For the fictional Harvard symbologist Robert Langdon,
a commentary on the favicon in today's noon post—
This is from a novel that was filmed as "The Ninth Gate."
The book and film concern a series of nine engravings.
For all nine, see an excellent analysis by Michael S. Howard in
his journal "Gnostic Essays" on November 20, 2006.
A summary of the engravings—
See also this journal on that date.
From last October—
| Friday, October 8, 2010
Starting Out in the Evening This post was suggested by last evening's post on mathematics and narrative and by Michiko Kakutani on Vargas Llosa in this morning's New York Times .
"One must proceed cautiously, for this road— of truth and falsehood in the realm of fiction— is riddled with traps and any enticing oasis is usually a mirage." – "Is Fiction the Art of Lying?"* by Mario Vargas Llosa, * The Web version's title has a misprint— |
A stitch in time…
Related material—
See also "Putting Mental Health on the Map at Harvard"—
Harvard Crimson , Friday, April 8, 2011, 2:09 AM—
They're outside the Science Center with their signs, their cheer, and their smiles. They've been introducing themselves over House lists, and they want you to ask questions. They're here for you. They're the Student Mental Heath Liaisons.
Harvard's SMHL crew—they pronounce it smile—have recently launched a new website and recruited more members in their effort to foster an informed and understanding environment on campus….
Mental Health Services, SMHL said, are not meant for "students who are really 'crazy.'" Everyone is entitled to a little help smiling.
Another topic from today's newspaper —
Commentary —
"We're gonna need more holy water." — "Season of the Witch," a film that opened Friday
See also —
This morning's post Inception and the following site:
Note the ninefold favicon at the above site. Some background—
The Ninth Gate in yesterday's post and this image from last September—
What's wrong with this picture?
Google News today—
Midrash on what's wrong—
Related material from August 29—
Camp Germania
(Click for Source)
Related material from Camp Germania—
For a Festschrift on his eightieth birthday, she [Hannah Arendt] wrote “the storm that blows through Heidegger's work—like the one which blows across centuries against it from Plato's works—does not stem from this century.” And from her first book—on the idea of love in St. Augustine—to her last, she chose a much different path. While her public remarks were full of praise, her private ones were less so. After the war, Arendt, since married, returned to Germany and spent an uneasy afternoon with her former love and his resolutely anti-Semitic wife Elfriede. What she wrote of her experience was in her diary and was not published until after her death. This was not a diary entry like others she wrote: it was an animal fable called “Heidegger the Fox.” It begins, “Heidegger says proudly: ‘People say Heidegger is a fox.' This is the true story of Heidegger the fox.” She continued….
— "Being There," in Cabinet Magazine, Issue 25, Spring 2007
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