See as well Lester Crystal in Wikipedia.
Los Angeles Times today BY CHRISTI CARRAS, STAFF WRITER
"William Friedkin, a master of suspense and leading figure of the 1970s New Hollywood movement who was known for directing films such as 'The Exorcist' and 'The French Connection,' has died. Friedkin died Monday in Los Angeles, his widow, Sherry Lansing, confirmed to the Los Angeles Times. CAA, which represents Lansing, said Friedkin died at home from heart failure and pneumonia. He was 87." |
Update at 8:42 PM ET —
A French Connection for Friedkin, from
the SXSW opening date of one of his films —
(Backstory— Presbyterian in this journal)
Princeton University Press on a book it will publish in March—
Circles Disturbed brings together important thinkers in mathematics, history, and philosophy to explore the relationship between mathematics and narrative. The book's title recalls the last words of the great Greek mathematician Archimedes before he was slain by a Roman soldier–"Don't disturb my circles"–words that seem to refer to two radically different concerns: that of the practical person living in the concrete world of reality, and that of the theoretician lost in a world of abstraction. Stories and theorems are, in a sense, the natural languages of these two worlds–stories representing the way we act and interact, and theorems giving us pure thought, distilled from the hustle and bustle of reality. Yet, though the voices of stories and theorems seem totally different, they share profound connections and similarities.
Exercise— Discuss the above paragraph's vulgarity.
Discuss also the more robust vulgarity of Marvel Entertainment…
Context— "Marvel" in this journal, and The Cosmic Cube.
The title describes two philosophical events (one major, one minor) from the same day— Thursday, July 5, 2007. Some background from 2001:
"Are the finite simple groups, like the prime numbers, jewels strung on an as-yet invisible thread? And will this thread lead us out of the current labyrinthine proof to a radically new proof of the Classification Theorem?" (p. 345)
— Ronald Solomon, "A Brief History of the Classification of Finite Simple Groups," Bulletin of the American Mathematical Society , Vol. 38 No. 3 (July 2001), pp. 315-352
The major event— On July 5, 2007, Cambridge University Press published Robert T. Curtis's Symmetric Generation of Groups.*
Curtis's book does not purport to lead us out of Solomon's labyrinth, but its publication date may furnish a Jungian synchronistic clue to help in exiting another nightmare labyrinth— that of postmodernist nominalism.
The minor event— The posting of Their Name is Legion in this journal on July 5, 2007.
* This is the date given by Amazon.co.uk and by BookDepository.com. Other sources give a later July date, perhaps applicable to the book's publication in the U.S. rather than Britain.
See Log24 on November 29th, the birth date of storytellers
C.S. Lewis and Madeleine L'Engle.
A related obituary from today's online New York Times —
Related fictional character:
"Ecumenical Edwards"
in Exorcist II: The Heretic .
My response to an Instagram story on Michaelmas 2021 —
An ad page you might like — "The epitome of multipurpose,
these balms can be used for lips, hands and any other bits
of skin that need a little extra TLC." —
https://www.petitvour.com/products/
vegan-lip-balm-sweet-orange-tangerine
Related material —
See as well Joseph Wambaugh's classic novel The Golden Orange .
*
"… a difficult novel just sits there on your shelf unread —
unless you happen to be a student, in which case you're
obliged to turn the pages of Woolf and Beckett."
— Jonathan Franzen in The New Yorker , 30 September 2002
"The purpose of mathematics cannot be derived from an activity
inferior to it but from a higher sphere of human activity, namely,
religion."
— Igor Shafarevitch, 1973 remark published as above in 1982.
"Perhaps."
— Steven H. Cullinane, February 13, 2019
From Log24 on Good Friday, April 18, 2003 — . . . What, indeed, is truth? I doubt that the best answer can be learned from either the Communist sympathizers of MIT or the “Red Mass” leftists of Georgetown. For a better starting point than either of these institutions, see my note of April 6, 2001, Wag the Dogma. See, too, In Principio Erat Verbum , which notes that “numbers go to heaven who know no more of God on earth than, as it were, of sun in forest gloom.” Since today is the anniversary of the death of MIT mathematics professor Gian-Carlo Rota, an example of “sun in forest gloom” seems the best answer to Pilate’s question on this holy day. See
“Examples are the stained glass windows Motto of Plato’s Academy † The Exorcist, 1973 |
Detail from an image linked to in the above footnote —
"And the darkness comprehended it not."
Id est :
A Good Friday, 2003, article by
a student of Shafarevitch —
"… there are 25 planes in W . . . . Of course,
replacing {a,b,c} by the complementary set
does not change the plane. . . ."
Of course.
See. however, Six-Set Geometry in this journal.
See posts now tagged "Kaleidoscope Society" and, more generally,
a search in this journal for "Kaleidoscope."
Related material —
Photo caption in a news story today:
"Father Gary Thomas attends the premiere of Warner Brothers’
'The Rite' at Grauman’s Chinese Theatre, in Los Angeles,
on January 26, 2011. Thomas is holding a special Mass
on Thursday and Saturday [Oct. 18 and 20] to counter
a planned hex on Supreme Court Justice Brett Kavanaugh."
See as well posts tagged "Rubik Exorcism."
See as well an interview in this evening's online New York Times
by Maureen Dowd with "Exorcist" director William Friedkin —
“I don’t drink,” he says. “I’ve never done drugs.
I’ve never tried grass. But I think Miles Davis
is a reason to live.”
The young actress of the previous post in a music video —
The late Richard Burton
in Exorcist 2 : The Heretic —
"Been there, done that."
Wikipedia on The Exorcist III (1990),
written and directed by William Peter Blatty —
"Kinderman takes his friend, a priest named Father Dyer,
out to see their mutually favorite film It's a Wonderful Life ."
Related material from an RSS feed at noon —
See also Log24 posts from the above reported date of death —
posts now tagged Wittgenstein's Pentagram.
From a search for "snowflake" in this journal —
See also the January 13 death of a mathematician,
graph theorist Ralph Faudree of the University of Memphis.
Two hymns that may or may not be relevant:
Walking in Memphis and Come Falda di Neve,
the song that plays over the ending credits of
Exorcist III —
†
Those who prefer more-secular music may consult
Princeton Requiem, a post from the day of Faudree's death.
The bottom three lines of an image search:
For a meditation on the bottom line, see Mary Gaitskill’s story
“The Agonized Face.” See also George C. Scott reciting from
the Scottish play in The Exorcist III.
See the January 6, 2014, post For the Padres
as well as Consciousness Growth.
The Walk
From last night’s viewing, an image of Africa in 1947 at the end
of the alternate version of Exorcist: The Beginning ,
also starring Stellan Skarsgård—
The Talk
From this morning’s reading, Macmillan’s 1960 “wind of change” speech—
From Wikipedia:
Wilf might prefer to be remembered not,
as in Thursday’s post, on the latter day above,
but rather on the former.
Happy birthday, Stellan Skarsgård.
Skarsgård in Exorcist: The Beginning .
The summoning of the spirit of Bertrand Russell
yesterday by Peter J. Cameron at his weblog
suggests a review of this weblog’s posts of
Christmas Eve, December 24-25, 2013.
(Recall that Robert D. Carmichael, who, in a book
linked to at midnight last Christmas Eve discusses
some “magic” mathematical structures,
reportedly was trained as a Presbyterian minister.
See also The Presbyterian Exorcist.)
Continued from remarks of Marissa Mayer at Davos last year —
Related material — This evening's NY lottery…
… and Log24 post number 1424 —
Backstory—
Posts of October 24th—
Love Ghost and Versions—
and a version of Plan 9—
Related religious meditation—
Irresistible Grace, illustrated by The Girl in the Yellow Dress.
The showmanship of Nicki Minaj at Sunday's
Grammy Awards suggested the above title,
that of a novel by the author of The Exorcist .
The Ninth Configuration —
The ninth* in a list of configurations—
"There is a (2d-1)d configuration
known as the Cox configuration."
— MathWorld article on "Configuration"
For further details on the Cox 326 configuration's Levi graph,
a model of the 64 vertices of the six-dimensional hypercube γ6 ,
see Coxeter, "Self-Dual Configurations and Regular Graphs,"
Bull. Amer. Math. Soc. Vol. 56, pages 413-455, 1950.
This contains a discussion of Kummer's 166 as it
relates to γ6 , another form of the 4×4×4 Galois cube.
See also Solomon's Cube.
* Or tenth, if the fleeting reference to 113 configurations is counted as the seventh—
and then the ninth would be a 153 and some related material would be Inscapes.
See also a quote from William Peter Blatty in this journal yesterday.
The green cell in the array may be viewed as representing
Blatty's The Ninth Configuration … or perhaps Plan 9.
"I do keep wishing— oh, ever so wistfully and— let’s face it, hopelessly— that 'The Exorcist' be remembered at this time of the year for being not about shivers but rather about souls, for then it would indeed be in the real and true spirit of Halloween, which is short for the eve of All Hallows or All Saints Day."
— William Peter Blatty in an article dated October 28, 2011.
See also The Soul's Code, a Log24 post of October 28.
See the signature link in last night's post for a representation of Madison Avenue.
For a representation by Madison Avenue, see today's New York Times—
"As a movement Pop Art came and went in a flash, but it was the kind of flash that left everything changed. The art public was now a different public— larger, to be sure, but less serious, less introspective, less willing or able to distinguish between achievement and its trashy simulacrum. Moreover, everything connected with the life of art— everything, anyway, that might have been expected to offer some resistance to this wholesale vulgarization and demoralization— was now cheapened and corrupted. The museums began their rapid descent into show biz and the retail trade. Their exhibitions were now mounted like Broadway shows, complete with set designers and lighting consultants, and their directors pressed into service as hucksters, promoting their wares in radio and television spots and selling their facilities for cocktail parties and other entertainments, while their so-called education programs likewise degenerated into sundry forms of entertainment and promotion. The critics were co-opted, the art magazines commercialized, and the academy, which had once taken a certain pride in remaining aloof from the blandishments of the cultural marketplace, now proved eager to join the crowd— for there was no longer any standard in the name of which a sellout could be rejected. When the boundary separating art and fashion was breached, so was the dividing line between high art and popular culture, and upon all those institutions and professions which had been painstakingly created to preserve high art from the corruptions of popular culture. The effect was devastating. Some surrendered their standards with greater alacrity than others, but the drift was unmistakable and all in the same direction— and the momentum has only accelerated with the passage of time."
— Hilton Kramer, The Triumph of Modernism: The Art World, 1985-2005 , publ. by Ivan R. Dee on Oct. 26, 2006, pp. 146-147
Related material— Rubik in this journal, Exorcist in this journal, and For the Class of '11.
A sequel to Wednesday afternoon's post on The Harvard Crimson ,
Atlas Shrugged (illustrated below) —
Related material found today in Wikipedia—
See also Savage Logic (Oct. 19, 2010), as well as
Stellan Skarsgård in Lie Groups for Holy Week (March 30, 2010)
and in Exorcist: The Beginning (2004).
For the fictional Harvard symbologist Robert Langdon,
a commentary on the favicon in today's noon post—
This is from a novel that was filmed as "The Ninth Gate."
The book and film concern a series of nine engravings.
For all nine, see an excellent analysis by Michael S. Howard in
his journal "Gnostic Essays" on November 20, 2006.
A summary of the engravings—
See also this journal on that date.
From last October—
Friday, October 8, 2010
Starting Out in the Evening This post was suggested by last evening's post on mathematics and narrative and by Michiko Kakutani on Vargas Llosa in this morning's New York Times .
"One must proceed cautiously, for this road— of truth and falsehood in the realm of fiction— is riddled with traps and any enticing oasis is usually a mirage." – "Is Fiction the Art of Lying?"* by Mario Vargas Llosa, * The Web version's title has a misprint— |
A stitch in time…
Related material—
See also "Putting Mental Health on the Map at Harvard"—
Harvard Crimson , Friday, April 8, 2011, 2:09 AM—
They're outside the Science Center with their signs, their cheer, and their smiles. They've been introducing themselves over House lists, and they want you to ask questions. They're here for you. They're the Student Mental Heath Liaisons.
Harvard's SMHL crew—they pronounce it smile—have recently launched a new website and recruited more members in their effort to foster an informed and understanding environment on campus….
Mental Health Services, SMHL said, are not meant for "students who are really 'crazy.'" Everyone is entitled to a little help smiling.
Roberta Smith in today's New York Times —
"… the argument that painting may ultimately be about
little more than the communication of some quality of
light and space, however abstract or indirect."
— Review of "Rooms With a View" at the Met
Lowry —
Malcolm Lowry, author of Under the Volcano
Hollywood —
Related material —
Friday, October 8, 2010
Starting Out in the Evening This post was suggested by last evening's post on mathematics and narrative and by Michiko Kakutani on Vargas Llosa in this morning's New York Times .
"One must proceed cautiously, for this road— of truth and falsehood in the realm of fiction— is riddled with traps and any enticing oasis is usually a mirage." – "Is Fiction the Art of Lying?"* by Mario Vargas Llosa, * The Web version's title has a misprint— |
Dan Brown Meets
The Exorcist
in…
The 973 Code
Baphomet with Ouroboros Pendant
$140 Code: 973
____________________________________
Meanwhile, our hero…
In this production, Jeff Goldblum is played by
David Ben-Zvi of the University of Texas at Austin
Geometry Research Group —
(American Mathematical Society Feb. 2008
review of Steven Brams’s Superior Beings:
If They Exist, How Would We Know?)
(pdf, 15 megabytes)
"Brams does not attempt to prove or disprove God. He uses elementary ideas from game theory to create situations between a Person (P) and God (Supreme Being, SB) and discusses how each reacts to the other in these model scenarios….
Each player also has a primary and secondary goal. For the Person, the primary goal is to have his belief (or non-belief) confirmed by evidence (or lack thereof). The secondary goal is to 'prefer to believe in SB’s existence.' For the Supreme Being, the primary goal is to have P believe in His existence, while the secondary goal is to not reveal Himself. These goals allow us to rank all the outcomes for each player from best (4) to worst (1). We end up with a matrix as follows (the first number in the parentheses represents the SB's ranking for that box; the second number represents P's ranking):
Analogously:
Lotteries on Bloomsday, June 16, 2008 |
Pennsylvania (No revelation) |
New York (Revelation) |
Mid-day (No belief) |
418
No belief, |
064
Revelation |
Evening (Belief) |
709
Belief without |
198
|
The holy image
denoting belief and revelation
may be interpreted as
a black hole or as a
symbol by James Joyce:
When? Going to dark bed there was a square round Sinbad the Sailor roc's auk's egg in the night of the bed of all the auks of the rocs of Darkinbad the Brightdayler. Where?
— Ulysses, conclusion of Chapter 17 |
NPR : TV Host Fred Rogers
Mr. ROGERS: And so his birthday, King Friday’s birthday, is always every Friday the 13th. And I hear from people all over the world, you know, it’s a joyous … www.npr.org/templates/story/story.php?storyId=1576077 |
For further details,
click here.
See also
The Presbyterian Exorcist.
— Grover Smith, T.S. Eliot’s Poetry and Plays: A Study in Sources and Meaning. Chicago: University of Chicago Press, 1956
The Grail also appears in legend as a stone–
From a Nov. 6, 2006, entry in the New Zealand weblog Arcadian Functor:
They live from a Stone whose essence is most pure. If you have never heard of it I shall name it for you here. It is called Lapsit exillis.
A search on “lapsit exillis” leads to “Cubic Stones from the Sky“…
These stones are often seen as the Holy Grail….
For 008 and a
“cubic stone,”
see
Christmas 2005.
A poetic connection between the star
of “The Hollow Men” and Christmas
is furnished by the remarks of
Wallace Stevens linked to in
the previous entry from
the word “information.”
Taking Christ to the Movies,
by Anna Megill, Princeton ’06
Related material:
“Prepare for the Weirdness.”
— Hunter S. Thompson
(see entry of Sept. 17,
At Midnight),
and
NBC’s “Crazy Christians” Show
(or, “Taking Christ to Studio 60“)
10 PM ET tonight on NBC.
William Friedkin,
director of
The Guardian,
The Birthday Party,
and The Exorcist.
Related material:
Yesterday’s entry on St. Augustine
and the life of
Robert J. O’Connell, S.J.,
author of
Plato on the Human Paradox,
Fordham U. Press, 1997,
online at questia.com.
See also today’s entry at noon.
The Presbyterian Exorcist
In memory of
Charles W. Dunn, Harvard Professor of Celtic Languages and Literatures Emeritus, who died July 24, 2006, at Beth Israel Deaconess Medical Center in Boston at the age of 90. Dunn was master of Quincy House from 1966 to 1981.
“‘He brought a taste of Scotland to the House, initiating an annual rite of exorcism in September to cleanse the place of evil spirits, during which a Scots bagpiper led a march of residents around the courtyard and Charles intoned an incantation while waving a large baton, banishing ghosts and other harbingers of ill will. His leadership was at its best during magnificent evenings in the Master’s lodging when he taught guests Scottish country dances. Students were fond of him, and he of them.’
Born in Arbuthnott, Scotland, the son of a Presbyterian minister, Dunn began his schooling in Aberdeen and Edinburgh….”
— Harvard University Gazette online, Aug. 2, 2006
Related material:
In Memory of Wallace Stevens,
Presbyterian Saint
(also from Aug. 2, 2006),
and Deaconess.
High Concept, continued:
“In the beginning there was nothing.
And God said, ‘Let there be light!’
And there was still nothing,
but now you could see it.“
— Jim Holt, Big-Bang Theology,
Slate‘s “High Concept” department
Related material:
Page 110:
“In chapter I I explained that devils first and foremost exist as semioticians of the world’s signs. Devils solely live in their interpretations, in their destructive syllogisms. As Visconti puts it, devils speak the idiom of the mind.37 …. The exorcist’s healing voice states that Satan has always been absent from the world, that his disturbing and unclear manifestations in the possessed person’s physicality are really nonexistent occurrences, nothing but disturbances of the mind, since evil itself is a lack of being.” Footnote 37, page 110: “It is necessary to distinguish the devils’ ‘language of the mind’ and Augustine’s verbum mentis (word of the mind), as he theorizes it first of all in On the Trinity (book 15). The devils’ language of the mind disturbs the subject’s internal and preverbal discourse.” |
For Louise Fletcher
on her birthday
Fletcher in
Exorcist II: The Heretic
From Andrew Delbanco, the author of
The Death of Satan:
How Americans Have Lost the Sense of Evil:
— Andrew Delbanco in
The New York Review of Books, Nov. 4, 1999
Click on picture for details.
For Christ in a different context,
see the 9/11 entry of Log24
in a September 2003 archive.
For exorcism in a different context, see
Exorcism and Multiple Personality Disorder
from a Catholic Perspective,
by Fr. J. Mahoney.
"Got to keep the loonies on the path."
— Roger Waters
See The Meaning of 3:16 (2/28/05),
The Death of George Scott (March 9, 2005),
Is Nothing Sacred? (March 9, 2000), and
The Exorcist Revisited (July 2, 2004).
For the hidden spiritual meaning
of 3:16, see
March First, 2005
and the upcoming
Ides of March album,
…continued…
From a review in today’s By Michael Kimmelman
in Los Angeles The roots of this work go back to Duchamp, the abiding spirit of “Beyond Geometry.” When he acquired his porcelain urinal in 1917 from a plumbing equipment manufacturer on lower Fifth Avenue in Manhattan, signed it R. Mutt and submitted the now infamous “Fountain” to the Society of Independent Artists exhibition, he set the stage for nearly every subsequent attempt to blur the difference between art and everyday life. This was the great breakthrough of modernism or the end of culture as we know it, depending on your perspective. Either way, after Duchamp, as the artist Joseph Kosuth has put it, all art became conceptual. Duchamp predicted that even a breath might end up being called a work of art, and he was right. Gilbert and George started calling their performances sculptures in the 70’s. Chris Burden, James Lee Byars and others said that their actions were sculptures. Smithson declared derelict factories and suburbs to be sculptures. Artists even made light, the ultimate intangible, into sculpture. The show includes sculptures by Richard Serra and Barnett Newman. I recall Mr. Serra once talking about how Barnett Newman’s paintings invite you to walk past them, to experience them not in a single glance but over time, physically. He said the paintings, with their vertical stripes, or “zips,” are “about dividing and placing spaces next to one another, not about illusionism.” “They’re great when you have to walk by them and immerse yourself in the divisions of their spaces,” he added. Meaning, they’re like sculptures. Nomenclature is not the point. What matters is the ethos of countercultural disruption, looking at the world and art through the other end of the telescope, which is the heart of “Beyond Geometry” and the appeal of its best works to young artists. Now is the time to put this period of postwar tumult into global perspective. The show here is a useful step in that direction. |
Meanwhile, in Philadelphia,
other art events:
(Click on logo for details.)
The reader may determine whether the Philadelphia nothing is the sort of nothing deemed, by some, sacred in my note of March 9, 2000.
I personally have a very low opinion of Kimmelman and his “ethos of countercultural disruption.” The sort of light sculpture his words evoke is not that of the Pantheon (illustrated in an entry for St. Peter’s Day) but that of the current Philadelphia “Big Nothing” show, which in turn reminds me of that classic 1973 Hollywood art exhibit, The Exorcist:
Beware of…
Jews Peddling Stories:
An episode in the ongoing saga of the conflict between the "story theory of truth" and the "diamond theory of truth."
The following set of pictures summarizes some reflections on truth and reality suggested by the August 9, 2003, New York Times obituary of writer William Woolfolk, who died on July 20, 2003.
Woolfolk was the author of The Sex Goddess and was involved in the production of the comic book series The Spirit (see below).
The central strategy of the three Semitic religions — Judaism, Christianity, and Islam — is to pretend that we are all characters in a story whose author is God. This strategy suggests the following Trinity, based on the work of William Woolfolk (The Sex Goddess and The Spirit) and Steven Spielberg ("Catch Me If You Can"). Like other Semitic tales, the story of this Trinity should not be taken too seriously.
|
|
|
|
|
|
A Confession of Faith:
Theology Based On the Film
"Catch Me If You Can":
The Son to God the Lutheran Father:
"I'm nothing really, just a kid in love with your daughter."
This is taken from a review of "Catch Me If You Can" by Thomas S. Hibbs.
For some philosophical background to this confession, see Hibbs's book
Shows About Nothing:
Nihilism in Popular Culture
from The Exorcist to Seinfeld.
By the way, today is the anniversary of the dropping on Nagasaki
of a made-in-USA Weapon of Mass Destruction, a plutonium bomb
affectionately named Fat Man.
Fat Man was a sequel to an earlier Jewish story,
Cross-Referenced
†
Shortly after midnight on the night of April 22-23, I updated my entry for Shakespeare's birthday with the following quotation:
"With a little effort, anything can be shown to connect with anything else: existence is infinitely cross-referenced."
— Opening sentence of Martha Cooley's The Archivist
About 24 hours later, I came across the following obituary in The New York Times:
"Edgar F. Codd, a mathematician and computer scientist who laid the theoretical foundation for relational databases, the standard method by which information is organized in and retrieved from computers, died on Friday…. He was 79."
The Times does not mention that the Friday it refers to is Good Friday. God will have his little jokes.
From Computerworld.com: |
|||
---|---|---|---|
|
1969: Edgar F. “Ted” Codd invents the relational database. 1973: Cullinane, led by John J. Cullinane, ships IDMS, a network-model database for IBM mainframes. 1976: Honeywell ships Multics Relational Data Store, the first commercial relational database. |
For a better (and earlier) obituary than the Times's, see The San Jose Mercury News of Easter Sunday. For some thoughts on death and the afterlife appropriate to last weekend, see The Matthias Defense.
† The Exorcist, 1973
To the Society of Jesus (also known as the Jesuits):
Have a Good Friday, Traitors
†
Prompted by Pilate’s question “What is truth?” and by my March 24 attack on Noam Chomsky, I decided this afternoon to further investigate what various people have written about Chomsky’s posing of what he calls “Plato’s problem” and “Orwell’s problem.” The former concerns linguistics, the latter, politics. As my March 24 entry indicates, I have nothing but contempt for both Chomsky’s linguistics and Chomsky’s politics. What I discovered this afternoon is that Georgetown University, a Jesuit institution, in 2001 appointed a Chomskyite, David W. Lightfoot, as Dean of the Graduate School of Arts and Sciences.
“Why do we know so much more than we have evidence for in certain areas, and so much less in others? In tackling these questions — Plato’s and Orwell’s problem — Chomsky again demonstrates his unequalled capacity to integrate vast amounts of material.” — David W. Lightfoot, review of Chomsky’s Knowledge of Language
What, indeed, is truth? I doubt that the best answer can be learned from either the Communist sympathizers of MIT or the “Red Mass” leftists of Georgetown. For a better starting point than either of these institutions, see my note of April 6, 2001, Wag the Dogma.
See, too, In Principio Erat Verbum, which notes that “numbers go to heaven who know no more of God on earth than, as it were, of sun in forest gloom.”
Since today is the anniversary of the death of MIT mathematics professor Gian-Carlo Rota, an example of “sun in forest gloom” seems the best answer to Pilate’s question on this holy day. See
“Examples are the stained glass windows of knowledge.” — Vladimir Nabokov
Motto of Plato’s Academy
† The Exorcist, 1973
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