"… die Schönheit… [ist] die
"Beauty is the proper conformity |
This is not the meth-lab Heisenberg —
who also suggests a German saying:
. . . Gestaltung, Umgestaltung,
Des ewigen Sinnes ewige Unterhaltung . . . .
"… die Schönheit… [ist] die
"Beauty is the proper conformity |
This is not the meth-lab Heisenberg —
who also suggests a German saying:
. . . Gestaltung, Umgestaltung,
Des ewigen Sinnes ewige Unterhaltung . . . .
From the previous post —
Many will prefer snazzier potions —
These were available as NFTs recently . . .
See some.place. And then there is nine.place.
"… survival, transmission, association,
a strong indifferent persistent order."
— Henry James in The Ambassadors
"You see, you can't please everyone,
so you've got to please yourself." — Rick Nelson
The above two reported death dates:
Accuracy check for a post from midnight, October 10-11, 2023 —
— "Heisenberg group modulo 2" from Wikipedia. Click to enlarge.
For a related tune, click the Heisenberg link.
Quantum mechanics describes the probabilities of actual outcomes in terms of a wave function, or at least of a quantum state of amplitudes that varies with time. The public always asks what the wave function is , or what the amplitudes are amplitudes of . Usually, we reply that the amplitudes are ‘probability amplitudes’, or that the wave function is a ‘probability wave function’, but neither answer is ontologically satisfying since probabilities are numbers , not stuff . We have already rehearsed the objections to the natural world being made out of numbers, as these are pure forms. In fact, ‘waves’, ‘amplitudes’ and ‘probabilities’ are all forms, and none of them can be substances. So, what are quantum objects made of: what stuff ? According to Heisenberg [6], the quantum probability waves are “a quantitative formulation of the concept of ‘dynamis’, possibility, or in the later Latin version, ‘potentia’, in Aristotle’s philosophy. The concept of events not determined in a peremptory manner, but that the possibility or ‘tendency’ for an event to take place has a kind of reality—a certain intermediate layer of reality, halfway between the massive reality of matter and the intellectual reality of the idea or the image—this concept plays a decisive role in Aristotle’s philosophy. In modern quantum theory this concept takes on a new form; it is formulated quantitatively as probability and subjected to mathematically expressible laws of nature.” Unfortunately Heisenberg does not develop this interpretation much beyond the sort of generality of the above statements, and the concept of ‘potentiality’ remains awkwardly isolated from much of his other thought on this subject [7]. It is unclear even what he means by ‘potentia’. Reference Heisenberg, W. 1961 On Modern Physics , London: Orion Press. Notes [6] W. Heisenberg, ‘Planck’s discovery and the philosophical problems of atomic physics’, pp. 3-20 in Heisenberg (1961). [7] Heisenberg, for example, brings into his thought on quantum physics the Kantian phenomena/noumena distinction, as well as some of Bohr’s ideas on ‘complementarity’ in experimental arrangements. |
When I wrote this article I was troubled by drawing an overly sharp distinction between the natural and social sciences. Beinhocker’s (2013) article in this symposium and a workshop at the Central European University on 8 October 2013 led me to modify my views on separating the two. I still think that the methodological convention I proposed is needed in the near term in order to break the stranglehold of rational choice theory, but . . . . |
The above postscript is from . . .
See also this journal on 8 October 2013 —
The following passage by Igor Dolgachev (Good Friday, 2003)
seems somewhat relevant (via its connection to Kummer's 166 )
to previous remarks here on Dirac matrices and geometry —
Note related remarks from E. M. Bruins in 1959 —
"Just as both tragedy and comedy can be written
by using the same letters of the alphabet, the vast
variety of events in this world can be realized by
the same atoms through their different arrangements
and movements. Geometry and kinematics, which
were made possible by the void, proved to be still
more important in some way than pure being."
— Werner Heisenberg in Physics and Philosophy
For more about geometry and kinematics, see (for instance)
"An introduction to line geometry with applications,"
by Helmut Pottmann, Martin Peternell, and Bahram Ravani,
Computer-Aided Design 31 (1999), 3-16.
The concepts of line geometry (null point, null plane, null polarity,
linear complex, Klein quadric, etc.) are also of interest in finite geometry.
Some small finite spaces have as their natural models arrays of cubes .
See a post by Peter Woit from Sept. 24, 2005 — Dirac's Hidden Geometry.
The connection, if any, with recent Log24 posts on Dirac and Geometry
is not immediately apparent. Some related remarks from a novel —
From Broken Symmetries by Paul Preuss "He pondered the source of her fascination with the occult, which sooner or later seemed to entangle a lot of thoughtful people who were not already mired in establishmentarian science or religion. It was the religious impulse, at base. Even reason itself could function as a religion, he supposed— but only for those of severely limited imagination. He’d toyed with 'psi' himself, written a couple of papers now much quoted by crackpots, to his chagrin. The reason he and so many other theoretical physicists were suckers for the stuff was easy to understand— for two-thirds of a century an enigma had rested at the heart of theoretical physics, a contradiction, a hard kernel of paradox. Quantum theory was inextricable from the uncertainty relations. The classical fox knows many things, but the quantum-mechanical hedgehog knows only one big thing— at a time. 'Complementarity,' Bohr had called it, a rubbery notion the great professor had stretched to include numerous pairs of opposites. Peter Slater was willing to call it absurdity, and unlike some of his older colleagues who, following in Einstein’s footsteps, demanded causal explanations for everything (at least in principle), Peter had never thirsted after 'hidden variables' to explain what could not be pictured. Mathematical relationships were enough to satisfy him, mere formal relationships which existed at all times, everywhere, at once. It was a thin nectar, but he was convinced it was the nectar of the gods. The psychic investigators, on the other hand, demanded to know how the mind and the psychical world were related. Through ectoplasm, perhaps? Some fifth force of nature? Extra dimensions of spacetime? All these naive explanations were on a par with the assumption that psi is propagated by a species of nonlocal hidden variables, the favored explanation of sophisticates; ignotum per ignotius . 'In this connection one should particularly remember that the human language permits the construction of sentences which do not involve any consequences and which therefore have no content at all…' The words were Heisenberg’s, lecturing in 1929 on the irreducible ambiguity of the uncertainty relations. They reminded Peter of Evan Harris Walker’s ingenious theory of the psi force, a theory that assigned psi both positive and negative values in such a way that the mere presence of a skeptic in the near vicinity of a sensitive psychic investigation could force null results. Neat, Dr. Walker, thought Peter Slater— neat, and totally without content. One had to be willing to tolerate ambiguity; one had to be willing to be crazy. Heisenberg himself was only human— he’d persuasively woven ambiguity into the fabric of the universe itself, but in that same set of 1929 lectures he’d rejected Dirac’s then-new wave equations with the remark, 'Here spontaneous transitions may occur to the states of negative energy; as these have never been observed, the theory is certainly wrong.' It was a reasonable conclusion, and that was its fault, for Dirac’s equations suggested the existence of antimatter: the first antiparticles, whose existence might never have been suspected without Dirac’s crazy results, were found less than three years later. Those so-called crazy psychics were too sane, that was their problem— they were too stubborn to admit that the universe was already more bizarre than anything they could imagine in their wildest dreams of wizardry." |
Particularly relevant …
"Mathematical relationships were enough to satisfy him,
mere formal relationships which existed at all times,
everywhere, at once."
Some related pure mathematics —
According to René Guitart in May 2008 —
"In fact, in concrete terms, the Mathematical Pulsation is
nothing else but the thing that everyone does when doing
mathematics, even the most elementary ones. It is a very
special gesture in understanding ('geste de pensée'), well
known by each mathematician. The mind have to go to
and fro between to antinomical postures: to have the
situation under control, to leave the door open. To master
and to fix (a clear unique meaning) or to neglect and to
change (toward other possible meanings). Because of the
similarity of the pulsation of inspiration and expiration in
breath with the pulsation of closing and opening phases
in mathematical thinking, at the end of [Guitart (2003/a)]
I suggested to consider the famous book 'Zen in the Art
of Archery' [Herrigel (1997)] as a true treatise in didactic
of mathematics: just you have to replace everywhere the
words 'archery' by 'mathematical proof'."
Related material: Heisenberg on Beauty and the previous post.
Update of 6:20 AM Oct. 19, 2015 —
„Ich begriff plötzlich, daß in der Sprache oder doch
mindestens im Geist des Glasperlenspiels tatsächlich
alles allbedeutend sei, daß jedes Symbol und jede
Kombination von Symbolen nicht hierhin oder dorthin,
nicht zu einzelnen Beispielen, Experimenten und
Beweisen führe, sondern ins Zentrum, ins Geheimnis
und Innerste der Welt, in das Urwissen. Jeder Übergang
von Dur zu Moll in einer Sonate, jede Wandlung eines
Mythos oder eines Kultes, jede klassische, künstlerische
Formulierung sei, so erkannte ich im Blitz jenes
Augenblicks, bei echter meditativer Betrachtung,
nichts andres als ein unmittelbarer Weg ins Innere
des Weltgeheimnisses, wo im Hin und Wider zwischen
Ein- und Ausatmen, zwischen Himmel und Erde,
zwischen Yin und Yang sich ewig das Heilige vollzieht.“
— Hermann Hesse, Das Glasperlenspiel.
Berlin: Suhrkamp Taschenbuch Verlag, 2012. p. 172,
as quoted in a weblog.
For a version in English, see Summa Mythologica (Nov. 3, 2009).
Spielerei —
"On the most recent visit, Arthur had given him
a brightly colored cube, with sides you could twist
in all directions, a new toy that had just come onto
the market."
— Daniel Kehlmann, F: A Novel (2014),
translated from the German by
Carol Brown Janeway
Nicht Spielerei —
A figure from this journal at 2 AM ET
on Monday, August 3, 2015
Also on August 3 —
FRANKFURT — "Johanna Quandt, the matriarch of the family
that controls the automaker BMW and one of the wealthiest
people in Germany, died on Monday in Bad Homburg, Germany.
She was 89."
MANHATTAN — "Carol Brown Janeway, a Scottish-born
publishing executive, editor and award-winning translator who
introduced American readers to dozens of international authors,
died on Monday in Manhattan. She was 71."
Related material — Heisenberg on beauty, Munich, 1970
Omega is a Greek letter, Ω , used in mathematics to denote
a set on which a group acts.
For instance, the affine group AGL(3,2) is a group of 1,344
actions on the eight elements of the vector 3-space over the
two-element Galois field GF(2), or, if you prefer, on the Galois
field Ω = GF(8).
Related fiction: The Eight , by Katherine Neville.
Related non-fiction: A remark by Werner Heisenberg
in this journal on Saturday, June 6, 2015, the eightfold cube ,
and the illustrations below —
Mathematics
The Fano plane block design |
Magic
The Deathly Hallows symbol— |
Thanks to David Lavery for the following:
"Voilà! Stevens has managed to create out of nothing a palpable imaginative space, an interiority without material dimensions, replete with its own achieved and accomplished music. And in truth, in a world of Heisenbergian uncertainties and shifting star masses, it may be enough for the dizzying, ever-shifting merry-go-round of the Faustian mind simply to slow down and let itself come to rest, at least for the moment." — Paul Mariani, "God and the Imagination," Aug. 10, 1996 |
http://imagejournal.org/page/journal/articles/issue-18/mariani-essays
The title refers to yesterday evening's remarks titled
"Free the Philosophical Beast" in The Stone , a NY Times weblog.
The January 2015 issue of the Notices of the American Mathematical Society
has an article by Michael J. Barany. From November 2012 remarks
by Barany :
"A highlight of the workshop was Cathryn Carson’s interpretation
of the transcendental phenomenology and historicism of Husserl,
Heidegger, Cassirer, and a few others, launched from a moving
reflection on the experience of reading Kuhn."
See Carson's paper "Science as Instrumental Reason: Heidegger, Habermas,
Heisenberg," Continental Philosophy Review (2010) 42: 483–509.
Related material: Monday's Log24 posts Rota on Husserl and Annals of Perception.
(Continued from High White Noon,
Finishing Up at Noon, and A New York Jew.)
Above: Frank Langella in "Starting Out in the Evening"
Below: Frank Langella and Johnny Depp in "The Ninth Gate"
"Not by the hair on your chinny-chin-chin."
Above: Detail from a Wikipedia photo.
For the logo, see Lostpedia.
For some backstory, see Noether.
Those seeking an escape from the eightfold nightmare
represented by the Dharma logo above may consult
the remarks of Heisenberg (the real one, not the
Breaking Bad version) to the Bavarian Academy
of Fine Arts.
Those who prefer Plato's cave to his geometry are
free to continue their Morphean adventures.
A weblog post from Saturday, Jan. 14, 2012—
"Today is the 120th anniversary of Cardinal Henry Edward Manning's death."
— A Reluctant Sinner (Thanks to Andrew Cusack for the link.)
If Manning is a saint, then Saturday was his feast day.
Some background— Manning in this journal.
See also Saturday's Derrida at Villanova. The link there to
previous posts on that topic leads to a post on Derrida's promotion
of his neologism différance as a version of Plato's khôra.
I prefer Manning's discussion of a closely related concept,
the scholastic philosophers' materia prima .
See Hugh R. King's 1956 paper sneering at the scholastics'
concept, and Heisenberg's much better-informed remarks
on the related concept of potentia —
For a related fictional account of a religious quest for "possibilities"
and "excluded middles" between "zeroes and ones," see
Ingraffia on The Crying of Lot 49 .
"Letzen Endes wird also der Materiebegriff in beiden Fällen auf Mathematik zurückgefürt. Der innerste Kern alles Stofflichen ist für uns wie für Plato eine Form, nicht irgendein materieller Inhalt."
"In the final analysis, in both cases [Plato and modern physics] the notion of matter is essentially a mathematical concept. The most fundamental kernel of all that is material is for us, as well as for Plato, a [mathematical] form, and not some material content."
— W. Heisenberg, "Platons Vorstellungen von den kleinsten Bausteinen der Materie und die Elementarteilchen der modernen Physik," Im Umkreis der Kunst. Eine Festschrift für Emil Preetorius , Wiesbaden 1953, pp. 137-140, as cited by Luc Brisson and F. Walter Meyerstein in Inventing the Universe , SUNY Press, 1995.
See also remarks by Pauli in For All Hallows Day.
Update of 1 PM
Related material —
"Zweiteilung und Symmetrieverminderung, das ist des Pudels Kern. Zweiteilung ist ein sehr altes Attribut des Teufels."
—Pauli to Heisenberg
Here "the poodle's kernel" is a reference to Faust , where the devil appears as a poodle.
On Schopenhauer's later years—
"In Frankfurt he spent the remaining years of his life, living quietly in two rooms with his pipe and his flute but with no friends or companions except a small poodle, the only creature to which Schopenhauer ever seems to have felt any real attachment. He named the dog Atman, a term taken from the pessimistic religion of India, in which Schopenhauer had become more and more interested in his later years."
— Robert F. Davidson, "Pessimism: Arthur Schopenhauer" in Philosophies Men Live By , New York, The Dryden Press, 1952
Heisenberg on Heraclitus
From Physics and Philosophy , by Werner Heisenberg, 1958, reprinted by Penguin Classics, 2003—
Page 28—
… In the philosophy of Heraclitus of Ephesus the concept of Becoming occupies the foremost
place. He regarded that which moves, the fire, as the basic element. The difficulty, to reconcile
the idea of one fundamental principle with the infinite variety of phenomena, is solved for him by
recognizing that the strife of the opposites is really a kind of harmony. For Heraclitus the world is
at once one and many, it is just 'the opposite tension' of the opposites that constitutes the unity
of the One. He says: 'We must know that war is common to all and strife is justice, and that all
things come into being and pass away through strife.'
Looking back to the development of Greek philosophy up to this point one realizes that it has
been borne from the beginning to this
Page 29—
stage by the tension between the One and the Many. For our senses the world consists of an
infinite variety of things and events, colors and sounds. But in order to understand it we have to
introduce some kind of order, and order means to recognize what is equal, it means some sort
of unity. From this springs the belief that there is one fundamental principle, and at the same
time the difficulty to derive from it the infinite variety of things. That there should be a material
cause for all things was a natural starting point since the world consists of matter. But when one
carried the idea of fundamental unity to the extreme one came to that infinite and eternal
undifferentiated Being which, whether material or not, cannot in itself explain the infinite variety
of things. This leads to the antithesis of Being and Becoming and finally to the solution of
Heraclitus, that the change itself is the fundamental principle; the 'imperishable change, that
renovates the world,' as the poets have called it. But the change in itself is not a material cause
and therefore is represented in the philosophy of Heraclitus by the fire as the basic element,
which is both matter and a moving force.
We may remark at this point that modern physics is in some way extremely near to the
doctrines of Heraclitus. If we replace the word 'fire' by the word 'energy' we can almost repeat
his statements word for word from our modern point of view. Energy is in fact the substance
from which all elementary particles, all atoms and therefore all things are made, and energy is
that which moves. Energy is a substance, since its total amount does not change, and the
elementary particles can actually be made from this substance as is seen in many experiments on
the creation of elementary particles. Energy can be changed into motion, into heat, into light
and into tension. Energy may be called the fundamental cause for all change in the world. But this
comparison of Greek philosophy with the ideas of modern science will be discussed later.
* See earlier uses of the phrase in this journal. Further background— Hopkins and Heraclitus.
“Logic is all about the entertaining of possibilities.”
– Colin McGinn, Mindsight: Image, Dream, Meaning,
Harvard University Press, 2004
Geometry of Language,
continued from St. George's Day, 2009—
Related material:
Prima Materia,
The Galois Quaternion,
and The Wake of Imagination.
See also the following from a physicist
(not of the most orthodox sort, but his remarks
here on Heisenberg seem quite respectable)–
Prima Materia
(Background: Art Humor: Sein Feld (March 11, 2009) and Ides of March Sermon, 2009)
From Cardinal Manning's review of Kirkman's Philosophy Without Assumptions—
"And here I must confess… that between something and nothing I can find no intermediate except potentia, which does not mean force but possibility."
— Contemporary Review, Vol. 28 (June-November, 1876), page 1017
Furthermore….
Cardinal Manning, Contemporary Review, Vol. 28, pages 1026-1027:
The following will be, I believe, a correct statement of the Scholastic teaching:–
1. By strict process of reason we demonstrate a First Existence, a First Cause, a First Mover; and that this Existence, Cause, and Mover is Intelligence and Power.
2. This Power is eternal, and from all eternity has been in its fullest amplitude; nothing in it is latent, dormant, or in germ: but its whole existence is in actu, that is, in actual perfection, and in complete expansion or actuality. In other words God is Actus Purus, in whose being nothing is potential, in potentia, but in Him all things potentially exist.
3. In the power of God, therefore, exists the original matter (prima materia) of all things; but that prima materia is pura potentia, a nihilo distincta, a mere potentiality or possibility; nevertheless, it is not a nothing, but a possible existence. When it is said that the prima materia of all things exists in the power of God, it does not mean that it is of the existence of God, which would involve Pantheism, but that its actual existence is possible.
4. Of things possible by the power of God, some come into actual existence, and their existence is determined by the impression of a form upon this materia prima. The form is the first act which determines the existence and the species of each, and this act is wrought by the will and power of God. By this union of form with the materia prima, the materia secunda or the materia signata is constituted.
5. This form is called forma substantialis because it determines the being of each existence, and is the root of all its properties and the cause of all its operations.
6. And yet the materia prima has no actual existence before the form is impressed. They come into existence simultaneously;
[p. 1027 begins]
as the voice and articulation, to use St. Augustine's illustration, are simultaneous in speech.
7. In all existing things there are, therefore, two principles; the one active, which is the form– the other passive, which is the matter; but when united, they have a unity which determines the existence of the species. The form is that by which each is what it is.
8. It is the form that gives to each its unity of cohesion, its law, and its specific nature.*
When, therefore, we are asked whether matter exists or no, we answer, It is as certain that matter exists as that form exists; but all the phenomena which fall under sense prove the existence of the unity, cohesion, species, that is, of the form of each, and this is a proof that what was once in mere possibility is now in actual existence. It is, and that is both form and matter.
When we are further asked what is matter, we answer readily, It is not God, nor the substance of God; nor the presence of God arrayed in phenomena; nor the uncreated will of God veiled in a world of illusions, deluding us with shadows into the belief of substance: much less is it catter [pejorative term in the book under review], and still less is it nothing. It is a reality, the physical kind or nature of which is as unknown in its quiddity or quality as its existence is certainly known to the reason of man.
* "… its specific nature"
(Click to enlarge) —
For a more modern treatment of these topics, see Werner Heisenberg's Physics and Philosophy. For instance:
"The probability wave of Bohr, Kramers, Slater, however, meant… a tendency for something. It was a quantitative version of the old concept of 'potentia' in Aristotelian philosophy. It introduced something standing in the middle between the idea of an event and the actual event, a strange kind of physical reality just in the middle between possibility and reality."
Compare to Cardinal Manning's statement above:
"… between something and nothing I can find no intermediate except potentia…"
To the mathematician, the cardinal's statement suggests the set of real numbers between 1 and 0, inclusive, by which probabilities are measured. Mappings of purely physical events to this set of numbers are perhaps better described by applied mathematicians and physicists than by philosophers, theologians, or storytellers. (Cf. Voltaire's mockery of possible-worlds philosophy and, more recently, The Onion's mockery of the fictional storyteller Fournier's quantum flux. See also Mathematics and Narrative.)
Regarding events that are not purely physical– those that have meaning for mankind, and perhaps for God– events affecting conception, birth, life, and death– the remarks of applied mathematicians and physicists are often ignorant and obnoxious, and very often do more harm than good. For such meaningful events, the philosophers, theologians, and storytellers are better guides. See, for instance, the works of Jung and those of his school. Meaningful events sometimes (perhaps, to God, always) exhibit striking correspondences. For the study of such correspondences, the compact topological space [0, 1] discussed above is perhaps less helpful than the finite Galois field GF(64)– in its guise as the I Ching. Those who insist on dragging God into the picture may consult St. Augustine's Day, 2006, and Hitler's Still Point.
Spider Girl
"The 'magico-religious' tarantella
is a solo dance performed
supposedly to cure…
the delirium and contortions
attributed to the bite of a spider
at harvest (summer) time."
Moral:
Life's a dance
(and Jersey girls
are tough).
For Mira Sorvino, star of "Tarantella,"
who was raised in Tenafly, New Jersey–Bull on Sacred Cows:
"Poor late nineteenth-century, poor early twentieth-century! Oh, brave new world that had such people in it: people like Charles Darwin, Karl Marx, Friedrich Nietzsche, Sigmund Freud, Albert Einstein, Werner Heisenberg, Kurt Gödel. Seven people who did more than all the machine-guns and canons of the Somme Valley or the Panzer divisions of Hitler to end the old world and to create– if not the answers– at least the questions that started off the new, each one of them killing one of the sacred cows on which Western consciousness had fed for so long…."— Apostolos Doxiadis, "Writing Incompleteness-– the Play" (pdf).
See also Mathematics and Narrative.
Continued…
… from June 11, 2008.
Werner, Kimberly;
Kimberly, Werner.
Happy Feast of
St. Mary Magdalene.
(Continued from Sept. 22–
“A Rose for Ecclesiastes.”)
From Kibler’s
“Variations on a Theme of
Heisenberg, Pauli, and Weyl,”
July 17, 2008:
“It is to be emphasized
that the 15 operators…
are underlaid by the geometry
of the generalized quadrangle
of order 2…. In this geometry,
the five sets… correspond to
a spread of this quadrangle,
i.e., to a set of 5 pairwise
skew lines….”
— Maurice R. Kibler,
July 17, 2008
For ways to visualize
this quadrangle,
see Inscapes.
Related material
A remark of Heisenberg “… die Schönheit… [ist] die
richtige Übereinstimmung der Teile miteinander und mit dem Ganzen.” “Beauty is the proper conformity |
In Memory of
Edmund Husserl
— Stanford Encyclopedia of Philosophy
“Beauty is the proper conformity
of the parts to one another
and to the whole.”
— Classic definition quoted
by Werner Heisenberg
(Log24, May 18-20, 2005)
“It seems, as one becomes older,
That the past has another pattern,
and ceases to be a mere sequence….”
— T. S. Eliot, Four Quartets
See also Time Fold
and Theme and Variations.
The three main characters “spend much of the play discussing quantum mechanics, string theory and Schrödinger’s Cat experiment….
Ms. Buggé’s frequently clever script makes the audience feel smart by offering up fairly recognizable literary references (from, among other things, T. S. Eliot’s ‘Love Song of J. Alfred Prufrock’ and William Wordsworth’s ‘Tintern Abbey’). But the play suffers from abrupt, sometimes motivation-free exits and entrances.”
As does life itself.
Yau rated the conjecture as one of the major mathematical puzzles of the 20th Century. |
Five years have passed; five summers, with the length Of five long winters! |
There is one story and one story only
That will prove worth your telling….
— Robert Graves,
“To Juan at the Winter Solstice”
Exits and Entrances:
Halmos exited on Yom Kippur.
He may or may not achieve
re-entry. For details, see
Log24 entries of Oct. 1-15:
Ticket Home
Related material:
The Unity of Mathematics,
Heisenberg on Beauty, and
Theme and Variations.
Recipe for Disaster
according to Jerome Kagan,
Harvard psychologist emeritus
From Log24 — | |
|
|
From Harvard's Jerome Kagan — |
|
"'Humans demand that there be a clear right and wrong,' he said. 'You've got to believe that the track you've taken is the right track. You get depressed if you're not certain as to what it is you're supposed to be doing or what's right and wrong in the world.'" | "People need to divide the world into good and evil, us and them, Kagan continued. To do otherwise– to entertain the possibility that life is not black and white, but variously shaded in gray– is perhaps more honest, rational and decent. But it's also, psychically, a recipe for disaster." |
Black and White: |
Shades of Gray: |
The above Kagan quotes are taken
from a New York Times essay by
Judith Warner as transcribed by
Mark Finkelstein on Sept. 29.
See also Log24 on
Sept. 29 and 30.
Related material:
Kagan's book
Surprise, Uncertainty,
and Mental Structures
(Harvard U. Press, April 2002)
and Werner Heisenberg–
discoverer of the
uncertainty principle—
as Anakin Skywalker
being tempted by
the Dark Side:
“In The Painted Word, a rumination on the state of American painting in the 1970s, Tom Wolfe described an epiphany….”
— Peter Berkowitz, “Literature in Theory”
“I had an epiphany.”
— Apostolos Doxiadis, organizer of last summer’s conference on mathematics and narrative. See the Log24 entry of 1:06 PM last August 23 and the four entries that preceded it.
“… das Durchleuchten des ewigen Glanzes des ‘Einen’ durch die materielle Erscheinung“
— A definition of beauty from Plotinus, via Werner Heisenberg
“By groping toward the light we are made to realize how deep the darkness is around us.”
— Arthur Koestler, The Call Girls: A Tragi-Comedy, Random House, 1973, page 118, quoted in The Shining of May 29
“Perhaps we are meant to see the story as a cubist retelling of the crucifixion….”
— Adam White Scoville, quoted in Cubist Crucifixion, on Iain Pears’s novel, An Instance of the Fingerpost
Compare and contrast:
Click on pictures for details.
"… die Schönheit… [ist] die
richtige Übereinstimmung
der Teile miteinander
und mit dem Ganzen."
"Beauty is the proper conformity
of the parts to one another
and to the whole."
— Werner Heisenberg,
"Die Bedeutung des Schönen
in der exakten Naturwissenschaft,"
address delivered to the
Bavarian Academy of Fine Arts,
Munich, 9 Oct. 1970, reprinted in
Heisenberg's Across the Frontiers,
translated by Peter Heath,
Harper & Row, 1974
From Matt Glaser, Satchmo, the Philosopher:
“… the luminosity and perpetual freshness of Armstrong’s music. These qualities, as well as his essentially abstract ability to affect our perception of time, link him with the other artistic and scientific revolutionaries of the first half of the 20th century. Recently I had a very public fantasy (in Ken Burns’s Jazz) in which Werner Heisenberg attends a Louis Armstrong concert in Copenhagen, in 1933. Did I go too far? Actually, I didn’t go far enough.”
That Log24 entries connect both these dates to Louis Armstrong is, of course, purely coincidental.
man smiling?
Representing truth: Rebecca Goldstein |
Representing bullshit: Apostolos Doxiadis |
Goldstein’s truth:
Gödel was a Platonist who believed in objective truth. See Rothstein’s review of Goldstein’s new book Incompleteness. |
Doxiadis’s bullshit:
Gödel, along with Darwin, Marx, Nietzsche, Freud, Einstein, and Heisenberg, destroyed a tradition of certainty that began with Plato and Euclid. |
“Examples are the stained-glass
windows of knowledge.” — Nabokov
"What is it, Major Lawrence,
that attracts you personally
to the desert?"
"It's clean."
Visible Mathematics,
continued —
"The Garden of Eden is behind us
and there is no road
back to innocence;
we can only go forward."
— Anne Morrow Lindbergh,
Earth Shine, p. xii
— Werner Heisenberg,
"Die Bedeutung des Schönen
in der exakten Naturwissenschaft,"
address delivered to the
Bavarian Academy of Fine Arts,
Munich, 9 Oct. 1970, reprinted in
Heisenberg's Across the Frontiers,
translated by Peter Heath,
Harper & Row, 1974
Related material:
(in Arabic, ka'b)
and
It’s that translucence, that light shining through, that brings us to tears, wherever we find it…. As Sidney Bechet put it, ‘You’ve got to be in the sun to feel the sun.'”
— Matt Glaser, Satchmo, the Philosopher,
Village Voice Jazz Supplement,
June 6-12, 2001
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