"A fusion of all three" . . .
Voilà —
(Illustration from Aug. 30, 2015)
Continues, in memory of chess grandmaster Viktor Korchnoi,
who reportedly died at 85 yesterday in Switzerland —
The coloring of the 4×4 "base" in the above image
suggests St. Bridget's cross.
From this journal on St. Bridget's Day this year —
"Possible title:
A new graphic approach
to an old geometric approach
to a new combinatorial approach
to an old algebraic approach
to M24"
The narrative leap from image to date may be regarded as
an example of "knight's move" thinking.
From a New York Times obituary
of Ellsworth Kelly by Holland Cotter —
"The anonymous role of
the Romanesque church artist
remained a model."
See as well
Note the contradiction between the URL date (last Monday's)
and the printed date below it (that of Epiphany 2016).
Who's trolling whom?
The death of a well-known artist today suggested
a search for Pythagorean Stone in this journal.
An image from that search, together with a sentence
from his obituary, may serve as a memorial.
From a New York Times obituary
by Holland Cotter tonight —
"The anonymous role of
the Romanesque church artist
remained a model."
* For the title, see the two previous posts.
"We tell ourselves stories in order to live." — Joan Didion
A post from St. Augustine's day, 2015, may serve to
illustrate this.
The post started with a look at a painting by Swiss artist
Wolf Barth, "Spielfeld." The painting portrays two
rectangular arrays, of four and of twelve subsquares,
that sit atop a square array of sixteen subsquares.
To one familiar with Euclid's "bride's chair" proof of the
Pythagorean theorem, "Spielfeld" suggests a right triangle
with squares on its sides of areas 4, 12, and 16.
That image in turn suggests a diagram illustrating the fact
that a triangle suitably inscribed in a half-circle is a right
triangle… in this case, a right triangle with angles of 30, 60,
and 90 degrees… Thus —
In memory of screenwriter John Gregory Dunne (husband
of Joan Didion and author of, among other things, The Studio )
here is a cinematric approach to the above figure.
The half-circle at top suggests the dome of an observatory.
This in turn suggests a scene from the 2014 film "Magic in
the Moonlight."
As she gazes at the silent universe above
through an opening in the dome, the silent
Emma Stone is perhaps thinking,
prompted by her work with Spider-Man …
"Drop me a line."
As he gazes at the crack in the dome,
Stone's costar Colin Firth contrasts the vastness
of the Universe with the smallness of Man, citing …
"the tiny field F2 with two elements."
In conclusion, recall the words of author Norman Mailer
that summarized his Harvard education —
"At times, bullshit can only be countered
with superior bullshit."
Observatory scene from "Magic in the Moonlight"
"The sixteen nodes… can be parametrized
by the sixteen points in affine four-space
over the tiny field F2 with two elements."
(Continued from Feb. 3, 2015)
The above artist Wolf Barth is not the same person
as the mathematician Wolf Barth quoted in the
previous post. For further background on the artist, see
an article in Neue Zürcher Zeitung from Nov. 15, 2013.
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