For fans of the NFT (Web 3) approach to art marketing —
My own approach is somewhat different . . .
The Wonder Woman tale in the previous post leads,
with impeccable logic, to . . .
Wonder Woman's Saddle Horn
"That year the rich came led by the pilot fish.
A year before they would never have come.
There was no certainty then.
The work was as good and the happiness was greater
but no novel had been written, so they could not be sure.
They never wasted their time nor their charm
on something that was not sure. Why should they?"
Note the making of a matching pattern.
Exercise: Show that Dürer's 1514 "magic" square is an affine automorphism.
For a solution, see other posts now tagged Affine Squares.
An obituary today recounts the life of a German theologian
from Hamburg who reportedly died on Monday, June 3 —
From this journal on that date . . . Related graphic art —
This is from a Log24 search, "Windmill + Diamond."
For related remarks from the university where the theologian taught
in later life, see Deutsche Ordnung (Log 24, July 1, 2018).
The "Change Arises" phrase in the previous post suggests a sort of
architectural plan and elevation for the structure of the I Ching —
Some may prefer the Stargate version of a seventh symbol —
“Jackson has identified the seventh symbol.” — Stargate
Lambda in 1950 . . .
Later . . .
A related cultural appropriation —
The Roman letter (or numeral) V as a film title, with Natalie Portman
representing, as usual, the darkness of ignorance.
Hat tip to Peter Woit for quoting the above yesterday.
* See Crichton in this weblog and the solar Apollo symbols
of CBS Sunday Morning, which this week featured Crichton.
As an Apollo symbol, I prefer the Chinese "holy field" —
a ninefold square.
"You ain't been blue, no no no, 'til you've had that mood indigo."
* See "Miller's Girl."
"For ten years… " — Song lyric
The previous post, together with the above song lyric, suggests a review
of the date May 19 ten years ago. The result of the review is the new tag
"Symmetry Plane."
From the above . . .
"He graduated from Stuyvesant High School in New York
in 1954 and, in 1958, from Yale, where he was managing editor
of The Yale Daily News.
He was briefly a book editor at Random House, where in 1962
he read a manuscript that Cormac McCarthy had mailed over
the transom. He recommended the work for publication and
spent a year working with Mr. McCarthy on what became his
first novel, 'The Orchard Keeper.' "
See as well the above death date, May 19, in this journal.
Excerpt from a Log24 post of May 2, 2003 Though truth may be very hard to find in the pages of most books, the page numbers are generally reliable. This leads to the following Zen meditations. From a review of the film “The Terminator”:
From a journal note on religion, science, and the meaning of life written in 1998 on the day after Sinatra died and the Pennsylvania lottery number came up “256”:
From Michael Crichton’s Rising Sun John Connor (aka J. C.) offers the following metaphysical comment on the page number that appears above his words (256):
Connor is correct. The number 256 does indeed seem to be, and indeed it seemed to be again only yesterday evening, when the Pennsylvania lottery again made a metaphysical statement. Our Zen meditation on the trustworthiness of page numbers concludes with another passage from Rising Sun, this time on page 373:
Here J. C. offers another trenchant comment on his current page number. The metaphysical significance of 373, “the eternal in the temporal,” is also discussed in the Buddhist classic A Flag for Sunrise, by Robert Stone (Knopf hardcover, 1981) … on, of course, page 373. |
Related graphic art —
This is from a Log24 search, "Windmill + Diamond."
"For every kind of vampire, there is a kind of cross."
— Gravity's Rainbow
See as well this journal on the above mad-scientist date.
“… the walkway between here and there would be colder than a witch’s belt buckle. Or a well-digger’s tit. Or whatever the saying was. Vera had been hanging by a thread for a week now, comatose, in and out of Cheyne-Stokes respiration, and this was exactly the sort of night the frail ones picked to go out on. Usually at 4 a.m. He checked his watch. Only 3:20, but that was close enough for government work.”
— King, Stephen (2013-09-24). |
Related material: Apollo Shining.
From posts now tagged VVV Day . . .
INTERNATIONAL CONFERENCE:
GROTHENDIECK, A MULTIFARIOUS GIANT:
MATHEMATICS, LOGIC AND PHILOSOPHY
CHAPMAN UNIVERSITY, ORANGE (CA)
— BECKMAN HALL, ROOM 106 MAY 24TH-28TH, 2022
Chapman University was also the academic home of
the famed John Eastman.
As for Grothendieck, see that name in this journal. He was
the subject of a notable 2001 essay, "A Mad Day's Work,"
subtitled "The Evolution of Concepts of Space and Symmetry."
"Minimalists are actually extreme hoarders:
they hoard space." — Douglas Coupland,
quoted here on May 18, 2017.
More-recent minimalist art —
In honor of the above Villains of Valley View, posts of June 3, 2022,
have now been tagged VVV Day.
For the star of the title, see "Levi-Strauss + Stella."
For a related hex, see an academic's weblog post from yesterday.
For an antidote to that hex, see a Wikipedia article . . .
Contrast the academic's phrase below with Wikipedia's "Pantocrator."
I prefer Yeats's (and Pantocrator's) Byzantium as a "soulful country."
Not unrelated: Six-set Geometry.
For some historical background for the first (1984)
result above, see the second (2013) result.
A New York Times piece today . . .
. . . suggests a review of the "shadow work" concept in this journal.
The 132 hexads in yesterday's "Small Shapes" post suggest a look at . . .
From a biography of Aviezri Fraenkel in the above
2001 issue of The Electronic Journal of Combinatorics —
"As a scientist, Aviezri is interested in,
studies, creates and is involved in mathematics.
As a religious man, Aviezri is interested in,
studies, creates and is involved in Jewish knowledge
and heritage.
In 1962, during his stay in Minneapolis, while thinking
and discussing with a friend how computers could help
to advance Judaic studies, Aviezri conceived a very
original idea based on information retrieval, which
eventually became the unique Responsa Project,
known and used by the entire Jewish world."
I do not know what I was doing on the above publication date —
May 18, 2000 — but the following note from earlier that year
seems relevant to more-recent remarks here.
From a motion picture filmed in Bucharest —
Meanwhile, in this journal . . .
* See the previous post.
Two examples:
The above note led to a letter from John H. Conway, which in turn
led to the following . . .
* The title refers to a well-known 1988 article by Richard K. Guy.
A shape from the date of Guy's reported death —
"The game is over, but … ." — Producer who reportedly
died on Saturday, May 25, 2024.
Some may prefer the bed tricks of Anna Friel ("The Tribe," 1998).
Less erotic, but still of interest — TRI.BE and tri.be.
See as well … "a green thought in a green shade" —
Matthew Hunter on May 22, 2024 —
And then there are large language models . . .
See machine learning on the Web and "emergent" here.
Some literary background— Doctor Sax.
For The Pride of Lowell . . .
"Fewer letters, cheaper signs." … Business saying from CVS.
This journal on April 17, 2024 . . .
"Time for you to see the field." — Bagger Vance
More recently . . .
* Related remarks: Willard Motley on a Chicago color.
"Colin Cantwell, an animator, conceptual artist and computer expert
who played significant production roles in seminal science fiction films
like '2001: A Space Odyssey,' 'Star Wars' and 'WarGames,' died
on May 21 [2022] at his home in Colorado Springs, Colo. He was 90."
— New York Times obituary quoted here two years ago
Related literature: The 1953 Philip K. Dick story
“Paycheck” —
From The Harvard Crimson , "Atlas to the Text," on March 8, 2011 —
See as well the new Atlas on Netflix —
* See also The Faustus Square in the May 18 post "The Godfather's Art."
Related philosophy . . . Apollo October.
"At the present time there is no direct experimental evidence
that supersymmetry is a fundamental symmetry of nature . . . ."
— Introduction to the 1983 book
Superspace or One Thousand and One Lessons in Supersymmetry
Also from 1983 . . .
For direct experimental evidence of this symmetry, see . . .
From the 1983 introduction, a caveat lector :
"At the present time there is no direct experimental evidence that supersymmetry is a fundamental symmetry of nature, but the current level of activity in the field indicates that many physicists share our belief that such evidence will eventually emerge. On the theoretical side, the symmetry makes it possible to build models with (super)natural hierarchies. On esthetic grounds, the idea of a superunified theory is very appealing. Even if supersymmetry and supergravity are not the ultimate theory, their study has increased our understanding of classical and quantum field theory, and they may be an important step in the understanding of some yet unknown, correct theory of nature." |
"The stuff that dreams are made of." — Bogart
But seriously . . .
From OSF . . . Among the positions that take this independence even further is Susanne Langer's approach towards meaning. Long before Derrida, she suggested in her chapter "The logic of signs and symbols" that we should understand meaning not as a relation to an author at all. Influenced by music and musical notation, she defines meaning instead as the function of a term from which a pattern emerges:
It is better, perhaps, to say: "Meaning is not a Reference: Langer, Susanne K., 1948 [1954]. Philosophy in a New Key: A Study in the Symbolism of Reason, Rite, and Art. Mentor Book. |
"Before time began, there was the Cube." — Optimus Prime in "Transformers"
This journal at 9 PM ET March 17, 2023 —
The use of binary coordinate systems as a conceptual tool
Natural physical transformations of square or cubical arrays
of actual physical cubes (i.e., building blocks) correspond to
natural algebraic transformations of vector spaces over GF(2).
This was apparently not previously known.
See "The Thing and I."
See as well today's post Geometry for Belgium.
* For Hitchcock fans . . .
C. Gordon Bell, Creator of a Personal Computer Prototype, Dies at 89 .
Bell reportedly died on Friday, May 17, 2024.
Related concepts:
The_Final_Cut_(2004_film) and . . .
Other matching patterns . . .
Tuesday Weld in the 1972 film of Didion's Play It As It Lays :
Note the making of a matching pattern.
Exploring bitspace via posts so tagged yields . . .
This, together with the acronym COS from Charlottesville, suggests
a look at what Princeton means by COS.
Why COS? . . . November 6, 2015 . . . Serena Zheng
(https://admission.princeton.edu/blogs/why-cos) —
Three years ago around this time, I was applying to Princeton,
and I had no idea what I wanted to study.
I was, however, pretty set against studying computer science,
or "COS," as we call it at Princeton.
"Three years ago around this time" translates to November 6, 2012.
Hence another Princeton-related tale . . .
Cover illustration:
Spies returning from the land of
Canaan with a cluster of grapes.
Colored woodcut from
Biblia Sacra Germanica ,
Nuremberg, Anton Koberger, 1483.
Victoria and Albert Museum, London.
Related material —
The Faustus Square :
Design from 1514
From OSF . . . Among the positions that take this independence even further is Susanne Langer's approach towards meaning. Long before Derrida, she suggested in her chapter "The logic of signs and symbols" that we should understand meaning not as a relation to an author at all. Influenced by music and musical notation, she defines meaning instead as the function of a term from which a pattern emerges:
It is better, perhaps, to say: "Meaning is not a Reference: Langer, Susanne K., 1948 [1954]. Philosophy in a New Key: A Study in the Symbolism of Reason, Rite, and Art. Mentor Book. |
Related art . . .
Cover illustration:
Spies returning from the land of
Canaan with a cluster of grapes.
Colored woodcut from
Biblia Sacra Germanica ,
Nuremberg, Anton Koberger, 1483.
Victoria and Albert Museum, London.
* Id est . . . Cannes, as opposed to Charlottesville.
For the ten steps of the OSF (Open Science Framework),
see other posts tagged OSF.
For the ten steps of St. John of the Cross, see . . .
https://www.catholictreasury.info/books/dark_night/dn34.php and
https://www.catholictreasury.info/books/dark_night/dn35.php.
"I've got a brand new pair of roller skates,
you've got a brand new key." — Song lyric
From OSF . . . "According to Derrida, to break with its original context and with its situation of production entirely is the ability of, and even a necessity for, the written. With this argument, Derrida moves the author and their communicative intent to the margins and frees up space to approach meaning from another side, stressing the independence of writing from its speaker. Among the positions that take this independence even further is Susanne Langer's approach towards meaning. Long before Derrida, she suggested in her chapter 'The logic of signs and symbols' that we should understand meaning not as a relation to an author at all. Influenced by music and musical notation, she defines meaning instead as the function of a term from which a pattern emerges:
It is better, perhaps, to say: 'Meaning is not a Langer's approach towards meaning as a function puts the relation to other terms in the foreground, the pattern a term is part of and linked to. From her perspective, strongly informed by thinking of meaning-making in music, this seems obvious. In music, no note holds meaning for itself. It is in the relation between notes that meaning emerges, and Large Language Models approach language in a similar manner." Reference: Langer, Susanne K., 1948 [1954]. Philosophy in a New Key: A Study in the Symbolism of Reason, Rite, and Art. Mentor Book. |
A post from the above date contained the following image —
Related material — Tonight's midnight post, which led to
a different circular image from the date Feb. 15, 2023 . . .
From a search in this journal for Kochen —
Related material — Hitchcock in this journal and Mermin Pentagrams on the Web.
From posts tagged Schoolgirl Space —
See "Black Door" posts. See also "Monolith."
"The bride hath paced into the hall,
Red as a rose is she;
Nodding their heads before her goes
The merry minstrelsy."
* The title is from the following passage . . .
August 26, 2022, was the opening date of
the Nathalie Emmanuel film "The Invitation."
See as well Emmanuel here on Walpurgisnacht 2024
in "The Invitation" (2022) —
Wednesday, May 1, 2024
|
From the end credits for "The Invitation" —
A detail from the final Log24 post of March 2023 —
<img src="http://www.log24.com/log/pix24/
240514-Previs_Pro-storyboard-software.jpg" width="500" />
Earlier in this journal (March 1, 2023) —
"Say the secret word and divide a hundred dollars."
Saxophonist David Sanborn reportedly died Sunday at 78.
He appears in this journal in a search for "Tequila."
* For a Hollywood version of this name, see the May 6 post
"Game for a Language Animal."
For the significance of the date "February 20," see . . .
Google One: Gemini Advanced AI on 13 May 2024. Prompt: How can Weyl's 1946 remarks on coordinatization in "The Classical Groups" be applied to models of finite geometries? Response (after several drafts): In "The Classical Groups," Hermann Weyl discusses the concept of coordinatization, which is the process of assigning numerical coordinates to points in a geometric space. This process is fundamental in connecting abstract geometric concepts with concrete numerical representations, allowing for algebraic manipulation and analysis. Weyl's remarks on coordinatization have significant implications for models of finite geometries. Finite geometries are geometric systems with a finite number of points and lines, and they often exhibit different properties compared to traditional Euclidean geometry. Here's how Weyl's ideas can be applied to finite geometries: 1. **Relativity of Coordinatization:** Weyl emphasizes that the choice of coordinate system is arbitrary and that different coordinate systems can be used to describe the same geometric object. This relativity of coordinatization is particularly relevant in finite geometries, where multiple coordinate systems may exist, each with its own advantages and disadvantages. 2. **Equivalent Coordinatizations:** Weyl introduces the concept of "equivalent coordinatizations," which are different coordinate systems that can be transformed into one another through a group of transformations. In finite geometries, identifying and understanding these equivalent coordinatizations can provide deeper insights into the underlying structure and symmetries of the geometry. 3. **Objective Class of Coordinatizations:** Weyl discusses the problem of fixing an "objective class" of coordinatizations that capture essential features of the geometry while being independent of arbitrary choices. In finite geometries, this could involve identifying coordinatizations that best reflect the specific properties and relationships within the geometry. 4. **Group of Transformations:** Weyl emphasizes the role of the "group of transformations" that mediates between equivalent coordinatizations. In finite geometries, understanding these transformation groups can help classify different types of finite geometries and reveal their underlying symmetries. By applying Weyl's insights, researchers can gain a deeper understanding of finite geometries, including their classification, properties, and relationships. Additionally, exploring different coordinatization schemes can lead to new algebraic and geometric tools for studying finite geometries. For further exploration, you can delve into the works of other mathematicians like Steven H. Cullinane, who has written extensively on finite geometry and its connections to relativity and other areas of mathematics. I hope this explanation is helpful! Please let me know if you have any further questions. |
Update at about 5 PM ET the same day . . .
Prompt: Correction: Cullinane has NOT written on finite geometry's "connections to relativity." He has, instead, quoted Weyl's remarks on what Weyl himself called "the relativity problem," but what was in fact his own term for problems involving coordinatization. Such problems are of interest both in physics and in finite geometry, but the latter is a field of pure mathematics, NOT of physics. Response: You are absolutely correct. I apologize for the error in my previous response. Steven H. Cullinane has indeed quoted Weyl's remarks on "the relativity problem" in the context of finite geometry. However, as you rightly pointed out, this term refers to Weyl's own terminology for problems involving coordinatization and not the theory of relativity in physics. Finite geometry is a field of pure mathematics and does not directly connect to the physical theories of relativity. While both areas involve concepts of space and transformations, they operate in fundamentally different domains. Cullinane's work focuses on applying Weyl's insights on coordinatization to the specific challenges and structures within finite geometries. This involves exploring different coordinatization schemes, understanding their equivalences, and identifying transformation groups that reveal the underlying symmetries of finite geometries. Thank you for pointing out this important distinction. It highlights the importance of precise language and accurate attribution when discussing complex mathematical concepts. |
"That year the rich came led by the pilot fish.
A year before they would never have come.
There was no certainty then.
The work was as good and the happiness was greater
but no novel had been written, so they could not be sure.
They never wasted their time nor their charm
on something that was not sure. Why should they?"
This journal on the above Bridge date — July 10, 2013 —
"…des carreaux mi-partis de deux couleurs
par une ligne diagonale…."
See also Josefine Lyche in Vril Chick
and Bowling in Diagon Alley.
* The Brolin of "No Country for Old Men" and "Sicario."
The title is a Log24 tag for posts of April 13, 2024.
See also a death on that date.
In memory of a woman advertising pioneer who
reportedly died at 95 today in London —
"And so I had an idea, which turned out to be
related to that question, and so it was a little theorem
that I proved and I showed it to my thesis advisor, and
then he said, 'Oh, that could maybe help with this question.'
And he told me the question. And I said, 'Oh that's right,
maybe it could.' But he said, 'But don't work on that.'
He says, 'Borel has worked on that, Singer has worked
on that, a lot of people have tried to do this without success.'
But that has just got me fired up. And so I solved that problem…."
— The late James H. Simons, on his thesis advisor Bertram Kostant.
The thesis advisor reportedly died on Groundhog Day, 2017.
See as well, in this journal, Facets for Snorri.
A relevant author (click to enlarge) —
For a related tune, see the concepts of space in the previous post.
See also this journal on the above YouTube date — April 4, 2010.
New teaser trailer . . .
Earlier teaser trailer . . . October 7, 2023 . . .
This journal on the above 2023 trailer date . . .
Halle Berry as Rosetta Stone:
From Tablet Magazine on Monday, May 6, 2024 . . .
<div class="BlockContent col-12 lg:col-10 xl-wide:col-8 mxauto"> <p>Thus do we find ourselves in a regular <a href="https://www.youtube.com/watch?v=4ToUAkEF_d4"> lattice of coincidence</a>.</p></div>
That link leads to . . .
Those who prefer Sting's approach to synchronistic theory may
consult this journal on the above YouTube date — Dec. 1, 2008.
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