lewis Carroll)

Thursday, December 16, 2004

Thursday December 16, 2004

Filed under: General — Tags: — m759 @ 3:00 am

Nothing Nothings
(Again)

Background: recent Log24 entries (beginning with Chorus from the Rock on Dec. 5, 2004) and Is Nothing Sacred? (quotations compiled on March 9, 2000).

From an obituary of Paul Edwards, a writer on philosophy, in this morning's New York Times:

"Heidegger's Confusions, a collection of Professor Edwards's scholarly articles, was published last month by Prometheus."

Edwards, born in Vienna in 1923 to Jewish parents, died on December 9.

Some sites I visited earlier this evening, before reading of Edwards's death:

  • " 'Nothingness itself nothings' — with these words, uttered by Martin Heidegger in the early 1930s, the incipient (and now-familiar) split between analytic and continental philosophy began tearing open. For Rudolf Carnap, a leader of the Vienna Circle [Wiener Kreis] of logical empiricists and a strident advocate of a new, scientific approach to philosophy, this Heideggerian proposition exemplified 'a metaphysical pseudo-sentence,' meaningless and unable to withstand any logical analysis. Heidegger countered that Carnap’s misplaced obsession with logic missed the point entirely."
    Review of A Parting of the Ways: Carnap, Cassirer, and Heidegger
  • "Death and Metaphysics," by Peter Kraus, pp. 98-111 in Death and Philosophy, ed. by Jeff Malpas and Robert Solomon.  Heidegger's famous phrase (misquoted by Quine in Gray Particular in Hartford) "Das Nichts selbst nichtet" is discussed on page 102.

Tuesday, June 3, 2003

Tuesday June 3, 2003

Filed under: General — m759 @ 3:04 am

Fearful Meditation —

A follow-up to yesterday
afternoon's entry of

03:04

O fearful meditation! Where, alack,
Shall time's best jewel from time's chest lie hid?

— Shakespeare, Sonnet 65

Pop Culture's answer:

"Flashes of fire,
a raging flame!"
Song of Solomon

Click on the album title "0304" for details.

A different answer:

03/04

Click on the date "03/04" for details.

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