Log24

Tuesday, February 26, 2019

Citation

Filed under: General — Tags: , , , — m759 @ 12:00 pm

Some related material in this journal — See a search for k6.gif.

Some related material from Harvard —

Elkies's  "15 simple transpositions" clearly correspond to the 15 edges of
the complete graph K6 and to the 15  2-subsets of a 6-set.

For the connection to PG(3,2), see Finite Geometry of the Square and Cube.

The following "manifestation" of the 2-subsets of a 6-set might serve as
the desired Wikipedia citation —

See also the above 1986 construction of PG(3,2) from a 6-set
in the work of other authors in 1994 and 2002 . . .

IMAGE- Dolgachev and Keum, coordinatization of the 4x4 array in 'Birational Automorphisms of Quartic Hessian Surfaces,' AMS Transactions, 2002

Monday, April 29, 2013

Seal

Filed under: General — m759 @ 10:10 am

For Poetry Month:

See posts containing
the above image.

“The theory of poetry, that is to say,
the total of the theories of poetry,
often seems to become in time
a mystical theology or, more simply,
a mystique."

Wallace Stevens, The Necessary Angel

Sunday, August 3, 2008

Sunday August 3, 2008

Filed under: General,Geometry — Tags: , , , — m759 @ 3:00 pm
Kindergarten
Geometry

Preview of a Tom Stoppard play presented at Town Hall in Manhattan on March 14, 2008 (Pi Day and Einstein’s birthday):

The play’s title, “Every Good Boy Deserves Favour,” is a mnemonic for the notes of the treble clef EGBDF.

The place, Town Hall, West 43rd Street. The time, 8 p.m., Friday, March 14. One single performance only, to the tinkle– or the clang?– of a triangle. Echoing perhaps the clang-clack of Warsaw Pact tanks muscling into Prague in August 1968.

The “u” in favour is the British way, the Stoppard way, “EGBDF” being “a Play for Actors and Orchestra” by Tom Stoppard (words) and André Previn (music).

And what a play!– as luminescent as always where Stoppard is concerned. The music component of the one-nighter at Town Hall– a showcase for the Boston University College of Fine Arts– is by a 47-piece live orchestra, the significant instrument being, well, a triangle.

When, in 1974, André Previn, then principal conductor of the London Symphony, invited Stoppard “to write something which had the need of a live full-time orchestra onstage,” the 36-year-old playwright jumped at the chance.

One hitch: Stoppard at the time knew “very little about ‘serious’ music… My qualifications for writing about an orchestra,” he says in his introduction to the 1978 Grove Press edition of “EGBDF,” “amounted to a spell as a triangle player in a kindergarten percussion band.”

Jerry Tallmer in The Villager, March 12-18, 2008

Review of the same play as presented at Chautauqua Institution on July 24, 2008:

“Stoppard’s modus operandi– to teasingly introduce numerous clever tidbits designed to challenge the audience.”

Jane Vranish, Pittsburgh Post-Gazette, Saturday, August 2, 2008

“The leader of the band is tired
And his eyes are growing old
But his blood runs through
My instrument
And his song is in my soul.”

— Dan Fogelberg

“He’s watching us all the time.”

Lucia Joyce

 

Finnegans Wake,
Book II, Episode 2, pp. 296-297:

I’ll make you to see figuratleavely the whome of your eternal geomater. And if you flung her headdress on her from under her highlows you’d wheeze whyse Salmonson set his seel on a hexengown.1 Hissss!, Arrah, go on! Fin for fun!

1 The chape of Doña Speranza of the Nacion.

 

Log 24, Sept. 3, 2003:
Reciprocity
From my entry of Sept. 1, 2003:

“…the principle of taking and giving, of learning and teaching, of listening and storytelling, in a word: of reciprocity….

… E. M. Forster famously advised his readers, ‘Only connect.’ ‘Reciprocity’ would be Michael Kruger’s succinct philosophy, with all that the word implies.”

— William Boyd, review of Himmelfarb, a novel by Michael Kruger, in The New York Times Book Review, October 30, 1994

Last year’s entry on this date:

 

Today’s birthday:
James Joseph Sylvester

Mathematics is the music of reason.”
— J. J. Sylvester

Sylvester, a nineteenth-century mathematician, coined the phrase “synthematic totals” to describe some structures based on 6-element sets that R. T. Curtis has called “rather unwieldy objects.” See Curtis’s abstract, Symmetric Generation of Finite Groups, John Baez’s essay, Some Thoughts on the Number 6, and my website, Diamond Theory.

 

The picture above is of the complete graph K6 …  Six points with an edge connecting every pair of points… Fifteen edges in all.

Diamond theory describes how the 15 two-element subsets of a six-element set (represented by edges in the picture above) may be arranged as 15 of the 16 parts of a 4×4 array, and how such an array relates to group-theoretic concepts, including Sylvester’s synthematic totals as they relate to constructions of the Mathieu group M24.

If diamond theory illustrates any general philosophical principle, it is probably the interplay of opposites….  “Reciprocity” in the sense of Lao Tzu.  See

Reciprocity and Reversal in Lao Tzu.

For a sense of “reciprocity” more closely related to Michael Kruger’s alleged philosophy, see the Confucian concept of Shu (Analects 15:23 or 24) described in

Shu: Reciprocity.

Kruger’s novel is in part about a Jew: the quintessential Jewish symbol, the star of David, embedded in the K6 graph above, expresses the reciprocity of male and female, as my May 2003 archives illustrate.  The star of David also appears as part of a graphic design for cubes that illustrate the concepts of diamond theory:

Click on the design for details.

Those who prefer a Jewish approach to physics can find the star of David, in the form of K6, applied to the sixteen 4×4 Dirac matrices, in

A Graphical Representation
of the Dirac Algebra
.

The star of David also appears, if only as a heuristic arrangement, in a note that shows generating partitions of the affine group on 64 points arranged in two opposing triplets.

Having thus, as the New York Times advises, paid tribute to a Jewish symbol, we may note, in closing, a much more sophisticated and subtle concept of reciprocity due to Euler, Legendre, and Gauss.  See

The Jewel of Arithmetic and


FinnegansWiki:

Salmonson set his seel:

“Finn MacCool ate the Salmon of Knowledge.”

Wikipedia:

George Salmon spent his boyhood in Cork City, Ireland. His father was a linen merchant. He graduated from Trinity College Dublin at the age of 19 with exceptionally high honours in mathematics. In 1841 at age 21 he was appointed to a position in the mathematics department at Trinity College Dublin. In 1845 he was appointed concurrently to a position in the theology department at Trinity College Dublin, having been confirmed in that year as an Anglican priest.”

Related material:

Kindergarten Theology,

Kindergarten Relativity,

Arrangements for
56 Triangles
.

For more on the
arrangement of
triangles discussed
in Finnegans Wake,
see Log24 on Pi Day,
March 14, 2008.

Happy birthday,
Martin Sheen.

Friday, November 11, 2005

Friday November 11, 2005

Filed under: General,Geometry — Tags: , — m759 @ 3:26 pm
720 in the Book
(continued)

From today's
New York Times:

        The image “http://www.log24.com/log/pix05B/EnlargeThis.jpg” cannot be displayed, because it contains errors.

The image “http://www.log24.com/log/pix05B/051111-BeeSeason.jpg” cannot be displayed, because it contains errors.

Phil Bray

Transcendence through spelling:
Richard Gere and Flora Cross
as father and daughter
in "Bee Season."

Words Made Flesh: Code, Culture, Imagination

The earliest known foundation of the Kabbalah is the Sefer Yetzirah (Book of Creation) whose origin and history is unknown….

… letters create things by the virtue of an algorithm…

    "From two letters or forms He composed two dwellings; from three, six; from four, twenty-four; from five, one hundred and twenty; from six, seven hundred and twenty…."
Sefer Yetzirah    

Foucault's Pendulum

Mystic logic, letters whirling in infinite change, is the world of bliss, it is the music of thought, but see that you proceed slowly, and with caution, because your machine may bring you delirium instead of ecstasy. Many of Abulafia's disciples were unable to walk the fine line between contemplation of the names of God and the practice of magic.

Bee Season

"The exercises we've been doing are Abulafia's. His methods are primarily a kind of Jewish yoga, a way to relax. For most, what Abulafia describes as shefa, the influx of the Divine, is a historical curiosity to be discussed and interpreted. Because, while anyone can follow Abulafia's instructions for permutation and chanting, very few can use them to achieve transcendence….

Spelling is a sign, Elly. When you win the national bee, we'll know that you are ready to follow in Abulafia's footsteps. Once you're able to let the letters guide you through any word you are given, you will be ready to receive shefa."

In the quiet of the room, the sound of Eliza and her father breathing is everything.

"Do you mean," Eliza whispers, "that I'll be able to talk to God?"

Related material:

Log24, Sept. 3, 2002,

Diamond Theory notes
of Feb. 4, 1986,
of April 26, 1986, and
 of May 26, 1986,

  Sacerdotal Jargon
(Log24, Dec. 5, 2002),

and 720 in the Book
(Log24, Epiphany 2004).

Friday, September 24, 2004

Friday September 24, 2004

Filed under: General,Geometry — Tags: — m759 @ 6:49 pm

Readings for
Yom Kippur

The film Pi is, in part, about an alleged secret name of God that can be uttered only on Yom Kippur.  This is my personal version of such a name– not an utterance, but instead a picture:

6:49:32 PM
Sept. 24, 2004

Complete graph K6

The Details:

 

Sylvester's Music 

The Unity of Mathematics

720 in the Book

Synthemes and Spreads (pdf)

(Appendix A of
"Classification of
Partial Spreads in PG(4,2)
,"
by Leonard H. Soicher et al.)

Tuesday, January 6, 2004

Tuesday January 6, 2004

Filed under: General,Geometry — Tags: , , — m759 @ 10:10 pm

720 in the Book

Searching for an epiphany on this January 6 (the Feast of the Epiphany), I started with Harvard Magazine, the current issue of January-February 2004.

An article titled On Mathematical Imagination concludes by looking forward to

“a New Instauration that will bring mathematics, at last, into its rightful place in our lives: a source of elation….”

Seeking the source of the phrase “new instauration,” I found it was due to Francis Bacon, who “conceived his New Instauration as the fulfilment of a Biblical prophecy and a rediscovery of ‘the seal of God on things,’ ” according to a web page by Nieves Mathews.

Hmm.

The Mathews essay leads to Peter Pesic, who, it turns out, has written a book that brings us back to the subject of mathematics:

Abel’s Proof:  An Essay
on the Sources and Meaning
of Mathematical Unsolvability

by Peter Pesic,
MIT Press, 2003

From a review:

“… the book is about the idea that polynomial equations in general cannot be solved exactly in radicals….

Pesic concludes his account after Abel and Galois… and notes briefly (p. 146) that following Abel, Jacobi, Hermite, Kronecker, and Brioschi, in 1870 Jordan proved that elliptic modular functions suffice to solve all polynomial equations.  The reader is left with little clarity on this sequel to the story….”

— Roger B. Eggleton, corrected version of a review in Gazette Aust. Math. Soc., Vol. 30, No. 4, pp. 242-244

Here, it seems, is my epiphany:

“Elliptic modular functions suffice to solve all polynomial equations.”


Incidental Remarks
on Synchronicity,
Part I

Those who seek a star
on this Feast of the Epiphany
may click here.


Most mathematicians are (or should be) familiar with the work of Abel and Galois on the insolvability by radicals of quintic and higher-degree equations.

Just how such equations can be solved is a less familiar story.  I knew that elliptic functions were involved in the general solution of a quintic (fifth degree) equation, but I was not aware that similar functions suffice to solve all polynomial equations.

The topic is of interest to me because, as my recent web page The Proof and the Lie indicates, I was deeply irritated by the way recent attempts to popularize mathematics have sown confusion about modular functions, and I therefore became interested in learning more about such functions.  Modular functions are also distantly related, via the topic of “moonshine” and via the  “Happy Family” of the Monster group and the Miracle Octad Generator of R. T. Curtis, to my own work on symmetries of 4×4 matrices.


Incidental Remarks
on Synchronicity,
Part II

There is no Log24 entry for
December 30, 2003,
the day John Gregory Dunne died,
but see this web page for that date.


Here is what I was able to find on the Web about Pesic’s claim:

From Wolfram Research:

From Solving the Quintic —

“Some of the ideas described here can be generalized to equations of higher degree. The basic ideas for solving the sextic using Klein’s approach to the quintic were worked out around 1900. For algebraic equations beyond the sextic, the roots can be expressed in terms of hypergeometric functions in several variables or in terms of Siegel modular functions.”

From Siegel Theta Function —

“Umemura has expressed the roots of an arbitrary polynomial in terms of Siegel theta functions. (Mumford, D. Part C in Tata Lectures on Theta. II. Jacobian Theta Functions and Differential Equations. Boston, MA: Birkhäuser, 1984.)”

From Polynomial

“… the general quintic equation may be given in terms of the Jacobi theta functions, or hypergeometric functions in one variable.  Hermite and Kronecker proved that higher order polynomials are not soluble in the same manner. Klein showed that the work of Hermite was implicit in the group properties of the icosahedron.  Klein’s method of solving the quintic in terms of hypergeometric functions in one variable can be extended to the sextic, but for higher order polynomials, either hypergeometric functions in several variables or ‘Siegel functions’ must be used (Belardinelli 1960, King 1996, Chow 1999). In the 1880s, Poincaré created functions which give the solution to the nth order polynomial equation in finite form. These functions turned out to be ‘natural’ generalizations of the elliptic functions.”

Belardinelli, G. “Fonctions hypergéométriques de plusieurs variables er résolution analytique des équations algébrique générales.” Mémoral des Sci. Math. 145, 1960.

King, R. B. Beyond the Quartic Equation. Boston, MA: Birkhäuser, 1996.

Chow, T. Y. “What is a Closed-Form Number.” Amer. Math. Monthly 106, 440-448, 1999. 

From Angel Zhivkov,

Preprint series,
Institut für Mathematik,
Humboldt-Universität zu Berlin:

“… discoveries of Abel and Galois had been followed by the also remarkable theorems of Hermite and Kronecker:  in 1858 they independently proved that we can solve the algebraic equations of degree five by using an elliptic modular function….  Kronecker thought that the resolution of the equation of degree five would be a special case of a more general theorem which might exist.  This hypothesis was realized in [a] few cases by F. Klein… Jordan… showed that any algebraic equation is solvable by modular functions.  In 1984 Umemura realized the Kronecker idea in his appendix to Mumford’s book… deducing from a formula of Thomae… a root of [an] arbitrary algebraic equation by Siegel modular forms.”  

— “Resolution of Degree Less-than-or-equal-to Six Algebraic Equations by Genus Two Theta Constants


Incidental Remarks
on Synchronicity,
Part III

From Music for Dunne’s Wake:

Heaven was kind of a hat on the universe,
a lid that kept everything underneath it
where it belonged.”

— Carrie Fisher,
Postcards from the Edge

     

720 in  
the Book”

and
Paradise

“The group Sp4(F2) has order 720,”
as does S6. — Angel Zhivkov, op. cit.

Those seeking
“a rediscovery of
‘the seal of God on things,’ “
as quoted by Mathews above,
should see
The Unity of Mathematics
and the related note
Sacerdotal Jargon.

For more remarks on synchronicity
that may or may not be relevant
to Harvard Magazine and to
the annual Joint Mathematics Meetings
that start tomorrow in Phoenix, see

Log24, June 2003.

For the relevance of the time
of this entry, 10:10, see

  1. the reference to Paradise
    on the “postcard” above, and
  2. Storyline (10/10, 2003).

Related recreational reading:

Labyrinth



The Shining

Shining Forth

Wednesday, September 3, 2003

Wednesday September 3, 2003

Filed under: General,Geometry — Tags: , , , — m759 @ 3:00 pm

Reciprocity

From my entry of Sept. 1, 2003:

"…the principle of taking and giving, of learning and teaching, of listening and storytelling, in a word: of reciprocity….

… E. M. Forster famously advised his readers, 'Only connect.' 'Reciprocity' would be Michael Kruger's succinct philosophy, with all that the word implies."

— William Boyd, review of Himmelfarb, New York Times Book Review, October 30, 1994

Last year's entry on this date: 

Today's birthday:
James Joseph Sylvester

"Mathematics is the music of reason."
— J. J. Sylvester

Sylvester, a nineteenth-century mathematician, coined the phrase "synthematic totals" to describe some structures based on 6-element sets that R. T. Curtis has called "rather unwieldy objects." See Curtis's abstract, Symmetric Generation of Finite Groups, John Baez's essay, Some Thoughts on the Number 6, and my website, Diamond Theory.

The picture above is of the complete graph K6  Six points with an edge connecting every pair of points… Fifteen edges in all.

Diamond theory describes how the 15 two-element subsets of a six-element set (represented by edges in the picture above) may be arranged as 15 of the 16 parts of a 4×4 array, and how such an array relates to group-theoretic concepts, including Sylvester's synthematic totals as they relate to constructions of the Mathieu group M24.

If diamond theory illustrates any general philosophical principle, it is probably the interplay of opposites….  "Reciprocity" in the sense of Lao Tzu.  See

Reciprocity and Reversal in Lao Tzu.

For a sense of "reciprocity" more closely related to Michael Kruger's alleged philosophy, see the Confucian concept of Shu (Analects 15:23 or 24) described in

Shu: Reciprocity.

Kruger's novel is in part about a Jew: the quintessential Jewish symbol, the star of David, embedded in the K6 graph above, expresses the reciprocity of male and female, as my May 2003 archives illustrate.  The star of David also appears as part of a graphic design for cubes that illustrate the concepts of diamond theory:

Click on the design for details.

Those who prefer a Jewish approach to physics can find the star of David, in the form of K6, applied to the sixteen 4×4 Dirac matrices, in

A Graphical Representation
of the Dirac Algebra
.

The star of David also appears, if only as a heuristic arrangement, in a note that shows generating partitions of the affine group on 64 points arranged in two opposing triplets.

Having thus, as the New York Times advises, paid tribute to a Jewish symbol, we may note, in closing, a much more sophisticated and subtle concept of reciprocity due to Euler, Legendre, and Gauss.  See

The Jewel of Arithmetic and

The Golden Theorem.

Thursday, December 5, 2002

Thursday December 5, 2002

Sacerdotal Jargon

From the website

Abstracts and Preprints in Clifford Algebra [1996, Oct 8]:

Paper:  clf-alg/good9601
From:  David M. Goodmanson
Address:  2725 68th Avenue S.E., Mercer Island, Washington 98040

Title:  A graphical representation of the Dirac Algebra

Abstract:  The elements of the Dirac algebra are represented by sixteen 4×4 gamma matrices, each pair of which either commute or anticommute. This paper demonstrates a correspondence between the gamma matrices and the complete graph on six points, a correspondence that provides a visual picture of the structure of the Dirac algebra.  The graph shows all commutation and anticommutation relations, and can be used to illustrate the structure of subalgebras and equivalence classes and the effect of similarity transformations….

Published:  Am. J. Phys. 64, 870-880 (1996)


The following is a picture of K6, the complete graph on six points.  It may be used to illustrate various concepts in finite geometry as well as the properties of Dirac matrices described above.

The complete graph on a six-set


From
"The Relations between Poetry and Painting,"
by Wallace Stevens:

"The theory of poetry, that is to say, the total of the theories of poetry, often seems to become in time a mystical theology or, more simply, a mystique. The reason for this must by now be clear. The reason is the same reason why the pictures in a museum of modern art often seem to become in time a mystical aesthetic, a prodigious search of appearance, as if to find a way of saying and of establishing that all things, whether below or above appearance, are one and that it is only through reality, in which they are reflected or, it may be, joined together, that we can reach them. Under such stress, reality changes from substance to subtlety, a subtlety in which it was natural for Cézanne to say: 'I see planes bestriding each other and sometimes straight lines seem to me to fall' or 'Planes in color. . . . The colored area where shimmer the souls of the planes, in the blaze of the kindled prism, the meeting of planes in the sunlight.' The conversion of our Lumpenwelt went far beyond this. It was from the point of view of another subtlety that Klee could write: 'But he is one chosen that today comes near to the secret places where original law fosters all evolution. And what artist would not establish himself there where the organic center of all movement in time and space—which he calls the mind or heart of creation— determines every function.' Conceding that this sounds a bit like sacerdotal jargon, that is not too much to allow to those that have helped to create a new reality, a modern reality, since what has been created is nothing less."

Tuesday, September 3, 2002

Tuesday September 3, 2002

Filed under: G-Notes,General,Geometry — Tags: , — m759 @ 6:00 pm

Today's birthday: James Joseph Sylvester

"Mathematics is the music of reason." — J. J. Sylvester

Sylvester, a nineteenth-century mathematician, coined the phrase "synthematic totals" to describe some structures based on 6-element sets that R. T. Curtis has called "rather unwieldy objects." See Curtis's abstract, Symmetric Generation of Finite Groups, John Baez's essay, Some Thoughts on the Number 6, and my website, Diamond Theory. See also the abstract of a December 7, 2000, talk, Mathematics and the Art of M. C. Escher, in which Curtis notes that graphic designs can "often convey a mathematical idea more eloquently than pages of symbolism."

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