Code Blue
Update of 7:04 PM ET —
The source of the 404 message in the browsing history above
was the footnote below:
Code Blue
Update of 7:04 PM ET —
The source of the 404 message in the browsing history above
was the footnote below:
These are Rothko's Swamps .
See a Log24 search for related meditations.
For all three topics combined, see Coxeter —
" There is a pleasantly discursive treatment
of Pontius Pilate’s unanswered question
‘What is truth?’ "
— Coxeter, 1987, introduction to Trudeau’s
The Non-Euclidean Revolution
Update of 10 AM ET — Related material, with an elementary example:
Posts tagged "Defining Form." The example —
From Schicksalstag 2012:
EAST LANSING, Mich., Nov. 9, 2012 /PRNewswire-USNewswire/ —
“The Eli and Edythe Broad Art Museum at Michigan State University,
a new Zaha Hadid-designed contemporary art museum, will open on
Saturday, Nov. 10 . . . .
In Search of Time (on view through February 10, 2013).
In celebrating the opening of this iconic building at
Michigan State University, In Search of Time seeks to explore
the longing artists have held for hundreds of years to express
their relationship to time and memory.”
See also, from Log24, posts now tagged Nov. 10, 2012 , and
posts earlier tagged Battlefield Geometry .
Related material to commemorate Walpurgisnacht 2021 (last night) —
https://www.latimes.com/story/2021-04-30/
photos-eli-broad-philanthropist-art-collector-builder-created-
part-of-the-los-angeles-landscape
Related reading — Notes for Watchmen.
The phrase "twin pillars" in a New York Times Fashion & Style
article today suggests a look at another pair of pillars —
This pair, from the realm of memory, history, and geometry disparaged
by the late painter Mark Rothko, might be viewed by Rothko
as "parodies of ideas (which are ghosts)." (See the previous post.)
For a relationship between a 3-dimensional simplex and the {4, 3, 3},
see my note from May 21, 2014, on the tetrahedron and the tesseract.
… Continued from April 11, 2016, and from …
A tribute to Rothko suggested by the previous post —
For the idea of Rothko's obstacles, see Hexagram 39 in this journal.
Mathematics —
Hudson's parametrization of the
4×4 square, published in 1905:
A later parametrization, from this date in 1986:
A note from later in 1986 shows the equivalence of these
two parametrizations:
Narrative —
Posts tagged Memory-History-Geometry.
The mathematically challenged may prefer the narrative of the
Creation Matrix from the religion of the Transformers:
"According to religious legend, the core of the Matrix
was created from Solomus, the god of wisdom,
trapped in the form of a crystal by Mortilus, the god
of death. Following the defeat of Mortilus, Solomus
managed to transform his crystal prison into the Matrix—
a conduit for the energies of Primus, who had himself
transformed into the life-giving computer Vector Sigma."
From posts now tagged “Memory-History-Geometry” —
“… even the dogs under the table
eat the children’s crumbs.” — Mark 7:28
From a 2015 post …
“… Kansas and Harvard officially met
as Kansas wrestled the unsuspecting Harvard
to the ground in a headlock.”
— Harvard Heart of Gold , by Dustin Aguilar,
quoted here on April 24, 2015
For the dogs under the table, a note from that same date —
See as well Tom Wolfe on manifestos
and “the creative spirit.”
Continuing the "Memory, History, Geometry" theme
from yesterday …
See Tetrahedral, Oblivion, and Tetrahedral Oblivion.
"Welcome home, Jack."
In memory of William S. Knowles, chiral chemist, who died last Wednesday (June 13, 2012)—
Detail from the Harvard Divinity School 1910 bookplate in yesterday morning's post—
"ANDOVER–HARVARD THEOLOGICAL LIBRARY"
Detail from Knowles's obituary in this morning's New York Times—
William Standish Knowles was born in Taunton, Mass., on June 1, 1917. He graduated a year early from the Berkshire School, a boarding school in western Massachusetts, and was admitted to Harvard. But after being strongly advised that he was not socially mature enough for college, he did a second senior year of high school at another boarding school, Phillips Academy in Andover, N.H.
Dr. Knowles graduated from Harvard with a bachelor’s degree in chemistry in 1939….
"This is the relativity problem: to fix objectively a class of equivalent coordinatizations and to ascertain the group of transformations S mediating between them."
— Hermann Weyl, The Classical Groups, Princeton University Press, 1946, p. 16
From Pilate Goes to Kindergarten—
The six congruent quaternion actions illustrated above are based on the following coordinatization of the eightfold cube—
Problem: Is there a different coordinatization
that yields greater symmetry in the pictures of
quaternion group actions?
A paper written in a somewhat similar spirit—
"Chiral Tetrahedrons as Unitary Quaternions"—
ABSTRACT: Chiral tetrahedral molecules can be dealt [with] under the standard of quaternionic algebra. Specifically, non-commutativity of quaternions is a feature directly related to the chirality of molecules….
Conclusion of “The Place of Pure Mathematics” —
“Dogmas and philosophies, it would seem, rise and fall. But gradually accumulating throughout the ages, from the earliest dawn of history, there is a body of doctrine, a reasoned insight into the relations of exact ideas, painfully won and often tested. And this remains the main heritage of man; his little beacon of light amidst the solitudes and darknesses of infinite space; or, if you prefer, like the shout of children at play together in the cultivated valleys, which continues from generation to generation.
Yes, and continues for ever! A universe which has the potentiality of becoming thus conscious of itself is not without something of which that which we call memory is but an image. Somewhere, somehow, in ways we dream not of, when you and I have merged again into the illimitable whole, when all that is material has ceased, the faculty in which we now have some share, shall surely endure; the conceptions we now dimly struggle to grasp, the joy we have in the effort, these are but part of a greater whole. Some may fear, and some may hope, that they and theirs shall not endure for ever. But he must have studied Nature in vain who does not see that our spiritual activities are inherent in the mighty process of which we are part; who can doubt of their persistence.
And, on the intellectual side, of all that is best ascertained, and surest, and most definite, of these; of all that is oldest and most universal; of all that is most fundamental and far-reaching, of these activities, Pure Mathematics is the symbol and the sum.”
— From a 1913 address by geometry saint Henry Frederick Baker, who died on this date in 1956
The feast of another saint, Patrick, also falls on 3/17. The date itself is related, if only by chance, to the following remark—
“317 is a prime, not because we think so,
or because our minds are shaped in one way
rather than another, but because it is so,
because mathematical reality is built that way.”
— From a 1940 book by the somewhat less saintly number theorist G. H. Hardy
Unitarian Universalist Origins: Our Historic Faith—
“In sixteenth-century Transylvania, Unitarian congregations were established for the first time in history.”
Gravity’s Rainbow–
“For every kind of vampire, there is a kind of cross.”
Unitarian minister Richard Trudeau—
“… I called the belief that
(1) Diamonds– informative, certain truths about the world– exist
the ‘Diamond Theory’ of truth. I said that for 2200 years the strongest evidence for the Diamond Theory was the widespread perception that
(2) The theorems of Euclidean geometry are diamonds….
As the news about non-Euclidean geometry spread– first among mathematicians, then among scientists and philosophers– the Diamond Theory began a long decline that continues today.
Factors outside mathematics have contributed to this decline. Euclidean geometry had never been the Diamond Theory’s only ally. In the eighteenth century other fields had seemed to possess diamonds, too; when many of these turned out to be man-made, the Diamond Theory was undercut. And unlike earlier periods in history, when intellectual shocks came only occasionally, received truths have, since the eighteenth century, been found wanting at a dizzying rate, creating an impression that perhaps no knowledge is stable.
Other factors notwithstanding, non-Euclidean geometry remains, I think, for those who have heard of it, the single most powerful argument against the Diamond Theory*– first, because it overthrows what had always been the strongest argument in favor of the Diamond Theory, the objective truth of Euclidean geometry; and second, because it does so not by showing Euclidean geometry to be false, but by showing it to be merely uncertain.” —The Non-Euclidean Revolution, p. 255
H. S. M. Coxeter, 1987, introduction to Trudeau’s book—
“There is a pleasantly discursive treatment of Pontius Pilate’s unanswered question ‘What is truth?’.”
As noted here on Oct. 8, 2008 (A Yom Kippur Meditation), Coxeter was aware in 1987 of a more technical use of the phrase “diamond theory” that is closely related to…
Undertakings bring misfortune.
Nothing that would further.
“Brian O’Doherty, an Irish-born artist,
before the [Tuesday, May 20] wake
of his alter ego* ‘Patrick Ireland’
on the grounds of the
Irish Museum of Modern Art.”
— New York Times, May 22, 2008
THE IMAGE
Thus the superior man
understands the transitory
in the light of
the eternity of the end.
Another version of
the image:
See 2/22/08
and 4/19/08.
Michael Kimmelman in today’s New York Times—
“An essay from the ’70s by Mr. O’Doherty, ‘Inside the White Cube,’ became famous in art circles for describing how modern art interacted with the gallery spaces in which it was shown.”
Brian O’Doherty, “Inside the White Cube,” 1976 Artforum essays on the gallery space and 20th-century art:
“The history of modernism is intimately framed by that space. Or rather the history of modern art can be correlated with changes in that space and in the way we see it. We have now reached a point where we see not the art but the space first…. An image comes to mind of a white, ideal space that, more than any single picture, may be the archetypal image of 20th-century art.”
“Nothing that would further.”
— Hexagram 54
…. Now thou art an 0 |
“…. in the last mystery of all the single figure of what is called the World goes joyously dancing in a state beyond moon and sun, and the number of the Trumps is done. Save only for that which has no number and is called the Fool, because mankind finds it folly till it is known. It is sovereign or it is nothing, and if it is nothing then man was born dead.”
— The Greater Trumps,
by Charles Williams, Ch. 14
A Balliol Star
In memory of
mathematician
Graham Higman of
Balliol College and
Magdalen College,
Oxford,
Jan. 19, 1917 –
April 8, 2008
From a biography of an earlier Balliol student,
Gerard Manley Hopkins (1844-1889):
"In 1867 he won First-Class degrees in Classics
and 'Greats' (a rare 'double-first') and was
considered by Jowett to be the star of Balliol."
Hopkins, a poet who coined the term "inscape," was a member of the Society of Jesus.
According to a biography, Higman was the founder of Oxford's Invariant Society.
From a publication of that society, The Invariant, Issue 15– undated but (according to Issue 16, of 2005) from 1996 (pdf):
Taking the square root
of a function by Ian Collier "David Singmaster once gave a talk at the Invariants and afterwards asked this question: What is the square root of the exponential function? In other words, can you define a function f such that for all x, |
Another approach to the expression f(f(x)), by myself in 1982:
For further details,
see Inscapes.
For more about Higman, see an interview in the September 2001 newsletter of the European Mathematical Society (pdf).
“Yo es que nací un 8 de marzo,
Día de la Mujer Trabajadora,
y no he hecho más que
trabajar toda mi vida.”
For background on Aldecoa,
see a paper (pdf) by
Sara Brenneis:
“Josefina Aldecoa intertwines
history, collective memory
and individual testimony in her
historical memory trilogy…”
The Triangle Shirtwaist Factory Fire in New York City on March 25, 1911, was the largest industrial disaster in the history of the city of New York, causing the death of 146 garment workers who either died in the fire or jumped to their deaths.
Propaganda, March 1977:
“On March 8, 1908, after the death of 128 women trapped in a fire at the Triangle Shirtwaist Factory in New York City, 15,000 women workers from the garment and textile industry marched echoing the demands of their sisters 50 years earlier…”
Propaganda, March 2006:
“First of all, on March 8th, 1857, a large number of factory workers in the United States took to the streets to demand their economic and political rights. The owners called the police who arrived immediately and opened fire, engaging in blind repression… Later on, in 1908, the same date of March 8th was once again a memorable date of struggle. On this day, capitalist bosses in Chicago set fire to a textile factory where over a thousand women worked. A very large number was terribly burnt. 120 died!”
Propaganda disguised as news, March 2007:
From today’s top story in 24 HoursTM, a commuter daily in Vancouver published by Sun Media Corporation:
Fight still on for equality
By Robyn Stubbs and Carly Krug
“International Women’s Day commemorates a march by female garment workers protesting low wages, 12-hour workdays and bad working conditions in New York City on March 8, 1857.
Then in 1908, after 128 women were trapped and killed in a fire at a New York City garment and textile factory, 15,000 women workers again took their protests to the street.”
Related historical fiction:
A version of the
I Ching’s Hexagram 19:
— Katherine Neville, The Eight
“What does this have to do with why we’re here?”
“I saw it in a chess book Mordecai showed me. The most ancient chess service ever discovered was found at the palace of King Minos on Crete– the place where the famous Labyrinth was built, named after this sacred axe. The chess service dates to 2000 B.C. It was made of gold and silver and jewels…. And in the center was carved a labrys.” … “But I thought chess wasn’t even invented until six or seven hundred A.D.,” I added. “They always say it came from Persia or India. How could this Minoan chess service be so old?” “Mordecai’s written a lot himself on the history of chess,” said Lily…. “He thinks that chess set in Crete was designed by the same guy who built the Labyrinth– the sculptor Daedalus….” Now things were beginning to click into place…. “Why was this axe carved on the chessboard?” I asked Lily, knowing the answer in my heart before she spoke. “What did Mordecai say was the connection?”…. “That’s what it’s all about,” she said quietly. “To kill the King.” The sacred axe was used to kill the King. The ritual had been the same since the beginning of time. The game of chess was merely a reenactment. Why hadn’t I recognized it before? |
Perhaps at the center of
Aldecoa’s labyrinth lurk the
capitalist bosses from Chicago
who, some say, set fire
to a textile factory
on this date in 1908.
For a Freudian perspective
on the above passage,
see yesterday’s entry
In the Labyrinth of Time,
with its link to
John Irwin‘s essay
“The False Artaxerxes:
Borges and the
Dream of Chess.”
Symbols
S. H. Cullinane
March 7, 2007
Today, by the way, is the
feast of a chess saint.
Senior Honors
From the obituary in today's New York Times of historian Arthur M. Schlesinger Jr.–
"Mr. Schlesinger, partly through his appreciation of history, fully realized his good fortune. 'I have lived through interesting times and had the luck of knowing some interesting people,' he wrote.
A huge part of his luck was his father, who guided much of his early research, and even suggested the topic for his [Harvard] senior honors: Orestes A. Brownson, a 19th-century journalist, novelist and theologian. It was published by Little, Brown in 1938 as 'Orestes A. Brownson: A Pilgrim's Progress.'"
From The Catholic Encyclopedia:
"It is sufficient for true knowledge that it affirm as real that which is truly real."
From The Diamond Theory of Truth:
"Was there really a cherubim waiting at the star-watching rock…?
Was he real?
What is real?— Madeleine L'Engle, A Wind in the Door, Farrar, Straus and Giroux, 1973, conclusion of Chapter Three, "The Man in the Night"
"Oh, Euclid, I suppose."
— Madeleine L'Engle, A Wrinkle in Time, Farrar, Straus and Giroux, 1962, conclusion of Chapter Five, "The Tesseract"
Related material: Yesterday's first annual "Tell Your Story Day" at Harvard and yesterday's entry on Euclid.
See also the iconology —
what Dan Brown in
The Da Vinci Code
calls "symbology" —
of Pandora's Box
at Log24.net,
March 10, 2005:
"Karol Wojtyla had looked into
the heart of darkness–
and at the heart of darkness
discovered reason
for an indomitable hope.
He lived on the far side of
the greatest catastrophe
in human history,
the death of the Son of God,
and knew that evil
did not have the last word.
This is the key…."
— Richard John Neuhaus,
April 4, 2005
Finnegans Wake, p. 293,
"the lazily eye of his lapis"
Skewed Mirrors,
Sept. 14, 2003
"Evil did not have the last word."
— Richard John Neuhaus, April 4, 2005
Lps. The keys to. Given! A way a lone a last a loved a long the PARIS, |
"There is never any ending to Paris."
— Ernest Hemingway
For the first word, see Louis Armand on
Lethe, erinnerung, and riverrun.
See also the following passage,
linked to on the Easter Vigil, 2005:
Legacy Codes:
The Most Violent Poem
Lore of the Manhattan Project:
From The Trinity Site —
“I imagined Oppenheimer saying aloud,
‘Batter my heart, three person’d God,”
unexpectedly recalling John Donne’s ‘Holy Sonnet [14],’
and then he knew, ‘ “Trinity” will do.’
Memory has its reasons.
‘Batter my heart’ — I remember these words.
I first heard them on a fall day at Duke University in 1963.
Inside a classroom twelve of us were
seated around a long seminar table
listening to Reynolds Price recite this holy sonnet….
I remember Reynolds saying, slowly, carefully,
‘This is the most violent poem in the English language.’ ”
Related Entertainment
Today’s birthday:
director Mike Nichols
From a dead Righteous Brother:
“If you believe in forever
Then life is just a one-night stand.”
— Bobby Hatfield, found dead
in his hotel room at
7 PM EST Wednesday, Nov. 5, 2003,
before a concert scheduled at
Western Michigan University, Kalamazoo.
From a review of The Matrix Revolutions:
“You’d have to be totally blind at the end
to miss the Christian symbolism….
Trinity gets a glimpse of heaven…. And in the end…
God Put A Rainbow In The Clouds.”
Moral of the
Entertainment:
According to Chu Hsi [Zhu Xi],
“Li” is
“the principle or coherence
or order or pattern
underlying the cosmos.”
— Smith, Bol, Adler, and Wyatt,
Sung Dynasty Uses of the I Ching,
Princeton University Press, 1990
Related Non-Entertainment
Symmetry and a Trinity
(for the dotting-the-eye symbol above)
Introduction to Harmonic Analysis
(for musical and historical background)
Mathematical Proofs
(for the spirit of Western Michigan
University, Kalamazoo)
Moral of the
Non-Entertainment:
“Many kinds of entity
become easier to handle
by decomposing them into
components belonging to spaces
invariant under specified symmetries.”
— The importance of
mathematical conceptualisation
by David Corfield,
Department of History and
Philosophy of Science,
University of Cambridge
See, too,
Symmetry of Walsh Functions and
Geometry of the I Ching.
One Ring to Rule Them All
In memory of J. R. R. Tolkien, who died on this date, and in honor of Israel Gelfand, who was born on this date.
Leonard Gillman on his collaboration with Meyer Jerison and Melvin Henriksen in studying rings of continuous functions:
“The triple papers that Mel and I wrote deserve comment. Jerry had conjectured a characterization of beta X (the Stone-Cech compactification of X) and the three of us had proved that it was true. Then he dug up a 1939 paper by Gelfand and Kolmogoroff that Hewitt, in his big paper, had referred to but apparently not appreciated, and there we found Jerry’s characterization. The three of us sat around to decide what to do; we called it the ‘wake.’ Since the authors had not furnished a proof, we decided to publish ours. When the referee expressed himself strongly that a title should be informative, we came up with On a theorem of Gelfand and Kolmogoroff concerning maximal ideals in rings of continuous functions. (This proved to be my second-longest title, and a nuisance to refer to.) Kolmogoroff died many years ago, but Gelfand is still living, a vigorous octogenarian now at Rutgers. A year or so ago, I met him at a dinner party in Austin and mentioned the 1939 paper. He remembered it very well and proceeded to complain that the only contribution Kolmogoroff had made was to point out that a certain result was valid for the complex case as well. I was intrigued to see how the giants grouse about each other just as we do.”
— Leonard Gillman: An Interview
This clears up a question I asked earlier in this journal….
Wednesday, May 14, 2003 Common Sense On the mathematician Kolmogorov: “It turns out that he DID prove one basic theorem that I take for granted, that a compact hausdorff space is determined by its ring of continuous functions (this ring being considered without any topology) — basic discoveries like this are the ones most likely to have their origins obscured, for they eventually come to be seen as mere common sense, and not even a theorem.” — Richard Cudney, Harvard ’03, writing at Xanga.com as rcudney on May 14, 2003 That this theorem is Kolmogorov’s is news to me. See
The above references establish that Gelfand is usually cited as the source of the theorem Cudney discusses. Gelfand was a student of Kolmogorov’s in the 1930’s, so who discovered what when may be a touchy question in this case. A reference that seems relevant: I. M. Gelfand and A. Kolmogoroff, “On rings of continuous functions on topological spaces,” Doklady Akad. Nauk SSSR 22 (1939), 11-15. This is cited by Gillman and Jerison in the classic Rings of Continuous Functions. There ARE some references that indicate Kolmogorov may have done some work of his own in this area. See here (“quite a few duality theorems… including those of Banaschewski, Morita, Gel’fand-Kolmogorov and Gel’fand-Naimark”) and here (“the classical theorems of M. H. Stone, Gelfand & Kolmogorov”). Any other references to Kolmogorov’s work in this area would be of interest. Naturally, any discussion of this area should include a reference to the pioneering work of M. H. Stone. I recommend the autobiographical article on Stone in McGraw-Hill Modern Men of Science, Volume II, 1968. |
A response by Richard Cudney:
“In regard to your entry, it is largely correct. The paper by Kolmogorov and Gelfand that you refer to is the one that I just read in his collected works. So, I suppose my entry was unfair to Gelfand. You’re right, the issue of credit is a bit touchy since Gelfand was his student. In a somewhat recent essay, Arnol’d makes the claim that this whole thread of early work by Gelfand may have been properly due to Kolmogorov, however he has no concrete proof, having been but a child at the time, and makes this inference based only on his own later experience as Kolmogorov’s student. At any rate, I had known about Gelfand’s representation theorem, but had not known that Kolmogorov had done any work of this sort, or that this theorem in particular was due to either of them. And to clarify-where I speak of the credit for this theorem being obscured, I speak of my own experience as an algebraic geometer and not a functional analyst. In the textbooks on algebraic geometry, one sees no explanation of why we use Spec A to denote the scheme corresponding to a ring A. That question was answered when I took functional analysis and learned about Gelfand’s theorem, but even there, Kolmogorov’s name did not come up. This result is different from the Gelfand representation theorem that you mention-this result concerns algebras considered without any topology(or norm)-whereas his representation theorem is a result on Banach algebras. In historical terms, this result precedes Gelfand’s theorem and is the foundation for it-he starts with a general commutative Banach algebra and reconstructs a space from it-thus establishing in what sense that the space to algebra correspondence is surjective, and hence by the aforementioned theorem, bi-unique. That is to say, this whole vein of Gelfand’s work started in this joint paper. Of course, to be even more fair, I should say that Stone was the very first to prove a theorem like this, a debt which Kolmogorov and Gelfand acknowledge. Stone’s paper is the true starting point of these ideas, but this paper of Kolmogorov and Gelfand is the second landmark on the path that led to Grothendieck’s concept of a scheme(with Gelfand’s representation theorem probably as the third). As an aside, this paper was not Kolmogorov’s first foray into topological algebra-earlier he conjectured the possibility of a classification of locally compact fields, a problem which was solved by Pontryagin. The point of all this is that I had been making use of ideas due to Kolmogorov for many years without having had any inkling of it.” |
Elementary,
My Dear Gropius
“What is space, how can it be understood and given a form?”
— Walter Gropius
Stoicheia,” Elements, is the title of
Euclid’s treatise on geometry.
Stoicheia is apparently also related to a Greek verb meaning “march” or “walk.”
According to a website on St. Paul’s phrase “ta stoicheia tou kosmou,” which might be translated
“… the verbal form of the root stoicheo was used to mean, ‘to be in a line,’ ‘to march in rank and file.’ … The general meaning of the noun form (stoicheion) was ‘what belongs to a series.’ “
As noted in my previous entry, St. Paul used a form of stoicheo to say “let us also walk (stoichomen) by the Spirit.” (Galatians 5:25) The lunatic ravings* of Saul of Tarsus aside, the concepts of walking, of a spirit, and of elements may be combined if we imagine the ghost of Gropius strolling with the ghosts of Plato, Aristotle, and Euclid, and posing his question about space. Their reply might be along the following lines:
Combining stoicheia with a peripatetic peripateia (i.e., Aristotelian plot twist), we have the following diagram of Aristotle’s four stoicheia (elements),
which in turn is related, by the “Plato’s diamond” figure in the monograph Diamond Theory, to the Stoicheia, or Elements, of Euclid.
Quod erat demonstrandum.
* A phrase in memory of the Paulist Norman J. O’Connor, the “jazz priest” who died on St. Peter’s day, Sunday, June 29, 2003. Paulists are not, of course, entirely mad; the classic The Other Side of Silence: A Guide to Christian Meditation, by the Episcopal priest Morton Kelsey, was published by the Paulist Press.
Its cover (above), a different version of the four-elements theme, emphasizes the important Jungian concept of quaternity. Jung is perhaps the best guide to the bizarre world of Christian symbolism. It is perhaps ironic, although just, that the Paulist Fathers should distribute a picture of “ta stoicheia tou kosmou,” the concept that St. Paul himself railed against.
The above book by Kelsey should not be confused with another The Other Side of Silence, a work on gay history, although confusion would be understandable in light of recent ecclesiastical revelations.
Let us pray that if there is a heaven, Father O’Connor encounters there his fellow music enthusiast Cole Porter rather than the obnoxious Saul of Tarsus.
Elements
In memory of Walter Gropius, founder of the Bauhaus and head of the Harvard Graduate School of Design. Gropius died on this date in 1969. He said that
"The objective of all creative effort in the visual arts is to give form to space. … But what is space, how can it be understood and given a form?"
"Alle bildnerische Arbeit will Raum gestalten. … Was ist Raum, wie können wir ihn erfassen und gestalten?"
Gropius
— "The Theory and Organization
of the Bauhaus" (1923)
I designed the following logo for my Diamond Theory site early this morning before reading in a calendar that today is the date of Gropius's death. Hence the above quote.
|
Song of Not-Self
A critic on the abstract expressionists:
"…they painted that reality — that song of self — with a passion, bravura, and decisiveness unequaled in modern art."
Painter Mark Rothko:
"I don't express myself in painting.
I express my not-self."
On this day in 1957, Buddy Holly and his group recorded the hit version of "That'll Be the Day."
On this day in 1970, painter Mark Rothko committed suicide in his New York City studio.
On February 27, 1971, the Rothko Chapel was formally dedicated in Houston, Texas.
On May 26, 1971, Don McLean recorded "American Pie."
Rothko was apparently an alcoholic; whether he spent his last day enacting McLean's lyrics I do not know.
Rothko is said to have written that
"The progression of a painter's work, as it travels in time from point to point, will be toward clarity: toward the elimination of all obstacles between the painter and the idea, and between the idea and the observer. As examples of such obstacles, I give (among others) memory, history or geometry, which are swamps of generalization from which one might pull out parodies of ideas (which are ghosts) but never an idea in itself. To achieve this clarity is, inevitably, to be understood."
— Mark Rothko, The Tiger's Eye, 1, no. 9 (October 1949), p. 114
Whether Holly's concept "the day that I die" is a mere parody of an idea or "an idea in itself," the reader may judge. The reader may also judge the wisdom of building a chapel to illustrate the clarity of thought processes such as Rothko's in 1949. I personally feel that someone who can call geometry a "swamp" may not be the best guide to religious meditation.
For another view, see this essay by Erik Anderson Reece.
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