Log24

Monday, October 2, 2023

Mosaic

Filed under: General — Tags: — m759 @ 1:29 pm

"Faster, better, and more fun"
— AI companion promotional slogan

Monday, September 19, 2022

Mosaic Kaleidoscope

Filed under: General — Tags: — m759 @ 12:04 am

"The kaleidoscope of peoples, parties and religions…."

— Description of Vienna in the early 20th century from
"Black Gold and Yellow Star" by Jerome Segal (PDF, 16 pp.) 

See as well Mosaic and Kaleidoscope in this  journal.

Sunday, September 27, 2020

Mosaic

Filed under: General — m759 @ 3:45 pm

See also a search in this  journal for instances of the following image —

Sunday, September 3, 2017

Mosaic Logic

Filed under: General — m759 @ 10:45 am

“Lord Arglay had a suspicion that the Stone would be
purely logical.  Yes, he thought, but what, in that sense,
were the rules of its pure logic?”

Many Dimensions  (1931), by Charles Williams

While you're waiting

Click the above illustration for
some remarks on mosaics.

Tuesday, April 8, 2014

Miami Mosaic

Filed under: General,Geometry — m759 @ 2:00 pm

He “…believed the art to be real….”
— Lawyer for  Mosaic Miami Church pastor
accused of trying to sell forged Damien Hirst art

A Miami mosaic from this journal last Dec. 21

IMAGE- Miami/Dade County schools page

The indicated link is to…

See also St. Ursula’s Day, 2010, and Emil Artin’s dies natalis  in 2003.

Saturday, January 27, 2024

New Zealand Herald: The Vesper Martini

Filed under: General — Tags: , — m759 @ 7:56 am

"Viva’s weekly magazine has a weekly readership of over 259,000 people
and is available in the New Zealand Herald every Wednesday."

From a Viva  article dated Monday, October 2, 2023 —

From this  journal on October 2, 2023 —

"Faster, better, and more fun"
— AI companion promotional slogan

Wednesday, August 9, 2023

Waiting for the Low-Hanging Fruit

Filed under: General — Tags: , — m759 @ 9:23 pm

How many miles to Babylon?*
Three score miles and ten.
Can I get there by candle-light?**
Yes, and back again.

Mary Gaitskill's latest substack meditation —

"I am thinking of Susan Sontag, writer, philosopher,
political activist and some-time pain in the ass;
she went to Sarajevo during the siege in order to
put on a theatrical production of Waiting for Godot. 
She didn’t get paid and none of the actors did either.
They rehearsed in the dark and performed by sparse
candlelight . . . ."

"How many  bananas ?"

"Drei . . . or else Vier ."

See also the comedy writers of  Elsevier

“The Seed Crystal” — Plan 9 from Science Direct

Filed under: General — Tags: — m759 @ 2:48 am

From a 1990 novel —
http://www.log24.com/log/pix11A/110424-StoneJunction.jpg

Related remarks — Posts tagged The Coxeter Aleph.

Wednesday, May 4, 2022

A Sequel to WeaveworldTileworld!

Filed under: General — m759 @ 4:11 pm

The previous post and recent Morocco Instagram photos by marrific
suggest a pair of related images —

Related reading:
Pattern Groups and Mosaic.

Friday, June 18, 2021

“Words Are Events” — Ong, S. J.

Filed under: General — m759 @ 10:59 am

Lest the title of the TV series in the previous post, "The Chi,"
be mistaken for a reference to the Greek letter  chi

"Words are events, happenings, not things,
as letters make them appear to be."
— Walter J. Ong, S.J., page 2 in 
"Writing and the Evolution of Consciousness,"
in Mosaic: An Interdisciplinary Critical Journal ,
Vol. 18, No. 1 (Winter 1985), pp. 1-10 (11 pages,
counting the prefatory page with a photo of Ong).

Published by: University of Manitoba.
https://www.jstor.org/stable/24777620

". . . originally delivered by Walter J. Ong
as the 7th Annual 'Sidney Warhaft Memorial Lecture',
January 26, 1984, University of Manitoba, Winnipeg."

See as well . . .

Tuesday, April 28, 2020

The Art Issue

Filed under: General — Tags: , — m759 @ 10:47 am

A sort of pointillist mosaic” 

— Author David Mitchell on the film adaptation of 
his novel Cloud Atlas .

See also the previous post, Cloud Atlas of Unknowing.

“Art isn’t easy.” — Sondheim.

Wednesday, January 29, 2020

On the Road

Filed under: General — m759 @ 12:23 am

From Mosaic Logic, a post of September 3, 2017 —

“Lord Arglay had a suspicion that the Stone would be
purely logical.  Yes, he thought, but what, in that sense,
were the rules of its pure logic?”

Many Dimensions  (1931), by Charles Williams

Tuesday, June 25, 2019

Rhetorical Question, Rhetorical Answer

Filed under: General — Tags: — m759 @ 11:07 am

Q —

"What kind of person
bokehs an inscape?" 


A —

Robert Gorham Davis:

McLuhan's " 'mosaic' mode of presentation
rules out discriminations, qualifications,
close reasoning, the structuring of
articulated wholes."

Robert Gorham Davis on Marshall McLuhan.

See also Articulation  in this  journal.

Sunday, May 26, 2019

Burning Bright

Filed under: General — Tags: , , — m759 @ 12:00 am

Gell-Mann's 'eightfold way' as 'a mosaic of simple triangular building blocks' — George Johnson, 1999

Compare and contrast with . . .

The Brightburn Logo:

Related material from the May 12 post

"The Collective Unconscious
in a Cartoon Graveyard
" —

"When they all finally reach their destination —
a deserted field in the Florida Panhandle…." 

" When asked about the film's similarities to the 2015 Disney movie Tomorrowland , which also posits a futuristic world that exists in an alternative dimension, Nichols sighed. 'I was a little bummed, I guess,' he said of when he first learned about the project. . . . 'Our die was cast. Sometimes this kind of collective unconscious that we're all dabbling in, sometimes you're not the first one out of the gate.' "

Monday, October 15, 2018

History at Bellevue

Filed under: General,Geometry — Tags: , — m759 @ 9:38 pm

The previous post, "Tesserae for a Tesseract," contains the following
passage from a 1987 review of a book about Finnegans Wake

"Basically, Mr. Bishop sees the text from above
and as a whole — less as a sequential story than
as a box of pied type or tesserae for a mosaic,
materials for a pattern to be made."

A set of 16 of the Wechsler cubes below are tesserae that 
may be used to make patterns in the Galois tesseract.

Another Bellevue story —

“History, Stephen said, is a nightmare
from which I am trying to awake.”

— James Joyce, Ulysses

Sunday, September 3, 2017

Dead Poet

Filed under: General — Tags: , — m759 @ 6:48 pm

The time is from
a screenshot 
of my RSS feed.

"All in good time."

(See this morning's
  Mosaic Logic.)

Friday, September 1, 2017

Patterns for the Abbess

Filed under: General — m759 @ 11:15 pm

On Ursula K. Le Guin's short story
"The Rock That Changed Things"
(in A Fisherman of the Inland Sea ) —

From https://www.academia.edu/9496639/
Study_Guide_for_the_Stories_Collected_in_
Ursula_K._Le_Guins_
FISHERMAN_OF_THE_INLAND_SEA

By Richard D. Erlich, December 2005

…  And at this point a wise, old nur, so excellent at maintaining patterns that the obls let him live even after he was maimed, enters the discussion to do some pattern criticism.  For a first-order approximation reading, he suggests "It might say, 'The nur places stones,'" and others fill in that the nur would be Bu.  Ko corrects them with "patterns aren't ever about nurs!" and Bu counters with "Maybe patterns made of colors are."  Looking with all three of his eyes, Ko reads, "—'the nur places stones beautifully in uncontrollable loopingness …. foreshadowing the seen.'"  Un suggests "The vision" but cannot figure out the last word.  Bu is very excited, inferring that "the patterns of the colors …. aren't accidental.  Not meaningless.  All the time, we have been putting them here in patterns—not just ones the obls design and we execute, but other patterns—nur patterns—with new meanings."  Amid the straight lines of the obls' designs they now see, "other designs, less complete, often merely sketched or hinted—circles, spirals, ovals, and complex curvilinear mazes and labyrinths of great and unpredictable beauty and significance. ***  Both patterns were there; did one cancel the other, or was each part of the other?  It was difficult to see them both at once, but not impossible."  Had the nurs done this all totally unconsciously "without even knowing we were doing it?"   Un admits to having looked at colors, and so did Ko, plus "grain and texture."  Un warns them to keep word of their works from the Professors: "They don't like patterns to change….  It makes them nervous"— and nervous Professors are dangerous to nurs (62-63). 

Bu, however "was so excited and persuasive" about colors of stones "that other nurs of Obling began studying the color patterns, learning how to read their meanings."  And the practice spreads.  Soon, all sorts of nurs were finding "wild designs in colored stones, and surprising messages concerning obls, nurs, and blits" (64)  Conservative nurs— "Many nurs," we're told—resist the trend.  "If we start inventing new meanings, changing things, disturbing the patterns, where will it end?"   It is unclear just how many of the nurs believe «Mr. Charlie treats us real good»—or, as we soon see, Ms. Charlie—but certainly not Bu; she "would hear none of that; she was full of her discovery. She no longer listened in silence.  She spoke."  Bu goes up to the Rectory Mosaic, wearing around her neck a turquoise that she calls her "selfstone."  Up at the Mosaic, Bu crouches before the Rectoress and asks "Would the Lady Rectoress in her kindness answer a question I have?"  

["The Rock That Changed Things" was first published in Amazing Stories , Vol. 67 # 6, No. 574, September 1992, pp. 9-13.]

For an alternative to the Rectoress, see the Abbess of the previous post.

Sunday, August 27, 2017

Extreme Aesthetic Distance

Filed under: General — m759 @ 2:45 am

The previous post suggests an example of
extreme  aesthetic distance.

The word "mosaic" in Max Black —

The same word in a very different  author —

Related historical remarks, for the Church of Synchronology

The above death reportedly occurred on Sunday, Sept. 13, 2015.
This journal at 11 AM on that date

Some background —

Thursday, June 2, 2016

Bullshit Studies

Filed under: General,Geometry — Tags: , — m759 @ 11:30 am

(Continued)

"The allusion to 'the most precious square of sense' shows
Shakespeare doing an almost scholastic demonstration of
the need for a ratio and interplay among the senses as
the very constitution of rationality."

— Marshall McLuhan, The Gutenberg Galaxy ,
University of Toronto Press, 1962, page 13

"What Shakespeare refers to in Lear  as the 'precious
square of sense' probably has reference to the traditional
'square of opposition' in logic and to that four-part analogy
of proportionality which is the interplay of sense and reason."     

— McLuhan, ibid. , page 241

This is of course nonsense, and, in view of McLuhan's pose
as a defender of the Catholic faith, damned  nonsense.

Epigraph by McLuhan —

"The Gutenberg Galaxy  develops a mosaic or field
approach to its problems."

I prefer a different "mosaic or field" related to the movable
blocks  of Fröbel, not the movable type  of Gutenberg.

Wednesday, January 14, 2015

Gesamtkunstwerk

Filed under: General — m759 @ 2:10 am

IMAGE- Two essays from Mosaic magazine on Wagner and the Jews

Links to the above essays:  
Shields (Jan. 5, 2015),  Rothstein (Jan. 12, 2015)

Talk amongst yourselves.

Tuesday, September 11, 2012

Symmetry and Hierarchy

Filed under: General,Geometry — Tags: , , , — m759 @ 1:00 pm

A followup to Intelligence Test (April 2, 2012).

Philosophical Transactions of the Royal Society
B  (2012) 367, 2007–2022
(theme issue of July 19, 2012

 
Gesche Westphal-Fitch [1], Ludwig Huber [2],
Juan Carlos Gómez [3], and W. Tecumseh Fitch [1]
 
[1]  Department of Cognitive Biology, University of Vienna,
      Althanstrasse 14, 1090 Vienna, Austria
 
[2]  Messerli Research Institute, University of Veterinary Medicine Vienna,
      Medical University of Vienna and University of Vienna,
      Veterinärplatz 1, 1210 Vienna, Austria
 
[3]  School of Psychology, St Mary’s College, University of St Andrews,
      South Street, St Andrews, KY16 9JP, UK
 
Excerpt (added in an update on Dec. 8, 2012) —
 
 
Conclusion —
 
"…  We believe that applying the theoretical
framework of formal language theory to two-dimensional
patterns offers a rich new perspective on the
human capacity for producing regular, hierarchically
organized structures. Such visual patterns may actually
prove more flexible than music or language for probing
the full extent of human pattern processing abilities.
      With the results presented here, we have taken the
first steps in decoding the uniquely human fascination
with visual patterns, what Gombrich termed our
‘sense of order’.
      Although the patterns we studied are most similar
to tilings or mosaics, they are examples of a much
broader type of abstract plane pattern, a type found
in virtually all of the world’s cultures [4]. Given that
such abstract visual patterns seem to represent
human universals, they have received astonishingly
little attention from psychologists. This neglect is particularly
unfortunate given their democratic nature,
their popular appeal and the ease with which they
can be generated and analysed in the laboratory.
With the current research, we hope to spark renewed
scientific interest in these ‘unregarded arts’, which
we believe have much to teach us about the nature of
the human mind."
 
[4]  Washburn, D. K. & Crowe, D. W.,1988
      Symmetries of Culture
      Theory and Practice of Plane Pattern Analysis
.
      Seattle, WA: University of Washington Press.
 
Commentary —
 
For hierarchy , see my assessment of Gombrich.
For culture , see T. S. Eliot and Russell Kirk on Eliot.

Monday, December 27, 2010

Church Diamond

Filed under: General,Geometry — Tags: — m759 @ 3:09 pm

IMAGE- The diamond property

Also known, roughly speaking, as confluence  or the Church-Rosser property.

From “NYU Lambda Seminar, Week 2” —

[See also the parent page Seminar in Semantics / Philosophy of Language or:
What Philosophers and Linguists Can Learn From Theoretical Computer Science But Didn’t Know To Ask)
]

A computational system is said to be confluent, or to have the Church-Rosser or diamond property, if, whenever there are multiple possible evaluation paths, those that terminate always terminate in the same value. In such a system, the choice of which sub-expressions to evaluate first will only matter if some of them but not others might lead down a non-terminating path.

The untyped lambda calculus is confluent. So long as a computation terminates, it always terminates in the same way. It doesn’t matter which order the sub-expressions are evaluated in.

A computational system is said to be strongly normalizing if every permitted evaluation path is guaranteed to terminate. The untyped lambda calculus is not strongly normalizing: ω ω doesn’t terminate by any evaluation path; and (\x. y) (ω ω) terminates only by some evaluation paths but not by others.

But the untyped lambda calculus enjoys some compensation for this weakness. It’s Turing complete! It can represent any computation we know how to describe. (That’s the cash value of being Turing complete, not the rigorous definition. There is a rigorous definition. However, we don’t know how to rigorously define “any computation we know how to describe.”) And in fact, it’s been proven that you can’t have both. If a computational system is Turing complete, it cannot be strongly normalizing.

There is no connection, apart from the common reference to an elementary geometric shape, between the use of “diamond” in the above Church-Rosser sense and the use of “diamond” in the mathematics of (Cullinane’s) Diamond Theory.

Any attempt to establish such a connection would, it seems, lead quickly into logically dubious territory.

Nevertheless, in the synchronistic spirit of Carl Jung and Arthur Koestler, here are some links to such a territory —

 Link One — “Insane Symmetry”  (Click image for further details)—

http://www.log24.com/log/pix10B/101227-InsaneSymmetry.jpg

See also the quilt symmetry in this  journal on Christmas Day.

Link Two — Divine Symmetry

(George Steiner on the Name in this journal on Dec. 31 last year (“All about Eve“)) —

“The links are direct between the tautology out of the Burning Bush, that ‘I am’ which accords to language the privilege of phrasing the identity of God, on the one hand, and the presumptions of concordance, of equivalence, of translatability, which, though imperfect, empower our dictionaries, our syntax, our rhetoric, on the other. That ‘I am’ has, as it were, at an overwhelming distance, informed all predication. It has spanned the arc between noun and verb, a leap primary to creation and the exercise of creative consciousness in metaphor. Where that fire in the branches has gone out or has been exposed as an optical illusion, the textuality of the world, the agency of the Logos in logic—be it Mosaic, Heraclitean, or Johannine—becomes ‘a dead letter.'”

George Steiner, Grammars of Creation

(See also, from Hanukkah this year,  A Geometric Merkabah and The Dreidel is Cast.)

Link Three – Spanning the Arc —

Part A — Architect Louis Sullivan on “span” (see also Kindergarten at Stonehenge)

Part B — “Span” in category theory at nLab —

http://www.log24.com/log/pix10B/101227-nLabSpanImage.jpg

Also from nLab — Completing Spans to Diamonds

“It is often interesting whether a given span in some partial ordered set can be completed into a diamond. The property of a collection of spans to consist of spans which are expandable into diamonds is very useful in the theory of rewriting systems and producing normal forms in algebra. There are classical results e.g. Newman’s diamond lemma, Širšov-Bergman’s diamond lemma (Širšov is also sometimes spelled as Shirshov), and Church-Rosser theorem (and the corresponding Church-Rosser confluence property).”

The concepts in this last paragraph may or may not have influenced the diamond theory of Rudolf Kaehr (apparently dating from 2007).

They certainly have nothing to do with the Diamond Theory of Steven H. Cullinane (dating from 1976).

For more on what the above San Francisco art curator is pleased to call “insane symmetry,” see this journal on Christmas Day.

For related philosophical lucubrations (more in the spirit of Kaehr than of Steiner), see the New York Times  “The Stone” essay “Span: A Remembrance,” from December 22—

“To understand ourselves well,” [architect Louis] Sullivan writes, “we must arrive first at a simple basis: then build up from it.”

Around 300 BC, Euclid arrived at this: “A point is that which has no part. A line is breadthless length.”

See also the link from Christmas Day to remarks on Euclid and “architectonic” in Mere Geometry.

Thursday, October 21, 2010

St. Ursula’s Day

Filed under: General,Geometry — Tags: , — m759 @ 4:07 pm

Mathematics and Narrative continued

A search for Ursula in this journal yields a story…

“The main character is a slave woman who discovers new patterns in the mosaics.”

Other such stories: Plato’s Meno  and Changing Woman

Changing Woman:

“Kaleidoscope turning…

Juliette Binoche in 'Blue'  The 24 2x2 Cullinane Kaleidoscope animated images

Shifting pattern within
unalterable structure…”

— Roger Zelazny, Eye of Cat  

Philosophical postscript—

“That Lévi-Strauss should have been able to transmute the romantic passion of Tristes Tropiques  into the hypermodern intellectualism of La Pensée Sauvage  is surely a startling achievement. But there remain the questions one cannot help but ask. Is this transmutation science or alchemy? Is the ‘very simple transformation’ which produced a general theory out of a personal disappointment real or a sleight of hand? Is it a genuine demolition of the walls which seem to separate mind from mind by showing that the walls are surface structures only, or is it an elaborately disguised evasion necessitated by a failure to breach them when they were directly encountered? Is Lévi-Strauss writing, as he seems to be claiming in the confident pages of La Pensée Sauvage,  a prolegomenon to all future anthropology? Or is he, like some uprooted neolithic intelligence cast away on a reservation, shuffling the debris of old traditions in a vain attempt to revivify a primitive faith whose moral beauty is still apparent but from which both relevance and credibility have long since departed?”

— Clifford Geertz, conclusion of “The Cerebral Savage: On the Work of Claude Lévi-Strauss

Wednesday, June 23, 2010

Group Theory and Philosophy

Filed under: General,Geometry — Tags: , — m759 @ 5:01 pm

Excerpts from "The Concept of Group and the Theory of Perception,"
by Ernst Cassirer, Philosophy and Phenomenological Research,
Volume V, Number 1, September, 1944.
(Published in French in the Journal de Psychologie, 1938, pp. 368-414.)

The group-theoretical interpretation of the fundaments of geometry is,
from the standpoint of pure logic, of great importance, since it enables us to
state the problem of the "universality" of mathematical concepts in simple
and precise form and thus to disentangle it from the difficulties and ambigui-
ties with which it is beset in its usual formulation. Since the times of the
great controversies about the status of universals in the Middle Ages, logic
and psychology have always been troubled with these ambiguities….

Our foregoing reflections on the concept of group  permit us to define more
precisely what is involved in, and meant by, that "rule" which renders both
geometrical and perceptual concepts universal. The rule may, in simple
and exact terms, be defined as that group of transformations  with regard to
which the variation of the particular image is considered. We have seen
above that this conception operates as the constitutive principle in the con-
struction of the universe of mathematical concepts….

                                                              …Within Euclidean geometry,
a "triangle" is conceived of as a pure geometrical "essence," and this
essence is regarded as invariant with respect to that "principal group" of
spatial transformations to which Euclidean geometry refers, viz., displace-
ments, transformations by similarity. But it must always be possible to
exhibit any particular figure, chosen from this infinite class, as a concrete
and intuitively representable object. Greek mathematics could not
dispense with this requirement which is rooted in a fundamental principle
of Greek philosophy, the principle of the correlatedness of "logos" and
"eidos." It is, however, characteristic of the modern development of
mathematics, that this bond between "logos" and "eidos," which was indis-
soluble for Greek thought, has been loosened more and more, to be, in the
end, completely broken….

                                                            …This process has come to its logical
conclusion and systematic completion in the development of modern group-
theory. Geometrical figures  are no longer regarded as fundamental, as
date of perception or immediate intuition. The "nature" or "essence" of a
figure is defined in terms of the operations  which may be said to
generate the figure.
The operations in question are, in turn, subject to
certain group conditions….

                                                                                                    …What we
find in both cases are invariances with respect to variations undergone by
the primitive elements out of which a form is constructed. The peculiar
kind of "identity" that is attributed to apparently altogether heterogen-
eous figures in virtue of their being transformable into one another by means
of certain operations defining a group, is thus seen to exist also in the
domain of perception. This identity permits us not only to single out ele-
ments but also to grasp "structures" in perception. To the mathematical
concept of "transformability" there corresponds, in the domain of per-
ception, the concept of "transposability." The theory  of the latter con-
cept has been worked out step by step and its development has gone through
various stages….
                                                                                 …By the acceptance of
"form" as a primitive concept, psychological theory has freed it from the
character of contingency  which it possessed for its first founders. The inter-
pretation of perception as a mere mosaic of sensations, a "bundle" of simple
sense-impressions has proved untenable…. 

                             …In the domain of mathematics this state of affairs mani-
fests itself in the impossibility of searching for invariant properties of a
figure except with reference to a group. As long as there existed but one
form of geometry, i.e., as long as Euclidean geometry was considered as the
geometry kat' exochen  this fact was somehow concealed. It was possible
to assume implicitly  the principal group of spatial transformations that lies
at the basis of Euclidean geometry. With the advent of non-Euclidean
geometries, however, it became indispensable to have a complete and sys-
tematic survey of the different "geometries," i.e., the different theories of
invariancy that result from the choice of certain groups of transformation.
This is the task which F. Klein set to himself and which he brought to a
certain logical fulfillment in his Vergleichende Untersuchungen ueber neuere
geometrische Forschungen
….

                                                          …Without discrimination between the
accidental and the substantial, the transitory and the permanent, there
would be no constitution of an objective reality.

This process, unceasingly operative in perception and, so to speak, ex-
pressing the inner dynamics of the latter, seems to have come to final per-
fection, when we go beyond perception to enter into the domain of pure
thought. For the logical advantage and peculiar privilege of the pure con –
cept seems to consist in the replacement of fluctuating perception by some-
thing precise and exactly determined. The pure concept does not lose
itself in the flux of appearances; it tends from "becoming" toward "being,"
from dynamics toward statics. In this achievement philosophers have
ever seen the genuine meaning and value of geometry. When Plato re-
gards geometry as the prerequisite to philosophical knowledge, it is because
geometry alone renders accessible the realm of things eternal; tou gar aei
ontos he geometrike gnosis estin
. Can there be degrees or levels of objec-
tive knowledge in this realm of eternal being, or does not rather knowledge
attain here an absolute maximum? Ancient geometry cannot but answer
in the affirmative to this question. For ancient geometry, in the classical
form it received from Euclid, there was such a maximum, a non plus ultra.
But modern group theory thinking has brought about a remarkable change
In this matter. Group theory is far from challenging the truth of Euclidean
metrical geometry, but it does challenge its claim to definitiveness. Each
geometry is considered as a theory of invariants of a certain group; the
groups themselves may be classified in the order of increasing generality.
The "principal group" of transformations which underlies Euclidean geome-
try permits us to establish a number of properties that are invariant with
respect to the transformations in question. But when we pass from this
"principal group" to another, by including, for example, affinitive and pro-
jective transformations, all that we had established thus far and which,
from the point of view of Euclidean geometry, looked like a definitive result
and a consolidated achievement, becomes fluctuating again. With every
extension of the principal group, some of the properties that we had taken
for invariant are lost. We come to other properties that may be hierar-
chically arranged. Many differences that are considered as essential
within ordinary metrical geometry, may now prove "accidental." With
reference to the new group-principle they appear as "unessential" modifica-
tions….

                 … From the point of view of modern geometrical systematization,
geometrical judgments, however "true" in themselves, are nevertheless not
all of them equally "essential" and necessary. Modern geometry
endeavors to attain progressively to more and more fundamental strata of
spatial determination. The depth of these strata depends upon the com-
prehensiveness of the concept of group; it is proportional to the strictness of
the conditions that must be satisfied by the invariance that is a universal
postulate with respect to geometrical entities. Thus the objective truth
and structure of space cannot be apprehended at a single glance, but have to
be progressively  discovered and established. If geometrical thought is to
achieve this discovery, the conceptual means that it employs must become
more and more universal….

Thursday, December 31, 2009

All About Eve

Filed under: General — Tags: — m759 @ 9:57 am

NY Times obituaries on New Year's Eve, 2009-- Carlene Hatcher Polite and David Levine

Genesis 3:24
So he drove out the man; and he placed
at the east of the garden of Eden Cherubims,
and a flaming sword which turned every way,
to keep the way of the tree of life.

"The links are direct between the tautology out of the Burning Bush, that 'I am' which accords to language the privilege of phrasing the identity of God, on the one hand, and the presumptions of concordance, of equivalence, of translatability, which, though imperfect, empower our dictionaries, our syntax, our rhetoric, on the other. That 'I am' has, as it were, at an overwhelming distance, informed all predication. It has spanned the arc between noun and verb, a leap primary to creation and the exercise of creative consciousness in metaphor. Where that fire in the branches has gone out or has been exposed as an optical illusion, the textuality of the world, the agency of the Logos in logic—be it Mosaic, Heraclitean, or Johannine—becomes 'a dead letter.'"

George Steiner, Grammars of Creation

Carlene Hatcher Polite–
"Shall I help you?" asked a bass voice.
"If you can," answered a contralto.
"Trace down this tree. Let me show you
men in its stead. Leaf through this bush,
extinguish the burning fire…"
The Flagellants, page 8

"How much story do you want?"
George Balanchine

Wednesday, August 5, 2009

Wednesday August 5, 2009

Filed under: General,Geometry — Tags: , — m759 @ 11:30 am

 

Word and Image

NYT obituary summaries for Charles Gwathmey and Edward Hall, morning of Aug. 5, 2009

From Hall's obituary
:

"Edward T. Hall, a cultural anthropologist
who pioneered the study of nonverbal
 communication and interactions between
members of different ethnic groups,
 died July 20 at his home in
 Santa Fe, N.M. He was 95."

NY Times piece quoted here on
 the date of Hall's death:
 

"July 20, 1969, was the moment NASA needed, more than anything else in this world, the Word. But that was something NASA's engineers had no specifications for. At this moment, that remains the only solution to recovering NASA's true destiny, which is, of course, to build that bridge to the stars."

— Tom Wolfe, author of The Right Stuff, an account of the Mercury Seven astronauts.

Commentary
The Word according to St. John:

Jill St. John, star of 'Diamonds are Forever'

 

From Hall's obituary:

"Mr. Hall first became interested in
space and time as forms of cultural
 expression while working on
Navajo and Hopi reservations
 in the 1930s."

Log24, July 29
:

Changing Woman:

"Kaleidoscope turning…

Juliette Binoche in 'Blue'  The 24 2x2 Cullinane Kaleidoscope animated images

Shifting pattern within   
unalterable structure…"
— Roger Zelazny,  
Eye of Cat  

"We are the key."
Eye of Cat  

Update of about 4:45 PM 8/5:

Paul Newall, "Kieślowski's Three Colours Trilogy"

"Julie recognises the music of the busker outside playing a recorder as that of her husband's. When she asks him where he heard it, he replies that he makes up all sorts of things. This is an instance of a theory of Kieślowski's that 'different people, in different places, are thinking the same thing but for different reasons.' With regard to music in particular, he held what might be characterised as a Platonic view according to which notes pre-exist and are picked out and assembled by people. That these can accord with one another is a sign of what connects people, or so he believed."

The above photo of Juliette Binoche in Blue accompanying the quotations from Zelazny illustrates Kieślowski's concept, with graphic designs instead of musical notes. Some of the same designs are discussed in Abstraction and the Holocaust (Mark Godfrey, Yale University Press, 2007). (See the Log24 entries of June 11, 2009.)

Related material:

"Jeffrey Overstreet, in his book Through a Screen Darkly, comments extensively on Blue. He says these stones 'are like strands of suspended crystalline tears, pieces of sharp-edged grief that Julie has not been able to express.'….

Throughout the film the color blue crops up, highlighting the mood of Julie's grief. A blue light occurs frequently, when Julie is caught by some fleeting memory. Accompanied by strains of an orchestral composition, possibly her husband's, these blue screen shots hold for several seconds while Julie is clearly processing something. The meaning of this blue light is unexplained. For Overstreet, it is the spirit of reunification of broken things."

Martin Baggs at Mosaic Movie Connect Group on Sunday, March 15, 2009. (Cf. Log24 on that date.)

For such a spirit, compare Binoche's blue mobile in Blue with Binoche's gathered shards in Bee Season.

Wednesday, December 26, 2007

Wednesday December 26, 2007

Filed under: General — Tags: — m759 @ 12:00 pm
A Wonderful Life

Part I:
 
Language Games

 
on December 19:

 

http://www.log24.com/log/pix07A/071219-StanLilith.jpg

See also the noir entry on
"Nightmare Alley" for
Winter Solstice 2002,
as well as a solstice-related
commentary on I Ching
Hexagram 41, Decrease.

Part II:

Language Game
on Christmas Day

Pennsylvania Lottery
December 25, 2007:

PA Lottery Christmas Day: Mid-day 041 and 2911, Evening 173 and 0666
 

Part III:
 
A Wonderful Life

The Pennsylvania Lottery on Christmas at mid-day paired the number of the I Ching Hexagram 41, "Decrease," with the number 2911, which may be interpreted as a reference to I Chronicles 29:11
 
"Thine, O LORD is the greatness, and the power, and the glory, and the victory, and the majesty: for all that is in the heaven and in the earth is thine; thine is the kingdom, O LORD, and thou art exalted as head above all."

 

This verse is sometimes cited as influencing the Protestant conclusion of the Lord's Prayer:

"Thine is the kingdom, and the power, and the glory, forever" (Mt 6.13b; compare 1 Chr 29.11-13)….

This traditional epilogue to the Lord's prayer protects the petition for the coming of the kingdom from being understood as an exorcism, which we derive from the Jewish prayer, the Kaddish, which belonged at the time to the synagogical liturgy.

World Alliance of Reformed Churches

The Pennsylvania Lottery on Christmas evening paired 173 with the beastly number 0666.  The latter number suggests that perhaps being "understood as an exorcism" might not, in this case, be such a bad thing. What, therefore, might "173" have to do with exorcism?  A search in the context of the phrase "language games" yields a reference to Wittgenstein's Zettel, section 173:

http://www.log24.com/log/pix07A/071226-Zettel.jpg

From Charles L. Creegan, Wittgenstein and Kierkegaard:

Language-games give general guidelines of the application of language. Wittgenstein suggests that there are innumerably many language-games: innumerably many kinds of use of the components of language.24 The grammar of the language-game influences the possible relations of words, and things, within that game. But the players may modify the rules gradually. Some utterances within a given language-game are applications; others are 'grammatical remarks' or definitions of what is or should be possible. (Hence Wittgenstein's remark, 'Theology as grammar'25 – the grammar of religion.)

The idea of the 'form of life' is a reminder about even more basic phenomena. It is clearly bound up with the idea of language. (Language and 'form of life' are explicitly connected in four of the five passages from the Investigations in which the term 'form of life' appears.) Just as grammar is subject to change through language-uses, so 'form of life' is subject to change through changes in language. (The Copernican revolution is a paradigm case of this.) Nevertheless, 'form of life' expresses a deeper level of 'agreement.' It is the level of 'what has to be accepted, the given.'26 This is an agreement prior to agreement in opinions and decisions. Not everything can be doubted or judged at once.

This suggests that 'form of life' does not denote static phenomena of fixed scope. Rather, it serves to remind us of the general need for context in our activity of meaning. But the context of our meaning is a constantly changing mosaic involving both broad strokes and fine-grained distinctions.

The more commonly understood point of the 'Private Language Argument' – concerning the root of meaning in something public – comes into play here. But it is important to show just what public phenomenon Wittgenstein has in mind. He remarks: 'Only in the stream of thought and life do words have meaning.'27

24
Investigations, sec. 23.
25
Investigations, sec. 373; compare Zettel, sec. 717.
26
Investigations, p. 226e.
27
Zettel, sec. 173. The thought is expressed many times in similar words.

And from an earlier chapter of Creegan:

The 'possibility of religion' manifested itself in considerable reading of religious works, and this in a person who chose his reading matter very carefully. Drury's recollections include conversations about Thomas à Kempis, Samuel Johnson's Prayers, Karl Barth, and, many times, the New Testament, which Wittgenstein had clearly read often and thought about.25 Wittgenstein had also thought about what it would mean to be a Christian. Some time during the 1930s, he remarked to Drury: 'There is a sense in which you and I are both Christians.'26 In this context it is certainly worth noting that he had for a time said the Lord's Prayer each day.27

Wittgenstein's last words were: 'Tell them I've had a wonderful life!'28

25
Drury (1981) 'Conversations with Wittgenstein,' in Ludwig Wittgenstein: Personal Recollections, pp. 112ff.
26
Drury, 'Conversations,' p. 130.
27
Drury, 'Some notes,' p. 109.
28
Reported by Mrs. Bevan, the wife of the doctor in whose house Wittgenstein was staying. Malcolm, Memoir, p. 81.

Part IV:  

L'Envoi

For more on the Christmas evening
number of the beast, see Dec. 3:
  "Santa's Polar Opposite?" —

"Did he who made the Lamb
make thee?
"

Sunday, May 6, 2007

Sunday May 6, 2007

Filed under: General — m759 @ 3:09 pm

Masters of Chaos

“Any text is constructed as a mosaic of quotations.”
Julia Kristeva

Paris vaut bien une messe.”
Henri IV

“Certain details might be considered and elucidated more fully.”
A Mass for Lucero

“There is never any ending to Paris….”
Ernest Hemingway

Thursday, May 3, 2007

Thursday May 3, 2007

Filed under: General,Geometry — Tags: — m759 @ 3:00 pm
A Web
of Links

"Some postmodern theorists like to talk about the relationship between 'intertextuality' and 'hypertextuality'; intertextuality makes each text a 'mosaic of quotations' [Kristeva, Desire in Language, Columbia U. Pr., 1980, 66] and part of a larger mosaic of texts, just as each hypertext can be a web of links and part of the whole World-Wide Web." —Wikipedia
 

The image “http://www.log24.com/log/pix07/070503-Tiffany.jpg” cannot be displayed, because it contains errors.

Related material

Day Without Logic,
Introduction to Logic,
The Geometry of Logic,
Structure and Logic,
Spider-Man and Fan:

The image “http://www.log24.com/log/pix07/070503-Devillers.jpg” cannot be displayed, because it contains errors.

"There is such a thing
as a tesseract."
A Wrinkle in Time  
 

Sunday, April 3, 2005

Sunday April 3, 2005

Filed under: General — Tags: — m759 @ 3:26 pm
Wager

Pennsylvania Lottery Daily Number

for yesterday evening,
Saturday, April 2, 2005:

613

Related material:

From 6/13 2004

An 8-rayed star:

Another 8-rayed star:

The image “http://www.log24.com/log/pix05/050403-StPetersSq.jpg” cannot be displayed, because it contains errors.

St. Peter’s Square in Rome
 
From 6/13 2003

A link to a 2001 First Things essay,

The End of Endings:

“Here is the heart of the matter:

The underwriting of Hebraic–Hellenic literacy, of the normative analogue between divine and mortal acts of creation, was, in the fullest sense, theological. As was the wager (pronounced lost in deconstruction and postmodernism) on ultimate possibilities of accord between sign and sense, between word and meaning, between form and phenomenality. The links are direct between the tautology out of the Burning Bush, that ‘I am’ which accords to language the privilege of phrasing the identity of God, on the one hand, and the presumptions of concordance, of equivalence, of translatability, which, though imperfect, empower our dictionaries, our syntax, our rhetoric, on the other. That ‘I am’ has, as it were, at an overwhelming distance, informed all predication. It has spanned the arc between noun and verb, a leap primary to creation and the exercise of creative consciousness in metaphor. Where that fire in the branches has gone out or has been exposed as an optical illusion, the textuality of the world, the agency of the Logos in logic—be it Mosaic, Heraclitean, or Johannine—becomes ‘a dead letter.’

That passage bears rereading.”

— Richard John Neuhaus quoting
   George Steiner’s Grammars of Creation
   (Yale University Press, April 1, 2001)

Saturday, December 20, 2003

Saturday December 20, 2003

Filed under: General,Geometry — Tags: — m759 @ 5:00 pm

White, Geometric, and Eternal

This afternoon's surfing:

Prompted by Edward Rothstein's own Fides et Ratio encyclical in today's NY Times, I googled him.

At the New York Review of Books, I came across the following by Rothstein:

"… statements about TNT can be represented within TNT: the formal system can, in a precise way, 'talk' about itself."

This naturally prompted me to check what is on TNT on this, the feast day of St. Emil Artin.  At 5 PM this afternoon, we have Al Pacino in "The Devil's Advocate" — a perfect choice for the festival of an alleged saint.

Preparing for Al, I meditated on the mystical significance of the number 373, as explained in Zen and Language Games: the page number 373 in Robert Stone's theological classic A Flag for Sunrise conveys the metaphysical significance of the phrase "diamonds are forever" — "the eternal in the temporal," according to Stone's Catholic priest.  This suggests a check of another theological classic, Pynchon's Gravity's RainbowPage 373 there begins with the following description of prewar Berlin:

"white and geometric."

This suggests the following illustration of a white and geometric object related to yesterday's entry on Helmut Wielandt:

From antiquark.com

Figure 1

(This object, which illustrates the phrase "makin' the changes," also occurs in this morning's entry on the death of a jazz musician.)

A further search for books containing "white" and "geometric" at Amazon.com yields the following:

Figure 2

From Mosaics, by
Fassett, Bahouth, and Patterson:

"A risco fountain in Mexico city, begun circa 1740 and made up of Mexican pottery and Chinese porcelain, including Ming.

The delicate oriental patterns on so many different-sized plates and saucers [are] underlined by the bold blue and white geometric tiles at the base."

Note that the tiles are those of Diamond Theory; the geometric object in figure 1 above illustrates a group that plays a central role in that theory.

Finally, the word "risco" (from Casa del Risco) associated with figure 2 above leads us to a rather significant theological site associated with the holy city of Santiago de Compostela:

Figure 3

Vicente Risco's
Dedalus in Compostela.

Figure 3 shows James Joyce (alias Dedalus), whose daughter Lucia inspired the recent entry Jazz on St. Lucia's Day — which in turn is related, by last night's 2:45 entry and by Figure 1, to the mathematics of group theory so well expounded by the putative saint Emil Artin.

"His lectures are best described as
polished diamonds."
Fine Hall in its Golden Age,
by Gian-Carlo Rota

If Pynchon plays the role of devil's advocate suggested by his creation, in Gravity's Rainbow, of the character Emil Bummer, we may hope that Rota, no longer in time but now in eternity, can be persuaded to play the important role of saint's advocate for his Emil.
 

Update of 6:30 PM 12/20/03:

Riddled:

The Absolutist Faith
of The New York Times

White and Geometric, but not Eternal.

Monday, February 10, 2003

Monday February 10, 2003

Filed under: General — m759 @ 2:03 am

Rainbow’s End

For Ernst Kitzinger, professor of Byzantine art at Harvard, who died at 90 on January 22, 2003. 

In “Sailing to Byzantium,” the poet W. B. Yeats wrote of Ireland,

That is no country for old men….
….
Caught in that sensual music all neglect
Monuments of unageing intellect.
….
O sages standing in God’s holy fire
As in the gold mosaic of a wall,
Come from the holy fire, perne in a gyre,
And be the singing-masters of my soul.
Consume my heart away; sick with desire
And fastened to a dying animal
It knows not what it is; and gather me
Into the artifice of eternity.

Don’t ever tell me the gods have no sense of humor.  After writing the phrase “rainbow’s-end gold” in yesterday’s entry, “Messe,” I came across an obituary of Professor Kitzinger, which naturally prompted me to look for a good web page on “Sailing to Byzantium.”

The poem concludes with images of “gold mosaic,” “Grecian goldsmiths,” “hammered gold,” “gold enamelling,” and “a golden bough.”  I had forgotten that Yeats’s poem begins to sound rather like the curse of King Midas.  And then the touch of divinity: the perfect deflation of Yeatsian and Byzantine pretentiousness, on the following web page:

http://www.geocities.com/Athens/Atlantis/3260/sailing.html,

at “The Lonesome Surf-In Poetry Cafe.”  With lovely faux-gold borders, this page has as background music a gloriously cheesy rendition of “Moon River.”  (Rainbow’s end… Waitin’ ’round the bend….) So much for the Tiffany’s approach to poetry.

I still admire Yeats’ respect
For monuments of intellect
But even though I’m getting old
Can’t share his appetite for gold.

For a rather different “artifice of eternity,”
see my entry of February 1, 2003,

Time and Eternity.

Sunday, September 15, 2002

Sunday September 15, 2002

Filed under: General,Geometry — Tags: — m759 @ 11:07 pm

Evariste Galois and 
The Rock That Changed Things

An article in the current New York Review of Books (dated Sept. 26) on Ursula K. Le Guin prompted me to search the Web this evening for information on a short story of hers I remembered liking.  I found the following in the journal of mathematician Peter Berman:

  • A Fisherman of the Inland Sea, Ursula K. Le Guin, 1994:
    A book of short stories. Good, entertaining. I especially liked “The Rock That Changed Things.” This story is set in a highly stratified society, one split between elite and enslaved populations. In this community, the most important art form is a type of mosaic made from rocks, whose patterns are read and interpreted by scholars from the elite group. The main character is a slave woman who discovers new patterns in the mosaics. The story is slightly over-the-top but elegant all the same.

I agree that the story is elegant (from a mathematician, a high compliment), so searched Berman’s pages further, finding this:

A table of parallels

between The French Mathematician (a novel about Galois) and Harry Potter and the Sorcerer’s Stone

My own version of the Philosopher’s Stone (the phrase used instead of “Sorcerer’s Stone” in the British editions of Harry Potter) appears in my profile picture at top left; see also the picture of Plato’s diamond figure in my main math website.  The mathematics of finite (or “Galois”) fields plays a role in the underlying theory of this figure’s hidden symmetries.  Since the perception of color plays a large role in the Le Guin story and since my version of Plato’s diamond is obtained by coloring Plato’s version, this particular “rock that changes things” might, I hope, inspire Berman to extend his table to include Le Guin’s tale as well.

Even the mosaic theme is appropriate, this being the holiest of the Mosaic holy days.

Dr. Berman, G’mar Chatimah Tova.

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