Continued from February 18, 2003*
Does she hide the lie?
Does she say it so no one can know?
Fat man and the dancing girl
And it's all part of the show"
Continued from February 18, 2003*
Fat Man and Dancing Girl
Dance of |
Paul Newman as |
Physicist J. Robert Oppenheimer, portrayed in the film "Fat Man and Little Boy," died on this date in 1967.
He is sometimes called the "father of the A-bomb." He said that at the time of the first nuclear test he thought of a line from the Sanskrit holy book, the Bhagavad Gita: "I am become death, the destroyer of worlds." The following gives more details.
Oppenheimer had learned Sanskrit at Berkeley so as to read the Gita in the original; he always kept a worn pink copy on the bookshelf closest to his desk. It is therefore likely that he may have actually thought of the original, Sanskrit, verse rather than the English translation. The closest that fits this meaning is in the 32nd verse from the 11th chapter of the Gita.
kalosmi lokaksaya krt pravrddho
This literally means: I am kAla, the great destroyer of Worlds. What is intriguing about this verse, then, is the interpretation of kAla by Jungk and others to mean death. While death is technically one of the meanings of kAla, a more common one is time. Indeed, the translations of the Gita by S. Radhakrishnan, A. C. Bhaktivedanta, Nataraja Guru and Eliot Deutsch say precisely that. One exception to this, however, is the 1929 translation by Arthur Ryder. And, indeed, in a 1933 letter to his brother, Robert Oppenheimer does mention that he has "been reading the Bhagavad Gita with Ryder and two other Sanskritists." The misinterpretation, therefore, may not have been the fault of Oppenheimer or Jungk. Nevertheless, the verse does not have anything to do with an apocalyptic or catastrophic destruction, as most people have interpreted it in connection with nuclear weapons. When kAla is understood as time, the meaning is drastically changed to being a reminder of our mortality and finite lifetimes as also the lifetimes of everything else in this world (including plutonium and uranium, despite their long, long, half-lives!). It then becomes more akin to western notions of the "slow march of time" and thus having little to do with the immense destruction caused by a nuclear explosion. While the very first images that arose in the father of the atomic bomb are a somewhat wrong application of Hindu mythology, his recollection of the Bhagavad Gita may have been quite pertinent. As is well known, the Bhagavad Gita was supposedly intended to persuade Arjuna to participate in the Kurukshetra battle that resulted in the killing of thousands. Thus, Oppenheimer may well have been trying to rationalize his involvement in the development of a terrible weapon.
Source: Google cache of
http://www.geocities.com/CollegePark/5409/samar_bluegod.pdf
See also
http://www.samarmagazine.org/archive/article.php?id=36.
"KAla" (in the Harvard-Kyoto transliteration scheme) is more familiar to the West in the related form of Kali, a goddess sometimes depicted as a dancing girl; Kali is related to kAla, time, according to one website, as "the force which governs and stops time." See also the novel The Fermata, by Nicholson Baker.
The fact that Oppenheimer thought of Chapter 11, verse 32, of the Gita may, as a mnemonic device, be associated with the use of the number 1132 in Finnegans Wake.
See 1132 A. D. & Saint Brighid, and my weblog entries of January 5 (Twelfth Night and the whirligig of time), January 31 (St. Bridget's Eve), and February 1 (St. Bridget's Day), 2003.
Midnight Flame
Fever isn't such a new thing;
Fever started long ago.
And most of the show is concealed from view.
— Suzanne Vega, "Fat Man and Dancing Girl," 99.9° F. album
See the entries of Jan. 5, 2003 and of Feb. 1, 2003.
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