Tuesday, July 5, 2022
For Ron Howard, Tom Hanks, and Dan Brown — Symbology!
Monday, December 12, 2016
Symbology for Dan Brown and Stephen King
Saturday, March 6, 2010
Symbology continued
The Magic Lyre
The front page of tomorrow's New York Times Book Review is devoted to a new novel titled Angelology.
Detail of the front page, top right corner–
"…this will be popular for fans of such historical thrillers as… Katherine Neville's The Eight." —Library Journal
The New York Times review is more flattering– "a terrifically clever thriller– more Eco than Brown…."
Related historical remarks–
the symbology novels of Dan Brown and…
TIME magazine cover, issue
dated March 15, 2010–
"History Maker: How Tom Hanks is
redefining America's past"
For some theological background to
this post and today's noon post,
see the use of the word "harrowing"
in this journal — particularly on
April 19, 2003– Holy Saturday.
Sunday, October 25, 2009
For Dan Brown Fans
Midrash:
"The Game in the Ship cannot be approached as a job, a vocation, a career, or a recreation. To the contrary, it is Life and Death itself at work there. In the Inner Game, we call the Game Dhum Welur, the Mind of God. And that Mind is a terrible mind, that one may not face directly and remain whole. Some of the forerunners guessed it long ago — first the Hebrews far back in time, others along the way, and they wisely left it alone, left the Arcana alone. That is why those who studied the occult arts were either fools or doomed. Fools if they were wrong, and most were; doomed if right. The forerunners know, and stay away."
Saturday, April 29, 2023
Toying
From this journal on 4/01, 2009:
The Cruelest Month —
"Langdon sensed she was toying with him…." — Dan Brown
Less playfully . . .
See also the show tune from the end of "Second Tree from the Corner,"
a classic New Yorker short story by E. B. White. (And related posts.)
Saturday, March 12, 2022
Logos and Branding
The "branding" part of this post's title and tag —
The scene went from bad to worse. The camerlengo’s torn cassock, having been only laid over his chest by Chartrand, began to slip lower. For a moment, Langdon thought the garment might hold, but that moment passed. The cassock let go, sliding off his shoulders down around his waist. The gasp that went up from the crowd seemed to travel around the globe and back in an instant. Cameras rolled, flashbulbs exploded. On media screens everywhere, the image of the camerlengo’s branded chest was projected, towering and in grisly detail. Some screens were even freezing the image and rotating it 180 degrees. The ultimate Illuminati victory. Langdon stared at the brand on the screens. Although it was the imprint of the square brand he had held earlier, the symbol now made sense. Perfect sense. The marking’s awesome power hit Langdon like a train. Orientation. Langdon had forgotten the first rule of symbology. When is a square not a square? He had also forgotten that iron brands, just like rubber stamps, never looked like their imprints. They were in reverse. Langdon had been looking at the brand’s negative ! As the chaos grew, an old Illuminati quote echoed with new meaning: ‘A flawless diamond, born of the ancient elements with such perfection that all those who saw it could only stare in wonder.’ Langdon knew now the myth was true. Earth, Air, Fire, Water. The Illuminati Diamond. — Dan Brown, Angels & Demons |
I prefer Modal Nietzsche.
Monday, December 14, 2020
Espace Carré
"Leave a space." — Tom Stoppard, "Jumpers."
Obituary of a novelist in The Washington Post yesterday —
"He gave various explanations for how he chose his nom de plume —
le Carré means 'the square' in French —
before ultimately admitting he didn’t really know."
Related material for Dan Brown — Imperial Symbology and . . .
"Together with Tolkien and Lewis, this group forms
the Oxford School of children’s fantasy literature. . . .
They all celebrate the purported wisdom of old stories,
and follow the central tenet that Tolkien set out
for fairy-stories: ‘one thing must not be made fun of,
the magic itself. That must in the story be taken seriously,
neither laughed at nor explained away.’ "
— A leftist academic's essay at aeon.co, "Empire of Fantasy,"
on St. Andrew's Day, 2020.
A more respectable writer on literature and magic —
Tuesday, January 16, 2018
An Orison for Ha-Why
Lines from characters played in the film by Tom Hanks and Halle Berry —
— Cloud Atlas , by David Mitchell (2004).
An orison of sorts from a post on Martin Scorsese's
birthday, Sunday, Nov. 18, 2007 —
Displayed on the BlackBerry are parts
of Log24 posts from October 25, 2007,
and October 24, 2007.
Related pattern geometry
From a Log24 search for Angleton + Brotherhood:
A photo of Angleton in a post from 12/9/5 —
From a post of 11/7/8 —
A cryptic note for Dan Brown:
The above dates 11/7/8 and 12/9/5 correspond to the corner-labels
(read clockwise and counter-clockwise) of the two large triangles
in the Finkelstein Talisman —
Above: More symbology for Tom Hanks from
this morning's post The Pentagram Papers.
The above symbology is perhaps better suited to Hanks in his
role as Forrest Gump than in his current role as Ben Bradlee.
For Hanks as Dan Brown's Harvard symbologist
Robert Langdon, see the interpretation 12/5/9, rather
than 12/9/5, of the above triangle/cube-corner label.
Thursday, October 19, 2017
Prose (continued from yesterday)
"While Prose's adult works have touched on various subjects,
her fiction for children, which she began writing in earnest
in the mid-1990s, all has a basis in Jewish folklore."
» Read more.
Aficionados of what Dan Brown has called "symbology"
can read about the above right-chevrons symbol in
Fast Forward, a post of November 21, 2010.
Saturday, September 30, 2017
Where Angels Fear to Tread
From the online New York Times this morning —
"Origin is Mr. Brown’s eighth novel. It finds his familiar protagonist,
the brilliant Harvard professor of symbology and religious iconography
Robert Langdon, embroiled once more in an intellectually challenging,
life-threatening adventure involving murderous zealots, shadowy fringe
organizations, paradigm-shifting secrets with implications for the future
of humanity, symbols within puzzles and puzzles within symbols and
a female companion who is super-smart and super-hot.
As do all of Mr. Brown’s works, the new novel does not shy away from
the big questions, but rather rushes headlong into them."
— Profile of Dan Brown by Sarah Lyall
See also yesterday's Log24 post on the Feast of St. Michael and All Angels.
Monday, July 24, 2017
Penguin Classics Deluxe Edition
The above title was suggested by a film trailer quoted here Saturday —
" Jeremy Irons' dry Alfred Pennyworth:
'One misses the days when one's biggest concerns
were exploding wind-up penguins.' "
"Penguin Classics Deluxe Edition" describes, among other books,
an edition of the I Ching published on December 1, 2015.
Excerpt from this journal on that date —
Tuesday, December 1, 2015
Verhexung
|
Related material —
Sunday, February 21, 2016
The Masonic Mandorla
A post for Tom Hanks and Dan Brown
Yahoo! President and CEO Marissa Mayer delivers a keynote
during the Yahoo Mobile Developers Conference on February 18,
2016, at Nob Hill Masonic Center in San Francisco, California.
Credit: Stephen Lam
Tuesday, December 1, 2015
Verhexung*
"The positional meaning of a symbol derives from
its relationship to other symbols in a totality, a Gestalt,
whose elements acquire their significance from the
system as a whole."
— Victor Turner, The Forest of Symbols , Ithaca, NY,
Cornell University Press, 1967, p. 51, quoted by
Beth Barrie in "Victor Turner."
(Turner pioneered the use of the term "symbology,"
a term later applied by Dan Brown to a fictional
scholarly pursuit at Harvard.)
* A scholarly pursuit at Hogwarts.
Saturday, July 12, 2014
Mars Package
“For me it is a sign that we have fundamentally different
conceptions of the work of the intelligence services.”
— Germany’s Chancellor Angela Merkel in
theguardian.com, Saturday, 12 July 2014, 14.32 EDT
Another sort of service, thanks to Dan Brown and Tom Hanks:
Friday, July 11, 2014 |
Friday, August 19, 2011
Crux
"Francis Bacon used the phrase instantia crucis, 'crucial instance,' to refer to something in an experiment that proves one of two hypotheses and disproves the other. Bacon's phrase was based on a sense of the Latin word crux, 'cross,' which had come to mean 'a guidepost that gives directions at a place where one road becomes two,' and hence was suitable for Bacon's metaphor."
– The American Heritage® Dictionary of the English Language, Fourth Edition
Such a cross: St. Andrew's. Some context—
X Marks the Spot scene, "The Last Crusade"
Related symbology for Dan Brown—
Wednesday, July 13, 2011
The Sinatra Code
From The Da Vinci Code, Chapter 56 Sophie stared at Teabing a long moment and then turned to Langdon. “The Holy Grail is a person?” Langdon nodded. “A woman, in fact.” From the blank look on Sophie’s face, Langdon could tell they had already lost her. He recalled having a similar reaction the first time he heard the statement. It was not until he understood the symbology behind the Grail that the feminine connection became clear. Teabing apparently had a similar thought. “Robert, perhaps this is the moment for the symbologist to clarify?” He went to a nearby end table, found a piece of paper, and laid it in front of Langdon. Langdon pulled a pen from his pocket. “Sophie are you familiar with the modern icons for male and female?” He drew the common male symbol ♂ and female symbol ♀. “Of course,” she said. “These,” he said quietly, are not the original symbols for male and female. Many people incorrectly assume the male symbol is derived from a shield and spear, while the female represents a mirror reflecting beauty. In fact, the symbols originated as ancient astronomical symbols for the planet-god Mars and the planet-goddess Venus. The original symbols are far simpler.” Langdon drew another icon on the paper. ∧
“This symbol is the original icon for male ,” he told her. “A rudimentary phallus.” “Quite to the point,” Sophie said. “As it were,” Teabing added. Langdon went on. “This icon is formally known as the blade , and it represents aggression and manhood. In fact, this exact phallus symbol is still used today on modern military uniforms to denote rank.” “Indeed.” Teabing grinned. “The more penises you have, the higher your rank. Boys will be boys.” Langdon winced. “Moving on, the female symbol, as you might imagine, is the exact opposite.” He drew another symbol on the page. “This is called the ∨ Sophie glanced up, looking surprised. Langdon could see she had made the connection. “The chalice,” he said, “resembles a cup or vessel, and more important, it resembles the shape of a woman’s womb. This symbol communicates femininity, womanhood, and fertility.” Langdon looked directly at her now. “Sophie, legend tells us the Holy Grail is a chalice—a cup. But the Grail’s description as a chalice is actually an allegory to protect the true nature of the Holy Grail. That is to say, the legend uses the chalice as a metaphor for something far more important.” “A woman,” Sophie said. “Exactly.” Langdon smiled. “The Grail is literally the ancient symbol for womankind, and the Holy Grail represents the sacred feminine and the goddess, which of course has now been lost, virtually eliminated by the Church. The power of the female and her ability to produce life was once very sacred, but it posed a threat to the rise of the predominantly male Church, and so the sacred feminine was demonized and called unclean. It was man , not God, who created the concept of ‘original sin,’ whereby Eve tasted of the apple and caused the downfall of the human race. Woman, once the sacred giver of life, was now the enemy.” “I should add,” Teabing chimed, “that this concept of woman as life-bringer was the foundation of ancient religion. Childbirth was mystical and powerful. Sadly, Christian philosophy decided to embezzle the female’s creative power by ignoring biological truth and making man the Creator. Genesis tells us that Eve was created from Adam’s rib. Woman became an offshoot of man. And a sinful one at that. Genesis was the beginning of the end for the goddess.” “The Grail,” Langdon said, “is symbolic of the lost goddess. When Christianity came along, the old pagan religions did not die easily. Legends of chivalric quests for the lost Grail were in fact stories of forbidden quests to find the lost sacred feminine. Knights who claimed to be “searching for the chalice” were speaking in codes as a way to protect themselves from a Church that had subjugated women, banished the Goddess, burned nonbelievers, and forbidden pagan reverence for the sacred feminine.” |
Happy birthday to Harrison Ford.
One for my baby…
∧
One more for the road.
∨
Tuesday, October 19, 2010
Savage Logic…
and the New York Lottery
A search in this journal for yesterday's evening number in the New York Lottery, 359, leads to…
The Cerebral Savage:
On the Work of Claude Lévi-Strauss
by Clifford Geertz
Shown below is 359, the final page of Chapter 13 in
The Interpretation of Cultures: Selected Essays by Clifford Geertz,
New York, 1973: Basic Books, pp. 345-359 —
This page number 359 also appears in this journal in an excerpt from Dan Brown's novel Angels & Demons—
See this journal's entries for March 1-15, 2009, especially…
Sunday, March 15, 2009 5:24 PM
Philosophy and Poetry: The Origin of Change A note on the figure "Two things of opposite natures seem to depend On one another, as a man depends On a woman, day on night, the imagined On the real. This is the origin of change. Winter and spring, cold copulars, embrace And forth the particulars of rapture come." -- Wallace Stevens, "Notes Toward a Supreme Fiction," Canto IV of "It Must Change" Sunday, March 15, 2009 11:00 AM Ides of March Sermon: Angels, Demons,
"Symbology" "On Monday morning, 9 March, after visiting the Mayor of Rome and the Municipal Council on the Capitoline Hill, the Holy Father spoke to the Romans who gathered in the square outside the Senatorial Palace…
'… a verse by Ovid, the great Latin poet, springs to mind. In one of his elegies he encouraged the Romans of his time with these words: "Perfer et obdura: multo graviora tulisti." "Hold out and persist: (Tristia, Liber V, Elegia XI, verse 7).'" This journal
on 9 March: Note the color-interchange Related material:
|
The symmetry of the yin-yang symbol, of the diamond-theorem symbol, and of Brown's Illuminati Diamond is also apparent in yesterday's midday New York lottery number (see above).
"Savage logic works like a kaleidoscope…." — Clifford Geertz on Lévi-Strauss
Wednesday, July 21, 2010
Dream Names continued
From the 7/20 Harvard Crimson—
"The scholarly expeditions undertaken by modern-day explorer and Harvard Foundation Director S. Allen Counter will be featured in a biopic produced by actor Will Smith.
…. Debbie Allen is also producing the film, and Farhad Safinia will be penning the script, Variety magazine reported.
…. Counter said that Debbie Allen described his character as 'a mixture of Indiana Jones and Robert Langdon,' the fictional Harvard professor of symbology in Dan Brown’s novels."
Farhad Safinia is co-writer and co-producer, with Mel Gibson, of "Apocalypto."
From "The Envelope: The Awards Insider" at the LA Times, a review of the film based on Dan Brown's "Angels & Demons"—
"The script tips its hand too early, and can't quite turn Langdon into Indiana Langdon on his Last Crusade."
— May 15, 2009
, Orlando Sentinel movie critic,Related material:
The Robert Jones Code—
Friday, March 19, 2010
Garden of Forking Paths
Saturday, December 5, 2009
Holiday Book
Time and Chance, continued…
NY Lottery numbers today–
Midday 401, Evening 717
_________________________________________________
From this journal on 4/01, 2009:
The Cruelest Month
"Langdon sensed she was
toying with him…."
___________________________________________
From this journal on 7/17, 2008:
Jung’s four-diamond figure from
Aion — a symbol of the self –
Jung’s Map of the Soul,
by Murray Stein:
“… Jung thinks of the self as undergoing continual transformation during the course of a lifetime…. At the end of his late work Aion, Jung presents a diagram to illustrate the dynamic movements of the self….”
For related dynamic movements,
see the Diamond 16 Puzzle
and the diamond theorem.
Wednesday, April 1, 2009
Wednesday April 1, 2009
Sunday, March 15, 2009
Sunday March 15, 2009
Angels, Demons,
"Symbology"
"On Monday morning, 9 March, after visiting the Mayor of Rome and the Municipal Council on the Capitoline Hill, the Holy Father spoke to the Romans who gathered in the square outside the Senatorial Palace…
'… a verse by Ovid, the great Latin poet, springs to mind. In one of his elegies he encouraged the Romans of his time with these words:
"Perfer et obdura: multo graviora tulisti."
"Hold out and persist:
you have got through
far more difficult situations."
(Tristia, Liber V, Elegia XI, verse 7).'"
on 9 March:
Note the color-interchange
symmetry of each symbol
under 180-degree rotation.
Related material:
The Illuminati Diamond:
Tom Hanks as Robert Langdon
A possible source for Brown's term "symbology" is a 1995 web page, "The Rotation of the Elements," by one "John Opsopaus." (Cf. Art History Club.)
"The four qualities are the key to understanding the rotation of the elements and many other applications of the symbology of the four elements." –John Opsopaus
* "…ambigrams were common in symbology…." —Angels & Demons
Monday, March 9, 2009
Monday March 9, 2009
Humorism
"Always with a
little humor."
— Dr. Yen Lo
From Temperament: A Brief Survey
For other interpretations
of the above shape, see
The Illuminati Diamond.
from Jung's Aion:
As for rotation, see the ambigrams in Dan Brown's Angels & Demons (to appear as a film May 15) and the following figures:
Click on image
for a related puzzle.
For a solution, see
The Diamond Theorem.
A related note on
"Angels & Demons"
director Ron Howard:
Sunday, January 7, 2007
Sunday January 7, 2007
Thursday, April 7, 2005 7:26 PM
In the Details
Wallace Stevens,
An Ordinary Evening in New Haven:
Professor Eucalyptus said, "The search
For reality is as momentous as
The search for God." It is the philosopher's search
For an interior made exterior
And the poet's search for the same exterior made
Interior….
… Likewise to say of the evening star,
The most ancient light in the most ancient sky,
That it is wholly an inner light, that it shines
From the sleepy bosom of the real, re-creates,
Searches a possible for its possibleness.
Julie Taymor, "Skewed Mirrors" interview:
"… they were performing for God. Now God can mean whatever you want it to mean. But for me, I understood it so totally. The detail….
They did it from the inside to the outside. And from the outside to the in. And that profoundly moved me then. It was…it was the most important thing that I ever experienced."
Details:
The above may be of interest to students
of iconology — what Dan Brown in
The Da Vinci Code calls "symbology" —
and of redheads.
The artist of Details,
"Brenda Starr" creator
Dale Messick, died on Tuesday,
April 5, 2005, at 98.
For further details on
April 5, see
Art History:
The Pope of Hope
Thursday, April 7, 2005
Thursday April 7, 2005
In the Details
Wallace Stevens,
An Ordinary Evening in New Haven:
XXII
Professor Eucalyptus said, "The search
For reality is as momentous as
The search for God." It is the philosopher's search
For an interior made exterior
And the poet's search for the same exterior made
Interior….
… Likewise to say of the evening star,
The most ancient light in the most ancient sky,
That it is wholly an inner light, that it shines
From the sleepy bosom of the real, re-creates,
Searches a possible for its possibleness.
Julie Taymor, "Skewed Mirrors" interview:
"… they were performing for God. Now God can mean whatever you want it to mean. But for me, I understood it so totally. The detail….
They did it from the inside to the outside. And from the outside to the in. And that profoundly moved me then. It was…it was the most important thing that I ever experienced."
The above may be of interest to students
of iconology — what Dan Brown in
The Da Vinci Code calls "symbology" —
and of redheads.
The artist of Details,
"Brenda Starr" creator
Dale Messick, died on Tuesday,
April 5, 2005, at 98.
For further details on
April 5, see
Art History:
The Pope of Hope
Tuesday, April 5, 2005
Tuesday April 5, 2005
The Pope of Hope
At the Vatican on
Shakespeare's Birthday
Oct. 4, 2002)
See also the iconology —
what Dan Brown in
The Da Vinci Code
calls "symbology" —
of Pandora's Box
at Log24.net,
March 10, 2005:
each containing the key to the other."
"Karol Wojtyla had looked into
the heart of darkness–
and at the heart of darkness
discovered reason
for an indomitable hope.
He lived on the far side of
the greatest catastrophe
in human history,
the death of the Son of God,
and knew that evil
did not have the last word.
This is the key…."
— Richard John Neuhaus,
April 4, 2005
Finnegans Wake, p. 293,
"the lazily eye of his lapis"
at the center of the breaking and
redefining of the Classical system."
Skewed Mirrors,
Sept. 14, 2003
"Evil did not have the last word."
— Richard John Neuhaus, April 4, 2005
Lps. The keys to. Given! A way a lone a last a loved a long the PARIS, |
"There is never any ending to Paris."
— Ernest Hemingway
For the first word, see Louis Armand on
Lethe, erinnerung, and riverrun.
See also the following passage,
linked to on the Easter Vigil, 2005:
a spring,
And by the side thereof standing
a white cypress.
To this spring approach not near.
But you shall find another,
from the lake of Memory
Cold water flowing forth, and there are
guardians before it.
Say, "I am a child of Earth and starry Heaven;
But my race is of Heaven alone.
This you know yourselves.
But I am parched with thirst and I perish.
Give me quickly
The cold water flowing forth
from the lake of Memory."